The Who, What, Where, Why and WHEN of Writing - Part 5 by Diane Bator

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When should you start to write?

Today we’re at the end of my original list of the five Ws of writing. We’ve already gone through:

         Who – as in Who are YOU as a writer?

What – for What do you want to write?

Where – location, location, location.

Why – what drives you?

This blog post is brought to you by When. When can mean a couple of things, the best time of day to write or the best time of your life to start writing. Let’s start with the time of day, shall we?

Some writers swear they are the most creative early in the morning. In order to be at  their best, they start the day by doing Morning Pages as per Julia Cameron in her book The Artist’s Way. Julia describes Morning Pages as “three pages of longhand writing, strictly stream-of-consciousness.” (The Artists Way, page 10.) A lot of writers I know use this time to clear the noisy thoughts from their minds so they can focus on the task ahead. Their creative writing. Some writers even find ideas come from this flow of consciousness, sometimes while they sip their morning coffee or tea.

For me personally, I used to get up before I awoke my kids for school when they were younger and was happy even when I only had time to write a page or two out on my back porch. Now, I’m able to carve out time in the morning before my full-time job since my kids are much older. At least a couple days per week, I will use my half hour lunch break to write as well and like to keep a couple evenings open to create as well.

Recently someone on social media asked how old you have to be to become a writer. That created a whole new conversation and received a lot of answers. Some not so nice as people are bound to be online. It did prompt me to do a little digging.

I’ve been a storyteller and writer since I was young and still have handwritten stories and poems from when I was a teenager when my first two poems were published. I was about 15 years old.

There are no real age limits to writing or even being published. The youngest person I discovered online was Dorothy Straight who wrote her books at age 4 and was published her book “How the World Began” at age 6 in 1964. The oldest was Jim Downing who published “The Other Side of Infamy” in 2016 at the age of 102!

A few of the more famous authors published at various ages are:

·       Age 21 – Victor Hugo and Mary Shelley (Frankenstein)

·       Age 22 – Margaret Atwood and Ray Bradbury

·       Age 24 – Ernest Hemingway and Jack London

·       Age 28 – Jack Kerouac

·       Age 30 – Agatha Christie and Mark Twain. It is also interesting to note Stephen King had published Carrie, Salem’s Lot, and The Shining all before the age of 30.

·       Age 41 – Maya Angelou

·       Age 50 – Bram Stoker (Dracula)

·       Age 57 – Anna Sewell (Black Beauty)

·       Age 66 – Frank McCourt (Angela’s Ashes)

I belong to a writing group and love that our ages range from 25 to mid-eighties. Some are published, some have been working on the same books for many years, and some just attend to write and learn. We all have that one common love though: Writing. It has no age limit, education, or socio-economic limits.

All you need is a pen and paper to get started…

Diane Bator

Author of Wild Blue Mysteries, Gilda Wright Mysteries and Glitter Bay Mysteries

Mom of 3 boys and 2 cats and a mouse who is too smart for mousetraps...

Find me at:  http://bookswelove.net/authors/bator-diane-mystery/

 

CRAFT BOOKS - A MAGNIFICENT OBSESSION by Victoria Chatham

AVAILABLE HERE

When I started writing seriously, over twenty years ago, I had never heard the term ‘craft books.’ I associated craft with knitting, sewing, or woodworking and furniture restoration. My first writing instructor explained that there were many, many craft books on the market and what some writers swore by was anathema to others.

My very first craft book on writing was Guide to Fiction Writing by Phyllis Whitney (September 9^th, 1903 to February 8^th, 2008.) I read it slowly and carefully and the one thing that struck me was her comment, ‘I had worked hard to learn my craft.’ This was something of an eye-opener as I had never thought of writing as work.

I suppose that stemmed from having always been good at English, a carry-on from early exposure to books and reading from a very early age. Not only did I enjoy my English grammar classes but also English Literature, both taught as separate subjects at the high school I attended. Words were fun, making up stories was even more fun. Writing prize-winning essays carried all the perks of extra points for one’s house and, if one was very fortunate, maybe the gift of a pen or a notebook.

But, as an adult, the fact that good writing didn’t just happen was something of a challenge to me. I wasn’t sure what I wanted to write, so continued taking short story writing courses until an idea gelled into a western contemporary romance. Did I know how to write romance? Nope. It involved a lot of reading and deconstructing some of the novels I read. It also involved many, many more craft books.

Other early books were William Zinsser’s On Writing Well and Strunk and White’s The Elements of Style. These did not necessarily enhance my romance writing ambitions, but they did help the structure of my writing. I’m not sure at what stage I came across Stephen King’s On Writing, but that one book has remained my firm favorite. Being more mature when I really settled into my writing career, I really appreciated these words by King (2000):

‘I have spent a good many years since - too many, I think - being ashamed about what I write. I think I was forty before I realized that almost every writer of fiction and poetry who has ever published a line has been accused by someone of wasting his or her God-given talent.’ (p. 50.)

My family and friends had always looked on my writing as ‘Vicki’s little hobby’, undermining any confidence I had. This resulted in me relegating whatever project I was working on to the back-burner until I had either a) recovered my courage enough to pick up my pen again or b) come up with a better idea. I got to the point of not sharing my ideas with anyone, secreting my scribblings away into deep, dark drawers.

Many years later, I am now comfortable with myself as a writer. I like to think that I have learned, and continue to learn, my craft. Along the way I have acquired many more craft books, too many to mention and goodness knows how much I have spent on them. I love talking to other writers and many have recommended books they find useful. Some I have read about in trade magazines or on some blog. As I have acquired a book, I have read it from cover to cover. Some have been discarded or passed on, many have been kept on my bookshelf and revisited often. I have my favorites, Robert Mckee’s Story being one of them. Dwight V. Swain’s Techniques of the Selling Writer is another and my go-to grammar book is the saucily titled Comma Sutra by Laurie Rozakis. I rarely go into a bookstore without looking to see what is new on the shelves but I have to be firm with myself. There is little point in getting lost in the how-to or why of writing. The lessons learned need to be put into practice by writing and then writing more.

So now I have finished writing this post, I am going to write the next thousand words in my work-in-progress. The operative word here, now that I am older and wiser, is work! If you have a favorite craft book, please share by leaving a comment.

Stephen King: My Favorite Teacher by Joan Hall Hovey

The year was 1984, a lovely summer’s day and I was sitting in the packed, buzzed audience waiting for Stephen King to appear.  To say I was excited is an understatement. Uncool? Totally. I’d bought my hardcover copy of his book Different Seasons for him to sign.  I wouldn’t be denied. I had all his books in hardcover – Carrie, Cycle of the Werewolf, Danse Macabre, Salem’s Lot -  there would be  many more to come. He was my hero in a time when I was already much too old to be star-struck.  I’ve read that it is mainly teenagers who are addicted to Stephen King’s work, and I was hardly that.  Though probably immature.  I’m at a much more more advanced age now and that hasn’t changed, and I hope it never does.  Stephen King was  the Elvis Presley of the literary world.

I hadn’t had a novel published yet; that was still a dream, floating somewhere above the horizon. But I’d written and published some articles and short stories, enough to make me eligible for a travel grant through the NB Arts Council to London, England to the writers workshop at Polytechnic Institution  on Marylebone Road, aptly across the street from Madam Tussauds wax museum.  Stephen King would be a panelist, along with authors P.D. James, Robert Parker and some others.  I was eager to hear all the celebrated authors, but I’d flown all this way from New Brunswick, Canada to see and hear Mr. King. 

He came into the large room through the back door and I swear I knew the instant he did.

You couldn’t miss the rising buzz of the audience, of course, the shifting of bodies as people turned to look, but I also felt the change of energy in the air. On stage, Stephen King joked about his ‘big writing engine’ and I had heard (within my third eye – yes, it can hear) its power, its purr.   Or maybe there’s more to it.

As he talked to us about writing, he spoke about seeing with that third eye.  The eye of the imagination.  He told us to imagine a chair.  Then he said it was a blue chair.  I saw it clearer now.  He added the detail of a paint blister on the leg of the chair.  Now I saw it close up, with my zoom lens.  We hung on his every word.  He was funny and brilliant and entertaining, and we learned. Everything he said was not necessarily something brand new, but were reminders to pay close attention to details.  To always tell the truth in our writing.  I even got to ask a couple of questions.   And his answers to all our questions were thoughtful and insightful.   I try to pass along a few of those lessons to my own students.

Stephen King has been teaching creative writing to aspiring and even established writers for decades, long before his wonderful book On Writing came out.  Such a gift to writers that is, regardless of the genre you write in.   I am gushing.  I don’t mind. It’s true. I have been fortunate to have had many highlights in my life –  an anniversary trip to Niagara Falls with my wonderful husband, the births of my children and grandchildren, great-grandchildren – a trip to the Bahamas with my eldest son – my own first novel published and several more after that - and I have to say that that workshop in London, England, where Stephen King spoke to us about writing, is right up there.  Thank you, Mr. King.

I want to leave you with a quote from an interview with contributing writing for the Atlantic, Jessica Lahey, published in The Atlantic,  Sept  2014.  She asked him if teaching was craft or art.

“It’s both,” he said.  “The best teachers are artists.”

Stephen King is an artist on every level.   He tells the truth.  In his fiction.  And in his teachings.

~~

By Joan Hall Hovey, author of The Deepest Dark

www.joanhallhovey.com