Monday, June 2, 2025

The ties that bind us – to research by donalee Moulton

 

As you know, my third mystery, Bind, is out in the world. Here’s the pitch:

 

Everything that happens in a yoga studio is not Zen. Sometimes it’s grand larceny. Three yogis, two cops, and one damn cute dog join forces to discover who’s stolen a Patek Philippe watch from what was supposed to be a secure locker.  Time is ticking.

 


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As I was writing Bind, indeed, as I was envisioning what the book would be, I patted myself on the back for picking a theme, a location, and characters I was more familiar with than in my previous two books. Less research, less investigation, less fact checking. I couldn’t have been more wrong.

My first mystery, Hung Out to Die, follows Riel Brava, born and bred in Santa Barbara, California, and transplanted to Nova Scotia where he is CEO of the Canadian Cannabis Corporation. It’s business as usual until Riel finds the company’s comptroller hanging by a thread. Actually, several threads. It doesn’t take the police long to determine all is not as it appears. Riel is drawn into helping solve a murder. He’d rather not. His reluctance, in part, has to do with the fact that he is a psychopath. The nicer kind, not the serial killer kind.

To make Riel and the murder realistically come to life, I spent a lot of time researching cannabis production, psychopathy, death by hanging, and upscale coffees. I even spent some time exploring the inner workings of a donair. Riel eats his first in the book; I’ve never had one.

          In a twist, my second book, Conflagration!, is a historical mystery that centers around Marie-Joseph Angélique, an enslaved Black woman accused of setting the lower town of Montreal on fire in 1734.  Philippe Archambeau, a court clerk assigned specifically to document her case, believes Angelique might be innocent. Or not. A reticent servant, a boisterous jailer, and three fire-scorched shingles prove indispensable in his quest to uncover what really happened.

          Of course, the reality of history and the mystery I created immersed me in life nearly three hundred years ago. It also required learning about the French justice system of 1734 and specifically the trial of Angélique.

          You can see why I patted myself on the back when the idea for Bind took hold in my imagination. A watch goes missing from a changeroom at a gym – an expensive watch with a loud, arrogant owner. The theft connects three yogis in a way full lotus never could. As the search for a thief unfolds, so do seemingly unrelated questions. Why does Lexie have such an intense interest in a much-younger trainer at the gym? Who is the unnamed, unknown man who keeps leaving Charlene messages? Why does no one know Woo Woo lives in a mansion?

          I thought research would be minimal. The women in the book are my age, they live in my neighborhood, they do yoga – like me. What more could there be to research? Plenty as it turned out. One of the main characters, Lexie, is a comedian with a popular podcast, so now I’m learning about podcasts. Another main character, Charlene, is an auditor, and suddenly I’m delving into what auditors do exactly and how they do it. Another character, Woo Woo, is a reflexologist…. Well, you get it.

          It’s authenticity that makes writing come to life, and authentic writing requires writers to hunker down and delve into worlds they don’t know well and don’t know at all. I mean who knew a watch could cost $100,000. I had no idea. I do now.




 

1 comment:

  1. I love doing research. Not only you learn about the setting or history of your characters, but you can also find fascinating details to spice up your story. Thanks for sharing.

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