Monday, September 29, 2014

THE WIZARD OF OZ and me


 
 
 
It’s seventy five years since the movie of the Wizard of Oz was made. It’s one hundred and fourteen years since the book was written, but everyone—probably everywhere—knows the story well. The movie images, especially, lurk in the back of the mind of every one who has ever seen it, whether in the movie theater or on the small screen at home.  From the tornado to the dramatic switch from drab reality to full color fantasy, everything about it was a visual treat, especially back in the days when such "special effects" were new, and we weren’t plied on a daily basis with mind-boggling CG.

I think everyone has their own recollection of the first time they saw The Wizard of Oz. I certainly do, and the memory is not entirely a happy one. I was born long enough ago to have seen the movie for the first time in a local theater. Nothing beats the screen for overwhelming effect, even when this screen was small by current standards.  The Little Art Theater, as it was called, was basically a long narrow room with a screen and little stage at one end. It occupied the middle of a 19th Century three story, block-long brick building, the kind that lined most typical downtowns. The local college crowd viewed avant garde foreign films there—auteurs like Bergman, Renoir, Pasolini—hence the name, but our theater also showed standard Hollywood fare, because, then as now, folks need to make a living.  
 
 

My blonde, blue-eyed Aunt Jean, (now, unimaginably, gone,) took my Cousin Michael and I to see The Wizard of Oz. I can't have been more than six, perhaps even younger. Aunt Jean was a lady of standing in our little town, so I have a memory of her in a blue and white checked shirtwaist dress, low heels, a hat and white gloves. My cousin was younger, but we were both near-sighted, so we sat near the front on the aisle, if memory serves.  In those days, we both peered around the shoulder of whoever was in front of us, perched on the edge of our seats. Nevertheless, then as now impressionable, I was immediately swept away, (just like poor Dorothy!) into the fantasy.

The first scary thing was when wicked Agnes Gooch took away Toto to be put down. I had recently owned a puppy, one that had been squashed in the road right before my eyes, so I was familiar with the pain and sorrow of loss that comes at the death of a fur friend. Next, came the tornado. My home town is in western Ohio, so I was on a first name basis with those, too. I’d seen the fear grow in my father’s eyes whenever he studied our stormy, threatening, lightning-filled skies, searching for any sign of oncoming catastrophe.

Nerves already on edge, for me the grand finale came when the green-faced witch and her awful minions, the flying monkeys, took over the screen.  I was so far submerged in the fantasy that what happened next might have been expected. When the monkeys came flying to tear the poor Scarecrow apart, leaving his strawy insides all over the road—well, in sixties parlance—I flipped, and began to scream at the top of my lungs.
 
 

My aunt was mortified, as was my younger cousin—who was, as he pointed later when the dire subject came up again - a boy, and therefore impervious to fear. I was whisked out of my seat and marched into the lobby. Here, away from the movie, fear of my Aunt’s displeasure quickly displaced the nightmare in which I'd been submerged. I remember standing, sobbing under the too bright lobby lights, with my Aunt shaking me and scolding. 

 “Now, Judy Lee! If you don’t stop that nonsense at once, I will never take you to the movies ever again!” 
Eventually, we returned to the dark theater. I remember drowning in embarrassment and holding back from my earlier willing immersion in the story so the shameful loss of control wouldn't attack again. 

Fashions in child-rearing have certainly changed, but even now I bear my Aunt no ill-will, because according to the rules of the world in which we lived, her reaction was the correct one.  It's an amusing memory, I guess, and also one that is "period correct."

Anyway, Happy 75th Birthday to the Wicked Witch and all her minions. I've thought of her far more often over the years than I have of Dorothy.
 

 ~~Juliet Waldron

 
 Now, only .99 - 2.99 at Amazon       http://amzn.com/B0089F5X3C
 
learn more about my historical novels at:
 

     

Saturday, September 27, 2014

Writing the legends - by Vijaya Schartz

Frontispice of Melusine in Lusignan, France
In the French countryside where my father was born, the birth place of Merlin, near Broceliande, legends of Melusine the Fae abound. She lived notoriously in Lusignan, built the tower of Vouvant in one night to save the villagers from the invaders. Wherever you turn, you see the legendary ondine gracing the signs of the local taverns, the bakery, the museum. There, Melusine is alive, and part of history as well as legend. But very few are familiar with the entire scope of her story.

The Melusine Tower, Vouvant, France, built in one night.
Never mind that the base and the top are from different periods.
While visiting the Melusine Museum in Vouvant, years ago, I came upon a special exhibit that included a puzzling tapestry. It depicted the wedding of Sigefroi of Luxembourg with Melusine, in 963 AD. 963? The Melusine I had come to know had lived centuries later. How was this possible? Then I discovered many more legends of Melusine, her mother, and her two sisters, in the local folklore of various European localities at different times in history. As if the same family of Fae, immortal by nature, had survived through the centuries, each time with the same personality, each time afflicted by the same curse, for abusing their supernatural powers in childhood...


Excited by that discovery, I set upon a decade of research to connect all the dots. Yes an entire decade. While writing other books, I actively pored over ancient translations, old texts, I traveled to France to tiny libraries and museums holding on to their local legendary roots... until I put together the many pieces of that incredible puzzle, to uncover the entire picture. Only then did I understand what I had... enough fantastic material to write the most exciting medieval fantasy series.

My agent was very excited and prompted me to write the series. But publishers at the time did not receive it well. They thought the readers would not buy medieval fantasy... unless it was vampires. Well, my immortals are not vampires. Finally, Books We Love gave this series a chance, and I am grateful. Five books are out right now, with a sixth to be released early next year. More will follow as the tapestry of the entire legend unfolds.



The Curse of the Lost Isle series starts in the early 800s with Pressine the Fae, in PRINCESS OF BRETAGNE, during the Viking invasions in Scotland. This book is still 99cts in kindle for a few days. Hurry.
http://amzn.com/B007K1EGAM


In Book 2, PAGAN QUEEN, she defies the Goddess and gives birth to three daughters, Melusine, Meliora, and Palatina.http://amzn.com/B007Z8F7IA

SEDUCING SIGEFROI, Book 3, and LADY OF LUXEMBOURG, Book 4, are set at the foundation of Luxembourg as a country.





CHATELAINE OF FOREZ, Book 5, tells the love story of the dark Count Artaud of Forez with Lady Melusine in the Eleventh Century.
http://amzn.com/B00I3T9VYG


Book 6, scheduled for early 2015, starts in 1096 AD and features Palatina the Fae, one of Melusine's sisters, in the greatest adventure of all time, the First Crusade, an exciting and dangerous time to be an immortal.

This series already gathered many five-star reviews, with titles like "Edgy Medieval, Yay!" or "Wow!" or "Fantastic!" I hope you will try it and enjoy it.  Five books are available in kindle on Amazon. Book One is also now available in paperback. 


HAPPY READING!

Vijaya Schartz
http://www.vijayaschartz.com

Friday, September 26, 2014

Tricia McGill--on revision and re-writing



There are some writers who cringe at the thought of editing or revision. For me that has always been the favorite part of writing. I consider it is better to get the words down on the page as fast as my Muse will let me, then after the book is finished, that is the time to go through and make the necessary changes. It’s always a revelation to me when I see what I actually ended up with. I think a lot of authors have the same reaction, thinking, “Did I really write that?” I’m about to embark on re-working most of my earlier published books so I guess it’s a good thing that I enjoy the process, isn’t it.

At some stage in our writing career we have to learn to live with the fact that our work is not as perfect as we like to think it is, and we must allow another person the privilege of reading and criticising our baby.

I’ve worked with a lot of editors in my time, and can’t ever recall an instance when I said, “What you’re saying is a load of rubbish. I refuse to change my work to suit someone else.” I might have said more than once that I much prefer to leave a paragraph as is or just tinker with it, but I value the opinion of editors far too much to ignore their input.

One of my earlier books, now re-published by Books We Love as Remnants of Dreams went through 9 re-writes in its previous life if my memory serves me correctly, which means I have lost count of the editors whose hands it has passed through on its way to publication. I tried different points of view and at one stage wrote it in first person from the POV of the main character. Without the input of editors along the way it would never have won RWA’s Romantic Book of The Year award.

Lonely Pride, due out soon at BWL started its journey in 2004 (with a different name and long-defunct publisher) so that’s another one that has enjoyed the input of a few editors along the way. But I wouldn’t dream of ignoring the opinion and suggestions of my latest editor.

I guess my message to new authors is: Never think your baby is so finished to perfection that you can afford to ignore the wise words of your editor or critique partner.

 Lonely Pride--Book 1 in the Beneath Southern Skies series
coming soon

Links to Tricia McGill’s Books on Books We Love
http://bookswelove.net/mcgill.php
Tricia McGill’s web page: 


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