Thursday, March 29, 2018

OB/GYN and the historical


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For women's history month, I thought I'd check into a topic that isn't exactly hearts and flowers, but which (perversely, maybe), drew my searching feminist interest. After all, what did our fore-mothers' experience in their real lives? Inevitably, after the romance comes the babies. It's Mother Nature's plan to trick us that way.) Women then had to cope with their bodies as well as their emotions when caught up in an amorous physical relationship. Exactly what, in the 18th Century, did that mean? 


The very first historical novel I wrote, Mozart's Wife, got me researching a kind of social history that has, until lately, been little regarded.  Back in the 1980's when I began to write a novel from the POV of a young Viennese woman  who had the fortune/misfortune to marry the Rock Star of her day, I had to do some serious digging to unearth information about these female rites of passage, from birthing customs, feminine hygiene to contraception. It's top secret info into caring for what--believe it or not--one of our modern (?) politicians is still referring to as "lady parts." 

A good part of Constanze’s life, and rarely mentioned by Wolfgang’s biographers--who, for many years, loved to pile on her for not being the same sort of caretaker of genius that his father had been--the poor girl was pregnant or convalescent from childbirth. For six  out of the nine years their marriage lasted, she was expecting. The longest interval between her pregnancies was seventeen months, the shortest (on two occasions) six months. In 1789 she was bedridden for months. Her legs swelled, she had intermittent fevers and racking pains in her legs and abdomen throughout the entire pregnancy. The daughter she bore that year died at birth and very nearly took Constanze with her. No wonder the poor creature was often distracted. Not only was she struggling to manage a household with an income that came in and went out like some kind of wildly irregular tide; her energies were concentrated upon staying alive.



From the Mozart Family Letters, and from what I’ve read to research her symptoms, it would appear that Constanze nearly died of puerperal fever on two separate occasions. Childbirth and the resulting illnesses brought doctors, midwives, wet-nurses, and prescriptions--and attendant expense. It would be difficult, even today, to keep a woman with such an obstetrical record “in good general health.” And the cure for her ailments? Trips to the spa to bathe in the hot water--and who knows what microbes lurked in those pools, in continual use since Roman Times--and, of course, leeches. The leeches actually might have helped, as they draw blood through areas where swelling or infection has caused circulation to stagnate. They are so used in hospitals today. There is also an anesthetic the critters secrete when they latch on which may have a welcome local effect.



All large European cities were dirty. There were backhouses behind the apartment buildings. If the latrines were inside, this meant a collection point at the bottom of the house which was occasionally scooped out. What this meant for the summer water supply is not hard to guess. The brief life of four of Mozart’s children and the illnesses of the parents are not unusual for the 18th Century. However, it can only be imagined how difficult the birth and death of four infants in such a short space of time was upon the mother.



Congratulations, you are a grandpapa! Yesterday, at half past six in the morning, my dear wife was safely delivered of a fine sturdy boy, as round as a ball. Her pains began at half past one in the morning so that night we both lost our rest and sleep. At four o’clock I sent for my mother-in-law and then for the midwife. At six o’clock the child began to appear and at half past six the trouble was all over. My mother-in-law by her great kindness to her daughter has made full amends for all the harm she did her before her marriage. She spends the whole day with her.”

Raimund Leopold, as he was named, was born strong and healthy, but what the proud father originally wrote to his father is an 18th Century tale, one that today sounds totally crazy. 

“My dear wife….will make a full recovery from her confinement. From the condition of her breasts I am rather afraid of milk-fever. And now the child has been given to a foster-nurse against my will, or rather, at my wish! For I was quite determined that whether she should be able to do so or not, my wife was never to feed her child. Yet I was equally determined that my child was never to take the milk of a stranger! I wanted the child to be brought up on water, like my sister and myself. However, the midwife, my mother-in-law and most people here have begged and implored me not to allow it, if only for the reason that most children here who are brought up on water do not survive as the people here don’t know how to give it properly. That induced me to give in, for I should not like to have anything to reproach myself with.”

It was a good thing that Grandma Cecelia, tactful for once, managed to persuade Mozart that babies do not live long on sugar water! And, certainly, Constanze doubtless did have milk fever more than once, because while they had money, Mozart, that 18th Century husband-whose-word-must-be-obeyed, never allowed her to nurse. Of their six children, only two survived to adulthood. Her last baby, Franz Wolfgang, was probably nursed by his mother, but this was only because that final summer of 1791, the couple were stony broke. In Mozart's mind, breast feeding was "lower class," a stigma that, if you think about it, has lasted for a very long time in our western "civilized" society.  

After Mozart died, Constanze never bore another baby, though she did marry again. I had to assume that such a fertile woman had at last learned the unholy secret of contraception. When I did a little research into that veiled subject, I learned that there weren't a whole lot of options for a "decent" married couple in the late 18th Century. Perhaps she'd learned the trick with the natural sponge and lemon juice or vinegar douche. Perhaps her new husband used a sheep gut condom--there are images of these quaint relics online--complete with a red ribbon to keep it snugly fitted.




~~Juliet Waldron


Wednesday, March 28, 2018

Targeting Your Audience by Connie Vines






The ‘how long?’ question has to be one of the most commonly asked by new authors – perhaps even experienced ones, too. It was certainly one of the first to pass my lips when I began to cross genres.

“What’s the age range?” I asked a multi-published at my local OCC/RWA Chapter monthly meeting.
“I’m thinking of aiming for older children,” I told her.
“That would be ages eight to twelve, then. In that case, it should be between 30,000 and 50,000 words.”

The precision of her answer was satisfying, but it also piqued my curiosity.
“Why that particular length?”
“It’s just considered to be the ‘right’ length at the moment for that age range,” she explained. “Not too long, not too short.”

This ‘Goldilocks’ principle is good general advice to keep in mind, but there are also more specific factors to consider that will help you nail the ‘right’ length for whatever genre book you’re writing. While you should work to your natural style, it’s advisable to be aware of and (as much as possible) write to the length that publisher and readers expect (logon to a publisher’s website for ‘publisher-specific’ guidelines.)

Type of book and target audience

You can hone in on a rough idea of ‘how long’ simply by categorizing what kind of book you’re writing and its target audience. Clearly, any six-year-olds without the miraculous intellect of Roald Dahl’s Matilda aren’t going to want to read something the length of A Tale of Two Cities. Similarly, most adults won’t be very interested in a 40-page picture book.

Most of the data I’ll be using throughout this article was sourced from Writer’s Digest  and personal experience.

Children’s picture book: 500–600 words over 32–48 pages.

Children’s chapter book: 1,000–10,000 words.

Middle grade: 20,000–50,000 words.

Young Adult (YA): 40,000–70,000 words.

Flash fiction: 500 words or less.

Short Story: 5,000–10,000 words.

Novella: 10,000–40,000 words.

Novel: Anything over 40,000 words. Anything over 110,000 words is an ‘epic’.

Adult literary and commercial fiction: 80,000–100,000 words is considered to be the ‘Goldilocks’ zone, though you could get away with 70,000 words minimum and 109,000 words max.

Genre

Again, when considering the authority of agents and publishers, “adhering to the expected word count demonstrates that you understand your market.” The ‘right’ answer to ‘how long should my book be?’ is dictated by the audience’s expectations.

Genre has more influence on book length than you might think... 

Here’s a guide to the recommended lengths for genre books.

Sci-fi/Fantasy: 90,000–120,000, anything over 150,000 words might be testing for your readers. As I just touched on above, books in these genres are allowed and expected to run longer than others. This is due to the amount of world building required to introduce a reader to a fictional setting, but be careful not to let this expectation manipulate your natural style.

Historical: As above.

Romance: 50,000–100,000 words. The wide range for this genre is because of the number of sub-genres that it can divide into: supernatural, erotica, historical, ‘chick-lit’, etc.  It’s also worth bearing in mind that longer romance novels seem to be the trend du jour, with bestsellers Twilight and Fifty Shades of Grey both comfortably over 100,000 words.

Crime/Mystery/Thriller/Horror: 70,000–90,000 words.  Suspense is key to all of these genres. Pacing is vital in creating suspense, which means it couldn’t be any more important to nail the word count.

Personal style

While you should certainly keep the data I’ve provided in mind, being too prescriptive about sticking to word counts will only impede your personal writing style. If you end up way under the standard word count, you know that you either need to slow the pace a little or flesh out some underdeveloped areas.

Never, ever loose your 'voice'.  The way each and every author tells a story is unique.  Your readers are downloading your novel or snagging it off a bookseller's self knowing you are a gifted storyteller.  Allow your readers to feel the emotion of first love, see and hear the waterfalls, experience the sweet taste of a huckleberry. . .the possibilities are endless.  Allow your readers to live this adventure--guide them well!

Happy Reading,

Connie


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Tuesday, March 27, 2018

Why I love Science Fiction so much - by Vijaya Schartz




I would love to write a story where the problems we tackle today are faraway in the past, where children are safe, where women are equal to men in every way, where race or species do not matter, where people live long lives free of diseases, where everyone feels appreciated and loved, where society takes care of all its members regardless of age or status, where greed is irrelevant, where power has no meaning.

Keep dreaming. We are not angels.


Even as I envision the far future, I cannot imagine that human nature will evolve that much. Changing the laws for the better, yes. Treating everyone fairly or else, yes. Increasing longevity and good health, yes. So, what's the problem?

Have you noticed that when a refined society falls, it only takes days for it to reverse to bloodshed, savagery and oppression? Take away our power grid, food distribution, and communication systems, and we reverse to bloody savages fighting over the last water bottles and cans of tuna.

I like to think I would be one of the good guys, helping those who cannot help themselves. But I cannot condemn the mother picking up a gun to feed and protect her family, the older brother killing human predators to protect a younger sister. Then eventually, small groups get together around a leader to defend and organize themselves. New towns form, and new nations are born. Eventually they war against each other, then unite again... until a natural or man-made disaster sets them back to the dark ages.


I suspect the future will not be any different. Our very nature is emotional, volatile, ruled by self-preservation. As long as we carry these aggressive genes necessary for survival, we will fight. When we lose these genes, the human race will wither and disappear. So as long as there is a human race, we will fight for survival. The means of destruction and the weapons may change, but the motivations will remain the same.

This is why I enjoy science fiction so much. It's a magnifying glass to experiment with new ideas and build new worlds, and observe the far-reaching consequences of our actions. It's a learning tool to guide us into a better future. It may help us make better decisions.

In the meantime, I just finished some edits on the first book in a new romantic sci-fi series: ANGEL MINE. It's set on Azura, a planet populated by angels, an ideal society at odds with the harsh reality of intergalactic greed and domination... but no society is ever ideal. The heroine is a bad ass bounty hunter, and the hero is an angel... what else?

ANGEL MINE is set for release in May 2018 from BWL Publishing. Here is the blurb:

What in the frozen hells of Laxxar prompted Fianna to pursue her quarry to this forbidden blue planet? Well, she needs the credits... badly. But as if crashing in the jungle wasn't bad enough, none of her high-tech weapons work. She'll have to go native, after the most wanted felon in five galaxies. It's not just her job. It's personal.

Acielon has never seen an outworlder like this fascinating female, strangely beautiful, and fierce, like the feline predator loping at her side. He always dreamed of exploring the universe, despite the legends... and the interdiction. Is it truly a hellish place of violence, lies and suffering? If it spawned this intriguing creature, it must also be a place of wonders, adventure and excitement.

Fianna's hunter instincts tell her someone is watching. Sheba, her telepathic feline partner, doesn't seem worried... yet, something on Azura isn't quite right.

Hope you will enjoy this new series.
Happy Reading.

Vijaya Schartz, author
Romance with a Kick
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