Every dog has its day by Priscilla Brown

Outside of a dog, a book is man's best friend.  

Inside of a dog, it's too dark to read. 

(Groucho Marx)

The mayor's farm and her town are strapped for cash. 

Is this sexy television producer financial salvation or major trouble?

For information and purchase details on this and the stories mentioned below, 

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I have never owned a dog. In our childhood home, the only pet was a much-loved ginger cat who thought he ruled his people ('dogs have masters, cats have slaves'). His reincarnation appeared in my contemporary romance Finding Billie as a feisty feline who purrs with most humans but spits at those who are not nice to Billie. My sister and I would have loved to have a dog, but -- "you have a cat, you can't have another animal" and "who would walk it"  and "we don't have room", and other reasons/excuses. We had a temporary enthusiasm for an aquarium, though goldfish can hardly be termed pets; ours led short and probably wretched lives.

As an adult, for various reasons it has not been possible to own a dog. Maybe as unconscious compensation, in several of my contemporary romance novels I have enjoyed including a dog with a part to play in the plot. Researching is one of my favourite aspects of writing fiction, and I spent considerable time on deciding which breed of dog would be appropriate for the character whose lifestyle and/or job needs a canine companion and/or a working dog.

In Sealing the Deal, Anna lives alone on an isolated alpaca stud, and needs a dog as a companion and as a guard animal, and one whose breeding indicates he can get on with other animals and therefore can learn to check the alpacas. I gave her a Great Dane, and named him Hooli short for Hooligan. She

hopes that alongside his normal friendly attitude  he will display some hooligan behaviour if she, her animals or property are threatened. The sheer appearance of a Great Dane can at first be alarming; a visitor describes Hooli as the size of a small pony when the dog won't let him get out of his car until Anna arrives and assures her guardian this visitor is harmless.



Callum in Hot Ticket, now living in the city after a childhood on a cattle station, misses animals. From Animal Rescue he chose a puppy cattle dog because of his breed and that he looked sad. JD (= Juvenile Delinquent because clearly he had never been trained) becomes an important secondary character in the developing romance between Callum and Olivia.

A sheepdog is a necessity in  Dancing the Reel, a story involving sheep farming on two Scottish Hebridean islands. Deefer, as in D for Dog, is the border collie so named by Hamish because after owning many dogs in his long shepherding life he had no more names. This intelligent young dog is undoubtedly the boss of the hundreds of sheep, and off duty is a loyal and caring companion for Hamish.


At the start of my dog research, I discovered there are over 400 breeds worldwide. Intending to check exclusively for the canines who became Hooli, JD and Deefer, I found out far more than I needed to know for the story purposes, and became somewhat sidetracked into a few other breeds. I have a dog in mind for the current work-in-progress...

Happy reading, Priscilla

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https://priscillabrownauthor.com

Priscilla Brown lacks discipline

For mechanic Billie, repairing cars is easier than perking up her love life,

until a chance encounter with an old friend

races her under-nourished hormones into overdrive.

Find details of this recently-released contemporary romance and my other novels at

http://www.bookswelove.net/authors-brown-priscilla-romance

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I like to participate in writing workshops and meeting other writers there; last month I attended a three-hour class designed for fiction writers at any stage of their careers. The presenter asked us to consider whether we spend time on reading and on researching which could be allocated to writing, and to evaluate whether our reading and researching habits are normal or addictive, whatever is normal may be normal in this context. The learning outcome was to develop a strategy to overcome reading addiction and/or over-researching a writing project.

We were given questions to decide how much time we spend reading material not connected with current writing, and how much time we take on research for this. My responses indicated that I spend too much time on both these, plus that I don't feel guilty as apparently I should.

Yes, I am addicted to reading for pleasure. Yes, I'm aware it does sometimes hinder my writing processes. Do I plan to reduce this amount of reading time? I'm not convinced I should do this; although I've always been a slow writer, this is the way I work. Do I over-research? Yes, I do. I love browsing in lending libraries for books to borrow, and in the State Library for reference books. I don't particularly enjoy researching on the internet, but this has become a necessary source of information (hopefully accurate). I've collected reams of hard copy notes, some of which had no bearing on the subject I was researching but are interesting anyway, several were marginally useful, and others definitely required. I still have these notebooks and associated printouts, photocopies, pamphlets, newspaper and magazine clippings long after the novel they were used for has been published. Perhaps if I didn't spend so much time reading, I'd find the inclination and hours to clear out this pile!

For Finding Billie, I needed to check several aspects. She's a mechanic; I'm ignorant about anything to do with cars except how to drive and how to re-fuel, but I didn't need to know anything specific about their innards. I did need to be sure that her workshop and shop area appeared authentic, and checked out repairers and service stations large and small. Zac is a professional photographer; being in the aim and click category myself, I investigated camera stores for details. Neither of these occupations involved research either in print or on the internet, being simply tasks that must be done physically on site. Other essential elements entailed various research sources, but the piece of research I truly enjoyed was generated by a handsome century-old two-storey building in perfect condition (currently used for a library and offices) which I discovered during a road trip in country New South Wales.

I had rough ideas for Billie's story, and suddenly I wanted a similar building to become a crucial plot point. It was constructed from limestone, something about which I knew nothing and so set about researching. This became the material most used for buildings in her fictitious historic country town; mainly on the internet, I learnt about its properties, quarrying, building construction and restoration. There's no limestone where I live: I revisited my original building, and located several other limestone areas and a quarry. All this took a long time, and was it over-research? Probably, and I had such good time doing it.

Back to the reading/researching addiction. I failed to develop a strategy to overcome this, and can't summon the discipline to attempt to do so. And in the end, does this matter? Writers are individuals with differing time availabilities, priorities and interests; as long as we get the job done to our and our publisher's  satisfaction, let us read and research as much as we want, not necessarily only as much as we need.


Enjoy your reading! Priscilla

http://bwlpublishing.com

https://priscillabrownauthor.com