Tuesday, August 15, 2017

Who is a sannyasi?




A Sannyasi
A favorite of magazine covers and documentaries, nothing presents a more exotic and mysterious picture of Hinduism than that of the sannyasi. Traditionally revered in Hinduism, and sometimes derided by detractors, these wandering holy men have been part of the Indian landscape since ancient times. Indeed, tales of sannyasis retiring to the forest in search of enlightenment is a staple of the civilization. By the time of Buddha, two thousand six hundred years ago, the tradition of sannyasa had already long existed. In fact, before his enlightenment, the Buddha spent years travelling with a group of sannyasis, practising austerities, who then became his first disciples.

In Hinduism, four stages of life are described: bramacharya, grihastha, vanaprastha and sannyasa. A bramachari is a celibate student, whose duty is to learn from his teacher, his guru; a grihastha is a householder, whose duties include raising a family and engaging in civic duties; vanaprastha is the retired stage of life, and finally, a sannayasi is someone, who having performed all worldly duties, renounces all for the pursuit of spiritual wisdom. In practical terms however, many young men (and women) take sannyasa.

Thus a sannyasi is not a priest, which is profession, but a natural stage of life. It is the result of a deep commitment, involving no salary nor benefits, and a product of a personal search for the truth. Yet, despite their abandonment of societal responsibilities, the orders of sannyasa have built up significant traditions over the years. While many sannyasis are free of any association and follow their own path, many more coalesce into orders, attracted by the teachings of the leaders.

The Buddha created an order of sannyasis, which he called the Sangha. These monks (in western terms) dedicate their lives to understanding the teachings (the Dharma) and expounding it to others.
Shankaracharya
One of the great organizers of sannyasa in Hinduism was the great 8th century saint Shankar-acharya. Born in South India, he travelled across the land, expounding his philosophy, establishing temples and orders of sannyasis, which have great influence to this day.

He founded two types of sannaysis; one called the astra-dhara (the carrier of weapons), and the other the shastra-dhara (the carrier of scriptures.) The astra-dhara, the warrior sannyasis, were meant to protect Hindu temples, which were being regularly attacked by invaders. They were structured around mahants (leaders) and their orders are called akharas, which literally means the circle within which martial arts are practised.

The shastra-dhara sannyasis established mathas, whose closest English translation would be monasteries. There, they studied scripture, specifically those that expounded the monistic teachings of their founder. These sannaysis became known as the dasnami (ten-name) sannyasis, so-called because upon entrance to the order, initiates are awarded one of ten names (such as Puri, Bharati and Giri.)

The Sringeri Matha, established by Shankaracharya


Sannaysis are still found in India, though in much reduced numbers. The main reason for the decline is the minimization of traditional spiritual education in India, where western education is seen as a gateway to the best paying jobs. In the transition to a materialistic culture, and away from a spiritual one, many of the ancient traditions are diminished.








Mohan Ashtakala is the author of The Yoga Zapper (www.yogazapper.com) published by Books We Love (www.bookswelove.net)

Monday, August 14, 2017

VINTAGE...NOT OLD...by Sheila Claydon


I am in the middle of re-editing several books that I wrote in the 1980s. They are being re-published as Vintage Romance, and that word vintage got me thinking about how my writing life has changed since they were first published.

In those early days I produced a top copy and a carbon copy on a portable manual typewriter, and both copies were stored in box files until I typed The End on the final page and sent the top copy off to a publisher with a covering letter. To get them even looked at instead of ending up on a junior editor's slush pile, writers had to do their homework. Woe betide any hopeful author who didn't produce a manuscript to each publisher's exact specification. I remember having to send 200+ single-sided, double-spaced pages to one publisher (no more than 10 chapters, one inch margins all round, each page numbered  centre bottom and with name and title at the top).  The pages then had to be boxed and secured with an elastic band, and I had to include a stamped addressed envelope for the reply; a reply which would probably not arrive for months.

When, after quite a lot of rejection letters, I was finally invited to meet an editor to discuss one of my manuscripts with a view to publication, I was beside myself with excitement. The editor was positive and her suggestions helpful. I left the meeting walking on air and spent the next few weeks revising and re-writing, sure that it was only a matter of time before I took the publishing world by storm. Pride, of course, always comes before a fall, and what a fall it was. The revised manuscript received a very swift rejection. I don't remember the exact words of the letter except that it said my editor had now left the publishing company and her successor did not feel my manuscript was a fit.

That was quite possibly the worst day of my writing life but I eventually followed the advice in Jerome Kern's song and picked myself up, dusted myself off and started all over again. After all I had a completed manuscript that needed a home. It eventually found one I'm glad to say and a long life too. Initially published in 1983, and then again in 2012, it will soon go to a 3rd edition when it is re-published in digital and paperback by Books We Love in 2018. In the meantime two of its contemporaries have already been republished: The Hollywood Collection and Bouquet of Thorns. 

Re-reading and editing all those early books has been a more enjoyable experience than I anticipated because they have stood the test of time surprisingly well. I also found myself remembering where the stories had come from and what had prompted me to write them. The Hollywood Collection for example was triggered by a magazine article about a handsome and up-and-coming young British dress designer. To research it, however, required a lot more graft than nowadays. With no Internet it was libraries, newspapers and magazines.  Also I had never been to Hollywood.  Nowadays I only write about places I know, but then I was much more cavalier. Ah, the arrogant confidence of youth.

Reading those books again definitely brought back memories of that time before I also became vintage!

You can find details of all Sheila's books on the following sites:





Sunday, August 13, 2017

Who Would Play My Characters in the Movie by Joan Donaldson-Yarmey



http://bookswelove.net/authors/donaldson-yarmey-joan/

Total Speculation and dreaming--but wouldn't it be wonderful if a production company decided they wanted to make my historical novel, Romancing the Klondike, into a movie. When I thought about who would play my characters I went with all Canadian actors and actresses.
Here is the list:
Ellen Page as Pearl Owens
Rachael McAdams as Emma Owens
Ryan Reynolds as Sam Owens
Ryan Gosling as Donald Miller
Seth Rogen as Gordon Baker
Keanu Reeves as Joe Ladue
Jane Eastwood as Mrs. Wills

I think that the lesser characters should also be Canadian actors and actresses. After all, this is a Canadian story.

What do you think of my selections?

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