Tuesday, June 23, 2020

The Author's Voice by Victoria Chatham







Most writers understand the term the author’s voice. For non- or new writers who may not, it refers to the writer’s personal and distinctive elements of style. Someone who loves classical music can differentiate between Bach, Beethoven, and Mozart. A jazz fan will know Muddy Waters from B.B. King. Fans of Nora Roberts or Debbie Macomber, John Grisham or Lee Child will not need the cover or spine matter to know who has written the book. A few lines of text from a single page will tell a seasoned fan all they need to know because they recognize the author’s voice.





But there is another author's voice to consider. It is that real voice, the one an author produces the first time they perform, either at a reading or giving a presentation. It is the part that authors over and over say they like the least because many authors are often introverts and prefer to be seen but not heard. They do not want to hear that thin, reedy, wavering vocal vehicle that cannot possibly be their voice. They know it is not going to reach the back of the room or do anything to WOW their audience. They suffer from glossophobia, the technical term for fear of public speaking which affects at least 25 percent of the population so in that they are not alone.

However, as with writing, practice makes perfect, and the best place to practice your reading is in the comfort of your own home. First, find a paragraph in your book that resonates with you. It could be descriptive narrative or a few lines of dialogue from a passage with which you are comfortable. For your first attempt, make it a short piece. You might barely move your lips around the words so that you are only whispering, but that will not do. Read your passage out loud, and I do mean OUT LOUD, and then re-read it. Next time, lift your head, look straight in front of you and then dip our chin slightly so that you lengthen your neck. Now hold your paper (or book) up so that it is at eye level and re-read the piece.

Notice your breath. Many of us, when we begin public readings, take a deep breath and go for it, ending on a gasp like a landed fish. Learn to breathe. Yes, you read that correctly. Controlling your breathing goes a long way to calm your nerves, which ultimately modulates your voice. Take three deep breaths and re-read your piece. Better?

Here’s another tip. Print the page from which you are going to read and mark it up with a backslash at
every comma and period, which will show you where you can pause to take a breath. It is also a neatway to determine if better punctuation will make your writing flow more easily. If you can’t comfortably read a sentence in one breath, then it is too long. You may also find places where you naturally want to take a breath, so mark these as well. Note the solid backslashes and the dotted backslashes in this sample take from my book His Unexpected Muse

 Practice as much as you can. Watch TED talks on YouTube and watch how the presenters interact with their audience, or research online articles on public speaking. If you have the chance, visit the venue where your reading is to take place, get comfortable with it. Is it a library, bookstore, or school? If you can, meet the staff who will be there on the day of the reading. Find out where the podium will be placed and check the lighting. Is it good enough for you to see your page? To make it more comfortable for yourself, print your page(s) in as large a font as you need. Look around and familiarize yourself with entrances and exits. The last thing anyone wants is to be placed by the washroom door. You may laugh, but that has happened.

On the day of the reading, a couple of things will help you stay calm. Most of us love our coffee, but too much caffeine before the event can make you more nervous. Drinking milk, or having any milk-based product may cause congestion. You know yourself best, so if this is likely to happen to you, it would be better to drink water.

When you step up to the podium, look at your audience who need not know this is the first time you are reading in public. Pick one or two people, make eye contact with them and imagine you are reading just for them. Smile. Breathe. Begin.

When you have finished, look around your audience again and thank them for listening. Keep smiling, even though your knees may be knocking, and you long for that coffee or a stiff drink—pat yourself on the back. You’ve done it! You’ve survived. And the more you do it, the more you prepare for it, the easier it gets. I promise.






3 comments:

  1. Reading in public can be daunting. I believe the times I read to kindergarten children was the best practice for this. Keep writing

    ReplyDelete
  2. Thanks for dropping in, Janet. Your support of the blog is awesome.

    ReplyDelete
  3. Great post! I didn't enjoy my first few readings but the more one does it, the easier it gets. :)

    ReplyDelete

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