Speaking of Secondary Characters
Secondary characters are essential to
make any story work and move on. They are the links between the heroes,
heroines and the plot itself. That’s how I always look at them anyway. In fact,
my secondary characters are often my favourite creations in any story, whether
they be dark and evil or light and humorous. Quite often I find both extremes
creeping in and, boy, do I have fun with them.
But where do they come from, these
minor actors in the supporting cast, creating havoc or laughter and sometimes
both? It can sometimes be difficult or impossible to invent them from
imagination alone. The best way, as far as I am concerned, is to take a real
person, someone you know well, and weave their idiosyncrasies and anything you
find odd or interesting into the character you want to create. Most people do
not recognize themselves because their oddities, their habits [which they may
not even be aware of] are disguised by the different physical appearance, name
or background of the character that ends up in the published book at the end of
the day.
My husband
has been known to say: “I see you’ve got your mother/grandfather in here
again.” I’m not always aware that I’ve done it, but their characters are so
fixed in my memory that they seem to infiltrate into the stories all on their
own. Of course, the more interesting the character the better, but care has to
be taken not to make the ‘secondaries’ appear too unbelievable, even if the
real person you take them from is too ‘interesting’ to be true.
I’ve just
spent some time with my son-in-law. Now there’s a character and a half. He has
plenty to be depressed about in his life at the moment – perhaps always has had
– but he laughs it off and claims that he is never depressed. I get depressed
just hearing about his life and wonder how my lovely step-daughter copes with
it all, but she seems to ignore it and they appear to be very happy together.
But here it
is. I would love to create a secondary character that has his problems that are
both sad, ridiculous and hilarious at the same time. For one thing, he has a
serious phobia. Peas. He can’t look at them, eat them, see other people eating
them. He says his three older sisters used to taunt him by lining peas up
outside his bedroom door so that he couldn’t come out. The sisters all have
their own idiosyncrasies, as does the father of the family. He lives with my
son-in-law, who is his full-time carer. I won’t go there, even though he’s
doubly interesting – it’s all far too complicated. As is the fact that my
son-in-law [and I’m oddly very fond of him, despite all his idiosyncrasies]
must telephone one of his sisters every evening and they talk for at least an
hour – about what Heaven only knows.
So, a
secondary character in the making and I can’t wait to ‘create’ him in one of my
books. He claims he hasn’t read any of the twenty-plus books I’ve written, but
this week I allowed him to read the first rough draft of FORBIDDEN, which I’m
at present working on. I’ve never done this before, so I held my breath and
kept everything crossed, because he’s pretty outspoken at times. He said he
enjoyed it and was fascinated to know what ‘Lizzie’s secret’ was. Lizzie is one
of my secondary characters and not terribly interesting - yet. He was most
frustrated when I wouldn’t tell him and spent the next hour or two trying to
trick me into revealing Lizzie’s secret. I told him he would find out when he
read the published book. And, of course, the clue is in the title – for all the
characters’ ‘secrets’.
Yes, it was a
fascinating and inspiring few days.
Now, I’m ready to start Chapter Three of FORBIDDEN, when I may or may not reveal Lizzie’s secret – but not to the son-in-law!
Now, I’m ready to start Chapter Three of FORBIDDEN, when I may or may not reveal Lizzie’s secret – but not to the son-in-law!
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