Plaid Blanket Cover Story

      

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I'm excited to announce that I have a new book coming out next month! It's the third of my Navajo Code Talker series that began with I'll Be Seeing You and continued with Watch Over Me. Keeping up with the title theme of songs that were popular in the 1940's, Book #3 is a song that my mom once told me was her and my dad's favorite: All of Me.

All of Me is set in the summer of 1943, just after the first class of Navajo Code Talkers has been sent overseas to the Pacific. Our hero Luke Kayenta is still stateside in Arizona, training and recruiting more possible candidates for this important work that helped the United States win the war.

It's now New Yorker Kitty Charente's turn to be a fish out of water as she comes to join Luke and meet his family.  But Nazi agent Helmut Adler has arrived too, to try to throw the Code Talker program into chaos.

The threesome....

Book 1: Spain 1942

Book 2: New York City 1942

Book 3: Arizona 1943

Do you like the cover of All of Me? It's another wonderful design of our Art Director, Michelle Lee. There's a story that goes with that blanket that Luke and Kitty are snug under, concerning a long-ago real life Scottish trader named Big Jock....

Big Jock McCluskey

Big Jock McCluskey

The story Luke's grandmother Anaba Bowman tells is about the Hudson’s Bay Scottish trader lost in a storm. It's based on the life of Big Jock McCluskey, who traded machine loom blankets and shirts woven in the colors of Rob Roy tartan of the Clan MacGregor. McCluskey family stories claim that the Native Americans loved the red-black cloth and called it Buffalo Plaid. It became a quintessential symbol of the American West. I had fun thinking of Big Jock losing his way in a Northern Arizona winter and finding the Navajo, who had been weaving their own wool for centuries! Luke’s long-ago grandmother politely traded one of her textiles for his, and so it became a family heirloom. It appears in All of Me’s story as well as its wonderful cover.

Next month I'll include a sneak peek at my new novel. Thank you for being readers of the series!

Storytelling Magic

 

Find "I'll Be Seeing You" here

You're never going to kill storytelling, 

because it's built into the human plan. We come with it.
~ Margaret Atwood 

As I complete my third book in my award-winning Navajo Code Talker Chronicles series (All of Me...coming in November), I am, as usual in awe of the power of storytelling. It's the power of the creative spirit... the ability to make something out of nothing that we all possess. We express it in many ways... a well-tended garden, a dance or song, a painting, a family. And it is nothing short of magical.

Our grandson is at an age where he's starting to get the mechanicals behind creating magic. He loved joining his mom to create beautiful illusions to benefit our local Friends of the Library. I enjoyed that spark in his eyes as he pulled a bouquet of flowers from a silk scarf...astonishing even himself. I recognize the same in me as I stand back from a section of dialogue that seems to come from my characters themselves or plot twist that even I didn't see coming. Wow. Moments of magic.

Our young magician

Evan our six-year-old knows that making magic requires craft...presentation, patter, storytelling... and practice, practice, practice with the tools of magic. 

So too for his grandma and her tools of storytelling magic: character development, plotting, dialogue, narration, description... and edit, edit edit!

I hope you'll find the results as pleasing as my grandson's magic!

3 generations of magicians

Book 1

  

Book 2

Book 3

A Frightening Encounter-from my upcoming release, by Diane Scott Lewis

Purchase my novels HERE

In my novel, Outcast Artist in Bretagne, due out in August, I explore a forbidden love that happens to the despair of my heroine, who doesn't need any more complications in her life.

Stranded in France after the Germans attack in 1940, Norah must maneuver her new situation. Will her cousin's husband demand she leave as the food supply wanes? But she has nowhere to go. What about the German commandant? Does he suspect she is a spy because she's English? Or are his increasing intentions of a different sort altogether? 

Why does she find herself suddenly drawn to him? He has secrets that will undermine Hitler's intent to capture all of Europe. Is he a decent man under that dreaded uniform?

Norah's first confrontation with the commandant:

Norah flinched and swung around. A baby-faced soldier in Nazi greenish-gray scowled at her. “What are you doing here?” he demanded in heavily accented, terrible French, two of his teeth jagged like a weasel.

She straightened, chin high, the pad pressed to her stomach. Inside, she trembled. “I live nearby. I was enjoying a walk. I draw birds.” Her French was passable after the year entrenched with her cousin, and her schoolgirl lessons from a decade ago. Her arrival happened only five weeks before the Germans invaded France. A desperate year because of that and for anguished, personal reasons.

The young man pointed at her book and bag, then shouted over his shoulder in German.

Was he alerting his superior? “Please, I’ve done nothing wrong.” She had no desire to come face to face with the Commandant. “You can search me…if you want.” She cringed at that idea.

“I have no choice but to report you.” The soldier shouted again. The officer’s heavy footsteps thudded closer.

He burst through the bushes, tall and broad-shouldered, his expression stern. The two Germans spoke in their guttural language.

Norah wanted to collapse to the ground but refused to show intimidation. Her spine nearly crackled as she held it firm.

The Commandant confronted her, his blue eyes penetrating. “What is your purpose out here at the shore?” He had distinct cheekbones, a handsome face, his lips full; a man of about forty. An iron cross hung at his high collar. “You don’t care to take instruction from we Philistines. Civilians are restricted.”

“I apologize,” she tried to keep the revulsion from her tone, though his near-teasing words —or perhaps a taunt—put her off-balance even more, “I was out for a walk and…I used to walk by the shore. Before—” Before you damned Germans arrived.

“What is in that book and bag? Give the pad to me, so I may inspect what you’re doing.” He reached out his gloved hand, his French excellent.

She hesitated, then handed the book over. “I like to sketch birds. I have a friend who is an ornithologist. We study them. Rather he studies them, I just draw.”

She opened the bag at his order, and the young soldier plowed through it. “I’d appreciate it if you don’t crack my pencils.”

“Show me your Identification Card. What is your name, prowler of the coast?” the officer asked in his clipped, almost raspy voice. He opened and paged through her drawings. “It is only birds, nothing more?”

“I’m Norah Cooper, and yes, it’s only birds.” She pulled out the card residents were now required to carry.

He snatched the card and read the words, perused her picture. Then he handed it back. “Ah, I detected an English accent in your French.”

His continued rough handling of the pages sent sparks along her shoulders. Would she be punished for being English, Germany’s worst enemy?

She reached for her book to mask her panic, the idea she could be interrogated or shot. Her knees wobbled. “Please…may I have—”

Diane lives in Western Pennsylvania with her husband and one naughty dachshund.

Walk In Beauty

 Find my BWL books here

Dine Woman, 1905

In beauty I walk

With beauty before me I walk
With beauty behind me I walk
With beauty above me I walk
With beauty around me I walk
It has become beauty again
It has become beauty again
It has become beauty again
It has become beauty again

Hózhóogo naasháa doo
Shitsijí’ hózhóogo naasháa doo
Shikéédéé hózhóogo naasháa doo
Shideigi hózhóogo naasháa doo
T’áá altso shinaagóó hózhóogo naasháa doo
Hózhó náhásdlíí’
Hózhó náhásdlíí’
Hózhó náhásdlíí’
Hózhó náhásdlíí’

Here in the US, Columbus Day has ben replaced by Indigenous Peoples' Day, celebrating the first peoples of lands throughout the globe.

I am so grateful to my Huron and Chippewa grandmothers and all the native people who have welcomed me into their lives and shared their culture. I could not have written these novels without their guidance and encouragement. 

Deep gratitude and a hail and farewell  to our precious John Wisdomkeeper who has been such a friend to all of us here at BWL publishing.  He walks in beauty.