“The Force has Left us, Young Skywalker.”

Over the weekend, my son and I checked out the latest Star Wars offering, “The Rise of Skywalker.” Patrons of all ages lined up at the ticket counter, the theater was crowded and many buckets of popcorn were sold. It promised to be an entertaining way to spend a Saturday afternoon.

The sheer success of the Star Wars movies is hard to comprehend. The original Star Wars movie, “A New Hope,” came out in 1977. Since then, the franchise, with twelve releases, has collected over an astounding ten billion dollars worldwide.

We enjoyed the movie but, truth be told, it was nothing special. The undeniable excitement that greeted the first several releases, decades ago, was missing. Perhaps the brand has run its course. Understandably, keeping the momentum going is a hard task, and for the scriptwriters, an unenviable task.

For me, “The Revenge of the Sith,” released in 2005, was the last and best of the series. In it, we learned of Anakin Skywalker’s shocking betrayal of the Jedi, his turn to the dark side, the death of his wife Padme and the dispersal of their twin babies. Every release after that has felt shallow, unable to capture the emotional heart of the saga again.

Thus, the reviews for “The Rise of Skywalker,” were decidedly mixed. Rotten Tomatoes, the well-known review site gave it a 53% rating, saying that it “suffers from a frustrating lack of imagination, but concludes this beloved saga with fan-focused devotion.”  Roger Stone, the movie critic, writes that, having to bear the weight of all the previous plots, it doesn’t have “an identity of its own.”

Joseph Campbell

In a way, it had to happen. The original trilogy was a cultural phenomenon. Set in the distant future but rooted firmly in ancient human mythology, it captured everyone’s imagination. Based on the writings of Joseph Campbell, erstwhile professor at Sarah Lawrence College, who worked in comparative mythology and religion, it captured the imaginations of people around the world. Some say that Star Wars is based on the ancient Hindu epic the Ramayana, which relates the tale of a search, by a hero and his monkey friend, for a princess captured by an evil king.

There are rumors that the latest is the last of the franchise. But given the financial returns, it seems difficult to believe. Another or, maybe, a few more episodes will be produced. If so, the saga will slowly die away, ending only when movie-goers lose interest. Yet, few will forget the magic of the early releases. I certainly won’t.

Mohan Ashtakala is the author of "The Yoga Zapper," a fantasy and "Karma Nation," a literary romance (www.mohanashtakala.com). He is published by Books We Love (www.bookswelove.com)