Wednesday, February 17, 2021

All the Little Chores - Janet Lane Walters @BWLAuthor #MFRWAuthor #Affinities Series #series blurbs

 


All the Little Chores

 

Sometimes I forget when I’m writing about all those little chores that seem to creep in. I’m not talking about housework since long ago I relegated that to the status of hobby. A hobby is something you do when you have time. That’s my take.

 

The little chores that appeared these weeks seem not so much but they had me raking my mind for ideas. Writing blurbs for series. Unfortunately I have a lot some venues seem to consider series. There are eight listed as series. So I began. The first four were fairly easy. It’s the last four I’m struggling with but I will conquer them soon. The covers are for books in the series I’ve done.

 

Then came another little chore that was to me rather massive. Four of my books are going into a second edition with new covers and under my name rather than J. L. Walters. Sincethese books have been edited before, I thought this would be easy. And it was, sort of. I seemed to have had a questionmark problem. I lost count of the number of question marks omitted in the four books. I’m sure the numbers hit the hundreds. This seems to be a recurring problem with me and one I really must learn to remember how to end a question.

 

The chores haven’t finished yet but one day, I’ll have them all put aside and will be able to focus on the new story. Hopefully by the time this goes live I’ll be finished.

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Monday, February 15, 2021

Schmegma face, by J.C. Kavanagh

 

The Twisted Climb - Darkness Descends
Book 2 of the Award-winning Twisted Climb series

We've all been through this scenario: You're chatting with someone, face to face, and you notice they have salad-schmegma lodged between their two front teeth... do you tell them right away? Or do you overtly begin to slide your tongue over your own front teeth in the hope they mirror your actions? 

Of course, the proper thing to do is to tell them, right?

How about when your partner is cutting porcelain tile with a wet saw and over the course of the afternoon, begins to look like a cement monster - a man with cement-schmegma on his face. (How do you like my new word - schmegma (pronounced shmeg-ma). Definition: detritus of any variety, usually found on the human anatomy.) So, do I tell him right away? Well, I didn't.

Ian (my partner) and I have been renovating our basement. We're good at designing and we're never allergic to learning a new skill. So we've cut out walls, built support structures, installed windows, a new exterior door (that was a hard one), and bifold closet door. The new exterior door required a foyer-type of entrance so we decided to lay some porcelain tile. Have we ever done it? No. Can we do it? Yes. Isn't that what YouTube and Google are for? 

Ian goofing off after cutting drywall for the soon-to-be coat closet.

Me goofing around.

So, we spend time doing our Internet research and holy cow, everyone has an opinion and every do-it-yourselfer has a different variation than the one before. Who to believe? We start with reading the instructions accompanying the materials. Usually a good start and yup, details are on the box of tiles and on the bag of cement mortar.


Cement floor prepped and tiles dry-fitted and cut.

Like many jobs done for the first time, it's HARD! Each tile has to be squared, level and perfectly straight. If your first row is crooked - even a little bit crooked - your last row will look awful. So we spent a total of four days, that's right, FOUR days prepping the floor, dry-fitting the tiles, cutting them and then carefully laying them on the thick coat of mortar cement. I completed four thousand squats in four days. Seriously. 

But watching Ian cut the tiles with the wet-saw and seeing the resulting cement schmegma on his face... well, that just made my weekend. I didn't tell him what he looked like until after I took these pictures. Oh, did we laugh!


Ian is such a character - great cement face :)

Tile laid and cleaned up (Ian, that is).
Grout saved for another day...

Laying tile is like writing a story. It's one piece at a time, one episode at a time, one character at a time. You bring them all together and if you've done a good job, the story, like the tile, is a perfect fit. It took me almost a year to write The Twisted Climb and about nine months to write the sequel, Darkness Descends. The characters, the plot and their adventures combined to make an award-winning series. If you haven't checked them out, you really should. You can find them here: 

https://bookswelove.net/kavanagh-j-c/

And I have to be honest. I'd really rather write than lay tile. True story.

Be safe everyone!


J.C. Kavanagh, author of 
The Twisted Climb - Darkness Descends (Book 2)
voted BEST Young Adult Book 2018, Critters Readers Poll and Best YA Book FINALIST at The Word Guild, Canada
AND
The Twisted Climb,
voted BEST Young Adult Book 2016, P&E Readers Poll
Novels for teens, young adults and adults young at heart
Email: author.j.c.kavanagh@gmail.com
www.facebook.com/J.C.Kavanagh
www.amazon.com/author/jckavanagh
Twitter @JCKavanagh1 (Author J.C. Kavanagh)




Reading to Toddlers

 

 


An interesting thing happened recently. We celebrated a toddler’s third birthday a few days back and, among the gifts the young one received, besides the usual counting blocks and plastic toys, were a Kidscreen—a computer-of-sorts containing games and videos—and a couple of books.

The mother plugged in the Kidscreen and went through the various electronic offerings. After a few minutes, however, the child lost interest in the gadget and started his usual running around. I picked up the little one, gathered the books, and started to read. Needless to say, the child, whose senses had become overly-excited by the birthday celebration (and a bit too much sugar) sat down quietly, intensely absorbed by the story-telling. When both books were read, the request came “Again!”

In a way, it is not surprising. Children are not impressed by expensive gifts, but value the personal connection that the simple ones provide. The American Academy of Pediatricians recommend no screen time for babies younger than eighteen months and not more than one hour a day for children up to five. Of course, educational programs help toddlers learn the alphabet, for example, but at that age, toddlers’ needs extend far beyond what a screen can provide.

Of greater benefit to a child is the reading of a book by an adult. Children feel secure when read to, and the act solidifies the child-parent relationship. It develops listening skills which are of paramount importance in the process of learning.

Research has shown that cognitive skills developed by this practice, extend well into the teenage years, and lead to higher scores in language and problem-solving proficiencies. Toddlers usually have very short attention spans but develop concentration and self-discipline when read to.

The greatest benefit, however, is the development of creativity and imagination. When read to, my little friend’s pupils enlarged and by his hands, mouth and eyes, he displayed the corresponding emotions and wonder of the story being read.

When to commence reading to babies? Start today! Even if they can’t follow the plot, babies, being emotionally observant, can easily discern follow their parent’s feelings. This, in itself, is a great first step in helping them in understanding the world around them. Happy Reading!


Mohan Ashtakala (www.mohanauthor.com) is the author of "The Yoga Zapper," a fantasy and "Karma Nation," a literary romance. He is published by Books We Love, (www.bookswelove.com.)



Saturday, February 13, 2021

The changing style of romantic fiction...by Sheila Claydon



When I first started writing romance (a very long time ago) publishers wanted stories about powerful and wealthy men! Or very macho men! The heroines still had to be the main focus of the story but their attitudes were very different. It wasn't unusual for them to be an ingenue, or at the very least someone who had very little life experience. This type of romance wasn't something I aspired to and because of this I received a pile of rejection letters. They were mostly positive with regard to my actual writing but said that my stories had too much plot! That the reader just wanted to know about the relationship between the protagonists. I could never get my head around that. How could the hero and heroine get to know one another without a decent plot? Needless to say, at the beginning I wasn't very successful.

I kept going though, and slowly things improved. As more publishers began to concentrate on romantic fiction the genre expanded and by the time I was first published, in the early eighties, heroines had more spark. Nevertheless my first book 'Golden Girl,' (now republished as a Vintage Romance by Books We Love) still had a flavour of those original heroines because the main character was a 1960's secretary looking after her man! I held true to my beliefs though. There was a plot with several twists and turns, and although at the beginning of the story she was somewhat innocent, she wasn't needy and she was a fast learner.

Since those days, needless to say, things have changed. Contemporary Romance can be about anyone and anything, and although the 'happy ever after' aspect of the books is still there, the main characters are much more equal, and rightly so. Also, the settings are often far less exotic. Once upon a time in romance, luxury was a bit of a byword. As were the clothes the heroines wore. Now it is all very casual. In fact clothes and appearance are barely touched upon. It is much more about the plot and how this plays out in inner thoughts of the characters, their emotional connections, and even the mundane aspects of their lives. In fact you could say it is all more real life...except in the case of my Mapleby Memories series, it isn't quite!

Although the romantic genre eventually caught up with me and what I wanted to write, it has of course influenced my writing style over the years. Now, although I still sometimes write a stand alone romance, I prefer to follow a character who I find particularly interesting through several books rather than just end with a happy ever after. This is why I have written 'Loving Ellen' which was published by Books We Love on 1 February. It is also why I have introduced what I call my Mapleby Magic. This is the time travel aspect of each story. Time travel allows me to introduce a whole lot of back story in a much more interesting way than just have one of the characters recount it and I find it a really interesting thing to do. I also did something else when I started to write the Mapleby Memories series. I wrote in the first person. And I've found it fascinating because although I have always followed my heroine (yes they do take over!) I've discovered that I get to know them a whole lot better writing in first person. Maybe they are jogging my fingers as I write...or taking over my computer. Who knows!

In the first book of the Mapleby Memories series, 'Remembering Rose', the heroine, Rachel, was able to step into the past events that happened in and around the village of Mapleby as she followed the twists and turns of Rose's life and tried to make sense of it. In 'Loving Ellen,' this time travel continues but in a different way when the spirit of one of Mapleby's past residents returns on a personal quest to solve a very human problem. And who better to help her than Millie Carter? 

If you have read Book 1 you will know that after many twists and turns Millie became Rachel's best friend. You will know too that she has survived some of the worst things that life could throw at her and come up smiling, determined, hardworking and kind. Don't get me wrong though. She is far from your sweet do-gooder. Millie is gutsy and resilient and prepared to say her piece. And most important of all, she isn't traumatised by ghosts!

If you want to see who she is then go to the book snippets page on my website at www.sheilaclaydonwriter.com where you can read the opening pages of "Loving Ellen.' In the meantime I'm moving forward with Book 3. It'll be a while yet but there will still be time travel, and Rachel, and Millie, and of course Ellen too.

Friday, February 12, 2021

Happy Galentine's Day!





Here’s to strong women 
May we know them 
May we be them 
May we raise them. 

What is Galentine’s Day? 

Observed on February 13, the day before Valentine's Day, Galentine's Day celebrates platonic friendships, usually among women. It was created by the character Leslie Knope (Amy Poehler), on the TV series Parks and Recreation as a day exclusively for women. 

Specifically it's the day when she and her female friends leave their husbands or boyfriends or empty houses to have breakfast together and celebrate one another. 
A fake holiday? Maybe. But a fun one! As Amy says…“It’s only the best day of the year!” 

So, who will you celebrate with? Who is the wind beneath your wings? 

Tops for me: 

My 101 year old mom Kitty… kind, generous, hard-working and my model in all things baby-taming! 

my friend Maria with my mom Kitty

my sisters… 2 here and 2 passed over, all ever loved 

The sisters Charbonneau

my daughters, teachers in all things that matter...

with my daughters Abby and Marya

 
my pals…writing sisters, school chums, fellow women’s club members, library boards and other fellow servers in our community.



 

writing pals and sisters...






school chums...


          How rich I am in tremendous women…
I hope you are too!

Will we write about the pandemic?

 

                                     Please click this link for author and book purchase information

When I attend Zoom meetings with other writers, someone always asks if we'll write about the current pandemic in our fiction. Invariably a couple of people reply they're so so tired of COVID-19 that when it's over they won't want to write or read anything about it. They hope to move on and write stories that imagine the pandemic hadn't happened.  

 


Given publishing timelines, most novels published the past year were written before the authors knew about COVID-19 or anticipated its enormous impact. This winter I've read a few novels set in our contemporary time and have had no trouble reading about people meeting in restaurants, attending parties and generally living like it's 2019. The only novel that jarred me was one that specified the year was 2020 and mentioned COVID-19 as a past event. I assume the author added this topical reference on the assumption we'd be done with the pandemic by the book's fall release. My conclusion is you can write a contemporary novel that ignores the coronavirus, but it's best to either keep the year vague or indicate that it's set before March 2020, when only someone living a cave would have missed the great changes to our society.     


  Timeline of confirmed COVID-19 cases in Canada, January - April, 2020  

Other writers in my Zoom meetings expect they will explore the pandemic in their fiction, as they would do with anything that affects them profoundly. Some have already written short stories and poems about it. COVID-19 can be central to a story or simply part of the landscape. Your protagonist might be working from home, instead of going to her office. She might engage with friends and family on Zoom, in addition to the usual phone calls, letters, emails and text messages. When she does meet someone in person, his mask--or lack of mask--becomes a descriptive detail like his hairstyle or baseball cap. She might suddenly realize she's standing too close to him and leap backwards. The pandemic could provide our stories with fresh descriptions, until they become overdone because everyone is writing about COVID-19. There's a risk of saturating the market with too many coronavirus stories for readers who will have largely put the pandemic behind them. 

  


Writers can avoid dealing with all this by setting their stories after COVID-19, which, hopefully, won't be far in the future. But, in the post-pandemic world people won't necessarily be partying like it's 2019. How soon will it be before we're comfortable shaking hands with strangers and hugging acquaintances we meet? Will we stop doing these things for good to avoid catching all kinds of viruses? The common cold can drag someone down for weeks. The regular flu can kill. Is a handshake worth the risk? For these same reasons, will stores maintain some of their protective measures--plexiglass at the checkout counters, socially distanced lineups, one way aisles and hand sanitizer stations? Will buffet dinners be a thing of the past? Will airlines require passengers to keep wearing masks on planes or will most passengers choose to to wear them to avoid sharing diseases? Writers will need to know these details if they send their character to an exotic location or to the grocery store.     


 

This makes me think that writers of realistic contemporary fiction will have to deal with the pandemic, whether they want to or not. I suspect that when we're over COVID-fatigue most writers will find themselves processing the experience in their memories and work. Already, I feel a bit of nostalgia for the early days of COVID when few people wore masks in public and grocery store shelves were often picked clean of canned goods, frozen vegetables, milk, eggs and, of course toilet paper. One store I went into had a clerk guarding a stack of toilet paper to make sure no hoarders grabbed an extra package. That's a detail future readers of COVID-19 stories will find bizarre and informative about our pandemic.                             

 
 When will we feel comfortable in crowds like this?



 

Thursday, February 11, 2021

Who Do You Trust, a Cow or a Scientist? by Karla Stover

 















 

     In 1813, French scientist Michel Eugene Chevreul discovered a new fatty acid which he dubbed acide margarique, named, in part, after the “pearly deposits in the fatty acid, “margarites” being the Greek word for “pearly.”

 

     Enter French chemist Hippolyte Mège-Mouriès. In 1869, working with Chevreul’s discovery, perfected and patented a process for churning beef tallow with milk to create an acceptable butter substitute. Napoleon III, seeing that both his poorer subjects and his navy would benefit from having easy access to a cheap butter substitute, offered a prize for anyone who could create an adequate replacement. Mège-Mouriès won.

 

     Despite Napoleon III’s high hopes for Mège-Mouriès’ product, which the scientist had dubbed “oleomargarine,” the market didn’t really take off.  Not to be deterred, Mège-Mouriès showed his process to a Dutch company called Jurgens. The CEOs realized that if margarine was going to become a butter substitute, it needed to look more authentic, so they began changing margarine’s naturally white color to a buttery yellow.

 

     Mège-Mouriès didn’t get much for his invention and died a pauper in 1880. Jurgens, however, did pretty well for itself. It eventually became a world-renowned maker of margarine and later became a part of Unilever.

    

     Margarine arrived in the United States in the 1870s, to the happy approval of the poor, and to the universal horror of American dairy farmers. Within ten years, 37 companies in the United States enthusiastically manufactured it. The terms “margarine” and “butter” had become fighting words.

 

     In 1886 the Federal Margarine Act slapped a special two-cent tax on margarine and required annual license fees. Margarine  producers were forced to pay $600 a year; wholesalers, $480; and retailers, $48, simply to be allowed to sell margarine. “An amendment in 1902 targeted the production of artificially yellowed margarine. The amendment imposed a ten-cent tax on (butter-colored) margarine and slashed the tax on the uncolored variety.” 

 

    

     Maine, Michigan, Minnesota, Pennsylvania, Wisconsin, and Ohio went a step further and banned margarine outright. In fact, the Wisconsin law stayed on the books until 1967, which lead to the introduction of clandestine “margarine runs” that friends and neighbors set up. Every couple of weeks they’d send one person over the border to purchase margarine for all of them and illegally transport it back across the state line.

    

     In June 1886, Washington State passed a bill in the House to regulate the manufacture and sale of “all substances made of oleomargarine, oleomargarine oil, butterine which was butter mixed with a little Oleomargarine to improve flavor, suine which was a mixture of oleomargarine with lard or other fatty ingredients, lardine, an agricultural import from Germany, and all lard extracts, tallow extracts, and compounds of tallow, beef, fat, suet, lard and lard oil, vegetable oil, coloring matter, intestinal fat, and offal fat,” which were disguised as and sold as butter.

 

     An article in the 7-22-1886 Tacoma Daily Ledger claimed “the butterine vat was a graveyard of compounded diseases putrefied into carrion.”

 

     At this time, Washington had a State Dairy commissioner named E. A. McDonald. And when he wasn’t approving cheese factories or visiting farms to kill tubercular cattle, he was haunting cheap restaurants looking for fake butter and the people selling it, and seizing what he found. However, he recognized that local dairy farmers were only able to provide about 2 / 3 of homemakers’ demands. The use of oleo was on the rise.

 

     By the early 1890s, the country was in the middle of a Depression. Businessman J. A. Sproule recognized that Butterine and other substitutes for butter kept longer than the real thing. And one person was making good use of Butterine. His name was Jim Wardner who had been a store keeper in South Dakota until a fire wiped him out. So he borrowed $5,000, had eggs shipped from the east and began peddling them in mining camps. He then used his profits to buy Butterine which he also peddled until a heat wave melted what he hadn’t sold and the Butterine separated into puddles of cottonseed oil, lard, Vaseline and coloring. So as not to waste his investment, he sold the puddles as industrial grease.

 

     During W W I, the cost of oil more than doubled driving up the price of oleo. During W W II butter was rationed because most cooking oils came from Pacific lands conquered by the Japanese; the supply plummeted. Fats were also needed in higher quantities for industrial and military use. For the homemaker, butter used a higher number of ration-book points than margarine, so “oleo” margarine became more popular.

 

   Lard was removed from rationing on March 3, 1944 and shortening and oils on April 19, 1944, but butter and margarine were rationed until November 23, 1945. White oleo, which came with a packet of yellow food coloring to be kneaded in, was sold this way until 1952.

 

   Gradually, states allowed the sale of yellow oleo. A reluctant Washington held out until December 4, 1952, became the 44th state to all allow the sale of yellow oleo.

 

Wednesday, February 10, 2021

Naming February -- Creativity Month

 








Although February is the birthday month of such great Americans as Abraham Lincoln, George Washington and my son, most people tend to think of Valentine’s Day when you mention February. And of course, Valentine’s Day makes one think of LOVE. So just for fun, I looked up people whose last name was LOVE. Here are a few interesting ones.


Augustus Edward Hough Love, (1863 – 1940), often known as A. E. H. Love, was a mathematician famous for his work on the mathematical theory of elasticity. He also won the Adams prize in 1911 for developing a mathematical model of surface waves known as Love waves. Love also contributed to the theory of tidal locking and introduced the parameters known as Love numbers, which are widely used today in problems related to the tidal deformation of the Earth due to the gravitational attraction of the Moon and Sun. He authored the two volume classic, A Treatise on the Mathematical Theory of Elasticity.


Harry Montagu Love (1877 --1943) was an English screen, stage and vaudeville actor. Educated in Great Britain, Love began his career as an artist, with his first important job as an illustrator for The Illustrated Daily News in London. Love's acting debut came with an American company in a production in the Isle of Wight. He honed basic stage talents in London. He was typically cast in heartless villain roles. Love was one of the more successful villains in silent films.


 


Kermit Ernest Hollingshead Love (1916 – 2008) was an American puppet maker, puppeteercostume designer, and actor in children's television and on Broadway. He was best known as a designer and builder with the Muppets, in particular those on Sesame Street. Love built Oscar the Grouch and then Big Bird after a drawing was designed by Henson. Love also helped create Cookie Monster. Later, he designed Mr. Snuffleupagus.


Geoffrey Love (4 September 1917 – 8 July 1991), known as Geoff Love, was a prolific British arranger and composer of easy listening and pop versions of film themes. He became famous in the late 1950s. After leaving school at 15, Love worked as a car mechanic and played trombone at dance halls in the evening. Having turned professional at 17, Love joined Freddie Platt's band. Later, in 1936, he joined Jan Ralfini's band playing in London and learned to play jazz. With the outbreak of the Second World War, Love was called up and joined the King's Royal Rifle Corps. While in the armed forces, Love spent time learning orchestration by questioning musicians how best to write for their individual instruments.

 


Courtney Michelle Love (née Harrison; born July 9, 1964) is an American singer, songwriter and actress. Her career has spanned four decades. In 2020, NME named her "one of the most influential singers in alternative culture of the last 30 years." Love has also been active as a writer; she co-created and co-wrote three volumes of a manga, Princess Ai, between 2004 and 2006, and wrote a memoir, Dirty Blonde: The Diaries of Courtney Love (2006).


The interesting thing I noticed about these people was they were all very creative and left their marks on the arts, including music and writing. Even the mathematician wrote books. As a writer myself, I love the idea of making February creativity month, especially for those of us who write romance--the story of relationships and love.

Not all of my romance novels have the word “love” in the title, but as I look them over, I found three different subgenres that did. “A Game of Love” is a contemporary set in Boston with a little mystery, a lot of passion and even a ghost. “Love in Disguise” is an historical full of hidden identities, murder and intrigue and a very feminist heroine even though it’s set in 1876. One of my most recent, “Loving Charlie Forever” is a great time travel set in an old west town in South Dakota; again with mystery and a great deal of romance and love.

All the love and romance you could want is available in these and other books of mine available through Books We Love at https://www.bookswelove.net.

My love to you this February and throughout the year.

Barb Baldwin

http://www.authorsden.com/barbarajbaldwin

https://bookswelove.net/baldwin-barbara/

 


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