Tuesday, March 14, 2017

Love is the only thing by Sheila Claydon





Although my books have heroines in them, this is a tribute to a real life heroine.

A few days ago I attended the funeral of a very dear friend. She was 93 years old, and if I am lucky enough to reach such a great age myself, I would love to leave behind the same legacy. We met 25 years ago, and from that day on I have always wanted to be like her. She has always been my ultimate heroine. 

Although there is always sadness when someone dies, the memories  recalled and the stories exchanged sometimes offset the grief and this was certainly the case at Shirley's funeral. 

Why, despite her death, is she my heroine? It's simple. She loved people so people loved her.  Her default setting was to think about others, which meant that visiting her was always a joy. Yes, the hot drinks and chocolate biscuits (never plain) were welcome, as was the white wine (after 6 unless it was lunchtime), but the real pleasure was Shirley herself. She was so interested in everything, and who doesn't enjoy a conversation with someone who genuinely wants to know how you are feeling and what is happening in your life. Also, and this is perhaps the most important thing, she never complained. While she had a never-ending supply of sympathy for others, she rarely talked about herself, and if she did it was about happy things, not about the pacemaker she had to have fitted, or her failing eyesight.

Listening to her adult grandchildren recall their childhood visits and holidays with Nanna was heartwarming too. She has left them with so many wonderful memories. The annual family holidays in Greece with anything up to 20 adults and children participating sounded idyllic and yes, the white wine featured there as well. Then there were the bedtime stories, the walks in the woods and on the beach, the meals, the fun.  Making sure that other people enjoyed themselves and had fun was one of Shirley's greatest gifts. 

Her other great gift to her friends and family was her insistence on remaining independent. When her sight failed and she could no longer drive, she moved to a ground floor apartment in the centre of the village so she could continue to do her own shopping and meet friends for coffee or a meal without inconveniencing anyone. Then, at 90, too frail to continue alone, she sold up and moved herself into a care home, still in the centre of the village so she could carry on with her social life. This was despite the fact that both her daughters wanted her to live with them. 

Once settled in the care home she had more visitors than anyone else, and those family holidays continued even though they were now a bit closer to home. Christmas and Easter and many weekends were spent with the family too, and in between she saw old friends and made many new friends. 

I know she was supported by a strong faith, but only once in all the years I knew her did she mention it, and that was when she told me how much she was enjoying her Bible study class and learning how to meditate. She started these new activities when she was 91!

Finally, and the greatest proof of all that love is what everyone craves whether of the two-legged or four-legged variety, was her relationship with dogs. There were always dogs in her life. Her own when she was still able to care for them, and later other people's. For 8 years she provided daycare for one of my dogs while I was working and the intense love between them was mutual. In fact the last time I saw her was when I took my latest dog to see her. In my house the dog is not allowed upstairs (not always enforceable if the grandchildren are around!), and she is certainly not allowed on the beds. When we visited Shirley at the care home, however, they both snuggled up on the bed together without any reference to me whatsoever. 

In addition to all of this, Shirley remained extremely pretty even in old age, and very elegant too. Despite losing most of her sight she continued to dress beautifully, and her hair and nails were always immaculate. This was also part of her attraction. As well as her loving kindness she made sure she was as good to look at as possible despite her extreme old age.

As the priest said at the funeral, 'everyone here now has a Shirley shaped hole in their lives, but it is a hole that is filled with loving and joyful memories.' 

What a way to live, and what a way to go. No wonder she was and will remain my heroine.






Monday, March 13, 2017

My Struggle to Bring Life to My Historical Novel by Joan Donaldson-Yarmey


To celebrate Canada’s 150th birthday Books We Love Ltd is publishing twelve historical novels, one for each of the ten provinces, one for the Yukon Territory, and one combining the Northwest Territories and Nunavut. We Canadian authors were asked to pick one of the provinces or territories to write about or to do the research on for a non-Canadian author. I chose the Yukon because I have been there twice and love the beauty and history of the territory. The following is a quick summary of some of the struggles I have to bring life to my novels.

Struggles to bring my story to life.

I have written in many different genres, non-fiction, mystery, romance, and historical and in each one I have had to make sure that my characters are multi-dimensional, my story plot is fast paced, and my setting is exciting. Readers what to identify with the main characters so they have to be believable and likeable. Readers want action in the story so the plot has to move along at a good clip. And readers want to learn about the place where the story is set, so it is important that I know the setting itself. This is much harder in a historical novel because that setting is no longer readily available in the way it was in the time period I am writing about. So this is where non-fiction books, museums, archives, and paintings or photos of that time come in handy.

     In any novel it is important to make sure the plot moves forward, the characters grow, and the setting is described at the same pace but, for me, it isn’t necessary to write that forward movement in sequence.

     I imagine I am like most authors in that I never write a book in the order that the reader will read it. As I am writing the first chapter, later scenes develop in my mind and I will jot down notes on them. When I come to a standstill in the progress of the story, I turn those notes into the scene. That way I seldom have writer’s block. And it gives my subconscious mind a chance to work out the next stage in my story.

     Sometimes I have an idea as to the ending of my novel but I never write it down because it is subject to change at the whim of the characters for, although I am the writer, it is their story.

Sunday, March 12, 2017

How the Calgary Stampede Inspired My Murder Mystery Novel



For more information about Susan Calder's books, or to purchase, please visit her Books We Love Author Page http://bookswelove.net/authors/calder-susan/



How the Calgary Stampede Inspired my Murder Mystery Novel
My first published writing was a travel article about the Calgary Stampede in The Montreal Gazette newspaper (May 1, 1993). At the time, I was living in Montreal and had no clue I’d be moving to Calgary three years later. 
Saddledome, fairgrounds site and Calgary skyline

In the summer of 1992, my husband and I had made a trip west with our two young sons. Our holiday goals were to see the Rocky Mountains and visit a cousin who lived in Calgary. As I was looking through travel information, I noticed we’d arrive in Calgary the last day of the Stampede. Why not buy tickets to the rodeo? I didn’t expect the festival to be much more than that and didn’t allow any time for other Stampede activities.

When we got to the fairgrounds, I was surprised by the extent of the offerings. A hilarious hypnosis show, many other shows, midway rides, a marketplace. I even liked the food. And we didn’t touch on all the rest—the downtown parade on opening day, free pancake breakfasts, everyone dressed in western wear, stores decked out with bales of hay, the party atmosphere in the city.
Calgary Stampede parade

I figured if I was ignorant of the Stampede’s scope, it’s likely my fellow Montrealers were too. In the fall, I signed up for my first creative writing course, Magazine Writing. Our final assignment was to write a non-fiction piece and a query letter targeted at a specific magazine or newspaper. I was an avid reader of The Gazette travel section and wrote an article about our visit to the Stampede. The teacher liked the piece, so I sent the query to The Gazette travel editor.

Little did I know how slowly the publishing industry generally operates. I also didn’t know that rejection was par for the course. When several months passed with no reply, I was despondent. Then I got the call. The editor was enthused about my idea. He especially liked the family angle.
“Most people I hear from are yuppies,” he said.
Who knew something ordinary like having kids would be a selling point?
I couldn’t stop smiling for days. My writing career was launched. A couple of weeks later, my feature titled “Canada’s Wild West: The Calgary Stampede” appeared on the front page of The Gazette travel section.

While I went on to write three more travel articles for this editor, I discovered how hard it was to break into other publishing. I queried magazines with travel ideas and got no interest. So I returned to my first love, fiction, and wrote novels and short stories. As the years went on, I learned that publishing acceptances are rare. 
Finally, a small press accepted my murder mystery novel set in Calgary, my current hometown. It struck me this book could become a series. Since its title was Deadly Fall, I decided the next books in the series would take place in Calgary's other three seasons. I settled on summer for book two. For me, summer in Calgary means the Stampede. My new novel Ten Days in Summer, set against a backdrop of the Calgary Stampede, feels like a return to my writing roots and the article that made me a published writer.
My husband Will and me at the Stampede parade

I still enjoy the Stampede as much as I did on that first visit. During my 20 years in Calgary, I’ve come to know it more. I rarely miss the fairgrounds and the parade, usually catch a pancake breakfast and have acquired some western wear. Stampede is like Calgary’s Mardi Gras, or two weeks of western-themed Hallowe’en that takes over the whole city. I hope my novel Ten Days in Summer captures some of this atmosphere.  
I wanted the cover of my new novel to include a Stampede image. BWL designer Michelle Lee came up with this striking silhouette of a cowboy against a background of the Calgary skyline and the fire that sets off the novel action. 



If you're in Calgary this Tuesday, please join me at my book launch for Ten Days in Summer: Tuesday, March 14, 2017, 7:00-8:30 p.m. Owl's Nest Bookstore, Britannia Shopping Plaza on Elbow Drive at 49th Avenue, 815 49th Avenue SW, Calgary. Free. Refreshments. Everyone welcome. RSVPs are appreciated but not required. contact@owlsnestbooks or (403) 287-9557.   








     
     






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