BOXED SETS RELEASED BY BOOKS WE LOVE THIS MONTH

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Who said never work with children or animals? ... by Sheila Claydon

The legend is that it was the comedian W.C. Fields but this is frequently disputed. It is generally accepted, however, that working with either children or animals on stage always carries risk. A child may steal the whole show or, instead, behave in an entirely unpredictable way, either of which is a challenge for the other actors. This is only too well illustrated by this TV clip from 1969. Admittedly the presenters were probably asking for it as they don't seem very prepared for what might go wrong on a live recording, but what did go wrong remains a favorite memory for everyone who saw it. Over forty years later it's still shown on British TV from time to time, and it still makes everyone laugh.



Using animals and children in books though it's an entirely different matter. They can be the focus of the story or act as a link between the main protagonists. They can inject humor, fear or pathos into the narrative or just provide a colourful background. They can also be used to give individual characters status. After all if a writer wants her hero to be a father, then he must have a child. The trick for the author is to decide how much of the story should be given over to the children.

I've just finished reading those great imaginary essays on history, Wolf Hall and Bring Up the Bodies by Hilary Mantel and she uses children brilliantly. There are many of them woven into the  epic story of the court of Henry VIII and yet none of them have a star part. What they do instead is, by their behaviour, show the reader who the adults are. Thomas Cromwell, for instance, reported by history to be many things from great statesman to cold-blooded opportunist, is, in Mantel's books, a loving father and uncle. His house is full of children and when his own daughters die of the sweating sickness that was so prevalent in London at the time, he doesn't forget his responsibilities to his dead sister's children, but makes a home for them even though they can never replace his own. Yet despite this, none of the children are more than shadowy background figures. What they do, however, is remind the reader that whatever else he was, Cromwell was a man full of human warmth who was kind to those he loved. He also loved dogs and in the books is never without one and from time to time he has the sort of conversation with his dog that all pet owners will understand.

In the same books, Mary Tudor, only daughter of Henry and his first wife, Katherine of Aragon, is portrayed through the eyes of the many adults who surround her. She rarely appears herself even though she is integral to the story. Instead, the reader learns much about her and about how cruelly she  is manipulated while she is still a child through the words and sniggers of the courtiers. As a consequence of this clever narrative much is learned about Mary's royal parents, Anne Boleyn her stepmother, and also about Cromwell himself. Whether any of it is true is a matter for conjecture, but as a story telling technique it is masterful, as is the reference to Anne Boleyn's small dog whose untimely death supposedly caused her more grief than the loss of her own infant baby.

Ruminating on this after I read the last page, I thought about my own books. Slight they may be compared with the epic histories of Mantel, but I realised that in some of them I have used the same technique. In Mending Jodie's Heart I've gone even further. Without the children, the dog, the birds and the horses, there would be no story. The children's likes and dislikes, their hopes and ambitions are the things that fuel it. Without the children and the animals the reader would never have learned about the hero and the heroine's flaws and their strength. The children and the animals were also the reason I had to turn what was meant to be one book into a trilogy. I had to know what happened to them. Whether I managed to use them skilfully enough to show the true characters of the adults in their lives is for the reader to decide.

My books are available at http://bookswelove.net/authors/claydon-sheila/ and also at Amazon. I'm also at:

sheilaclaydon.com

facebook.com/SheilaClaydon.author

twitter.com/SheilaClaydon

Dragon Boating by Joan Donaldson-Yarmey

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Dragon boating is a very popular water sport and there are festivals held all over the world. Many of those have special breast cancer survivor races, plus there are international breast cancer survivor only festivals.

I belong to a breast cancer survivor dragon boat race team. I have been to an international festival in Vancouver, British Columbia, Canada, one in Caloundra, Queensland, Australia, and one in Sarasota, Florida, USA. About one hundred teams gather from around the world at each of these events and it is amazing to see the thousands of women dressed in pink.

Each team has twenty paddlers in the boat, plus one drummer and one steersperson. The drummer, who sits at the front with a drum and baton, pounds the drum to keep us paddling in rhythm while the steersperson in the back keeps us on course. Both of them watch our paddling technique. The boat is narrow at both ends and bulges in the middle, making it a tight fit for the paddlers at the front and back. There are two paddlers per seat and the person beside you is your partner.

As paddlers we have one hand on the handle of the paddle and the other on the shaft near the blade. We raise the paddle and lean out over the side of the boat so that the paddle is vertical and both hands are over the water. We rotate our upper bodies which puts the blade of the paddle beside the hip of the person in front of us. This is our reach. We jab the blade into the water and pull it back until it is near our own thigh then lift it out. That is our stroke. All the twenty paddlers have to do this in unison, called timing, in order for the boat to go forward. The faster we stroke the faster the boat goes.

I find that Facebook is a wonderful tool for connecting with family and friends around the world. Each day there are many funny videos and thoughtful sayings shared on it. The following is a list of orders given to dragon boat paddlers by their steersperson or drummer that was shared on Facebook. I have heard them all either during practice or in a race. However, taken out of context they may be considered a little off colour. I have added a few to the list as well.

Do you mind stroking for us?

Do you have any wax for my shaft?

We'll do a wet start.

Give me two more inches.

Lower your hand on the shaft.

Pull out sooner, you're getting me wet.

It's really tight back here.

You're holding the shaft too tight, relax your grip.

Dig it deep and feel the glide.

Open up and show your partner your chest.

Don't bob your head.

We are a bit front heavy.

Give it to me.

Don't pull out too soon.

Give it all you got.

Close your eyes and feel the rhythm.

Pull it out at the same time as the person in front of you.

I have a blister on my butt.

Lift your butt cheek when you reach, it helps you thrust more.

You're pulling out too soon and it's splashing me.

Deeper, harder, stronger, faster.

Dig, dig.

Keep it long.

Long and strong.

Harder, harder.

Faster, faster.

Power finish now.

You have this, you have this.

http://bookswelove.net/authors/donaldson-yarmey-joan/

http://thetravellingdetectiveseries.blogspot.com/

http://www.facebook.com/writingsbyjoan

https://www.amazon.com/author/joandonaldsonyarmey

Gold Fever

http://www.amazon.com/dp/B00PEOSJR8

Books of The Travelling Detective Series boxed set:

Illegally Dead

The Only Shadow In The House

Whistler's Murder

http://amzn.com/B00KF07FQM