Tuesday, September 2, 2025

Firsts and seconds by donalee Moulton

 

My new book, Melt, is a first for me. It’s the second in my new (and first) mystery series, the Lotus Detective Agency. I’ve discovered the joys, and the angst, of going deeper into characters, inventing new plots for familiar people (albeit fictional), and striving to balance the context for those who read the first book, Bind, and those who are discovering Charlene, Lexie, and Woo Woo for the first time.

It’s essential that Melt stands on its own. As part of a series, I’ve also discovered it’s essential Melt gently reminds readers – in their hearts and their minds – about what they enjoyed in the first book. 

Now the question: What happens in book three?

The answer: I have no idea.

 Until then, let me share a little bit about Melt and what you can expect.

ORDER HERE 

Melt is a mystery. Melt is a story about friendship. Melt is what happens when like minds and divergent hearts come together to prevent a seventeen-year-old boy from going to jail for the rest of his life.

At its heart, Melt is a puzzle. Luke Castle is arrested for transporting narcotics in the back of a food truck. He confesses. Everyone knows the teenager is not the mastermind behind the $6 million in cocaine nestled among 150 sacks of flour. The lead prosecutor, the defence attorney, and the reluctant detective first class hauled into the judge’s office all admit the kid is innocent. The problem is his professed guilt – a confession he refuses to recant. The legal eagles are at a loss. First question that must be answered: Why is Luke Castle lying?

At its heart, Melt is about friendship. Three women met at a yoga studio. They’re now part owners of that studio – after helping to catch a thief. Now, they’re asked to help figure out what is going on with Luke Castle, bringing new approaches and new ways of ingratiating themselves with the likely suspects: drug lord, drug lord’s sons, bitter daughter-in-law, rebellious younger brother. Lending a helping hand brings them together in unexpected and ultimately profound ways. We root just as much for these women as we do for the dealer (or dealers) to be unveiled. There is a cast of regulars, including the police detective and the yoga instructor. Each a three-dimensional, likeable, and flawed human being. (Madoff, a Westie, makes periodic appearances.)

At its heart, Melt is funny and fun to read. It’s like coming home to a steaming bowl of tomato soup on a cold winter day. Comfortable and delicious. Like a perfect downward dog.



 

Monday, September 1, 2025

BWL Publishing New Releases September 2025




Picture 1, Picture

Darkness is often the playground of the supernatural … the eerily unexplained.

Yeo House is a haunted country home in Eastern Canada’s beautiful province of Prince Edward Island. The stately seaside mansion of a shipbuilding magnate and his family in the 1800’s, it was given new life in the twenty-first century. During renovations something unusual was found hidden in the walls — a small toy dog on wheels. Now freed from his wall prison, it seems he’s still being played with by the ghost of the child who once owned him.

When four year-old Della Sayer and her parents visit the historic Yeo mansion to see the famous Wheelie, the little girl makes a strange and powerful connection with the antique toy. It is an unsettling paranormal knowing, a kindred ethereal awareness….

Life for the Sayers will never be the same again.

Editorial Review

JL Cartwright

If you want to be scared out of your wits, then read Playtime. Eden Monroe has really done it this time. Fascinating, realistic, horrifying are just a few of the adjectives that come to mind when I try to describe the events that happen as you read Playtime.

I’m not going to tell the reader any more. There’s just one thing I have to say about Playtime. Read it! What a fantastic, terrible, frighteningly realistic story Eden Monroe has written. This is a great read.

Editorial Review by JL Cartwright





Antiques dealer Monaghan Wilkes has made many enemies in the village of Sixpenny Cross and its surroundings. When he is found dead beside the pond in a local meadow, no one is surprised. Popular opinion targets Monaghan’s long-suffering business partner, Colin Jones, as the murderer. But retiree Winnie Hatherall, a sprightly woman who has lived in the village all her life, is unconvinced.


Detective Inspector Anthony Wallace has an unexpected history with Winnie. He does not like her poking her nose into his case, a sentiment she reciprocates, but he cannot ignore her exceptional talent for knowing what lies behind her neighbours’ lace curtains.

The gentle pace of village life is shattered as Winnie reveals one secret after another. Will her investigation reveal the murderer, or will it lead her into the path of potential danger, making her the next victim?

Editorial Review by JL Cartwright

A Murder in the Meadow was like a trip down memory lane for me, taking me back to the days when I devoured every Agatha Christie and PD James I could get my hands on. I loved those books, and reading Ms. Chatham’s A Murder in the Meadows with the wonderful interplay between the sisters and DI Anthony Wallace and his new protégé DS Rachel Evans was just such a treat.

This is a book that any fan of really good British mysteries is absolutely going to want to add to their library. Wonderful read. Thank you Victoria Chatham. I can’t wait for the next in this terrific new series




Snowstorms blow threatening notes onto the doorstep of Raven Brook’s isolated log cabin, but the police give them no credibility. In their ears, Raven’s tarnished reputation resonated louder than her complaints.

While on a snowmobile ride in the forest, Raven discovers the body of the disgraced officer who investigated her foster grandfather’s murder and dismissed her witness statement. Suddenly, the past she tried to escape roars back to haunt her and her young son.

Corporal Landon Steele is posted to a remote understaffed RCMP detachment to fill the position left vacant by a dead officer. As he searches for missing evidence, he stumbles on a string of suspicious deaths linked to his predecessor. His troubling investigation throws him into Raven’s warpath.

Trust is in short supply. Can Raven and Landon lower their guards, share their discoveries, and solve the murders before their fates intertwine in death?


Picture 3, Picture

allan billard - BWL Publishing

How was a discharged woman from a fishing village on the west coast of Ireland able to find and market an unending supply of choice seafood from Vinland… long before Columbus or Cabot ever ‘discovered’ the New World? She exhibited the spunk of a proto-feminist, unheard-of in the year 1249. Ultimately, she contrived a mission to defeat the thieves who wanted to keep the fishing grounds secret and opened the doors of the most valuable fishery ever known. She changed the history of our world.


Sunday, August 31, 2025

Brevity by Paul Grant

 

https://www.bookswelove.com/search?q=Paul%20Grant

Brevity

           “I just leave out the stuff people don’t read.”

That was Elmore Leonard’s response when I asked him how he keeps his stories moving and his dialogue crackling.   Leonard is a master of brevity, which is why his material is so well-suited to be filmed.  The TV series Justified is based on his short story Fire In The Hole.  His crime novel Get Shorty was made into an Oscar-winning movie starring John Travolta and Gene Hackman.  And one of his five western novels, 3:10 To Yuma, was filmed in 1957 and again in 2007.  The hallmark throughout is brevity.

I spent more than thirty years editing stories for radio, taking out the aural equivalent of the stuff that people don’t read. My inner editor is always present when I write, decluttering and removing the unecessary. I’ve tried to take Elmore Leonard’s mantra to heart in my novel Astraphobia, part of BWL’s Paranormal Canadiana Collection.  The story follows three generations of the McKenzie family as death by lightning stalks them from Scotland to Ottawa to Moose Jaw.  The McKenzies grow and thrive over the years, from the birth of Saskatchewan in 1905, through a world war, a decade-long depression, another world war, the threat of nuclear annihilation, and the anarchic sixties and seventies.   But they are always looking over their shoulders, wondering who will be the next victim of the McKenzie Curse.

 https://www.bookswelove.com/shop/p/astraphobia

 


Saturday, August 30, 2025

Playtime, The Paranormal Canadiana Collection - Prince Edward Island

 

 https://www.bookswelove.com/search?q=Eden%20monroe

     I was excited to write my first paranormal novel for The Paranormal Canadiana Collection.  I call it Playtime and this is the back cover blurb:

“Darkness is often the playground of the supernatural … the eerily unexplained.

Yeo House is a haunted country home in Eastern Canada’s beautiful province of Prince Edward Island. The stately seaside mansion of a shipbuilding magnate and his family in the 1800’s, it was given new life in the twenty-first century. During renovations something unusual was found hidden in the walls — a little toy dog on wheels. Now freed from his wall prison, it seems he’s still being played with by the ghost of the child who once owned him.

When little Della Sayer and her parents visit the historic Yeo mansion to see the famous Wheelie, the little girl makes a strange and powerful connection with the antique toy. It is an unsettling paranormal knowing, a kindred ethereal awareness….

Life for the Sayers will never be the same again.”

I should point out that Della’s mother, playwright Jill Sayer, is a bona fide skeptic in Playtime, determined to explain the unexplainable even when it becomes increasingly difficult to do so:

“The storm continued and Jill felt every clap of thunder as though it was right in the room. It very nearly was, only an attic and roof away. By now she was wide-awake, toying with the idea of getting up after all and working on her laptop. She could grab a short nap during the day. Lying there looking around, a brilliant flash of lightning illuminated the room as bright as midday, followed seconds later by thunder. Would this storm never end?

Watching for the next lightning bolt, it came, flooding the window with light and her heart leapt into her throat, her scream reverberating throughout the room.

That woke Brody up! He bolted to an upright position, switching on the bedside lamp. ‘What’s going on, Jill? Did you scream?’

‘Yes I screamed! We’re having a really bad electrical storm. The lightning made everything look as bright as day, and I saw a child’s face at the window.’ “

I had fun writing this novel and was delighted to visit Prince Edward Island, a province that has long been dear to my heart. My affection for Anne Shirley, Lucy Maud Montgomery’s much-celebrated fictional character, has been unwavering since I read Anne of Green Gables at the age of fifteen. Confined to bed at the time with pneumonia, a neighbour kindly lent me several books, including The Lamplighter, A Girl of the Limberlost, The Yearling and Anne of Green Gables. When Matthew died in AGG I cried a river, and it was that Lucy Maud Montgomery classic that awakened my desire to become an author. I also fell completely in love with the Island.

So when the opportunity arose to write about paranormal phenomena on PEI, I was delighted and chose something quite recent that had captured my imagination. Enter Wheelie, the toy Pomeranian dog on wheels at Yeo House in Tyne Valley, Prince County, in the western region of Prince Edward Island.

 

And so a trip to Yeo House was in order, although the prospect of visiting a site of a documented haunting wasn’t all that enticing to me. But visit the mansion I would, and so what follows is my own personal account of that experience:

It was an idyllic August morning when my best friend and I arrived at Green Park Provincial Park and Yeo House. After first stopping by the shipbuilding museum and listening to a fascinating account of shipbuilding in that area during the 1800’s, Yeo House was next as we covered the green space between the two buildings.

My first impression upon entering the mansion, constructed in 1865 by James Yeo Jr., was the refreshing chill of the interior given the warm summer day outside. Like Playtime’s Jill Sayer (and countless others), I too have toured any number of historical properties over the years, and I was struck by the remarkably good condition of Yeo House and its artifacts, considering the advanced age of both.

Met by a dapper young interpreter with an engaging smile, the tour was soon underway. There was a wealth of photo opportunities and I snapped to my heart’s content, choosing subjects that would best describe the site. After checking out the sitting room, little kitchen, pantry, dining room and so on, we finally climbed the beautifully carpeted staircase to the second floor. The first stop was a child’s bedroom where the world famous Wheelie glared at us from within his protective plexiglass box. I quickly discovered his appearance was as off-putting in person as it had been in the media photos I’d seen online. Sorry, Wheelie, but there it is.

Logically, all rooms in the mansion had to be observed from behind rope barriers in order to protect the home’s invaluable heirlooms. However the barrier in front of the children’s room that housed Wheelie was inexplicably standing off to one side, which seemed to surprise the interpreter. I snagged an up-close shot of Wheelie.

Continuing on, we (my friend had returned to the car) went from room to room on the second floor, as I peered into bedrooms where time had stopped in the mid to late 1800’s — the days of the wealthy Yeo family. There was even the much-storied maid’s quarters, the two narrow beds sitting innocuously beyond the barrier. The interpreter explained that that area was where repeated paranormal incidents had been observed by both staff and visitors alike.

  •  

    

Next we made our way to the foot of a steep flight of narrow steps leading to the cupola above that promised a sweeping view of the surrounding countryside. While we were standing there in conversation I began to find it increasingly difficult to speak because of an uncomfortable heaviness in my chest. I was becoming noticeably short of breath. The interpreter smiled, telling me that several guests visiting the mansion, like myself, had experienced that very same sensation while in this particular area of the second floor. The idea was a possible presence, but who knows?  Now I hasten to add that I do not have any health issues that would explain such a feeling, nor was I anxious or frightened. Our conversation was actually light … humorous. Also, once we’d moved to a different location on the second floor, the sensation had disappeared.

The rest of the tour was uneventful. No, I didn’t hear the oft-reported gasp, shriek, heavy footsteps or slamming door. Thankfully. The weight of that presence was curious enough, thank you.

So that was my actual experience at the mansion that served as the backdrop for my paranormal novel, Playtime. I’d done the requisite research, but nothing quite compared to that feeling of heaviness that overtook me on that sunny Wednesday morning. Hmmm…

https://www.facebook.com/AuthorEdenMonroe/

https://edenmonroeauthor.com

https://boos2read.com/Playtime

Friday, August 29, 2025

Ixchel and The Water Pots of August by Juliet Waldron


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So many gods and goddesses lost throughout the long stretch of human history! 

Many gods of our European past were lost during the violence of Roman colonization, or absorbed, their ancient lineage lost when these divinities were given Roman names. After the Romans, came the new religion, Christianity, and the old gods and goddesses were this time baptized as "saints," which either cloaked their origins in a doctrinally acceptable story, or simply twisted the story until it fit--often uneasily--with the new religion's teachings. 

When European colonizers reached the Americas, the same thing happened to the divinities of these "newly discovered" lands. Some of those stories are lost forever, but a few kept their names. Among these surviving rarities is IxChel, a Meso-American goddess, who could be maiden/mother/crone depending on the season of the year, the age the devotee, or the phase of the moon. 

IxChel was a goddess whose survival partially rests on the written record left by priests who observed what remained of her original religion after the Spanish conquest. From what we can glean, she was a lunar goddess, and, like so many others around the ancient world, the animals which are associated with her worship, are the rabbit (fertility) and the serpent (bringer of rain.) Below is a modern rendering of the goddess from Sacred Source's catalog. To synch with our modern preoccupation with youth, this IxChel appears as a young woman, although in the few remaining Mayan texts, her "rain" hieroglyph depicts her as Crone.

https://sacredsource.com/?srsltid=AfmBOoogCd36tvDfkvTP9t_CCNoPGWpntD6DE7UZFj9UNwT0lpuIFBYC



Like the Moon, however, Ixchel waxes and wanes; she changes. She, like so many European Great Goddesses, is a triple goddess. She was a special patroness of women, whose reproductive cycles are governed by the moon. Young women prayed to her maiden self for  beauty, or for a husband. To the married women, she was Mother Ixchel, to whom you prayed for sons to please a warrior husband or for continued fertility and good health. Women of all ages prayed to Ixchel as Life Giver, asking this fruitful deity for the blessing of good harvests, as well as for good fortune and for safe delivery during the travail of childbirth. She knew the secrets of all herbs, and was known as a skillful healer.

In Meso-America, where droughts could (and historically did) bring famine and collapse to powerful city states, IxChel's sacred serpent governed the powerful hurricane rains, whose appearance was necessary to "fill the water pots"  (the cenotes which dot the permeable limestone of the Yucatan) with the precious liquid which nourished the maize, beans and squash upon which the communities depended. "Water is Life" was as real then as it is now.

As the Moon, Ixchel governed the night. She opened the womb and then cared for the child growing inside. Her pale face radiated blessings upon her sister-children here on earth; the stars were her offspring.  In some of the surviving stories, she dies and is reborn again, a miracle that, in so many religions, only male gods perform. As a goddess of vegetation, she is a kind of Persephone figure, entering the underworld and then being reborn again.

Ixchel is also said to be first weaver, the woman who taught her human children this civilizing skill. The spindle she holds and the thread she spins governs both life and death. Like the Fates of ancient Europe, she creates the fabric of our lives, and ends them when she wishes, breaking the threads. As a destroying goddess, she is called "Keeper of Bones" and crossed bones often appear in her iconography.

Cozumel, as it is known today, was once Isla Muheres, the Island of Women, sacred to Ixchel, the home of her temples. Mayan women were supposed to make pilgrimage there at least once in their lives. If you today are a fortunate traveler, you might still go and visit Ixchel there today. Offer her copal incense, cocoa beans, or small clay female statuettes, as her devotees once did on that lovely island so long ago.


Goddess Knowledge Cards,
Pomegranate
Art by Susan Eleanor Boulet


 Here she is with an avatar--her powerful jaguar self, a creature who hunts on land and in the water--for she is a shape-shifter too. Though she was married to the Sun, she, like the cat, was a law unto herself, coming and going as she chose. Not even the Sun God could own her.



~~Juliet Waldron
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