The Vikings in North America by Joan Donaldson-Yarmey

The Vikings in North America

 

http://bwlpublishing.ca/authors/donaldson-yarmey-joan/

 

I started my writing career as a travel writer, researching and writing seven travel books about the attractions, sites, and history along the backroads of Alberta, British Columbia, the Yukon, and Alaska. While working on them I realized what a beautiful country I live in. Since then I have switched to writing fiction but I still love to travel. 2017 was Canada’s 150^th birthday and to celebrate it my husband and I travelled in a motorhome from our home on Vancouver Island on the Pacific Ocean to Newfoundland on the Atlantic Ocean. The round trip took us nine weeks and we were only able to see about half of the sites and attractions along the roads.

       I have decided to write about the scenery, attractions, and history of my country. This post is about the Vikings who had a settlement in the present province of Newfoundland more than one thousand years ago.

       After a seven hour ferry ride from Cape Breton we landed at Port aux Basque, Newfoundland, and headed north along Highway 1 to Corner Brook where we spent the night. In the morning we carried onto Deer Lake where we turned on Highway 430. We drove through Gros Morne National Park and along the Gulf of St. Lawrence. We were pleasantly surprised at the number of picturesque small fishing villages we passed through on our way north. Eventually we turned onto a smaller highway and reached the national historic site of L’Anse aux Meadows on the tip of the Western Peninsula of Newfoundland overlooking the Atlantic Ocean.

       It has been long thought that the first European to step on the soil of North America was Christopher Columbus. Excavations done at this site in the 1960’s recovered artifacts like jewellery, a stone oil lamp, a bone knitting needle, and tools that were compared to ones used at Viking settlements in Greenland and Iceland around the year 1000 and have been carbon dated to between the years 990 and 1050.

 

 

       From the parking lot I walked to the interpretive centre where I looked at the displays of what the settlement would have looked like during its occupation. There are replicas of the longships that the Vikings sailed in, artifacts unearthed during the excavations, write-ups about the Vikings, tools that were found, and maps showing the route the Vikings used to get to Newfoundland or Vinland, as they are thought to have named it. The Scandinavians of the medieval period were known as Norse and they were farmers and traders. When they began raiding other countries they became known as Vikings, the Norse word for raiders.

       There has been a lot of interest in the Vikings recently with televisions shows and documentaries about them and their raiding which began in the 790s and lasted until around 1050. With their longboats and advanced sailing and navigational skills the Viking men and women travelled from Scandinavia south through Europe to Africa, the Middle East, and Asia and west to North America.

 

 

       I left the centre and followed a long, wooden boardwalk through grass and small bushes to the actual site. There I found a post fence around a yard with large mounds covered in grass. When the Vikings landed here there were forests from which they were able to get material for their boat building and house building. The remains of eight buildings were found in the 1960s and they are believed to have been made of a wooden frame and covered with sod.

       They have been identified are a long house, an iron smithy, a carpentry shop, and smaller buildings that may have been for lower-status crewmembers or even slaves or for storage. There are three replicas of those sod buildings with their thick walls on the site. One is a long house which is equipped with clothes, beds and bedding, household utensils, tools, a fire pit and has a couple dressed in period clothing cooking a meal. The Vikings hunted caribou, bear, and smaller animals plus whale, walrus, and birds for food as well as fished.

 

 

       I wandered through the rooms divided by hand carved wooden plank walls. Light came from the fire and holes in the ceiling which are partially covered with upside down wooden boxes to keep the rain out.

       One of the other buildings is the smithy complete with anvil, forge, bellows and various tools. I wandered the rest of the site and saw the outlines of other buildings that have not been reconstructed. It is estimated that between 30 and 160 people lived there over the years.

 

 

       The Vikings arrived in Newfoundland from Iceland via Greenland. According to historical records the site was inhabited by the brothers and sister of Leif Ericson plus a series of explorers. It is believed the settlement was there for seven or eight years before being abandoned. This is the only confirmed Viking site in North America and is the farthest west that Europeans sailed before Columbus.

       After viewing the buildings I followed a trail along the rocky shoreline and then turned inland to walk on a boardwalk over a bog back to the parking lot.

 

 

       One of the best things is that not only does the interpretive centre have the history of the Vikings, but there is also extensive displays showing the history of the aboriginal people who inhabited the area over thousands of years before any European arrived.

Multiple Perspectives

                                          

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I wrote my first two novels entirely from the perspective of my sleuth, Paula Savard. My third novel, To Catch a Fox, which BWL will publish next month, shifts between five point-of-view characters. While working on this new novel, I was struck by a number of differences between writing single and multiple point-of-view stories. Here are my thoughts and observations after trying my hand at both types and reading a variety of novels. 

Single viewpoint stories are great for surprise, which is why they're the traditional approach for whodunit mystery novels. Readers only know as much as the protagonist, or a little less if she or he is smart. While reading the story, they are surprised along with the sleuth to the end. In fact, I most enjoyed writing those novels when something happened that I didn't expect and I was surprised by a new development.         

In multiple perspective, the reader knows more than the protagonist. So you lose some surprise. The trade-off is suspense, as readers grow worried or curious about how one character's actions will affect another one. For instance, there might be a scene with the bad guys building a bomb to blow up the local theatre. The next chapter ends with the heroine heading out to the theatre that night. We have to turn the page to see what happens. In single viewpoint we'd be as blind-sided as the hero. 

Both forms are equally effective at driving the plot and might be two sides of the plot-coin for any kind of story. While writing To Catch a Fox, I tried to use the strength of multiple viewpoint to heighten suspense by showing each character's motives and deeds to be increasingly harmful to my protagonist, Julie Fox.  

Writing multiple point-of-view involves making choices. How many viewpoint characters should your novel have? I've read books that shift between a dozen or more characters. I chose to limit my narrators to five, the number I felt would produce the optimal suspense. I also wanted readers to engage with them all, so I introduced him or her early in story, made sure each one appeared regularly and gave each a story arc that peaked in the climax scene. My five narrators were an effort to juggle, but fun.

Do you start a new chapter or scene with each change of voice? My writing instructors taught me this was essential for reader understanding. In my reading, I find that when stories shift viewpoint mid-scene, I sometimes feel jerked in and out of characters' heads and confused by whose viewpoint I'm in. So while drafting my multiple viewpoint novel I started a new chapter with each point of view shift. 

But last fall I read The Nest by Cynthia D'Aprix Sweeney, a novel that shifts between about 20 characters, often mid-paragraph. I always knew who I was with and connected to them all, and now think this fluid style works when it's skilfully done. I'm not ready to try it in a novel, but might be some day.   

My one problem with The Nest is that I wasn't clear on who was the story protagonist. Ensemble cast novels are rare, probably because most readers prefer a main character to engage with. In Two Catch a Fox, I gave Julie's point-of-view the most page space. She is present in the most scenes and all the other characters want something from her.    

For novel structure, is it better to set up a fixed pattern of narrators, rather than have them randomly appear? With three POV characters, a chapter pattern might be A, B, C, A, B, C …, with A-the-protagonist's chapters longer than the others. In general, I think readers like to get comfortable with a pattern, so that the structure remains in the background and they can focus on content. For the same reason, I usually prefer chapters in a novel I'm reading to be roughly the same length, so I'm not jarred by an unexpectedly short or long one.  

But with five POV characters I didn't consider an orderly pattern. Usually the story determined who would come next, but I sometimes brought a narrator in because we hadn't heard from him in awhile. While his scene contributed to the story, he didn't always have a lot to do or say at that point. As a result, my chapter lengths were all over the map until the last draft of To Catch a Fox. In my final revision, combining scenes into chapters helped even-out the chapter length, cut the number of chapters in half, and, I think, make it easier for the reader to get into the story.       

What about headers, such as the POV narrator's name, at each chapter start to indicate who is speaking? As a reader, I find these helpful, but I couldn't do it easily when many of my chapters combined scenes with different narrators. I tried inserting them anyway. My editor found the headers awkward and said they weren't needed, that she always knew quickly whose viewpoint she was in. I hope my future readers agree.  

Finally, after writing both single and multiple viewpoint novels, which form do I prefer? At the moment, I'm hooked on multiple perspective, mainly because I like the variety. While working on To Catch a Fox, I'd spend a few days writing Julie, the next day with her sidekick, then her estranged husband and then the novel antagonist, before returning to my heroine, Julie Fox.

       

Ringo Starr and the Real Story About Octopus Gardens by Karla Stover

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A TIME LINE:

1. On 22 August 1968, Ringo Starr temporarily walked out of sessions for the White Album after becoming disenchanted with the increasing tensions within the group.

2. Actor Peter Sellers owned a yacht named Amelfis. (The name comes from he word, Amelfi and means, you like to make your own decisions and to be the master of your domain.)

3. At that time, the Amelfis was moored in a bat at Sardinia, and Sellers loaned it to Starr and his family.



4. The Starrs went out on it for a day and the captain told Ringo how though octopuses hang out in their caves, they have been known to go around the seabed finding shiny stones, tin cans, and bottles to put in front of their cave, a bit like creating a garden.

5. A guitar and "a couple of tokes later," Ringo had a song.,

George Harrison provided uncredited assistance in developing the song's chord changes. (Both Harrison and Starr often felt their musical accomplished were dismissed by Paul McCartney and John Lennon.) In the documentary, Let It Be, he can be seen helping Starr work out the song on piano. John Lennon later joined in on the drums.

But, do octopuses actually make gardens?

 According to John Forsythe, a marine biologist at the University of Texas Medical Branch in Galveston, "Octopuses like to hide in a den -- any crevice or hole that is protected. Often they conceal the opening to that den by piling up rocks, broken shells, broken glass, bottle caps, lost wedding rings, anything they can find or sucker. That pile is called an octopus midden -- or garden, if you prefer."

 We who live on Puget Sound and have interacted with octopuses know that they are friendly and will lay a tentacle casually over you if you stroke them. Also that they have at least three different temperamental humors: passive, aggressive and paranoid and that they are playful.  Their aquarium caregivers are extremely fond of them.

 Octopuses are not the most attractive creatures, but not much of what lives under the sea is. How many times have  we been told, "Do not judge a book by its cover.)?