Showing posts with label author resources. Show all posts
Showing posts with label author resources. Show all posts

Tuesday, September 30, 2014

Research -- The Joys of "Being There" by Kathy Fischer-Brown



As a writer of historical novels set in the 18th century, I find doing the research is as interesting as writing the book itself…if not more so. In this modern age, it can be done easily, without having to leave the comfort of one’s chair. Digitization of more and more old, formerly hard-to-find source books, blogs and specialized websites have taken much of the drudgery out of what used to be a time-consuming chore. 
Old Sturbridge Village
But even with a wealth of available information, nothing is quite as stimulating as “being there.” The acrid smell of black powder smoke settling over a field in the hot glare of autumn sun, along with the crack of musket fire; the boom of cannons belching fire; the feel on your face of the dry heat of kitchen fires on a sultry summer day; flies swarming about the kitchen through open, distorting glass windows…all provide a unique entry into the world I try to recreate in my novels. When attempting to capture these sensory details, books and journals, letters and maps fall short, leaving too many of these tangible elements to the imagination.
Recruits drill at Saratoga National Park
When I was a child of ten, my family visited Williamsburg, Virginia, and I fell hopelessly in love with the place and the era it represents. The clothing, the smells and sounds affected me with a deep sense that, if just for the short time we were there, I had traveled back in time. Over the years, we made similar visits to other living history sites in the Northeast and Southern U.S. As an adult, I took my children to Mystic, CT, Old Sturbridge, MA and many a re-enactment rendezvous. The magic I’d experienced as a child had not released its hold on me.
During the weekend of September 19-21, a fellow historical writer friend and I attended the 237th anniversary of the “Turning Point of the American Revolution” at the Saratoga National Historical Park in Stillwater, NY. Being transported to an earlier period in time was magical, marvelous, and informative.
We spent all day Saturday and part of Sunday traveling by car around the park, stopping at the numbered points of interest along the route to marvel at the scenery from the heights overlooking the Hudson River Valley and beyond. At other tour stops, we met members of the various re-enacting groups representing both the American and British camps. While other tourists milled about, we sat around pungent campfires and chatted with women toiling with the laundry in wooden buckets using water carried up the heights in pails, with a rifleman who was more than happy to answer our questions and explain how he cleans his flintlock after a long day on the battlefield. We also watched a group of raw recruits go through the paces of loading and firing their weapons...with a little help from the drill master.
British Camp follower at Saratoga National Park
As interesting as it was to spend time with the “Americans,” the British encampment provided opportunities to delve into the sort of stuff not taught in history classes. Here we met a Royal Navy man, a Hessian soldier, Loyalists, and bevy of camp followers and their children. One of the women introduced us to an assortment of vegetables common at the time. We even sampled carrots and beans not found in our local supermarkets.
I don’t know about anyone else, but after watching numerous movies and made-for-TV-series set during this period, I wondered how those woolen breeches worn by the British army stayed so white during their mucky slogs through the wilderness. “Chalk,” explained the young man portraying a Loyalist Indian agent. Who’d have imagined that? He also showed us some his equipment, which included an actual sword (and explained how it differs from reproduction swords) and an ingenious device he called “the Bic lighter” of the 18th century.
In addition to the clothes and the sights, smells and sounds from the past, we experienced that otherworldly sensation of walking among ghosts on hallowed ground where so many bled and died, where a future traitor achieved his finest hour, on a tract of land that has been preserved for today and for those of tomorrow who can—if just for a short while—step back in time.

~Kathy Fischer-Brown
Cover art by Michelle Lee
cover art by Michelle Lee






Tuesday, July 15, 2014

Alas poor images, I cannot find you!

By Michelle Lee
BWL Art Director

So how many of you, when trying to visualize the ways you want a cover to look, quickly get frustrated trying to find images?

(Waiting a moment as people start jumping up and down, madly waving their arms, screaming ME!  That's ME she's talking about).

I should have mentioned, make sure not to scare your pets with your answer.

(Waiting longer while poor Fluffy and Fido are coaxed out from behind the fridge and Tweets snagged off of the curtain rod in the shower; don't worry - Slither will come out of the sewer somewhere in the neighborhood - so just wait for screams to clue you in to his location.).

As you can imagine, many authors find themselves in the same ... exact ... boat when it comes to finding images.

So here are some tricks to image searches (from my own personal frustrated experiences).

* First off ... do some sample searches and see what comes up.  Go to images sites like 123rf.com and use their search function and search for random things, so that you can familiarize yourself with the site.  Like any skill, practice is going to work to your advantage.

* Don't get discouraged; sometimes cover artists have problems finding images.

* All too often, when it comes to something like finding the perfect image authors have to come to terms with the fact that they don't exist.  Going to wait a moment, and let that sink in.  The perfect images do not and will not ever exist.  We work with what is available, and within the bounds of what models are willing to pose for certain genres of images.  So sometimes, close-enough is what we work with.

* Now, if you're not finding images, not because of looking for the perfect one, but rather because nothing is showing up as a result of your search, just try new terms, and things that are close.  For example, I have found Regency era styled images by search for Medieval and Renaissance.  The terms Baroque, Vintage, etc also have worked when trying to find historical images.  So expand a little with the search terms.

* Generally one and two word searches work best.  This is by far the best advise I can possibly give.  ONE or TWO word searches.  For example: "Sexy Couple" is going to yield much better results that "Couple Sexy Embrace Bed Red Silk Lingerie Lace England Castle Curtains Blond Man Redhead Woman".  Yes, there will be more images to look through, but you are more likely to find what you need.  Many photographers put really good search terms to their images, but that can't think of everything.  So simple is going to yield better results.

* Also, keep in mind if Sexy Couple didn't work, maybe Attractive Couple, Nude Couple, Lingerie Couple, Embracing Couple, Couple Kiss, Couple Love, etc might yield better results so try alternative search terms.

* If I find a search term set that yields great results, and I know I might need to use it again, I will save the terms in a word doc.  I put what I am trying to find, and what terms I ended up using.

* * *

Now, I know that many authors feel they are not a good judge of images, and what would make a cover.  And that is fine.  That is the role of the cover artist.  But cover artists are not fluent in all fields.  So some genres are more difficult for an artist to find images for without author suggestions.  To that end - consider finding images that fit your characters, and suggest them.  Keep in mind however, the cover artist might not use them.  Because some images lend themselves to covers better than others, the cover artist and publisher is always going to reserve the right to opt for a different image.  But by suggesting possible images, you are more likely to get something closer to what you want than not.

For example, I am a biologist by training.  Specifically an ecologist.  So, someone saying to me 'I want a nice snowy owl on the fore-cover, and a timber wolf in the background, with a couple in between'.  As a result, I am able to fit those requirements without much effort, because I am familiar with both, and if not - I have easy access to field guides that will make me familiar with them.

But saying to me, 'This is set in Edwardian England, and I want the hero to have period clothing, and the background needs to be a period house, and so on', um I am going to space out at Edwardian, and my eyes will be completely glazed over by hero ...  So for that cover, I am so going to need every suggestion I can get.

So keep in mind that cover artists are not fluent in all fields, and thus not fluent in all genres terms and specifics.  We do the best we can, with what resources we have available - so make sure YOU are one of those resources.

* * *

Oh and one last, tiny little suggestion.  As you are searching, if you come across an image that screams at you - but for a book you aren't working on filling out the information for - SAVE THE URL, image number and site, whatever!!!! 

Either create a word document that you put all of them into, with the Genre/WIP Title etc with them, or bookmark them, something.  

So many times, authors lament that they had found the perfect image, but forgot to save it since they were looking for a different book's suggestions.  So don't let that be you.  Find some way to keep track of the images that stand out to you - because you never know when you will need to find it again.

Sunday, June 9, 2013

Author Resources

By Michelle Lee
BWL Art Director

Came across a couple of good posts (in my opinion anyways) that might be helpful for authors out there.

I have already shared these with the BWL authors, but I wanted to make sure BWL readers (who are also authors) get the info too.

First up are two about the dreaded book description. : )

http://www.thecreativepenn.com/2010/11/16/how-to-write-back-blurb-for-your-book/

http://catherineryanhoward.com/2012/10/05/the-11-ingredients-of-a-sizzling-book-\description/

If you are looking to do a print run of your elf-published releases, or of a release with a strictly electronic publisher, then this post about CreateSpace might be helpful to you.

Or not ... ; )

Mileage can and does vary. LOL

http://www.thecreativepenn.com/2013/03/12/tips-self-publishing-createspace/

A while back, I posted on the Inside Books We Love blog my Top 5 website suggestions.  If you haven’t read it, you can check it out here:  http://bwlauthors.blogspot.com/2012/03/website-suggestion-top-5.html

One of the posts I found is a really good bit of information about Author Websites, and whether an author's website is hurting their sales.

http://www.thecreativepenn.com/2012/01/06/is-your-website-hurting-your-writing/

Might be interesting reading. And for those of you who are reading it and
thinking, I can't do anything fancy, it isn't saying that. Just that it fits
your writings, and that it is, well, professional looking.

For example, Jamie Hill has a simple website (http://www.jamiehill.biz/) but it FITS her writings.

Victoria Chatham is another BWL author who has a simple, yet elegant website.   http://victoriachathamauthor.com/

So it isn't anything that requires a lot of money and time.

BWL author Janet Lane Walters shared this link on her blog, and I thought some others might also find it interesting. I know I did.

Evidently there is something called a LOGLINE that we should also have for books. I've only ever been using a TAGLINE.

http://rwasd.wordpress.com/2013/06/06/loglines-and-taglines-are-different-and-yo\u-need-both-for-your-novel-by-r-ann-siracusa/

Hope you find it informative.

Another post I did was on some Bio suggestions.  I hope I have provided some tricks and tips that you will find useful.

http://bwlauthors.blogspot.com/2013/05/whats-in-biography.html

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