For my seventh birthday, I was treated to a trip to the movies to see Walt Disney’s Cinderella.
I think I was eight or nine when I started going to the Saturday morning movies on a regular basis. It very much depended on whether there was a movie theater where we lived. Moving around with my soldier dad was a bit of a potluck lifestyle. I do remember having to do chores to earn the one shilling and sixpence ticket price to enter those magic portals and sit through a B movie, Pathé news, and then – WOW – the all-important feature film.
The cinemas I remember were more like theaters with their music pits in front of the screen, sometimes with actual live music depending on the movie, curved tiers of seating and fancy boxes and always those magnificent tasseled, velvet drapes. Oh, the anticipation when the lights were dimmed and they opened to reveal that magical silver screen. Girls carrying trays of ice-creams and cigarettes paraded the aisles during the breaks. How I envied them! In my innocence, I thought they saw all the movies they wanted for free. The truth, as I later discovered from a friend who actually got a job in a movie theater, was very different.
I still love going to the movies, but today I see them through different eyes as I’m far more aware of the beats in a movie – especially since reading Blake Snyder’s book ‘Save the Cat.’ Although Blake passed away in 2009, his trilogy of books on screenwriting and story structure make him a still recognized writing mentor. I’ve never been interested in scriptwriting, but I’ve found his book and his beat sheets have helped me with my own story structure as did Michael Hague’s workshop on the three-act structure.
There are so many good craft books and great workshops and I know I’ll never get bored with learning about the craft of writing. But there comes a time when, regardless of structure or how many craft books writers have on their shelves, you just have to let loose and bleed on the page. That’s where story comes from, the heart and soul of the writer. Write the story first, then apply the finesse of the craft.
