Stereotypical Beauty...by Jamie Hill

The main characters in my novels are physically fit because let's face it, they're made up so if I'm going make them my fantasy, I might as well do it right. My cops and US Marshals need to stay trim for their jobs, so with this in mind I start them out as perfect then mention that they like to run for exercise and eat salads and lean protein for dinner. Perfect, right?

Readers have told me they appreciate how down to earth my characters are. They smoke (people HATE that), they might drink a little too much, they like to swear and have sex (opinions are mixed on THAT but the reviews are generally positive.) For most of them, weight isn't an issue because I don't mention it. They might joke about a couple of extra pounds, but it's nothing major. The beautiful cover models that BWL Art Director Michelle Lee comes up with give us a glimpse of what our people look like before we ever crack the book. They're attractive, enviable people. As a reader, that's what I look for in a romance book and it's what I suspect the majority of readers look for, too. 

The overweight heroine (or hero) has her/his place in certain titles, God Bless 'em and thank goodness for that. But for the most part, the attribute of size is usually skipped over or assumed by the cover image. This sounds horribly prejudiced but the cold fact is, if I'm going to live vicariously through a woman in a book, I want her to be pretty and damn sexy. 

That's my author perspective. My real woman perspective is that all people can be pretty and sexy, regardless of their size or shape. True beauty comes from within as much as it comes from the outside package. A woman can be a size zero supermodel but if she's got an ugly personality, neither my husband nor myself will ever think she's attractive. Conversely, if all of us had makeup artists, hair stylists, and Photoshop at our disposal, more of us might look like supermodels!

Thankfully, beauty is subjective and I truly believe there is someone for everyone. Speaking as a plus-sized woman who's trying to make her way down into being a normal-sized woman, it's not easy. I don't expect or want to look like a model, I just want to feel good and be healthy. So I plug along, walking after my dinner of salad and lean protein. 

But in my mind...well, let's just say, it's more fun to be perfect, right?

Find all of my beautiful people at Books We Love: http://bookswelove.net/authors/hill-jamie/

or visit me on Facebook: https://www.facebook.com/pages/Jamie-Hill/135137799867321

and for goodness sake, somebody pass me some chocolate!

Jamie Hill
www.jamiehill.biz

17th Century Whitehall Part 1, by Katherine Pym

Whitehall Palace

Whitehall Palace was a sprawling conglomerate of buildings that made no sense or order. Today, only the Banqueting House remains. 

Part I, A quick history:

In the 13^th century, Whitehall was called York Place. It was not a palace, but a mansion built by an archbishop between the cities of Westminster and London. It wasn’t too large then, but over the centuries, its owners added to it which accommodated kings, queens, and their entourages when they visited York Place.

By the 16^th century, in the reign of King Henry VIII, Thomas Wolsey, Archbishop of York, lived in it. He had expanded it to such a degree that it rivaled most of the king’s palaces. Besides the fact Wolsey was Catholic, and Henry now rebuked Catholics, to have a minion with a larger house than his did not sit well. King Henry stripped Wolsey of all power, then moved into York Place and renamed it Whitehall.

Whitehall & the Privy Garden

King Henry made his own changes. He updated it until it encompassed 23 acres and was the largest palace in Europe. He erected merriment buildings that included a cockpit (turned into a theatre during the reign of King Charles II), tennis court, and a tiltyard. There was the King Street Gate and Holbein Gate that allowed the Court to traverse from Whitehall to St James’ Park without ever crossing a public road.

Each king or queen thereafter Henry VIII added to Whitehall until in 1660 when King Charles II took residence there, it had become a rambling jumble of chambers, passageways, and staircases connected by uneven floors that amounted to more than 1,500 rooms. It was also a montage of architectural designs.

During Queen Elizabeth I’s time, the first of the Banqueting Houses came into being. Elizabeth I had a large chamber built of timber and canvas to house entertainments. It occupied the site of the current Banqueting House, until James I commissioned Inigo Jones to build a solid structure, which replaced the aging, and dilapidated building. This new one was completed by the end of James’ reign. It was large with windows on all four sides, an interior balcony that hugged the walls, and an undercroft that took up the entire base of the building. 

Inside the Banqueting House

King Charles I commissioned Rubens to paint the Banqueting House ceiling. He was given £3,000 and a gold chain for the effort. Rubens painted the canvases and sent them to England for installation on the ceiling, which finished in 1635.

Rubens’ work effectively put the Banqueting House out of business. It was feared smoke from torches and candles would damage the splendor, so a new reception room was built. This was placed beside the Banqueting House where most of the ceremonial functions took place.

Charles I was executed on a platform outside the Banqueting House. After this, Whitehall Palace emptied out during the Civil Wars, but once Cromwell became the new sovereign, Whitehall filled up, again. After Cromwell’s death, what remained of the Rump Parliament tried to sell the palace.

Then, with the Restoration of King Charles II, Whitehall became alive again. As with his father and grandfather, Charles II wanted to make changes to the already sprawling palace. He hired Sir Christopher Wren to make it more like Versailles, but all that planning never came to fruition. He did, however, make new and sumptuous chambers for his favorite mistress, Barbara Villiers, 1^st Duchess of Cleveland.

After Charles II died, King James II made changes in the forms of bettering his wife’s apartments, and adding a new chapel. By the time William III & Mary II took up residence in Whitehall, its importance was on the decline. King William suffered from asthma. The palace sat on the banks of the Thames, drafty and damp. He preferred Kensington Palace. By Queen Mary’s death in 1694, Whitehall was rarely used.

In 1698, the great rambling palace of Whitehall burned to the ground. The only structures that remained were the Banqueting House, the Holbein and Whitehall gates. Today, only the Banqueting House still stands. 

The Banqueting House Today

Next time, Other Stuff about Whitehall. 

Many thanks to the following sources:

Adrian Tinniswood. By Permission of Heaven, The true Story of the Great Fire of London. Riverhead Books, NY, 2003

http://www.hrp.org.uk/learninganddiscovery/Discoverthehistoricroyalpalaces/thebuildinghistories/BanquetingHouse/WhitehallPalace

http://amzn.com/B00I6KOKL6

Setting The Scene with Diane Bator

In writing the Wild Blue Mystery novels, I've had to make sure to keep the settings close in mind. I've even gone so far as to make a map of the stores and homes in my fictional town of Packham for my own sanity as I go from novel to novel. So far, I've written three novels and have two more in the works so I have a lot of locations to keep track of. Places like Daisy's Bakery, the tattoo shop, Java Jo's, all have to be consistent with each book in the series.

Currently, I'm juggling three book series with different publishers, so keeping each new town distinct and organized is no small feat!

The Wild Blue series features two main towns:  Packham and Newville. Both locations are in the Northeastern US. One is a small town, one a larger city. Both are central to a few of my main characters.

One of my favorite books to research for the series was The Bakery Lady. Not only did I have to learn more about the bakery itself, but just happened to see a show one night about Andy Warhol who became my inspiration for artist D.J. Gage and his studio loft, painted silver and decorated with Warhol in mind...including the famous red couch.

The small Ontario town I currently live in was my inspiration for the town of Packham, right down to Father Sam's front yard with the Virgin Mary statue and the Presbyterian church with the amazing stained glass windows that Katie walks past. The bookstore Katie eventually owns was also based on a local indie bookstore that I love to haunt, right down to the staircase to the upper level. I've even held book events there and look forward to planning a new one now that all my Wild Blue books are in print, but that's a whole other blog!

 

So, if I live in Canada and have used my town as a backdrop for my novels, why did I chose to set the series across the border? Easy answer:  on the advice of a fellow writer who did the same thing on some advice he received. It's working for me so far, but I would like to set a series in Canada once all my current obligations are met...two books for the Wild Blue Mysteries series and an undetermined amount for my other two series. 

I do hope you check out my Author Page on the Books We Love website as well as on Amazon and my personal website Pens, Paints and Paper.