What is it that makes artists recoil from compliments? I’m
talking about ‘true’ artists here—people who take Art seriously, who live their
lives in subordinate servitude to Art; not those who are in it specifically for
recognition, admiration or success. We of The Craft have a name for that latter
type: Posers. And this piece isn’t about them.
For true servants of The Craft, recognition and approval can
de-legitimize Art; this is possibly a by-product of our disdain for critics and
the foaming, vapid pop culture whose frenzy they stoke…as if our contribution
has no value when the ignorami like our stuff. Mustn’t get that association on
us; it’s a mark of disgrace, and might not wash off.
But if that’s the case, then what about compliments coming
from quarters we regard as artistically legit? From people we admire, mentors,
or fellow artists whose work we venerate. I occasionally receive a true
compliment from someone who necessarily gets it—who understands The Process,
who I know to have walked in my shoes—and even then, my knee-jerk response is
to hurry past it, to turn my face away lest I get forced into accepting the
kudos, or worse yet, facing the possibility that I may have actually, finally,
done something good and right.
Like many of us, I’ve been deeply ingrained with the sense
that accepting compliments, even inwardly—especially inwardly—is bad form.
Those of you who live in the artistic culture know that of which I speak. We
are painstakingly conditioned to believe that accepting compliments is toxic,
and most of us take that conditioning to heart. To accept compliments jokingly
is okay—“oh please, no no no (gimme more, gimme more…)”—but not seriously. That
might lead to self-approval, which of course fosters incompetence and ends it
all--a horrible, dishonorable death.
Is it that we have to hold ourselves to such high standards
in order to be competent with The Craft, that acknowledging anything we’ve done
right might encourage complacency, thereby threatening the sacred skill we
bring to the table? Is our skill set that fragile?
Well, yes. Of course it is.
And I think that what might be at the root of this is the
very real necessity to keep ego out of the way in order to hear (or see) what
wants to be. Ego is not a bad thing, in the right ratio and context; it is the
healthy, normal sense of self and a vital part of how we survive. It drives us
to become who and what we are. Without it, no human can ‘become’. The
human engine simply won’t run without ego.
But in the artistic process, there’s a very ticklish balance
to be had between being the egoless blank canvas—removing self from the
equation—so that we can be Her stylus, neither filtering nor discoloring what
She wants, while at the same time we must be in command of our
skill to the degree required to render Her wishes, which of course requires
self and ego, in order for our skill set to be there at the table.
I think most of us agree that the artistic process requires
a person who operates from a place of humility. Deep-down humility, the kind
that makes us feel like we can never be good enough, never practice enough,
never be truly blank enough to really hear (or see) EXACTLY what wants to be,
so that we can bring it into the world with the excellence of form that She
deserves from us. We’re all different, us artists, in how we create our Art,
but for most of us it’s a very fragile process. And this means that recognition,
compliments and success are a threat to our Art and well-being, like a
rattlesnake in a baby’s crib.
There’s also the exacting criteria by which we must be
approved by our peers and fellow practitioners of The Craft. If we’re seen
practicing bad Art, or chasing admiration with our Art, it’s blasphemy.
Worshiping a false prophet. Our reputation is ruined, as it should be. We must
walk in that corridor of trueness that will win the respect and admiration of
just the right people, just the right circles. A compliment for the wrong
thing, or from the wrong quarters, is like a billboard advertising our disgrace.
We must not only walk the line of being true to Her and bringing purity of
process to The Craft; we must also be perceived by our peers as walking that
line. To achieve success is to bring one’s self under scrutiny, as it’s a very
suspicious thing.
There are, of course, those among who achieve huge success
in the eyes of pop culture, and in the eyes of true artists
alike; who can (if they’re capable of it) accept compliments without dishonor,
because they haven’t sullied their Art and their love for Her in achieving that
success. But they are vanishingly rare.
Interesting and thought-provoking article.
ReplyDeleteO the tortured soul of the true artist... I write because it makes me happy, because I like to share that happiness. But I have practiced other arts, and having walked the path, I have to admit not many artists have this purity of soul. It takes courage. Thanks for sharing.
ReplyDeleteBravo, Byron. YOU are rare.
ReplyDelete