Wednesday, January 4, 2017

17th Century Whitehall, Part I by Katherine Pym


Whitehall Palace



Whitehall Palace was a sprawling conglomerate of buildings that made no sense or order. Today, only the Banqueting House remains. 

Part I, A quick history:
In the 13th century, Whitehall was called York Place. It was not a palace, but a mansion built by an archbishop between the cities of Westminster and London. It wasn’t too large then, but over the centuries, its owners added on to it which accommodated kings, queens, and their entourages when they visited York Place.
Sprawling schematics of Whitehall Palace
By the 16th century, in the reign of King Henry VIII, Thomas Wolsey, Archbishop of York, lived in it. He had expanded it to such a degree that it rivaled most of the king’s palaces. Besides the fact Wolsey was Catholic, and Henry now rebuked Catholics, to have a minion with a larger house than his did not sit well. King Henry stripped Wolsey of all power, then moved into York Place and renamed it Whitehall.

King Henry made his own changes. He updated it until it encompassed 23 acres and was the largest palace in Europe. He erected merriment buildings that included a cockpit (turned into a theatre during the reign of King Charles II), tennis court, and a tiltyard. There was the King Street Gate and Holbein Gate that allowed the Court to traverse from Whitehall to St James’ Park without ever crossing a public road.

Each king or queen thereafter Henry VIII added to Whitehall until in 1660 when King Charles II took residence there, it had become a rambling jumble of chambers, passageways, and staircases connected by uneven floors that amounted to more than 1,500 rooms. It was also a montage of architectural designs. 
Banquet House, the only piece left of Whitehall Palace
During Queen Elizabeth I’s time, the first of the Banqueting Houses came into being. Elizabeth I had a large chamber built of timber and canvas to house entertainments. It occupied the site of the current Banqueting House, until James I commissioned Inigo Jones to build a solid structure, which replaced the aging, and dilapidated building. This new one was completed by the end of James’ reign. It was large with windows on all four sides, an interior balcony that hugged the walls, and an undercroft that took up the entire base of the building.

King Charles I commissioned Rubens to paint the Banqueting House ceiling. He was given £3,000 and a gold chain for the effort. Rubens painted the canvases and sent them to England for installation on the ceiling, which finished in 1635.

Rubens’ work effectively put the Banqueting House out of business. It was feared smoke from torches and candles would damage the splendor, so a new reception room was built. This was placed beside the Banqueting House where most of the ceremonial functions took place.

Charles I was executed on a platform outside the Banqueting House. After this, Whitehall Palace emptied out during the Civil Wars, but once Cromwell became the new sovereign, Whitehall filled up, again. After Cromwell’s death, what remained of the Rump Parliament tried to sell the palace.

Then, with the Restoration of King Charles II, Whitehall became alive again. As with his father and grandfather, Charles II wanted to make changes to the already sprawling palace. He hired Sir Christopher Wren to make it more like Versailles, but all that planning never came to fruition. He did, however, make new and sumptuous chambers for his favorite mistress, Barbara Villiers, 1st Duchess of Cleveland.

After Charles II died, King James II made changes in the forms of bettering his wife’s apartments, and adding a new chapel. By the time William III & Mary II took up residence in Whitehall, its importance was on the decline. King William suffered from asthma. The palace sat on the banks of the Thames, drafty and damp. He preferred Kensington Palace. By Queen Mary’s death in 1694, Whitehall was rarely used. 

Drawing of Whitehall Palace
In 1698, the great rambling palace of Whitehall burned to the ground. The only structures that remained were the Banqueting House, the Holbein and Whitehall gates. Today, only the Banqueting House still stands.

Next time, Other Stuff about Whitehall.

~~~~~~~~~~~  

Sources:
Adrian Tinniswood. By Permission of Heaven, The true Story of the Great Fire of London. Riverhead Books, NY, 2003

John Evelyn. Fumifugium: Or, The Inconvenience of the AER, and SMOAKE of London Dissipated. Together With some Remedies humbly proposed by J.E. Esq; To His Sacred MAJESTIE, and To the Parliament now Assemble. Published by His Majesties Command. London 1661

Sunday, January 1, 2017

Saturday, December 31, 2016

A Matter of Time - Priscilla Brown

PURCHASE FROM AMAZON US



What happened to 2016? Did the minutes/hours/days somehow speed up? While I consider my time management skills to be reasonable, I do have a few tasks intended for completion but undone. (Why is that cupboard still in its prehistoric mess?) I seem to have lost "time" somewhere. Perhaps I could reduce the amount of this precious commodity devoted to reading (no, this is needed for pleasure, and essential to nurture the  imagination and to escape real life); mornings spent in cafes (important for meeting friends and researching stories--see Hot Ticket below); viewing art and craft exhibitions (appreciated for the visual joy of artistic talents); travelling (new experiences, possible story locations, again see Hot Ticket).

Writers are often asked "How long did it take you to write that?" My answer has to be "I have no idea". I may be able to give the year in which I commenced the actual writing of any one story, but the characters and possibly some of the plot (my plots are not complete in advance, rather they evolve as the characters develop) may have been in my head and my notebook for some time. For me, the first written sentence may not be intended as the first sentence in the novel, and almost certainly won't be the opening sentence which will eventually appear in the published work. Months zip by as the writing progresses; since I have no definite story line until I'm into the narrative, when another idea for a situation pops into my head I usually need to backtrack to foreshadow this. More time! Believe me, I have tried to change my approach, but this "make it up as I go" does work for me eventually! Having reached THE END, the manuscript lies fallow for a while; when brought to light after an unspecified period, I then subject it to a major edit which often involves fundamental changes. And this is not forgetting the time I spend on research, a task which I enjoy.

Researching well-known novels and their authors, I discovered Robert Louis Stevenson wrote The Strange Case of Dr Jekyll and Mr Hyde in a six-day frenzy, followed by a few months revision. John Boyne's  The Boy in the Striped Pyjamas took him two and a half days, although further drafts needed several months. Anthony Burgess completed A Clockwork Orange in three weeks, while the epic that is Gone with the Wind occupied Margaret Mitchell for 10 years. J.R.R.Tolkien needed 16 years for The Lord of the Rings trilogy, understandable since he was inventing a whole new world.

PURHot Ticket at 90k words is one of my longest novels, which I'd been tinkering with for several years. I adored Olivia and Callum, "the lady and the cowboy"; they were having such fun that in a way I was reluctant to let them go. On holiday in Darwin, I found a location for the cafe where barista Callum introduces himself to Olivia by serving her a latte with a chocolate heart on top. Sadly, the charming barista at my research cafe did not put a heart on top of MY latte!

Olivia and Callum's contemporary romance is available for 99 cents on Kindle Countdown Deals for these dates: Amazon.com 5-12 January; Amazon.co.uk 6-13 January.

If you are celebrating New Year's Eve, have fun. And may 2017 be kind to you.

Priscilla xxx


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