Showing posts with label characterisation. Show all posts
Showing posts with label characterisation. Show all posts

Friday, May 14, 2021

My Hobby Is People Watching...by Sheila Claydon



Click here for my BWL page

Three very different books with three very different heroines, and written over a period of several years. Why is this interesting? Well I've just read an interesting blog by one of my fellow BWL writers, Roseanne Dowell, where she talks about creating characters. In it she says that characters are all around us from elderly relatives to friends and loved ones, or from just observing people in restaurants, or at the airport, or anywhere else where we can watch the world go by.

It got me thinking about how I create the very different characters that inhabit my books and I realised that each one is made up of a mix of people I have either met or read about. Take Mel in Double Fault for example. Hardworking, determined, prepared to do almost anything to protect her children, she is very much like someone I know. Emotionally, however, she is very different. She has shut herself off from love because she never wants to be hurt again.  I've taken that from an entirely different person. Then there are the opposing characters of her twin children, one ebullient and one much more reserved and shy. I love writing about children because although they all have very different characters, there is a universality about them from cuteness to tantrums that tugs at the heartstrings. 

There is also a universality about all my heroines. Every one of them is feisty and determined, Arabella in Miss Locatelli particularly so as she battles to save her family business. And in Cabin Fever, Ellie faces up to her own work challenge with an obstinacy that borders on the impossible...until she pulls it off of course! 

And then there are the heroes, all of whom have problems and idiosyncrasies of their own, the same as my heroines, because none of them are close to being perfect. After all, who is in real life?

Something else apart from Roseanne's blog has has triggered this introspection about creating characters, however. It's what has been happening in my own life in the past few weeks. I live right opposite a nature reserve. It's an idyllic spot comprising miles of woodland, sand dunes and wild beach. For much of the year it is relatively quiet and much enjoyed by local residents. Unfortunately, thanks to social media and TV,  it has now been discovered by the wider world.  I use the word unfortunately, not because local residents don't want to share our lovely beach and countryside, but because the nature reserve and the village don't have the necessary infrastructure to cope. There isn't enough parking. Toilet facilities are minimal. The routes down to the beach are almost inaccessible for families with small children in strollers as it's a long haul up and over the sand dunes carrying picnics and blankets. When someone has travelled 2 hours in a car for a day out, however, such difficulties are not going to deter them. Consequently, on a sunny day there are cars everywhere. They are parked across resident's private driveways, on grass verges and pavements, on corners, and across double yellow lines and, worst of all, when these very frustrated tourists drive around in search of that elusive/non-existent parking space they cause such terrible traffic congestion on narrow roads that residents are confined to their homes, unable to get out. In recent months an elderly woman was knocked down, an emergency vehicle was unable to reach a house where a man had had a heart attack, and nurses and carers haven't been able to get to their elderly and/or chronically ill patients. 

So how does all of this feed into the characterisation of the people who inhabit my books. Well for a start I have a front seat view of how people behave in what is often very stressful situation, and how they resolve their individual problems. This includes the reaction of residents as well as the day trippers. And now, because the whole situation is becoming untenable, a group of householders have come together to petition both the local council and the organisation that runs the nature reserve. We are asking for better traffic controls in residential areas and more parking and toilet facilities much closer to the beach. To do this we have had to knock on doors to invite people to sign our petition, and although I can't speak for my fellow petitioners, what fun it has been for a writer. 

At last I've had a legitimate reason to ring doorbells and engage strangers in conversation, and the old adage is perfectly true, everyone does have a story and it takes very little encouragement to get them to share it. Being interested is enough. I have learned about family histories, the successes or otherwise of children, details of local business people, ditto local villains (that surprised me!) plus, most fascinatingly, the hidden history of the village where I have lived for so long. How, for example, many years ago, the field opposite my house used to flood sufficiently in the winter for the locals to ice-skate on it. Now it doesn't flood at all. Is that a small window into local climate change? Also how, in the summer, the same field used to host the village fair, an event that has now moved much closer to the village centre. 

I've also been able to peep into houses, either from the doorstep or through a window as I approached the door, and seen how very differently people live. There are the pristine, beautifully curated homes with floral displays and shining floors. There are the homes bursting with children where trainers and boots are scattered across the porch and toys litter the hall. There are dogs of every shape and size, and everyone of them aware that, as a dog owner, I probably have dog treats in my pocket. Then there are the very elderly who, because of the exigencies of Coronavirus, rarely have visitors. These were some of the most interesting because their memories of local events go back a long, long way. And in almost every case  they were pragmatic about their situation and determined to make the best of it. So all in all my experience of watching and engaging with people has been very interesting indeed. I now have plenty of material for many more books. All I need is the time to write them!

Wednesday, April 14, 2021

The Importance of Kindness...by Sheila Claydon


Click here for my BWL page


I'm not a great planner when I start writing a new book. I just have a sketchy overview of what I want to achieve, and an ending. I trust the characters to take care of themselves as far as the rest of it is concerned because I've learned that, for me at least, too much planning kills the story. So I allow my hero and heroine  to lead and I just follow them.

Such a laissez-faire attitude can only get me so far though, so before I start I have to have a very clear view of who my characters are. This means a mind's eye view of how they look and dress. An understanding of their temperament and their ambitions. And most importantly, how they feel about themselves and about those around them. Although very little of this will be described in the book it shows in their actions and speech. 

With this in mind (and a new book incubating) I've been thinking about my heroes and heroines this week and have decided that the one attribute they all have is kindness. Like everyone, my main characters can be temperamental, short-tempered, judgemental, miserable, the list goes on, but none of them is ever deliberately unkind. On occasion, some of the secondary characters are, of course, because conflict makes a story, but even they mostly have redeeming features.

In my book Loving Ellen, the story only works because Millie, the heroine, is kind. It's not a soppy sort of kindness though. She isn't afraid of confrontation or disagreement. Underpinning her every action is an inbuilt kindness that it transformational, however, and for this I genuinely like and admire her.

I like all the heroes and heroines in my other books too. Some more than others, but they are all people I would enjoy meeting in real life.

Thinking about them has made me think about kindness too. And about how we all treat one another nowadays, especially on social media. What is it that makes some people empathetic and kind, and others spiteful and vindictive, or just outspoken and uncaring? Is it their upbringing, an inbuilt part of their character, or is it because they can hide behind the safety of an anonymous name online? Whatever it is, it is sad, and it overshadows the acts and words of the many who still believe in kindness. 

We don't have to agree on anything to still be kind to one another.

Friday, July 31, 2020

Too much information? by Priscilla Brown






She's lover shopping, but her new boss could never be the goods on her wish list.

For more information on Gina's story, and purchase details, visit
https://bookswelove.net/brown-priscilla/


The brief response in regard to our daily lives, although of course individual, is possibly yes, too much information, what with the 24-hour news cycle, immediate internet including social media, and daily newspapers.

In fiction, how much information is enough? Characters have a life before they meet their fellow characters on the page; they have experiences, values, attitudes, beliefs to bring to their part in the plot. As author, the challenge is to establish these elements as adequate and appropriate for the characters' current life situations, without long explanations and descriptions,without unloading chunks of too much information. We need to show how these factors are relevant to what our characters do and to what they say, so the reader can understand where they are coming from.

I write contemporary romance, and before I start a draft, I have ideas in my head about the main characters. I imagine their pre-story life, their history which helps to delineate the persons they are when the story opens. I always know far more of this "backstory" than goes into the final narrative, and have to discipline myself to avoid this information dump. Years ago, in my first attempt at full-length romantic fiction, I thought I had to include everything in my head, which resulted in a huge scrapheap of "stuff". The lead female character had had a colourful love life in various countries with a string of different partners, nothing of which had anything to do with the job for which she applied and achieved although she had few qualifications for it. So unappealing, and a ludicrous characterisation. Whatever was I thinking?


The story in hard copy lurked in a drawer for years. When I re-read it, I was appalled. All this entirely superfluous information not only did not move the story on but slowed it down. With about a third of the original plot skeleton remaining, several major re-writes resulted in a name change and appropriate professional and personal backstory for this woman, for the lead male character a more credible personal history, and the deletion of redundant secondary characters. There was more to go: at one stage I wrote a 300-word prologue,which I ditched on the advice of a critique partner, and incorporated the necessary information (some was irrelevant) via dialogue in the first chapter.

I learnt a lot (still learning!). The final word count shrank by half, and eventually this story became Class Act

Enjoy your reading. Priscilla.




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