Showing posts with label 17th century London. Show all posts
Showing posts with label 17th century London. Show all posts

Wednesday, April 4, 2018

The Great London Fire by Katherine Pym



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London Fire reached Ludgate, September 4, 1666


I understand this is a subject that may have been slightly overdone, especially since 2016 marked the 350 year anniversary of the vast destruction that occurred within a short 4 day timespan. To celebrate, London had a lovely old city effigy burned on a barge in the Thames. BBC had a television show on how it happened, where it started. It looks like Pudding Lane wasn’t quite where we thought it was all these years. The bakery was a block or so farther away. A marker that shows where it was is in a nice, clean street where cars now parallel park.

My current work in progress (WIP) takes place in London 1666. Since the fire was a big event in that year, I cannot not mention it, now can I? The reader would wonder why I’ve listed every other important moment but not that one, which to this day marks many souls as a living catastrophe.

In 1666, England was at war with the Dutch (fought entirely at sea). It was really a merchant’s war, caused by skirmishes over ports of call in the East and West Indies. The English felt the Dutch should share in the profits of spices, new fabrics (cotton), exotic fruits, differently manufactured furniture and fine pottery. After all, the Indies included vast areas of land and people. It wasn’t fair that one country take everything. 

Fighting fire with a 'squirt'. It held 4 pints of fluid, and took 2 men to operate.

Almost 18 months into the war, as the English fleet prepared to meet the enemy in a pitched battle, on September 1, 1666, a gale entered the Channel. A wind so strong, it felled the fleet. Sails ripped from masts. Bowsprits shattered. Ships collided and listed. Gun ports were closed to keep the seas from flowing onto the gun decks, swamping everything in its wake. The winds tore the fleet to shreds, then moved onto England. In the wee hours of Sunday morning, September 2, London winds whipped a spark and London began to burn.

The fire was so fierce, it created its own weather. Lightning slashed, thunder boomed. Warehouses along the Thames contained oils, pitch and tar, which burned fiercely.

People weren't this calm as they ran
Most homes were squeezed along narrow, dark lanes, cantilevered so that top stories were only inches apart. Made of half-timbers, wattle and daub, a material that if maintained did not burn easily, many houses were not maintained. Leased houses and shops were the responsibility of the renters. They had to fix anything that broke, burnt or toppled over. They were responsible for the walkway and road outside their doors. Not many followed these regulations. And with the winds so fierce, it was fodder for fire.

People took their goods to neighbors’, thinking the fire wouldn’t reach them. They took furniture and clothing to churches, thinking the walls were too thick for fire to burn them. As the fire moved west along the river and northwest through town, people removed what they had stored and moved them farther away, into a neighborhood they were sure would not burn.

Black smoke could be seen over 56 miles away. The city looked like daylight when it was nighttime. A contemporary wrote the firestorm sounded like “a thousand iron chariots beating on stones”. It was deafening. Stone facades exploded like bombs. Church steeples engulfed in flame toppled over onto streets and houses.
 
Booksellers lived in the vicinity of St. Paul’s Cathedral. They sold their wares in Paul’s Yard. Their parish church was St. Faith’s located under St. Paul’s church in the undercroft. They called it St. Faith’s under St. Paul’s. They took their presses, paper and books to St. Faith’s knowing with the massive pillars of Paul’s it would never burn. By the time the flames licked Paul’s outer walls, St. Faith’s was stuffed. St. Paul’s was filled with goods up to the choir loft.

St. Paul’s was in disrepair. Over time, the heavy, lead roof had spread its walls outward. Pillars were crumbling. Scaffolding supported some of the pillars and the outside of the church. Just a few days prior, a meeting had been held to discuss renovation of the building. 

The Burning of St. Paul's Cathedral

By 8 o’clock Tuesday evening (September 4), fiery debris had fallen on Paul’s roof. Shoddy repairs of timber caught and burned so hot, a gentleman who stood over a mile away saw the inferno.

“Large parts of the roof, both stone and burning timber fell in, and the Cathedral became a roaring cauldron of fire…”

“Molten lead dripped in silvery beads from the roof, raining down upon the broken stones and tombs that strewed the Cathedral floor, and there collecting, ran out into the streets in a stream.”

Paul’s choir and lower floor crashed into St. Faith’s. When St. Paul’s collapsed, the whole building exploded with an earsplitting roar. Burning papers and books sailed in the air, some of the pages landing miles away in the English countryside.

St. Paul’s was a mass of smoking ruins within an hour.

London after the fire. It poured beyond the old Roman walls into west London.

 
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Many thanks to Wikicommons, public domain,

By Permission of Heaven, the True Story of the Great Fire of London, by Adrian Tinniswood, Riverhead Books, NY 2004

The Story of London’s Great Fire by Walter G. Bell, Butler & Tanner, Ltd., Frome and London, 1923








Tuesday, July 4, 2017

My Character by Katherine Pym




When I began researching a good heroine for our Newfoundland story, I didn't think I'd find someone like Sara Andrews, later Lady Sara Kirke.

From the few historical texts that mention her, they confess she was one hell of a lady. Historians say after the arrest and subsequent death of her husband, Sara took the bull by the horns and for a good thirty years ran a very successful plantation (farm) in Ferryland, Newfoundland Labrador.

I haven't found any portraits of Sara Kirke. If there are any, they are locked away somewhere and off the internet grid. A pencil drawing of her husband exists but it's considered a modern rendering of what he may have looked like.

In 1638 David Kirke moved his family to an abandoned plantation named Province of Avalon, Ferryland, NL. (The term plantation was originally known as a colony, a settlement in a new land.) Ferryland is located on the coast southeast of St. John's. It has a natural harbor that kept ships afloat during storms.

The Kirkes settled in a nice stone house previously built for George Calvert, 1st Lord Baltimore. He moved to Ferryland thinking he could establish a Roman Catholic utopia, but after one hard winter and trouble with pirates, the myriad of fishermen who showed up on his shore, Baltimore threw up his hands and ran for the exit.

It took a lot of work to sustain a plantation household, that of their servants and fishermen who worked the sea, but Lady Sara Kirke was up to the task. She partnered with her husband and turned their plantation into a fishery. They owned several boats, salted fish and produced cod oil. They traded their products for wine and other sustainable goods with England and the Europe. Once the colonies of New England gained their footing, the Kirkes obtained goods from warmer climes down the Atlantic Coast.

After Sir David Kirke was arrested and returned to England, Lady Sara continued to work the plantation. Based on historical facts, Sara is considered North America's first and foremost entrepreneur, so no mewling babe here. When I built her character, I did not want to start with a shy, weak woman who over trials of life became strong and independent. I made her a force to be reckoned with from the get-go.

She came from a wealthy merchant’s family and married into another. I made her a partner in the Kirke’s wine business, had her outfit ships for sail to the New World, had her stand up to her husband’s gruff and stubborn ways. This made her capable for anything when she single-handed ran the Ferryland plantation, a single mother with three sons (there’s no record of her remarrying), where she had to contend with fishermen from so many nations who felt they could do what they wanted, when they wanted.

I came to like and respect Lady Sara Kirke, and am happy to have been a part of her story. 




Saturday, March 4, 2017

Palace of Whitehall, Part II by Katherine Pym





 
Previously, I told you the history of Whitehall Palace, its beginnings and its end. Today, I want to talk of the structure, and how London’s activities affected Whitehall Palace. 

Whitehall Palace


Part II, Other stuff about Whitehall:

Castles have a tendency to be drafty, and it was no different with the Palace of Whitehall. Due to the compilation of various buildings crammed together, the palace was more drafty than normal. During storms, winds whistled down chimneys and spread ash across the chambers. Fires sparked, then smoldered.   

London and its suburbs used sea coal and brown coal to heat their homes. It was inferior and smoked. London also seemed to have existed under a pall of inversion. Smoke and pollution hung stagnant over the city and its suburbs for weeks on end.

Coal was used to brew ale or beer. Dyers used coal to heat water. Soap boilers manufactured their product with ash. Glass houses, founders and most industries used coal for their fires and their products. As a result, smoke settled heavy on everything with a gritty dust. Not a good place for asthmatics, the air was hard to breathe.

John Evelyn (1620-1706) loved London. He observed everything within and without the great city. 

In 1661, he wrote Fumifugium: or, The Inconvenience of the AER, and SMOAKE of London Dissipate, a diatribe of the damages smoke can do to a person, city, and anything alive. In this pamphlet, he also proposed remedies for this damage. This, he gave to King Charles II in the year of his coronation (1661).

A visit to Whitehall provoked Evelyn to write this pamphlet. While he strolled through the palace, looking for a glimpse of His Royal Majesty, Evelyn said, “a presumptuous smoke issuing from one or two tunnels near Northumberland House, and not far from Scotland Yard, did so invade the Court that all the rooms, galleries, and places about it were filled and infested with it, and that to such a degree, as men could hardly discern one another for the cloud...”

Apparently, the smoke was so thick in the palace, people had to stretch their arms to make it from room to room. I can imagine with the uneven floors, bridges, and stairways that linked strange floor levels, this could be dangerous.

Evelyn continues, “...upon frequent observation, but it was this alone, and the trouble that it must needs procure to Your Sacred Majesty, as well as hazard to your health…” Yes, wandering a palace so filled with smoke, it would be difficult to breathe, to see without your eyes tearing.

In 1662 a strong storm hit London, and Whitehall was not spared. A few fires started but fortunately, they were doused without any real damage. After this, regulations were enforced to have at each hearth a leather bucket filled with water.

In 1691, Whitehall nearly burned down. By this time, it was a maze of complexity, and the largest palace in Europe. On April 10th of this year, a fire broke out that damaged a great deal of the structure(s), but not the State Apartments. By this time, William III and Mary II lived most of the time in Kensington Palace.

Then, in 1698 what remained of Whitehall burned, along with many treasures garnered over the ages. Among other treasures, scholars believe Michelangelo’s Cupid, the Portrait of Henry VIII, and Bernini’s marble bust of King Charles I were all lost.

John Evelyn wrote: “Whitehall burnt! Nothing but walls and ruins left.”

Can you imagine the stories those old walls could have told, so rich, historical, and often tragic.

Sources:
Adrian Tinniswood. By Permission of Heaven, The true Story of the Great Fire of London. Riverhead Books, NY, 2003

John Evelyn. Fumifugium: Or, The Inconvenience of the AER, and SMOAKE of London Dissipated. Together With some Remedies humbly proposed by J.E. Esq; To His Sacred MAJESTIE, and To the Parliament now Assemble. Published by His Majesties Command. London 1661


Wednesday, January 4, 2017

17th Century Whitehall, Part I by Katherine Pym


Whitehall Palace



Whitehall Palace was a sprawling conglomerate of buildings that made no sense or order. Today, only the Banqueting House remains. 

Part I, A quick history:
In the 13th century, Whitehall was called York Place. It was not a palace, but a mansion built by an archbishop between the cities of Westminster and London. It wasn’t too large then, but over the centuries, its owners added on to it which accommodated kings, queens, and their entourages when they visited York Place.
Sprawling schematics of Whitehall Palace
By the 16th century, in the reign of King Henry VIII, Thomas Wolsey, Archbishop of York, lived in it. He had expanded it to such a degree that it rivaled most of the king’s palaces. Besides the fact Wolsey was Catholic, and Henry now rebuked Catholics, to have a minion with a larger house than his did not sit well. King Henry stripped Wolsey of all power, then moved into York Place and renamed it Whitehall.

King Henry made his own changes. He updated it until it encompassed 23 acres and was the largest palace in Europe. He erected merriment buildings that included a cockpit (turned into a theatre during the reign of King Charles II), tennis court, and a tiltyard. There was the King Street Gate and Holbein Gate that allowed the Court to traverse from Whitehall to St James’ Park without ever crossing a public road.

Each king or queen thereafter Henry VIII added to Whitehall until in 1660 when King Charles II took residence there, it had become a rambling jumble of chambers, passageways, and staircases connected by uneven floors that amounted to more than 1,500 rooms. It was also a montage of architectural designs. 
Banquet House, the only piece left of Whitehall Palace
During Queen Elizabeth I’s time, the first of the Banqueting Houses came into being. Elizabeth I had a large chamber built of timber and canvas to house entertainments. It occupied the site of the current Banqueting House, until James I commissioned Inigo Jones to build a solid structure, which replaced the aging, and dilapidated building. This new one was completed by the end of James’ reign. It was large with windows on all four sides, an interior balcony that hugged the walls, and an undercroft that took up the entire base of the building.

King Charles I commissioned Rubens to paint the Banqueting House ceiling. He was given £3,000 and a gold chain for the effort. Rubens painted the canvases and sent them to England for installation on the ceiling, which finished in 1635.

Rubens’ work effectively put the Banqueting House out of business. It was feared smoke from torches and candles would damage the splendor, so a new reception room was built. This was placed beside the Banqueting House where most of the ceremonial functions took place.

Charles I was executed on a platform outside the Banqueting House. After this, Whitehall Palace emptied out during the Civil Wars, but once Cromwell became the new sovereign, Whitehall filled up, again. After Cromwell’s death, what remained of the Rump Parliament tried to sell the palace.

Then, with the Restoration of King Charles II, Whitehall became alive again. As with his father and grandfather, Charles II wanted to make changes to the already sprawling palace. He hired Sir Christopher Wren to make it more like Versailles, but all that planning never came to fruition. He did, however, make new and sumptuous chambers for his favorite mistress, Barbara Villiers, 1st Duchess of Cleveland.

After Charles II died, King James II made changes in the forms of bettering his wife’s apartments, and adding a new chapel. By the time William III & Mary II took up residence in Whitehall, its importance was on the decline. King William suffered from asthma. The palace sat on the banks of the Thames, drafty and damp. He preferred Kensington Palace. By Queen Mary’s death in 1694, Whitehall was rarely used. 

Drawing of Whitehall Palace
In 1698, the great rambling palace of Whitehall burned to the ground. The only structures that remained were the Banqueting House, the Holbein and Whitehall gates. Today, only the Banqueting House still stands.

Next time, Other Stuff about Whitehall.

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Sources:
Adrian Tinniswood. By Permission of Heaven, The true Story of the Great Fire of London. Riverhead Books, NY, 2003

John Evelyn. Fumifugium: Or, The Inconvenience of the AER, and SMOAKE of London Dissipated. Together With some Remedies humbly proposed by J.E. Esq; To His Sacred MAJESTIE, and To the Parliament now Assemble. Published by His Majesties Command. London 1661

Sunday, December 4, 2016

Barbering by Katherine Pym




King Henry VIII with Barber-Surgeons Guild

First, a little technical history:

Back in the day, monks were barber-surgeons. They took care of all men's needs, from spiritual to the physical. They groomed men and performed surgery on them. It was a monopoly. 

But in 1163 at the Council of Tours, Pope Alexander III declared clergy getting their hands bloody was contrary to healing souls, and they were therefore banned from the practice. 
Enter the lay person where the profession of Barbery combined the services of grooming and doctoring. 

A Surgeon lancing a carbuncle
or something  equally horrid
Barbers let passersby know they'd leech or perform surgery by putting a bowl of blood in their windows, but in 1307 an Ordinance forbade that little advertisement. It dictated accumulated blood must be privately taken to the River Thames and dumped into its waters. If not, barbers were fined 2 shillings by the sheriff. Not to be outdone, barbers continued to advertise with red rags in the window. 

The next year in 1308, the barber guild was formed. The first master of Barber's Company was Richard le Barber. In 1462, the guild received a royal charter by King Edward IV. 

In 1540, the guild's title was changed to Barber-Surgeon, and disputes erupted. Finally, King Henry VIII enacted: "No person using any shaving or barbery in London shall occupy any surgery, letting of blood, or other matter, except of drawing teeth." 

Barber checking out a bad tooth
This law was not followed or enforced. Barbers often performed surgical procedures. They would barber in one part of their shop, and in another do surgery. Surgeons—to make extra coin—practiced barbery. 

The barber had long hours. King Henry VIII issued an edict : "No barber open his shop to shave any man after 10 o'clock at night from Easter to Michaelmas, or 9 o'clock from Michaelmas to Easter, except it be any stranger or any worthy man of the town that hath need : whoever doeth to the contrary to pay one thousand tiles to the Guildhall."

Well, to cut that edict to a nubbin, it meant if anyone with enough coin could be barbered whenever he wanted, which included Sundays and holy days. Barbers traipsed around town all days, from sun up to sundown and beyond. Pepys was often barbered on Sunday mornings before he went to church, or late at night before he went to bed. 

From Visible World published in 1658, and considered the first illustrated schoolbook, the barber in his shop would "cutteth off the hair and the beard with a pair of sizzars or shaveth with a razor which he taketh out of his case. And he washeth one over a bason with suds running out of a laver and also with sope and wipeth him." 

The barber's shop was a world onto itself. Gallants met there to be barbered or sewn together after suffering sword wounds. Carbuncles would be lanced and drained, and medicines dispersed. Those waiting played musical instruments and gossiped. The barbershop was where men went to learn current events or the latest scandals. 

A barber at work
Once in the chair, their beards were starched and their hair trimmed. In "Quip for an Upstart Courtier published in 1592, it related that the courtier sat on the throne type chair and the barber, after saluting him : 'Sir, will you have your worship's hair cut after the Italian manner, short and round, and then frounst with the curling irons to make it look like a half-moon in a mist ; or like a Spaniard, long at the ears and curled like to the two ends of an old cast periwig ; or will you be Frenchified with a love-lock down to your shoulders...'" One can only guess what his worship answered but I’d wager he looked very handsome once done. 

After the barber finished with the hair, he'd attack the beard. There were several ways to fashion the facial hair. Beards and mustaches could be formed into the Roman T, a stiletto-beard, soldier or spade beard, bishop’s beard, or the well known Vandyke. 

You could have the "court cut, and country cut." You could look fierce to your enemy or friendly to the ladies. 

Some barbershops created a veritable spa environment. Their nose and ear hairs were snipped. They'd foam and wash the patron's beard, dab it with fragrant waters, and anoint his closed eyes, then pull a rotten tooth. 

Or should the barber have pulled the tooth, first? 

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Many thanks to:  
At the Sign of the Barber's Pole, Studies in Hirsute History by William Andrews, Cottingham, Yorkshire, J.R. Tutin, 1904

Wikicommons, Public Domain 

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