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Friday, September 25, 2015
FOSTER MOM? or not
After an abnormally hot, dry spring and summer, we on Puget Sound had a freaky, one day wind and rain storm. It reminded me of another storm when I tried to be a foster mom.
Orphans of the Storm
Wind out of the
south, whitecaps washing over the floating bridges, the ferry system shut down—a
Pacific Northwest storm. And one post-storm spring morning while driving to
work and listening to NPR, I heard that the previous night’s gully washer
caused another problem: squirrel’s nests
knocked out of trees leaving a surfeit of orphaned babies. An animal welfare organization who shall
remain nameless put out a call for foster parents.
Wow! That sounded like fun, I thought. I could do that. I loved squirrels. I wrote the organization’s
phone number down.
At work, I found a
place where a box of the family Sciuridae
could sleep while I worked, and
where I could retreat to give them little bottles of food and some TLC. Then I called the rescue group.
“I heard about
your need for squirrel baby foster parents,” I said, “and I’m really
interested.”
“Well now, isn’t
that nice, but before adoption can be considered, I have a few questions.”
“Sure.”
“You understand
that you have to be pre-approved.”
Uh oh. I hoped she
wasn’t going to run a background check on me. The first time I went back east
to meet my in-laws, one of my husband’s aunts was living in a pre-Civil War
house near Holmes Hollow and cooking squirrel pot pie on a wood burning stove
that came with the home I’d try and keep that on the down-low. After all, what
happens in Holmes Hollow stays in Holmes Hollow.
“Uh, okay.”
“What’s your
name?”
“Karla Stover.”
“Where do you
live?”
“In Parkland which
is just south of Tacoma, Washington.”
“Oh, now, that’s a
bit of a problem.”
“How so?”
“Well, the babies
were orphaned in Seattle.”
“I can drive there
to pick some up.”
“And there are
their physicals.”
Say what?
“Well, who
administers the physicals?”
“A vet.”
“We have lots of
vets in Tacoma ,
and running water and everything. My
husband and I have gone to the same vet for years.”
Levity wasn’t her
strong suit.
“Yes, but it has
to be a wild animal vet.”
I sensed
roadblocks—the result of animosity and distain Seattle feels for Tacoma.
“Well, I’ll ask
our vet if he can give them their physicals,” I said.
“No can do, I’m
afraid. We already have an approved wildlife vet ready to take them on.”
“Maybe I can drive
to your vet, then. Where is he?”
“Lynwood .”
Still, I persevered. “I could do that.”
“Every week?”
“What?”
“Every week. The orphaned babies have to be checked and
weighed weekly. We want to make sure
they’re getting the best possible care.”
“Are they vaccinated
for hanta virus and Lyme’s disease?” I asked.
“Do they need Frontline?”
Perhaps she sensed
my sarcasm.
“I’m sorry,” she
said, “but we have strict rules and regulations about who qualifies to adopt
our orphans and how they are to be raised.”
“They’re rodents,
for gosh sakes.”
“You see, that statement
shows a flippant attitude. I’m sorry but
you don’t qualify.”
Jeez!
Take it down a notch, lady.
About a week
later, someone knocked on my front door.
It was two little boys with three squirrel babies in a box. “Here,” one boy said, “Mom said we should
give them to you.”
I didn’t know who
the kids were, who their mom was, or why she thought I should have the care and
responsibility of three hostile-looking rodents. Their unattractiveness knocked the romance of
foster moming squirrels right out of the ring.
Nevertheless, I took the box and carried it to the garage. Then I tried
to put dishes of water and sunflower seeds—shelled, I might add—in the box. Nasty little buggers. Their only interest was in trying to bite the
hand that was attempting to feed them.
After a few days,
when it didn’t look as if they were eating, I decided to turn them loose among
the apple, cherry, pear and filbert nut trees in our backyard. They scampered for safety.
And ever since, we’ve had squirrel families
eating the filberts, biting holes into the fruit and, digging up my bulbs.
All without
physicals or mailed reminders for booster shots.
Thursday, September 24, 2015
Deadly or a Curative-poisons in medications, by Diane Scott Lewis
Poisons and poisonous plants have been utilized for centuries in medications. A Persian physician in the tenth century first discovered that poisons such as mercury could be employed as curatives, and not just on the tip of an arrow to kill your enemy. But poisons had to be managed carefully.
Plants, long the healing forte of the wise-woman in England, were a common ingredient in medicinal “potions,” though so many had deadly qualities. The foxglove, with its beautiful hooded, purple bloom is fatal if eaten.
But eighteenth century British physician, William Withering, used infusions of this plant to treat dropsy (now known as edema). Later, the plant was used to create digitalis for heart failure.
Rosy periwinkle is also toxic to eat. However, in traditional Chinese and Indian medicine, it’s used to treat diabetes and constipation.
More well known is the Opium poppy, used to make morphine (and unfortunately heroin-the killer of many an addict). Morphine is invaluable as a pain reliever for the sickest of patients. Small doses of other deadly toxins such as henbane, hemlock and mandrake have been employed to ease the pain of surgeries. But a dose slightly too high would kill the patient.
In Shakespeare’s time, poisonous extracts were added to cough medicines. Opiates were common in cough remedies, mainly for sedation. Mrs. Cotton in the seventeenth century suggested a mixture of vinegar, salad oil, liquorice, treacle, and tincture of opium when “the cough is troublesome.”
No one yet understood the addictive nature of these drugs—if the patient lived to find out.
The chemical element mercury, another toxin, was used starting in the 1500’s to treat syphilis.
Well into the twentieth century, mercury was an ingredient in purgatives and infant’s teething powder.
Arsenic is another poison that was commonly added to medications. A chemical element, arsenic is found in many minerals. In the 18th to 20th centuries, arsenic compounds, such as arsphenamine (by Paul Ehrlich, 1854-1915) and arsenic trioxide (by Thomas Fowler, 18th c.) were popular. Arsphenamine was also used to treat syphilis. Arsenic trioxide was recommended for the treatment of cancer and psoriasis.
Numerous people suffered adverse effects or died after the ingestion of these lethal ingredients.
In my recent release, The Apothecary’s Widow, arsenic is found in the tinctures used to treat the ague of Lady Pentreath. Unfortunately, arsenic is not one of the ingredients listed in that cure, and never in such a large dose. Who murdered Lady Pentreath, her miserable husband, Branek, or the apothecary Jenna who prepared the medicines, a widow about to be evicted from her shop, which is owned by the Pentreaths? A corrupt constable threatens to send them both to the gallows.
Click here to purchase The Apothecary’s Widow.
To find out more about my novels, please visit my website:
http://www.dianescottlewis.org
Sources:
livescience.com
The Power of Poison: Poison as Medicine, the American Museum of Natural History
William Buchan, Domestic Medicine: or, a treatise on the prevention and cure of diseases by regimen and simple medicines [second edition] (London: 1772)
Wikipedia
Labels:
eighteenth century,
murder,
poison
Wednesday, September 23, 2015
From Pantser to Plotter by Victoria Chatham
Every writer
falls into one of these categories, some writers may be comprised of a little of both.
When I started writing I was definitely a pantser, the type of writer who sits
in front of a computer and goes with the flow. As long as I had my characters,
the rest would take care of itself, right? Well, not exactly.
My first book
held marked similarities to raising my first child. Regardless of what I
thought, I hadn’t got a clue what I was doing. To say I struggled with that
first book is putting it mildly. At one point I had followed every lead my
heroine gave me and finished up writing about her grandmother in pre-war
Montreal
and how, pregnant and alone, she ended up in war-torn France fighting
with the resistance forces. Great stuff, even though I’m blowing my own trumpet
here.
However, that
was not the story I was writing. I was writing a contemporary western romance.and badly at that. Had I taken the time to consider more than just my characters I would have
saved myself a great deal of time. I’m not a fast writer, and when I realized
how much time I’d wasted, I went back to the drawing board as it were.
Yes, I had my
characters. They usually present themselves to me fully formed. I know their
names and what they look like. Next is to fill in their character
questionnaire, even complete a character interview. I know my characters well
by this stage but throwing them on the page and expecting things to happen just
didn’t work. I found writing historical romance or fiction easier in that I
simply looked up the year (god bless Google), to see what major events were
taking place world-wide and went from there for my background but it still wasn’t
exactly a plot, more of an idea.
When I started
writing my soon-to-be-released contemporary western romance, Loving That Cowboy,
I soon ran into a brick wall. I’m sure many of you will know what that feels
like. The words were just not there. It wasn’t writer’s block per se, more like
this writer’s ineptitude. After one very frustrating day when I wanted to File
13 all ten pages I’d managed to produce, I was ready to give up. That was when
I became a plotter.
I sat down and
started from scratch, looking at my two leading characters and figuring out how
to get them together and listed dozens of ‘what ifs?’. All that took time, but
as I reached each plot point I noted it on a pink post-it and stuck it on
my white board. Very pretty it looked too. Not only that, there was great
satisfaction in removing the post-its as I reached each plot point. Now I
really felt that I was getting somewhere. Sure there was a fair amount of
rewriting on the way, but that is inevitable.

Having tried
both methods, I think from now on I’ll be doing much more plotting instead of relying
on my characters to take me somewhere. How about you? Are you a plotter or a
pantser, or maybe a bit of each?
For more information about Victoria go to:
Tuesday, September 22, 2015
Am I allowed to laugh while at the festival of the dead?
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Am I allowed to laugh while at the festival of the dead?
They say Madness merely depends on which end of the knife blade you’re staring at, and who’s holding the gun to your head. Or so said my mother, before we lost her on that first night of our holidays. She’d taken up jogging the day before she disappeared and to this day we still don’t know where she is. I was ten at the time and had poked my head around the corner, everyone else was asleep. I asked her where she was going. Thinking it odd that she would be up by herself, getting dressed. She was crying and tried to hide her tears as I asked. She assured me everything was okay and as she patted my rear to the direction of my room, I remember seeing Dad staring through the partly open window of that Mexican beach house. He had a strange look on his face as Mom ran off and it wasn’t from Montezuma’s revenge either. I’ll never get adults; life as a kid seems so easy. Only mom never came back. I cried for days. Dad said she was just running. It took me many years to know from what. I always thought for years after that it was me.
They say Madness merely depends on which end of the knife blade you’re staring at, and who’s holding the gun to your head. Or so said my mother, before we lost her on that first night of our holidays. She’d taken up jogging the day before she disappeared and to this day we still don’t know where she is. I was ten at the time and had poked my head around the corner, everyone else was asleep. I asked her where she was going. Thinking it odd that she would be up by herself, getting dressed. She was crying and tried to hide her tears as I asked. She assured me everything was okay and as she patted my rear to the direction of my room, I remember seeing Dad staring through the partly open window of that Mexican beach house. He had a strange look on his face as Mom ran off and it wasn’t from Montezuma’s revenge either. I’ll never get adults; life as a kid seems so easy. Only mom never came back. I cried for days. Dad said she was just running. It took me many years to know from what. I always thought for years after that it was me.
My parents brought us here to see the
festival of the dead. I'd already guessed it wasn't going to be a happy
holiday. Solemn affair, everyone just hanging around waiting to see whose limb
falls off first. Some even tried placing bets, but all their credit cards had
been cancelled and the relatives had absconded with the money. But I thought
that's what wills were for. I'd already been to a couple of school sock hops
that should have been named the same.
Yes, Mexico. I did tell mom to make sure she
earns brownie points by telling everyone at the festival that she should buy
them a drink. Wouldn't cost much and even the zombies can't drink. Well, they
try but by the time the drink reaches their mouths they've either crushed the
glass or spilled it all over themselves. Oh and note to self, don't waste your best
jokes on zombies, they don't get it. Humor I've discovered is way beyond them. But yo-yos are another matter. Keeps them
entertained for days. Just watching the ball going up and down, up and down, up
and down and believe it or not, up and down. Don't think they get past the
string and realize there's someone at the end controlling it.
Yup, survival tip #101 when walking through
parts of town that are quite dodgy, "If attacked by zombies, whip out your
yo-yo, give it to someone with spasmodic seizures and run like hell".
PS. To all of those who are currently crying
into their hankies, Kleenexes or shirt sleeves, please don’t. Do remember this
is a blog written by a fiction writer. Hope that is a big enough hint. But if I
did get you crying, well I’ve done a good job as a writer at pulling emotion
out of the reader. Now if only I could predict lottery scores.
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