He's Sexy and you know it!

By Michelle Lee

BWL Art Director

This post is primarily for romance authors, readers, and those that love them.

We all know there are trends in romances.  Tropes many people call them.

Amnesia.

     One-night stand baby.

          In love with the boss.

               Cowboys.

                    Vampires.

                         Werewolves.

A vampire who has a baby with her werewolf boss, who is also a cowboy, and then he develops amnesia right after telling her he loves her too, so she has to make him fall in love with her again, while together they fight off the bad werewolf female who wants the hero for herself.

Ok, so that last one I might have been making up - but you watch, now that it is out there in the blog-o-sphere, someone somewhere will write it.  So long as I get creative credit, I'm okay with it.

Anyways, we all know there are trends.  Just like in the storylines, there are also trends with cover art, specifically cover models.

For example, anyone remember this guy?

If you read romances in the '80 and early '90 you should.  That's right - that's FABIO.

(want a blast from the past - check out this post of his 'Top 40 Covers')

Fabio was on more than 400 romance novel covers.  And that was a big deal at the time.

Now, let's fast forward to today.  And we have JIMMY THOMAS.  He is an even hotter commodity than Fabio was in his day.  At one point a year or so ago, Mr. Thomas mentioned he had been on something like a 1000 book covers, and since then he has become even more prolific.  Current stats put him at 6000 covers.

Think about that - 6000 covers!  Holy moly!

But then again, looking at him, I can certainly see why he is so prolific.

      

(Images (c) Jimmy Thomas) - I just LOVE that second picture.

Part of Mr. Thomas' appeal is his tall, dark good looks, as well as his versatility ... but also his support for the romance community.  He started up a romance stock image site.  He started a cover art convention (which welcomes big named authors as well as those just starting out) and occurred for this year just a couple days ago.  He started a newtworking site just for the romance community - readers, publishers, cover artists, authors, etc.  From everything I have heard about him, he is open, personable, and generally a nice guy.  I have hopes to eventually make it out to his cover art convention myself, and maybe get a first hand account.

So what covers from BWL can we find the prolific Jimmy Thomas on?

Alas poor images, I cannot find you!

By Michelle Lee

BWL Art Director

So how many of you, when trying to visualize the ways you want a cover to look, quickly get frustrated trying to find images?

(Waiting a moment as people start jumping up and down, madly waving their arms, screaming ME!  That's ME she's talking about).

I should have mentioned, make sure not to scare your pets with your answer.

(Waiting longer while poor Fluffy and Fido are coaxed out from behind the fridge and Tweets snagged off of the curtain rod in the shower; don't worry - Slither will come out of the sewer somewhere in the neighborhood - so just wait for screams to clue you in to his location.).

As you can imagine, many authors find themselves in the same ... exact ... boat when it comes to finding images.

So here are some tricks to image searches (from my own personal frustrated experiences).

* First off ... do some sample searches and see what comes up.  Go to images sites like 123rf.com and use their search function and search for random things, so that you can familiarize yourself with the site.  Like any skill, practice is going to work to your advantage.

* Don't get discouraged; sometimes cover artists have problems finding images.

* All too often, when it comes to something like finding the perfect image authors have to come to terms with the fact that they don't exist.  Going to wait a moment, and let that sink in.  The perfect images do not and will not ever exist.  We work with what is available, and within the bounds of what models are willing to pose for certain genres of images.  So sometimes, close-enough is what we work with.

* Now, if you're not finding images, not because of looking for the perfect one, but rather because nothing is showing up as a result of your search, just try new terms, and things that are close.  For example, I have found Regency era styled images by search for Medieval and Renaissance.  The terms Baroque, Vintage, etc also have worked when trying to find historical images.  So expand a little with the search terms.

* Generally one and two word searches work best.  This is by far the best advise I can possibly give.  ONE or TWO word searches.  For example: "Sexy Couple" is going to yield much better results that "Couple Sexy Embrace Bed Red Silk Lingerie Lace England Castle Curtains Blond Man Redhead Woman".  Yes, there will be more images to look through, but you are more likely to find what you need.  Many photographers put really good search terms to their images, but that can't think of everything.  So simple is going to yield better results.

* Also, keep in mind if Sexy Couple didn't work, maybe Attractive Couple, Nude Couple, Lingerie Couple, Embracing Couple, Couple Kiss, Couple Love, etc might yield better results so try alternative search terms.

* If I find a search term set that yields great results, and I know I might need to use it again, I will save the terms in a word doc.  I put what I am trying to find, and what terms I ended up using.

* * *

Now, I know that many authors feel they are not a good judge of images, and what would make a cover.  And that is fine.  That is the role of the cover artist.  But cover artists are not fluent in all fields.  So some genres are more difficult for an artist to find images for without author suggestions.  To that end - consider finding images that fit your characters, and suggest them.  Keep in mind however, the cover artist might not use them.  Because some images lend themselves to covers better than others, the cover artist and publisher is always going to reserve the right to opt for a different image.  But by suggesting possible images, you are more likely to get something closer to what you want than not.

For example, I am a biologist by training.  Specifically an ecologist.  So, someone saying to me 'I want a nice snowy owl on the fore-cover, and a timber wolf in the background, with a couple in between'.  As a result, I am able to fit those requirements without much effort, because I am familiar with both, and if not - I have easy access to field guides that will make me familiar with them.

But saying to me, 'This is set in Edwardian England, and I want the hero to have period clothing, and the background needs to be a period house, and so on', um I am going to space out at Edwardian, and my eyes will be completely glazed over by hero ...  So for that cover, I am so going to need every suggestion I can get.

So keep in mind that cover artists are not fluent in all fields, and thus not fluent in all genres terms and specifics.  We do the best we can, with what resources we have available - so make sure YOU are one of those resources.

* * *

Oh and one last, tiny little suggestion.  As you are searching, if you come across an image that screams at you - but for a book you aren't working on filling out the information for - SAVE THE URL, image number and site, whatever!!!! 

Either create a word document that you put all of them into, with the Genre/WIP Title etc with them, or bookmark them, something.  

So many times, authors lament that they had found the perfect image, but forgot to save it since they were looking for a different book's suggestions.  So don't let that be you.  Find some way to keep track of the images that stand out to you - because you never know when you will need to find it again.

What makes a writer?

What makes a writer? There must be a thousand answers to that but in my case it’s because other people fascinate me, and on my recent journey to Russia that fascination got the better of me despite the glory of my surroundings.

The Hermitage Museum in St Petersburg is almost beyond description. The 3 million people who visit each year cannot begin to view even a fraction of the millions of artifacts on display or stored in its ten buildings, seven of which are monuments of 18th and 19th-century Russian culture, so when I was taken to the banks of the River Neva to admire one of the most iconic views of the city, I should have been concentrating.  Instead something else caught my eye.

Sitting close together on the edge of the cobbled walkway were a young couple. Next to them were discarded takeaway coffee cups. She was holding a camera. Why was I more interested in two strangers than in the magnificent view opening up before me? Why did I stop looking in the direction of the tour guide’s pointing finger, and what made my ears deaf to the history all around me?

The answer is simple. I am a writer. So while my companions listened to the guide’s potted history of the city and how, once upon a time, it had been a great trading port, I was more fascinated by the couple in front of me who appeared to be completely oblivious to the rest of the world.

Why were they here? It was eight thirty in the morning, which explained the coffee but nothing else, so while everyone else in my tour group learned about the construction of The Great Hermitage (1771-87), the Russian Revolution (1917), and how more than a million items were evacuated from the museum to the Urals during World War II, I began to create a story about the here and now.

Were they illicit lovers who were stealing a few moments together on their way to their respective jobs, or were they new lovers who couldn’t bear the thought of having to spend a whole day apart? On the other hand, maybe the camera was the clue and they were just tourists like us who had set out to enjoy the view and been sidetracked.

I was intrigued by their body language too. The woman was slightly hunched against the early morning chill, one hand in her pocket, so had it all started when he’d put his arm around her to keep her warm? Was that her clever ploy? Was this their first kiss? Or maybe they were they saying goodbye, knowing they wouldn’t see one another again for a long time, if ever. No! They looked too happy for that. One thing was for sure, they were in love…hopelessly and ecstatically... and for a Romantic fiction  writer like me it was a joy to see.

I’ll never know their story of course, and nor should I. I will use that short glimpse into their lives though. One day, in one of my books, there will be a young couple sitting beside a river and they will be so locked into their own world that they will be completely oblivious to the people passing by. She might even be wearing a green coat…but the story will be mine. Whether The Great Hermitage will also feature remains to be seen!

Visit my website at sheilaclaydon.com where I often use things I have learned on my travels and where readers are promised a ticket to romance when they read one of my books.

Writng, Directing, and Producing a Stage Play by Joan Donaldson-Yarmey

Last winter I took my writing in a totally new direction. I attended a two day, play writing course. By the end of it I had adapted a short story of mine, which had won first prize in a flash fiction writing contest in Ascent Aspirations Magazine, into a half hour stage play. Last spring, I entered my play in the Port Alberni Fringe. This summer I produced and directed my play on stage in front of a audience. During those months, I discovered this whole process is not easy.

I needed a male and a female lead actor and I asked two people who had been in plays in our local theatre. They both agreed and I sent them copies of the play. We met for a first run through with each of us discussing how we saw the characters. Their interpretations of their characters attitude and actions were sometimes different from mine but other than a few places where I thought a certain delivery was needed, I let them play the part as they wanted. Through our many rehearsals with the props, which my husband, Mike was in charge of, the characters evolved and took shape as we discovered better ways for them to move, react, and relate.

I also needed actors for a party scene and I approached friends and co-workers. Even though I told them that they would only be on stage a few minutes, that all they had to do was listen to the main male character beak off about what a great writer he was, and that they had no lines, most of them declined saying there was no way they would ever get up on stage in front of an audience. Some agreed so I gave them the times of our next two rehearsals; most never showed up. I kept asking people: my cats' vet, the owner of a new store in town, the man who donated some of the props with no success. We ended up with two who came regularly and one who showed up once. It looked like Mike and I would be making our acting debut. I was beginning to worry. Maybe I would have to drag up some of the audience members.

On the evening of the first presentation, two of the three who had attended the rehearsals, two actors from another play, and I made up the party attendees. For the Saturday matinee, one of the three, two actors from another play, two members of my dragon boat team, a theatre volunteer, and myself were the partiers.

One thing I did learn was that for the Fringe, where plays are being presented one after the other, having a lot of props is not a good idea. Because I was showing a story instead of telling it, we had over forty props, some large ones being a fridge, stove, desk, computer, sewing machine, two chairs and table, and smaller ones being duster, broom, envelope, pen, paper, material, boxes, wine bottle and glasses, and many more. The play after mine had only two chairs, two tables  a desk, a laundry basket and some beer bottles. Another play I watched had tea cups and teddy bears.

The first evening there were four plays, mine being the first. That was perfect because it gave us time to set up the scene. However, at the end we had get our props off the stage so that the next play could get their props on for their showing. Our actors became stage hands and everything disappeared backstage quickly. The same thing happened on Saturday afternoon.

One thing I did learn was that while I had written the words, I was at the mercy of the actors to show up for rehearsals, learn the lines and deliver those lines on stage. My female lead was off book (I got to know some of the terms) quickly but my male lead had trouble remembering his lines and missed some rehearsals.

Putting on a stage play is not like making a movie, you can't go back and redo a scene. When asked, the way I put it is 'opening night did not go as rehearsed'. To be honest, it wasn't even close. The male actor kept forgetting his lines or changing them which threw off the female actor, as well as, the lighting guy and Mike, who had to operate a smoke machine.

The Saturday afternoon presentation was much better. He still missed many of his lines but the audience laughed where they were supposed to and understood, and laughed and clapped at, the twisted ending. I was elated and hearing that laughter made the whole process worthwhile. I would like to write another play for next year, however, I will keep the props to a minimum and have the actors tell the story rather than show the story.

While there were problems and mishaps on getting my play to the stage the most memorable one is about the wine bottle. We needed a wine bottle for our opening scene so I rinsed one out and filled it with water. We used it for our first on stage rehearsal and then put it with the rest of the props. For our dress rehearsal the next evening, it was not where I had left it. I looked everywhere and then had to substitute a beer bottle. We joked that hopefully the person who took it wasn't using it as a hostess gift at a fancy dinner. I found another bottle for opening night. At the end of the evening, I discovered the first bottle by a door, empty. If that person drank it he must have thought it was the weakest, worst tasting wine ever made.
Joan Donaldson-Yarmey

The Books of The Travelling Detective Series, now available in a boxed set
Illegally Dead
The Only Shadow In The House
Whistler's Murder

http://thetravellingdetectiveseries.blogspot.com/

JUMPSTART AND GET WRITING BY RITA KARNOPP

“So you have such a positive attitude, how do you give yourself a jumpstart to get writing?”  The other day I was asked this question, and I decided would be a great blogging subject.  How do we push ourselves into our offices to write?  Heaven forbid there are enough distractions and other things you could be doing – besides sitting in your quiet office, all alone, with your thoughts and a white screen staring back at you.  Exactly how do we give ourselves the strength to say it’s time to write?

I truly believe us writers are special people.  Yep we truly are!  I think the hardest things for us are our other responsibilities.  We have family, friends, housework, the JOB, yard, cooking, shopping, and of course church (in my case) and the hubby.  The list goes on and on.  In between all those responsibilities and distractions we must ‘make’ the time to write. 

I don’t know if you’re like me – BUT – the other ‘stuff’ must  be done in order for me to concentrate on what I really want to do, write.  It’s not a hobby or what I do for fun.  Let’s face it, we love to write – but it is work.

So I need the house clean, the dishes done, the bills paid, and even my office must be clean before I can sit in front of my computer.  Now that’s a bit easier these days since my kids are out of the nest.  J   But I started writing when my kids were three and five+ so there you have it, I understand it both ways.

I don’t recommend three cups of coffee so you feel awake – that will just give you the jitters and make you feel unsettled.  A nice glass of ice water (or flavored – no calorie water) is what I recommend.  Get it right away so you don’t have an excuse to ‘leave’ your office and get side-tracked.  Yep, I know all the tricks … or mistakes.  You might even fix yourself a plate of celery sticks, carrot sticks, or even pea pods so you don’t get the chocolate cravings.

If you tell yourself you ‘should’ be writing, yet you’re sitting on the couch trying to muster up the energy and drive to go write – ask yourself one thing – “What is my deadline date?”  What?  You don’t have a deadline date?  That is not good!  You MUST have goals and deadline dates or you’ll never accomplish what you want in life.  That doesn’t just apply to writing, but in this case it does.

You need to sit down and look at your work in progress and answer these questions:

·       What genre are you writing?
·       World count for this work?
·       How many chapters will you have?
·       Now- how long does it take you to write a chapter?
·       Add a month in for unexpected distractions/responsibilities.
·       What is your writing schedule?
·       Finally – what is the deadline date to finish your book?

You do this one thing and I guarantee you’ll get more books written than you’ve ever done before.  I always correlate it to this.  If you were planning to go on a trip to Montana, you know you’d get maps and plot it out, you’d look at places to stop along the way to enjoy, there are hotels, costs to estimate, car to get in shape for the trip, etc.  If you just jumped in your car you might end up in Alaska!   Well, planning to write your next book is pretty much the same thing. 

Don’t treat your writing like a ‘hobby.’  I hate it when people say, “that is such a nice hobby.” I stop them and say, “This isn’t a hobby - it’s too much work for that.  Writing is my passion and I do it because it’s something I love and it gives me a feeling of accomplishment.  Don’t accept negativity – it will start making you feel negative – and you’ll start treating your writing like a hobby.  Once you start doing that, you won’t have the drive and excitement to go to your office and write.

Think about your story while making breakfast, working at the office, going for your daily walks (or like me up Sander’s Hill twice a day during my breaks – it’s a humdinger).  Work out ideas, plots, and twists before you even get to your office.  By the time your ‘scheduled’ writing time approaches – you will be raring to go and you’ll be itching to sit down and start typing.

Get your background music going and you're READY!  One thing I always do, to get myself back into my story, is to read the last two pages.  This helps me get into the characters; where are they, who are they talking to, and what is their current situation?  That way I can continue without missing a beat from where I left off.  

Next thing you know – two hours have passed and you’re shocked how many pages you just finished.   When you push away from the computer you’ll have a feeling of satisfaction and pride.  You are suddenly anxious and excited to write again tomorrow!  You can do this . . . day after day.  Oh – and book after book!  J

You can find Rita Karnopp at:  http://ritakarnopp.com

RITA KARNOPP, Author ~ Writing Montana History - Past ~ Present ~ Future
(email)       ritakarnopp@bresnan.net
(publisher) http://bookswelove.net
(blog)        http://mizging.blogspot.com

Watch for Rita Karnopp’s next book ~ Whispering Spirits

   Summer Timber Wolf, Nii’ówa Ómahkapi'si, is disenchanted with life in general.  Ashamed of being Blackfeet, yet broke and alone, she goes to Browning, the Blackfeet Reservation in Montana she swore she’d never return to or call home.    

   Angry with her decision to quit college, her parents give her the task of caring for her eighty-year-old grandmother, Kimi’Aki, Secret Woman.  It sounds like an easy alternative to getting a job. 

   By the time Summer realizes this means she’ll be living in the mountains in the ways of the old ones, in a tipi, with no more modern support greater than a boiling pot, it’s too late to go back.

   In this primitive setting she realizes there’s more to being Blackfeet than just being called Indian.  Although she fights anything to do with her ancestry, she is quickly caught up in a world of whispering spirits and a journey that teaches we must understand and find pride in where we’ve come from . . . in order to know where we’re going. 

Words Perfect ie: the perfect words by Karla Stover

I’ve been thinking about words, lately. Many’s the time someone in my writers' critique group has said, “I don’t think the character would say that.”

For years the only thing I collected was words. I told people it was because I didn’t have to dust them. Of course, poverty played a part.Without using a thesaurus, my husband and I came up with nearly a dozen different names for freeways, and then we turned to other words and forgot freeways, autobahns, interstates, etc. No matter; it was the hunt that that was fun.

I listen to NPR every time I’m in the car as a way to study words and dialogue for my writing and am surprised how many educated people still use “like” and “you know.” (When I was in Toastmasters, we counted “ums” as a way to make the speaker aware of them). David Sedaris was talking last week and he peppered his conversation with “you know.” Very off-putting, I must say. I don’t buy his books and don’t know if I will, now, not that his sales will reflect my lack of purchases. When I got home, I tried researching these two conversation fillers but the best I came up with was the movies, Valleygirl and Clueless are the probable culprits. However, I wonder if they should be used in writing contemporary dialogue.

I write articles for a monthly magazine and was asked to do a profile on a local antiques store. They call themselves an antique store—no S. My editor said I was nit picking but honestly, the store isn’t that old.

I love words that create atmosphere: Whose woods these are, I think I know, his house is in the village, though, he will not see me stopping here to watch his woods fill up with snow. Though and snow and know, such long drawn out words and so effective in creating a somnolent scene. Or, Once upon a midnight dreary, while I pondered weak and weary . . . Don’t you just love dreary and weary? My writing isn’t particular dependent on mood-creating words; what I need is snappy dialogue. That’s a tricky one. As T.S. Eliot said, “Last year’s words belong to last year’s language,” and as a writer, I don’t want my books dated by the expressions my characters use.

On the rare occasion I’m not listening to NPR, I listen to music and try correcting the grammar. I don’t get no satisfaction . . .” “If I was a rich man . . .” And yet, in their contexts, the words work. “Any satisfaction” sounds weird. Also, Mick Jagger can pull it off; I don’t think Michael Buble ′ could. Now, when I’m writing, I work hard to make my dialogue—grammar faux pas and all—fit the character.

And one last thought: I have been reading Acton Bell—Anne Bronte, that is—and nowhere does she use the expression: Ever so. I am guilty of using it in my own historical fiction and will not again. Or, to quote Poe again, I will use it Never more.

For Us Oldies.... by Cheryl Wright

As they say, it's a bitch getting old.

But what can you do? For me it's learning to live with my limitations, while at the same time, trying to keep feeling young. (Yeah, right. With three teenagers living in the same house!)

It has recently dawned on me that I'm slowly nudging toward the big six oh. Not something I'm looking forward to, but at least its a couple of years off yet.

Still, I find more and more when I'm making cards that some of the images remind me of my lost youth.  So I was quite pleased to learn there's a stamp company whose images depict those of, shall we say, ahem, later years.

I was quite shocked to discover they've been around for almost 27 years, but I only learned of them just a few weeks ago. Yikes!

Immediately I ordered two of their fun sets, and below is my first attempt at the set I've received so far.

(For those inquisitive minds, the company is Art Impressions, and this particular set is called Party Girls - from the 'girlfriends' range.)

It's probably wishful thinking, but I like to think this will be me and some of my friends in a few years time.  Still having fun, still enjoying life to the full.

(I'll be the one with the blower, annoying the heck out of everyone else!)

I had a lot of fun coloring this image using Copic markers (which are a craft/artist product), despite it taking around forty minutes. I find the coloring process very relaxing, so it's totally worthwhile.

Hopefully, by the time I blog next month, my second set will have arrived. It has a lot more coloring to be done, but I'm certain the result will be worth the time spent.

Til next time,

p.s.  I have a giveaway running at the moment. Go here to check out the gorgeous custom-made keychain you could win. There's also a custom-made necklace up for grabs!

Links:

My website:  www.cheryl-wright.com 
Blog:  www.cheryl-wright.com/blog
Facebook:  https://www.facebook.com/cherylwrightauthor

Make sure you join my Facebook page as I run regular giveaways for followers!

Sharing the Dream – by Tia Dani

As part of the "Inside Books We Love" blog, we hope to create interesting information that isn't full of self-promo, but will give our readers a chance to know who we really are. They'll discover how we work and play, learn how we struggle with balancing our everyday lives, how we draw our stories out of our heads, then finish them into a well-loved published book. And we do it all without losing our precious friendship.

Who are we?

First and foremost we are a dedicated writing team who loves playing with words, creating "What Ifs", and are following a shared dream.

We are wives, moms, and grandmas.

We didn't start out to be a writing team, but the process evolved over time during our friendship. We met in 2002 at a local RWA chapter and after several years passed we wrote and submitted a short story together just to have some fun. To our delight the story sold. From then on we kicked our writing into high gear and found a way to stick to a writing schedule, plus stay motivated to complete and submit a full manuscript. Also we decided working together might be a fun way to learn all the technology of submitting and editing online. We don't know about you, but we find it more fun when you work with a buddy.

While having all this fun we discovered something else about ourselves. We have this unique quality of being more than friends sharing common interests. We understand each other. We think alike, and often finish each other's sentences without missing a beat. Yet, we still maintain our individuality. It's these differences which makes our writing strong. Beverly (who writes as Dani) has the uncanny ability to bring out the perfect "What If?" scenarios that can make a great story tick. Christine (Tia of our team) excels in arranging all those "What Ifs" into a semblance of order. Tia calls it stacking the dominoes, (Future workshop).

Writing stories together is more than just being co-authors for us. Team writing, as with any type of business partnership, takes a lot of trust in each other and a strong commitment to the partnership. It's hard work, but for us, we couldn't imagine doing it any other way.

 Our latest book, Time's Enduring Love, is a time travel published with BWL.

 Time's Enduring Love

By Tia Dani

Libby Strammon believed her life was on track. A young woman of the tumultuous 1960's, she worked hard to fulfill her dream of becoming a doctor so she could open a practice in the small Kansas farming community where she was raised. But when a perilous storm sweeps her back a hundred years into the past she is forced to rely on her instincts while navigating the changed world that a hundred years difference has wrought.

Kansas Volunteer, Lieutenant Matthew Dome's magnetic attraction to the slightly odd woman who appeared out of nowhere wars with past promises made—promises he'd failed to keep. He yearns to have the fascinating spitfire by his side, but can't let go of the past and his guilt long enough to convince himself she belongs in his life.

When circumstances send Libby and Matthew into danger, and a buried secret is revealed, Libby races against time to choose between returning to the 20th century she is familiar with or remain with Matthew who loves her but failed her once before?

"I was excited to read a novel from two authors I consider friends/mentor, both exceptional women in their own right have together created a novel worth the read! Quick paced, delightful banter, enjoyable characters, and an entertaining plot. Absolutely loved it. I couldn't stop reading it until I was done completely. Highly recommended for anyone who enjoys romance with historical background settings. Can't wait to read their next novel." ~A.S. Johnson, author~ Amazon, 5 Stars

If you're interested in learning more about Tia Dani, please visit our website and friend us on Facebook.

Thanks for stopping by,

Tia Dani

www.TiaDani.com

http://bookswelove.net/tiadani.php

https://www.facebook.com/tiadani.author

My Own Action Hero by Jamie Hill

Family movie night recently and I chose White House Down featuring Channing Tatum and Jamie Foxx. I'd been wanting to see it since last summer (my how the time does fly!) and it finally came on HBO so I remembered (a key issue!) and we watched it. I have to say, I really enjoyed it.

One of my favorite movies is Air Force One starring Harrison Ford and a cast of thousands, and this newer presidential flick was very similar in nature. Sure, you have to suspend belief a few times, but it was fun and the dialog between Tatum and Foxx made me laugh out loud. (Kind of like the dialog between Steve MaGarrett and Dano on the new Hawaii 5-0. Love it!)

Afterwards I was thinking that Channing Tatum would make a good Jack Dunlevy, the lead in my romantic suspense book Family Secrets. Sexy, tough yet tender when it comes to children, and when people are down on him and thinking the worst, he comes through in the end with flying colors. Channing's character in White House Down is the perfect Jack. *sigh*

(I understand Channing played a stripper in Magic Mike. That is definitely not Jack, but just for research purposes I might have to check the movie out...)

I've got plenty more to say on my own action heroes, so stop back next month and I'll expand--with photos!

Family Secrets

by Jamie Hill

 

As if stumbling over a dead body isn't enough, Crystal Cartwright finds herself playing surrogate mother to two small boys when their father--her neighbor--doesn't come home. The kids aren't much trouble, but the thieves, drug dealers and kidnappers they're about to encounter are.

Detective Jack Dunlevy, a cop down on his luck, draws the cases no one else wants. A simple investigation involving a dead homeless man quickly changes as Crystal enlists Jack's help with the children. Drawn into a mystery that none of them could have anticipated, they're faced with a situation that will change their lives forever.

"Ms. Hill is a genius! The plot line was AMAZING. It was action packed and kept me on the edge of my seat almost the entire time. Ms. Hill has become a favorite author of mine and I consider her to be an automatic add to my "to be read list". If you are a serious suspense loving reader who loves to form bonds with the characters, this is definitely the book for you! I loved it and can't wait to read more of Ms. Hill's books, she has the gift of knowing what the reader wants and then hitting you with an ending you certainly don't expect. Two thumbs up!" ~ Val, You Gotta Read Reviews, 5 Stars

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Right now you can get my entire 'A Cop in the Family' series in one Triple Threat volume for only 99 cents (or $1.99, depending on when you read this.)

 

Check it out here, and see if you don't agree. Channing would make a great Jack!

 

 

 

http://amzn.com/B008WF34S0

 

 

 

 

 

 

 

Wild Blue Mysteries

It's hard to believe it's been an entire year since The Bookstore Lady was first released. Even more amazing my second book The Mystery Lady was released earlier this year and yet a third book awaits in the wings.

The Wild Blue Detective Agency began with Danny Walker, a police officer, and Leo Blue, retired soldier, who began the agency in order to go undercover and stop a ruthless criminal named Maddox. In trying to take Maddox down, Danny Walker needs to track Paulina Chourney, Maddox's mistress. 



Lovely, blonde Paulina escapes Maddox and arrives in the fictional small town of Packham, praying the men she worked for would never think to look for her in a small town. She gives herself a total makeover, changes her name to Katie Mullins, then makes a deal on a little bookstore she renovates and breathes new life into. Fate (and her real estate agent) brings her to rent a room in an elderly lady's home and Katie is thrust into a local writing group, successfully fading into anonymity. 

That is, until Danny Walker wanders into town to visit family and figures out who she is. 
And now for a taste of The Bookstore Lady. Enjoy!

Dunnsforth’s body lay on the beach. His legs bobbed on the waves of Lake Erie entwined in the blue and silver scarf clutched in his left hand. The late afternoon sun cast strange shadows over his ashen face. Shoe prints dented the mud where Dunnsforth and his shooter had stepped off the rocks.

Danny held his breath while the forensics guys pulled the corpse higher onto the rocks. He knew that scarf. Paulina wore it to Maddox’s party the night before. Did she have it when they drove back into the city? Whoever shot him wore high-heeled shoes, which eliminated the males at the party. Although, Al Duvall had potential. If he wore a disguise and shaved his moustache, he would make a passable woman.

“Shit.” Bobby Holland was tall and tanned. Both he and Danny joined the Newville Police ten years earlier, but were only paired up two years ago to investigate DMR. “You’d think a classy guy like this could get shot somewhere nice and sunny. I could really use a tropical vacation about now.”

“Same here.” Danny grimaced. The day was a blur of paperwork, evidence gathering and now body collection. “Looks like he took a souvenir from whoever shot him. It looks like the scarf Paulina wore last night.”

“Shot in the right temple. You sure this isn’t a suicide?”

“With Maddox involved? No way.” Danny glanced toward the glass, brick and steel building, Maddox’s summer cottage, the site of the festivities less than twenty-four hours earlier.

He ran a hand through his hair, grateful he didn’t have to wear his disguise for much longer. The shaggy blond wig and beard itched and gave him a rash. He loved undercover work, but hated the makeup.

“Did someone pick up Paulina this morning? We’ll need her statement to make things stick against Maddox and the others. Keep her away from the others.”

Bobby hesitated. “That’s a problem. Oswald got into a fender bender. By the time he got to the motel, Paulina was gone. He went to her apartment but—”

“Let me guess. She skipped town, which means we can’t eliminate her as a suspect since she might have caught up to our vic.” Danny frowned. “Unless you think there’s another body out there.”

“I think it’s worth a look. DMR’s offices are secured, Maddox’s house locked up and some of the people we arrested last night are already out on bail. There are a lot of loose cannons running around.”

One of the forensics investigators picked something off the scarf with tweezers. “Any of your suspects have long blonde hair?”

Bobby chuckled. “Five or six.”

Danny sighed. “Paulina was the only one wearing a scarf like that though.”

“Shit.” Bobby’s smile faded. “You really think she’s the shooter?”

“Anything’s possible. We need to find her.”

Hope you enjoy reading The Bookstore Lady!  

Diane Bator

Website: http://penspaintsandpaper.com

Blog: http://dbator.blogspot.ca/

Stay tuned for The Mystery Lady!

MARGARET TANNER - SECRETS

SECRETS - WE ALL HAVE THEM

How many of us have secrets?

I doubt if there would be many people who don’t have at least one secret. I don’t mean of the dark, dangerous variety, but some of us may well have a secret that could place us in danger. Fortunately, I am not one of those.

My secret – I am a chocoholic. How many times have I told my hubby that I no longer eat chocolates, then I sneak off to my several hiding places (not to be divulged on pain of death), where my secret stash is hidden. You should always have more than one hideout for your illicit goodies just in case one of them is discovered. I don’t want to be like Old Mother Hubbard – who went to the cupboard to get her dog a bone, and when she got there the cupboard was bare and the poor doggie had none. Change that to and when Margaret got to her secret stash, the chokkies were gone and she had none. A disaster of that proportion could not be allowed to happen, hence a few hiding places. I call it my insurance policy.

In many families there are secrets that will never see the light of day, except if someone in the family is into Geneology. My sister has unearthed some shocking scandals as she undertook research into our family tree. I swear, I could write a book about it. One of the most shocking secrets was the fact that my grandmother had a baby when she was unmarried and only eighteen years old. The baby died when he was only 6 days old. A couple of years later she married my grandfather. No-one knew that, it remained hidden for 120 years, until my sister unearthed the information during her research.

Another relative spent time in jail in the 1880’s for aiding and abetting Ned Kelly, a famous Australian bushranger (outlaw). Then there were all the “premature” babies that were born to aunts and great aunts. Not to mention one great uncle who had two wives. Then there was a cousin who ran off with a man who was older than her father. That caused a stir. Especially as the man had a wife and 4 children. Still, can’t be all bad, thirty years later, and the couple are still together.

In my experience, and I do have to quantify this by saying I mainly read historical romance because that is what I write, there are often dark secrets lurking in the background. Some of these could be life threatening, in any case at the very least they threaten the hero and heroine’s chance of getting their happily ever after ending.

In my novel, Allison’s War, the heroine’s secret is that the baby she is expecting does not belong to her husband.

 

In Daring Masquerade, my heroine pretends she is a boy so she can gain employment with the hero. Then, of course, she falls in love with the hero. I mean, what can she do about it?

In my novel, Haunted Hearts, (the only contemporary I have published), the heroine discovers that her father-in-law has been going through her cupboard drawers and stealing her panties.

 

So, you can see that secrets abound in my novels, and I am sure I am not alone in this regard. A secret can drive our stories along, add passion and drama, and keep the reader wondering what is this secret? How can it be resolved? Will the hero and heroine get their HEA?

 Margaret Tanner writes historical romance for Books We Love.

http://www.margarettanner.com

 

http://www.bookswelove.net/tanner.php

 

 

Coming Soon! Temptation by Shirley Martin (excerpt)

 

                                                                      TEMPTATION

                                                                     by Shirley Martin

 

    Jennifer stepped outside onto the brick patio, needing to escape the continual bragging of the stockbroker whose only subject was himself.  Closing the French doors behind her, she shut out most of the noise and laughter from the party inside, a welcome relief. Surprised she had the patio to herself, she rested her hand on the iron railing and inhaled the cool November air, her gaze absorbing the magnificent houses and lush foliage of this elegant Coral Gables neighborhood. Some day, she hoped to have a home of her own, but she knew she could never afford a spacious mansion such as this. Yet that was fine with her; a more modest home would suit her nicely, like the one she lived in now. 

    Alone with her thoughts, she considered how well things were going for her now. An only child, she'd been spoiled all her life. Things had gone so easily for her. Pretty and popular, she'd been a cheerleader in high school, dating the football players. Her grades in high school and college had been good. She wondered what would happen if she ever met a real challenge. How would she handle adversity, if it ever came to that?  And then she wondered what had prompted this introspection.

    The fragrance of night-blooming jasmine drifted her way, carried by a light easterly breeze.  She stared upward at the clear sky, where a sprinkling of stars and a couple of planets overcame the competition of bright city lights. She'd return to the party in a few minutes, but for now, she wanted time to herself. She'd had a rough week and wanted just a few moments alone.

    "A beautiful night, isn't it?"

    "Oh!"  She swung around to stare at the stranger.  "You scared me!  You shouldn't sneak up on a person like that. I didn't hear the doors close."  Dressed in a dark suit, white shirt and tie, he stood a few feet away, next to the doors. Tall, dark, and handsome.  The cliche slipped easily from her mind, yet it was true.  At least his hair was dark, but his skin was the palest she'd ever seen, as if he never got enough sunlight. On him, the combination was fascinating.  If Helen of Troy had a face that could launch a thousand ships, this man had the good looks to send a rocket to Mars.

    He smiled. "Sorry, I didn't mean to frighten you."  He nodded toward the party inside.  "It was getting much too noisy there." 

    She tilted her  head at him.  "I didn't see you there."

    "But I saw you across the room, and I wanted to meet you. I hope you don't mind."

    His dark eyes focused on her. Those eyes!  She could gladly sink into them and never come up for air. 

    Even here, she caught a faint trace of laughter form inside. "Normally, I like parties, but sometimes--"  She shrugged. "--sometimes I like to be by myself." 

    "I, also.  Present company excepted." He smiled and moved closer.

    Frowning, she backed away a few steps. 

    "I won't hurt you," he said, as if he could read her mind.

    "Well, I didn't think that for one minute."  She fussed with the buttons of her white silk blouse and shifted from one foot to another. She gave him a closer look in the darkness, his devilish gaze meeting hers. Devilish. Why did that word spring to her mind?  She admired his dark looks, but she'd learned long ago that looks meant nothing if a person was empty inside, or worse, harmful to others. Just look at Bruce, the scumbag. 

    "Do I meet with your approval?"

    Her face warmed, and she opened her mouth to say something, then thought better of it. 

    He inclined his head.  'Permit me to introduce myself.  My name is Varik Kruger."

    "Varik?  Never heard that name before."

    "I fear it's a long story."  He raised his eyebrows.  "And you are?"

    "Jennifer."  No point in telling him her last name. After tonight, she'd never see him again.  For some inexplicable reason, a rush of disappointment clutched at her stomach.

    'Jennifer, tell me about yourself."

    She shook her head.  "Not much to tell."

    "I want to hear it, anyway."

    She hesitated, licking her lips.

    "Jennifer?"

    She took a deep breath. "To begin with, I teach English at a local high school."

    "Literature?"

    "Literature and grammar, mostly."

    "Ah, yes.  And you're from Miami?"

    "Originally from Pittsburgh, a town called Fox Hollow."  She smiled.  "You find a lot of funny place names in Pennsylvania."

    He waved his hand. "Same all over the world."  A pause.  "Your family still lives in Pennsylvania?"

    "Yes, and I miss them very much."  Why was she telling him all of this?  There was something about him that made her want to tell him everything, to bare all her secrets, reveal all her hopes and dreams. And she'd only just met him." 

    "But you--"

    "Just wanted a change," she said, gripping the railing.  Never mind telling him the real reason, that she'd come to Miami to get away from an abusive boyfriend.  Jealous because she'd dated another man, he'd slapped her face so hard she'd suffered a bruise for days. That night, he'd said he'd never let her go.  Bruce was such a charmer at first. He'd sure charmed her mother, who saw no fault in him. 

    What if her mother gave Bruce her address?  Hell, no!  Jennifer knew too well she had to be more discriminating, not fall for every sweet talker who came her way.

    Trying to dismiss her dismal thoughts, she brought her mind back to Varik and smiled in his direction. "You're from this country?"

    "Why, yes," he said after a slight pause. "Why do you ask?"

    "Your speech sounds a bit different, kind of formal."

    "I spend a good deal of time in Europe," he said as if that explained everything.  Which it didn't.

    A period of silence followed. As if by mutual agreement, they both looked up at the night sky with its sprinkling of stars and a cloud that slid in front of the moon. A cool breeze picked up, fluttering her silk skirt around her knees and blowing a lock of hair across her face.  Hibiscus bushes on the spacious grounds rustled in the breeze. For the first time that evening, she felt at peace, and why, she couldn't say. She tucked a strand of hair behind her ear, thinking she really should go back inside. 

    His low voice snatched her attention. "Did you come by yourself?"

    She turned to look at him.  "Why, yes, I drove."

    He pressed his hand to his heart in mock sorrow. "You have deprived me of the opportunity to drive you home. But seriously, it would have been my pleasure to do just that, had you needed a ride."  He leaned her way, his voice cascading over her like a warm shower.  "I should like very much to see you again."

    "Thanks.  I appreciate your sentiments.  But I don't ride with strangers. And I'm real busy right now."  Aware of how abrupt she must seem, she smiled to take the sting from her words. "What's that expression about ships that pass in the night?"

    "Ah, yes, Shakespeare.  And very true, I'm afraid, except that this is a lovely moonlit patio."

    "Besides, I don't know a thing about you."

    He smiled lazily. "What if I told you I'm a vampire?"

    She laughed. "You're too late for Halloween and too early for April Fools Day."

    He laughed, too, a husky chuckle, as if they'd shared a huge joke.

    A wicked sense of danger stirred inside her. She knew she should leave, but something kept her glued to the spot, as if by her departure the world would stop spinning, the sun would turn to ashes.

    Sighing inwardly, she turned toward the door. "It's been nice meeting you, but I should get back inside."  She fluttered her fingers at him.  "See you."  How empty the night seemed now, all pleasure gone from the evening. And she'd never see him again. She wondered why that outcome should bother her so,and besides, she should know better. After Bruce, it would be just as well if she stayed away from all men.

    She turned away from him, a faint scent of floral perfume wafting in the air. 

    "Goodnight, Jennifer."  Varik admired her supple walk, her high heels clicking on the bricks, her dark skirt rippling around her knees. He liked the way her light brown hair bounced across her shoulders as she moved. Her fresh, clean looks captivated him, absolutely the most enchanting he'd ever seen. Was she aware of what a lovely image she presented, one that made him want to hold her and kiss her to drive them both breathless? 

    He wanted to see her again. He would see her again. By the time the party broke up, he'd approach the host, use his mesmerizing charm to discover Jennifer's address.  And see her again, this woman he couldn't drive from his mind.     

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This is as yet unpublished. Any comments or crits are welcome.

 

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