How Secondary Characters Become a Star in Your Next Novel by Connie Vines

"How do you develop different personalities in your characters?  Do any of your secondary characters have a novel of his or her own?"

This was a question posed to me when I was participating at a local writing workshop.

I gave an answer to the 'newbee' writers which helped them with long-term writing goals, but I'd like to go into more detail in this month's BWL Insider Blog post.

The ‘How’ of the writing is always interesting for me to analyze --especially in my own process (I don't always know how my processing works).

While I have detailed plot lines before I write a story or novel, I am instinctive when creating my characters. 

As I’ve blogged before, I begin with a sense of time and place.  When the story in bubbling in my subconscious, I heard snippets of conversations, a song playing in my head (you know that annoying song simply leave you alone), or a impulse to cook a certain regional food.

A few examples:  When writing ‘Lynx” Rodeo Romance book 1, “Amarillo by Morning” kept playing in my mind.  I located by paternal grandfather’s Tex-Mex chili recipe and made chili once a week.  And then a brassy woman speaking with a Texas-twang and popping her chewing-gum would pop into my head (ala’ Flo’ in an old TV sitcom).

We all know a novelist always falls in love with her ‘first hero’.  My first romantic hero was Lynx Maddox.  While his younger sister was only mentioned in the first book of my Rodeo Romance Series, she became by break-out character in the second book, “Brede”. Whereas Rachel Scott and Lynx Maddox were the stars of my contemporary romance; Brede Kristensen and Amberlylnn Maddox stars shine in my romantic suspense novel, “Brede” Rodeo Romance book 2.

My characters also ‘drive my story’—often in a different direct, thus destroying months of detail research. “Nooo! Not again.”  

Yes, this is my first reaction.  And, of course, I rebel at the very thought of shoving my months of detailed research back into my file overflowing file cabinet.  I’ve learned I am not able to force my characters to act against his or her nature.  Painful though it may be, I listen and I shift my story-line.

When did this happen?

The first time I experienced this ‘traumatic’ writing experience, I was plotting, “Tanayia—Whisper upon the Water” my sweet historical romance. 

Tanayia was to be a member of the Paiute tribe of Native Americans.  She was being groomed for the ‘taking of the shawl” (becoming a medicine woman).  I was involved in Native American Education Programs, served on a PAC Committee (parent advisory council), and participated in powwows.  I interview tribal elders and traveled to historical sites, etc.  I’d plotted by novel down to a puppy’s freckle, so to speak.

While Tanayia allowed me to keep the historical event which formed the opening event of my 1^st chapter, I learned she younger.  She was also a member of the “Nde” Apache tribe.  Tanayia was also strong-willed and determined.

My novel was not set in a different tribal area, difference climate, different customs, beliefs. . .well, you know what that meant.  Yes, more research.   I live within driving distance of Sherman Indian School in Riverside, CA.  In fact, I attended powwows where the Apache (Fire) dancers from the White Mountain Reservation danced each year. 

In the end, Tanayia was correct.  My story was her story.  It was her life, her experience—it was history, accurate, painful.  It was the personal growth of a young woman, torn between two-worlds.  I must, in the end, thank Tanayia for the awards this novel was awarded:  The Independent e-Book Award for YA Historical Fiction, The Dream Realm Award, and a National Book Award Nomination.

Are more break-out characters evolving in my novels?

Yes, there are a few nudging me now.

Any guesses?  Who is your personal favorite?  Mary Billy? Anna Thunder?  Or, perhaps Charlene?

Meredith's sister?  

I also have a new hero, or two, with a foot hold in my plotting-world right now, too.

Several live in the Cajun country of New Orleans, Louisiana; another on a wind-scarred reservation. There is also an a unexpected heroine in an action-packed story sent in Hollywood, CA! 

Happy Reading and Writing,

Connie Vines

Links to interesting topics and settings for my BWL novels via YouTube:

Apache Dancers:                                             Oldest Native America Drummer Video, 1894

Rodeo PRO Bull Riding   (Lynx)                    Forest Falls, CA  (Here Today, Zombie Tomorrow)

Native American Art (Brede)                         Cowboy Stew   (He looks like a younger version of                                                                                                Caldwell in my novel "Brede", doesn't he?)

Links to my BWL author page: 

Purchase link

Links to my website:   www.novelsbyconnievines.com

Spanish Version 

A future sociiety of mind readers - by Vijaya Schartz

ANGEL FIERCE is coming Feb. 2019
Find it with other books from Vijaya Shartz HERE

Interesting world, one where people do not need to talk to communicate, but can simply access each other’s mind. In the Azura Chronicles, my angel planet harbors beings able to read minds… among other psychic powers. In my new series, Byzantium, starting this June, these angels and other mind readers interact on a space station.

But would mind reading be such a rarity in the future? With the help of a little electronic implant, could we access other peoples’ minds like we access a phone or a computer by asking Alexa? Of course, it would start with such implants for government spies and rich magnates. But if it spread to the population at large, what would be the social repercussions of such technology? No more lies? No more crimes? No more privacy?

Would we behave the same way if our mind were an open book? Would thoughts be monitored by the authorities to deter crime and terrorism? Would people get arrested for criminal intent without actually committing the crime, like in the Minority Report movie? Would more people commit suicide to avoid public shame?

Of course, the bad guys would find a way to circumvent the technology. Some governments might want to do the same. All governments keep secrets. Can we handle full transparency?

The same way pioneers went west to escape war, misery, and strict political and religious rules, I believe people would try to escape such invasive technology to return to a simpler way of life. And there are plenty of opportunities in space. Wild planets needing settling, living off the land, etc.

As a writer, I find all these issues fascinating, and I see many potential stories there. I believe writing the possible future takes a dose of philosophy... and some responsibility. I like to think my picture of the future sheds light on potential future problems, and brings some hope for those who will follow in our footsteps.

In the meantime, catch up with the Azura Chronicles series with Book One, ANGEL MINE.

Angel Mine
Azura Chronicles Book One

Find it at your favorite retailer HERE

What in the frozen hells of Laxxar prompted Fianna to pursue her quarry to this forbidden blue planet? Well, she needs the credits... badly. But as if crashing in the jungle wasn't bad enough, none of her high-tech weapons work. She'll have to go native, after the most wanted felon in five galaxies. It's not just her job. It's personal.

Acielon has never seen an outworlder like this fascinating female, strangely beautiful, and fierce, like the feline predator loping at her side. He always dreamed of exploring the universe, despite the legends... and the interdiction. Is it truly a hellish place of violence, lies and suffering? If it spawned this intriguing creature, it must also be a place of wonders, adventure and excitement.

Fianna's instincts tell her someone is watching. Sheba, her telepathic feline partner, doesn't seem worried... yet, something on Azura isn't quite right.

"... fast-paced space adventure/romance with lots of twists, turns, and enough action to satisfy sci-fi enthusiasts... storytelling is imaginative and action scenes vivid... pleasing happily ever after that sets up a sequel." Ind'Tale Magazine

HAPPY READING!

Vijaya Schartz
Romance with a Kick
http://www.vijayaschartz.com 

Build it, and they will come—Tricia McGill

All my books are available at numerous online retailers.

Sorry to misquote that phrase from Field of Dreams, but you get the idea. In this case, I am talking about ideas of course. In last month’s post, I talked about the creation of a book in the mind of an author, specifically this author. Right, so the idea is there, the basic plot line is worked out and the story has begun, and is now taking up eighty percent of my daily thoughts—and often night-time ones as well. This to the point when the irritable little chores of life that need doing begin to niggle and annoy. And just why do we need so much sleep? It really bugs me that sleep takes up so much of my time, and I admire and envy those who say they can get by on four hours a night.

All very well to start the building process, but without the ideas, all we are faced with is that empty page to fill. My guess is that every other author out there has as much going on in their brain each day as I do—always chock full of ideas for their stories, even while doing the mundane household chores. I created my next scene this morning while I walked my dogs. Not much else to think about while doing that (which isn’t a chore by the way) except what my characters are going to do in their upcoming scene.

Everything that gets built—from a house to a chicken run—must start with the initial plan or most things would end up a higgledy-piggledy mess. So it is with a book. You have the plot worked out—roughly, the characters beginning to tell you what they want to do or not do. Then you need a time-line to adhere to, especially in historicals or time-travels. It would be absolutely ridiculous to think it will be all right to put your characters in a situation where the time-line hasn’t been worked out, especially if some of your characters have appeared in a previous book. The background is where the crucial building begins—and therefore the research. You garner all the facts and figures, which might take almost as long to do as the writing itself, but is essential. You might end up with three pages of notes on a subject and only need one line from those notes to feature in your book.

One of my all-time favourite reviews was for my Mystic Mountains and read: “The author explains a great deal about the early history of Australia without being pedantic. The historical details are very nicely integrated into the story, and are never intrusive. The author clearly did a lot of research, and the historical accuracy adds to the richness of the tale. The author also points out how crucial New South Wales Governor Lachlan Macquarie was to the development of the democratic Australia that we know today.”

This review meant the world to me as it proved I did my job well, and was thorough in my building process without ramming facts at the reader. I felt as proud as any builder who stands back with a sigh when the project he/she has been working on is finished to their satisfaction.

Visit my web page for reviews and excerpts.

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