How Far to Stretch the Truth in Your Writing, by Diane Scott Lewis

 

“A rich plot with building suspense, the writing is perfect and flows well. I loved this story.”   ~History and Women~

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In the beginning of my writing career I was certain you couldn't move events around to suit your story. But then I read a note in a Sharon Kay Penman novel where she said she moved a battle up six months for dramatic purposes. Then I knew if you listed your 'changes' you should get away with it.

Years ago I wrote a novel that takes place on Saint Helena during Napoleon's final exile. But I wanted a twist at the end where he slips away to America. This was the farthest I've stretched the truth, or changed events, though others have hinted at the possibility, or (later on) written fictional accounts of an escape. Now I've come across a few other novels in which the French Emperor escapes his island prison. I tried to write it to where it made perfect sense and it could have actually happened. Agents at the time were horrified that I would even attempt it. No imagination!

Years later, I reviewed a novel not listed as a fantasy set in the fourteenth century where the heroine is eating tomatoes in England. Tomatoes weren't discovered by Europeans until the New World of the Americas were explored a century later. I asked the author about it. She laughed it off and said she knew.

But no author note? I mentioned in my review that she purposely had anachronisms in her novel.

Could a man survive a ship explosion in the eighteenth century and be lost for years? And the Admiralty determined there were no survivors? Well, you need to make it plausible for the reader. And you're not changing history, only stretching the likelihood that this is possible. Check out my novel, Hostage to the Revolution to find out if you agree. But to get the full story, start with Escape the Revolution.

In my recent novel Ghost Point, I do change history by combining three years of the Oyster Wars over the Potomac River into one season. I needed the drama, the murder, that happened later to enrich my plot. I made certain to mention that events were compressed for dramatic purposes.

In Rose's Precarious Quest, a novel about a woman who strives to be a doctor in the 18th c., but discovers disturbing secrets in her new village, I throw in a touch of magic near the end, though most of the novel is grounded in reality. What powers does that stone ring contain? Did the ring glow that fateful night when the villain chased after Rose's sister, or was it the protagonist's overwrought imagination?

If you want to stretch the truth, or move events around, annotate it in your author notes for readers to see. Make it as plausible as possible.

Diane lives in Western Pennsylvania with her husband and one naughty dachshund.

To find out more about her and her books:  DianeScottLewis