Showing posts with label #FirstPeople. Show all posts
Showing posts with label #FirstPeople. Show all posts

Wednesday, March 13, 2024

Book Birthday: Spectral Evidence

                                                           Find my books here!

 

I love book birthdays!

My latest, written with my wonderful partner in crime, Jude Pittman, is Book 8 of the Canadian Historical Mysteries: Newfoundland, entitled Spectral Evidence.

Imagine learning about a specific historical setting in each of Canada's provinces and territories through a thought provoking mystery? What fun!!

Ours is set in 1692-93 Newfoundland, which had historic trading ties to New England, and specifically Salem, Massachusetts. Well, THAT got our creative juices flowing, because it was the time of the notorious Salem Witch Trials and their tragic aftermath.

Our sleuth and storyteller is 17 year-old Charlotte Jaddore, the daughter of a merchant ship captain and his Beothuk/Mi'kmaq wife. Both heroine and content make our novel appropriate for YA readers as well as adult mystery fans. 

Jude and I are most pleased to present this excerpt. We hope you'll enjoy Spectral Evidence, and the entire series of Canadian Historical Mysteries.

Chapter 1 

Home from the Sea



The first name given to me by my mother, Rising from the Wave came because I was born in Lampok, the water world’s swell, on board my father’s ship. He insists the gale becalmed to hear my coos and suckling sounds. He sometimes calls me ma petite onde, his little wave. I’m a good person to have around in a storm still, he says. 

But I am also deeply rooted here, on the island my father’s people call Newfoundland. They came from across the wide Atlantic in ships with great white wings. My mother’s peoples, the Mi’kmaq and the Beothuk, who call me many variations of my first name, were watching from shore. They were not surprised by the new people’s arrival. Long ago a holy woman had a vision of islands of trees floating towards us, So, we greeted the tall ships with joy, eager to trade. We even added their spirit world of Christianity within our own. 

My father sought refuge here, away from wars and kings. Newfoundland is a good place, full of the bounties of earth and sea and sky. But the wars followed. 

We were in one of those wars in that Spring of 1692 as I scanned the horizon on a cold and fog laced spring day before dawn.  My companions on our cliffs above St. John’s, were gulls, our colorful sea parrots, and rough-legged hawks. And soon came the sound of Randall Kelly’s step assisted by a walking stick.

“You are up before the sun,” I said quietly.

A gusting, like the one our island ponies make through their noses, came out of him. “I tread toes first in the moccasins you made for me, Charlotte Jaddore,” he complained, loud enough to turn the head of a curious gull.

I turned. “Aye, but you took a winding way, giving me more time to hear your approach.”

Randall Kelly grinned. “Straight paths make for dull stories. I hope you have reaped some stories for me over the winter with your grandmothers.”

“I have. How did you know I was returned from the inland?”

“The dust has been flying out your windows.”

“Ah. Spring cleaning.”

“And the praise of your hired helper, after you noticed her hurting arm and took to your concoctions for help. What kind of a crier would I be to not know the comings and goings of St. John’s and all of Avalon beyond? You cut me to the very quick, lady!”

My smile ran away from me as we sat together on a nearby outcrop of rock. I miss our past together when Randall called me “child” and “sprite.” The “lady” had begun after my return last year. It honors me and my growing into my womanhood, but it feels strange still. 

I have known Randall Kelly since I was not much more than a toddling child and he an orphaned immigrant of ten years. Because of the injury he suffered over his Atlantic crossing, he was judged unfit for his indenture-contracted seaman’s duties. But he was more than fit to nurse my family through the smallpox that descended soon after, killing my mother and her babe, driving my father near madness in his grief. We all bear the marks of that terrible time. Randall Kelly bears them the lightest, showing us the way, for he had already survived the loss of his own family in a place called Waterford, Ireland. 

My father bought out the terms of Randall’s indenture. In the years that followed, others saw him as our lame servant, doing the work of women, the cooking and cleaning and household management. But he became my brother as he sat beside me at my lessons. We gained our love of books and knowledge together. Soon, we’d formed a new family—Randall, my father, and I. His literacy, combined with his sanguine humor and curiosity made it natural for our small community of St. John’s to offer him the brass bell of Town Crier.

Randall had his own rooms now, in an old storage barn he acquired because it had a window that faced north. He carved more windows in that wall so that he could get that beautiful artist’s light, even on our many cloudy days. When my father brought paintings from Amsterdam to our shores, Randall was in their thrall. The portraits and landscapes became his teachers as his drawings acquired color and skill. His barn is his home now, and he sleeps below its rafters. 

The sign above our tavern-the Sea Parrot- bears Randall’s portrait of the nesting birds that live on our cliffs. Those seeking to decorate their dwellings with more than fishing tackle and clothes hooks are happy to keep our artist fed and clothed in exchange for the products of his craft. 

Randall leaned his dear face against the leaping dolphin he’d carved into his walking stick. He looked at me with his artist’s eye now, as if judging how well I fit into his mind’s new composition, along with land and sea, shrouded in morning fog. Suddenly, his brow quirked up, the way it used to when he suspected me of keeping a secret. “Are all shelves and storerooms made ready for this year’s new goods?”

“They are.”

“Aye, then. And now, Charlotte Jaddore, with your powers beyond mere mortal ken, might ye know when the winds will blow the Esperance in?”

“Do not you tread over that territory with me,” I admonished him. “George Wyatt already thinks I have dried up his cow.”

“Does he? And have you?”

“Pish. What do I want with her calf’s food? You are a strange people who steal eggs from the birds and milk meant for the young of others.”

He laughed. “Now you sound like your grandmothers. How did those fine women fare over the winter?”

“They are well. Their message for you is to study the weasel over our coming crowded months.”

Randall Kelly is one of the few my grandmothers have allowed close to the inland camps of the Beothuk and Mi’kmaq. He is a smallpox survivor. That is part of the reason they feel safe. The other lies inside our artist crier himself, who both my grandmothers consider a holy person. Holds Two Spirits is their Medicine name for him. They send me back to St. John’s every spring with another animal for Randall Kelly to study, to gather around him, to give him strength and protection. 

Randall’s laughing eyes, the color of seagrass in summer now stilled. “Tell the grandmothers that I will risk the weasel people’s bites of displeasure to follow their advice.” He looked at his hands then. “And thank them for me, will ye?”

“Of course,” I agreed.

“It’s glad I am that they see me as a scholar studying the world around.”

We had achieved twenty-five and seventeen years of life on Mother Earth, Randall and I. But I suspect we both missed our free childhoods, before I ran my father’s house and business. Before Randall took up his paints and the crier’s bell, back when we were welcomed like unruly puppies into all the communities of Avalon—the English and Dutch of St. John’s, the French at Plaisance, and the Irish dory fishermen of our many bays and coves. We were welcomed even into the high valleys of the mountains and barrens, where our trading partners, the Mi’kmaq and the reclusive earlier people of my great-grandmother, the Beothuk, abide.

The east wind picked up suddenly, blowing away the night’s fog. Randall reached into his pouch for his spyglass. He scanned the horizon, past the harbor bay, just as the sun was appearing over the eastern edge of the world the Mi’kmaq call Turtle Island.

“I knew it! I knew trudging up here after you would bear fruit!”

He handed me the glass, took up the shell horn that he used for long-distance summoning of the town’s attention, and blew. I stood beside my friend, letting my blue apron fly like a flag of welcome. For out there, among the last of the icebergs, was a ship we both knew well. The Esperance.  My father was home from the sea.


The gathered people at the dock parted upon my approach. I lifted my skirts and ran to the Esperance as the gangplank was set in place. Every mother’s child of them knew they would not get a first look at the wines, the lemons and oranges, the stockings, and French silks. Not until my father had given his heir and business partner a proper greeting. His arms, his salt tang smell mixed with clove, the quill and bead decoration that dangled from his ear- all were home to me. My world was not returned in balance until his quartermaster began a reel on his pipe and we’d danced a swinging circle in each other’s arms.

As the tune finished, we heard Randall Kelly’s bell, then his powerful voice.

“Hear ye! Hear ye! Be it known that by the grace of Divine Providence and the skill of her officers and crew, the good ship fashioned of fleet Bermuda cedar known as the Esperance, in their Majesties King William and Queen Anne’s port of St. John’s in the Colony of Avalon, has landed this eleventh day of April in the year of our Lord sixteen hundred and ninety-two! As first of the season into port, Martin Jaddore is hereby declared Fleet Captain and Fishing Admiral!  Is this not a day to bring our poor wintering souls joy? A day altogether calling to mind the words of our own gracious late and lamented governor poet?


The air in Newfoundland is wholesome good,

The fire as sweet as any made of wood,

The water, very rich, both salt and fresh,

The earth more rich, you know it is no less

Where all are good, fire, water, earth and air,

What man made of these four would not live there?’”


Loud cheering followed his recitation of Robert Hayman’s verse. Amid the jubilation, my father growled before he whispered in my ear, “Poetry? More like royal sanctioned versifying lies out of that Devonshire pirate! Did we not have Randall Kelly recite enough Shakespeare in his youth to know the difference?”






Tuesday, December 28, 2021

Remembering Larry Sellers (Cloud Dancing) #Dr. Quinn Medicine Woman By Connie Vines #LarrySellers, #Dr.Quinn Medicine Woman, #NativeAmerican

 I was first introduced to Larry Sellers in 1992, before the television show “Dr. Quinn, Medicine Woman” premiered on Saturday nights (running for six seasons).

My personal photo (with Larry's autograph)

Larry Sellers was a Native American actor and stuntman of Osage and Cherokee descent and an adopted member of the Lakota nation. He became known for his regular role as Cloud Dancing in the popular CBS hit series Dr. Quinn, Medicine Woman (1993), and received an Emmy Award nomination as Best Supporting Actor. He also worked as a technical advisor on the show, notably on linguistic aspects.

When Larry was filming in the Hollywood studio backlot, he would drop by during our weekly Native American Craft Nights taught by Tribal Elder Barbara Drake,  held in a school auditorium (Ontario Montclair School District,  San Bernardino, CA). He performed puppetry and played his hand-carved flutes for the elementary schoolers and the toddlers.


I also facilitated numerous workshops when I worked with the Title IX and Title X programs and Parent Advisory Committee. Larry was always flattered when asked to work with our teen and pre-teen students.

Soft-spoken, courteous, Larry shared his knowledge and experiences with others. Fame did not change him; he was, first and foremost, a spiritual man.  *on a personal note, I spoke with Larry about a YA historical novel I was completing, “Tanayia—Whisper upon the Water.”  Native American boarding schools in the late 1880s were not a topic many publishers were willing to publish at that time.  Larry reminded me it was my duty to give the story life. He also shared his personal experiences of being sent away to boarding school at the age of five. He told me, firmly, the novel would sell.

Larry was correct “Tanayia—Whisper upon the Water was purchased by a publisher. The novel was “Book of the Month and Teen Read” at numerous Public Libraries and a National Book Award nominee.



Larry Sellers’s Career:

Larry Sellers enlisted in the Navy after graduating from high school.

Larry was a 17-year veteran in the entertainment industry as an actor, stuntman, translator, and technical advisor.

An educator, historian, and historical consultant about his heritage.

He was one of the eight scholars chosen nationally as a Fellow at the Newberry Library Center for the History of the American Indian, located in Chicago.

Larry worked with the Arizona State Department of Education / Division of Indian Education among the many accomplishments as a consultant. And he has also worked with Traditional Tribe Medicine, the Arizona State Department of Alcohol and Drug Abuse, and the Phoenix Indian Medical Center Rehabilitation Program.

As he was an actor as well, his acting credits include the feature films “Son of the Morning Star,” “Quick and the Dead,” “Revolution,” “Like Father – Like Son,” and “Assassination,” “Wayne’s World II.” Moreover, his television credits are the film “Kenny Rogers as ‘The Gambler’ III — The Legend Continues” on the CBS Television Network and the series “Life Goes On.“

Little known facts: He participated in the Wiwang Wacipi [Sun Dance] Ceremony.  It is said (though I did not confirm with Larry) he turned down an offer to appear in Kevin Costner's epic Dances with Wolves (1990) because he was not given the four days required to complete the Sun Dance ceremony. 

2016 - 2021, he worked as an Osage language instructor in Pawhuska, Oklahoma.


Larry Sellers (Pinterest Photo)


To learn more about Larry Sellers, please visit:

http://www.thedqtimes.com/pages/dqfolklore.htm (Website for Dr. Quinn Forklore)  Cloud Dancing and Native American Folklore, too

https://www.imdb.com/title/tt0565364/  Larry wrote (several years after our workshop discussion) the script, “Hearts and Minds,” for this episode Dr. Quinn Medicine Woman, show which dealt with the Native American education/boarding school.

I am blessed to have known Larry Sellers. 

Thank you for allowing me to share my memories with you,

Connie Vines

  

Buy Links:

https://www.smashwords.com/profile/view/vinesbwl

https://www.barnesandnoble.com/w/tanayia-connie-vines/1127822389?ean=9780228600060

https://www.amazon.com/Tanayia-Whisper-Water-Connie-Vines-ebook/dp/B0894GGJ3G/r


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