Why Should You Write What You Know? by Diane Bator

 

After 17 months of making videos and appearning on Zoom calls and podcasts, I did my first In-Person event at our local library! I was so excited to stand in front of a group of people again and talk about Writing What You Know and my two new books, All That Shines and Dead Without Remorse. It was so inspiring for me to chat with novice writers after the session who loved the advice I gave and came away feeling totally motivated to write their first book. In return, I came home excited to continue to write and work with other writers to make their dream a reality.

So what do I mean by "write what you know"? 

Novice writers have been given that advice for many years and, a lot of the time, they have no idea what it really means. They get stuck in a box of thinking you can only write your life - which most of us feel is a pretty dull subject! Whether it be about your current job, your lifestyle, or your own life experiences.

That's only partially correct.

I was stuck in that same rut until I read one simple paragraph written by Natalie Goldberg on page 48 of Writing Down the Bones:

"Writers live twice. They go along with their regular life, and are as fast as anyone in the grocery store, crossing the street, getting dressed for work in the morning. But there's another part of them they have been training. The one that lives everything a second time. That sits down and sees their life again and goes over it. Looks at the texture and details."

I belive it is in those textures and details that we truly write what we know. 

No matter what genre you write, there are always sights, smells, tastes, textures, and sounds that we as writers can add to build the setting and tension and to create a realistic backdrop for our books.

If your book takes place on a spaceship deep among the stars, you already know what the darkness looks like. You can describe what metals feel like, look like, and even sound like when you knock on them or grind them together. Is it shiny and sterile? Is it an old ship with panels falling off to reveal internal circuitry? 

When writing a fantasy novel, you have likely walked through forests and are familiar with the sights and sounds of birds, trees, and babbling brooks. While you might not have seen a dragon before, you can compare one to a lizard, just on a grander scale and with wings that could cause serious damage to a cottage.

For mystery and even paranormal writers, we've all been alone inside a building before. Bring in that sense of dread and suspense where you have no idea what's around the next corner. Have your character hear a sound that they can't identify. Their heartrate would speed up and their hands grow clammy because they have no idea who - or what - is in the building with them.

Bring in the simple things:  The smells in the air before or after a rainfall. The taste of coffee, or what passes for coffee or strange herbal teas in their worlds. The rustle of leaves as the wind blows. The texture of shiny or matte metals. The creaking of wood on a pirate ship. Snow falling on your face.

Can you write about your job? Why not? As long as you're not giving out top secret information, you can fictionalize places, people, and events. Writing the bitter truth about easily idenifyable people will put you in the realm of non-fiction. It can also open you up to a lawsuit! Think before you publish.

I believe very strongly in writing what you know when it comes to creating stronger fiction. I even have a simple formula for it.

Take one part imagination

Add one part reality

Blend in a flowing, believable way

That engages your readers

Repeat in the next story or novel.

Thank you for joining me today!

You can learn more about me and my books at http://bookswelove.net/bator-diane/ and at my website https://dianebator.ca/

Diane Bator

 

You Know Nothing, Jon Snow...by Jamie Hill

The popular TV show Game of Thrones has a fan favorite character (just look at his face and you'll understand why!) named Jon Snow. Jon had a love interest for a while, and when they verbally sparred she would often tell him, "You know nothing, Jon Snow." Without posting spoilers I will say that Jon knew more than Ygritte gave him credit for, but perhaps his vision was clouded by love.

Their exchange often reminds me of the old adage, "Write what you know." I'm guilty of breaking this rule, and perhaps my vision is clouded as well. I'm going to lay out my defense and see if you agree or disagree with my methods.

When I write romantic suspense I include police, FBI Agents and US Marshals in my work. Now, I can count on one hand the number of policemen I know in real life and make that a big Zero for FBI and US Marshals. Therefore, I do a lot of research, sifting through what's out there on the internet and choosing the best tidbits to include. What guns they use, types of body armor, typical schedules, ranks, and the like can usually be found online. For me personally, that's good enough to write a realistic character.

Setting is another area where I rely on the internet. I've lived a fairly sheltered life, born and raised in the same small, Midwestern community, married to one man for almost thirty-five years, my extended family all nearby. I've traveled to about half of the fifty states but mostly to the ones closest to me, and one memorable journey into southern Canada. I don't set most of my stories in my town for a couple of reasons. Yes, it's what I know, but my friends all know it, too. If there's one sporting goods store in town, and I want to have a scene in that store, I don't want people thinking I'm writing about them or their establishment. Likewise, if the criminal works at the store, that could be very messy if someone thinks I'm writing about a real person. So for smaller towns I invent fictional places, then I have the liberty of creating whatever I want in that town.

In bigger cities it's easier to fudge. I've written about Kansas City, Topeka and Wichita, throwing in a street or neighborhood name, but never giving a real address or using an actual business. Yes, I might mention something in passing, but none of the real action will ever take place in an actual place in a real town. I'll create my own businesses so I can do what I want with them.

I like to set stories in places I've visited. After a trip to Seattle, I gained just enough information that I could reasonably set a story there. I knew what it felt like to ride an elevator to the top of the Space Needle. I saw the souvenir shops surrounding the Needle. I got lost trying to get to the Needle due to the way the streets are marked and barricaded to prevent people from turning around just anywhere.

It's fun to add a new locale to my repertoire. This fall I visited Chicago with a friend and we did all the touristy stuff. We rode to the top of the John Hancock building and the Sears Tower. Yes, it's technically called the Willis Tower now, for one more year. Then it will most likely change names again. And everyone who lives in Chicago still calls it the Sears Tower. (See what good info I picked up?) I rode in an Uber down the confusing, multi-level Wacker Drive and floated on a couple of different boats, an architectural river cruise through the town, and a lake shore cruise around the Navy Pier. And, we ran into a group of Chicago PD bike cops who were so nice and let us take their picture. I feel like I have lots of fodder to set a novel in Chicago, now. I'll continue to make up businesses, but also throw in some real place names just for fun.

That's how I get around writing what I know. Some things I do know are about people and relationships, and what causes their problems and how it makes them feel. That stuff I can confidently say I know, and try to weave the tension and conflict through my stories before everyone gets their happily-ever-after ending. Because I also know, that's what readers want. I do, too.

So what do you think? Are my reasons for breaking the rule justified, or, like my man Jon Snow, do I really just know nothing? Leave a comment with your email address and you'll be entered in Books We Love's October Blog Comment Giveaway. One winner will receive a festive holiday basket like the one pictured on the sidebar, plus the BWL title of their choice.

Find my latest novel, co-written with Books We Love's Jude Pittman, here. 

https://www.amazon.com/New-Directions-McWinter-Confidential-Book-ebook/dp/B01H2ZSN4A/

Find all my titles here:

http://bookswelove.net/authors/hill-jamie/


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