Monday, November 25, 2019

Cornwall Continued by A.M.Westerling





Haha, I know, a medieval knight hasn't got much to do with 1805 Cornwall but I love this eye catching cover! You can find it at your favourite online store HERE.

In my blog post last month, I talked a bit about Cornwall and the large part smuggling played in its history. Research is actually one of the reasons why I enjoy writing historical romance as much as I do. It’s always interesting to see what curious bits I can find and in today’s post I thought I’d share a few of the anecdotes that caught my fancy.


Once smuggled goods were dropped off on shore, the contraband made its way to inns and hostelries such as Jamaica Inn on Bodmin Moor. This inn is the inspiration for Daphne Du Maurier’s novel which now is on my to be read list. Then there’s the quick-witted landlady who hid a keg of spirits beneath her skirts during an unexpected search by the revenue men. Hmm, I don't think I'd have the nerve to do that. And it’s rumoured some villages had so much illegal gin the villages washed their windows with it! Why not, glass cleaner contains alcohol although not of the drinking variety. *wink*



Finally, signals were needed so smugglers knew when it was safe to land their cargo on shore. A local farmer used a white horse – if the men saw a white horse parading up and down the coast, they knew it was safe to land. If there was danger, the farmer would simply ride his horse home.


Of course there are many other examples but I have a Grey Cup party to go to this afternoon so am keeping this post short. Haha, yes, I am a master of procrastination…😊


I’m finishing off with the next excerpt from Sophie, Book 1 of The Ladies of Harrington House series coming soon. This is scene number four. Enjoy!



Bryce cantered up the gravel drive to Harrington House, flanked by manicured holly shrubs interspersed periodically with the silvery white trunks of birch trees. He rounded a final curve and came upon the building in all its three-story brick and stone glory. The pediment above the front door held a coat of arms and the carving on the solid oak door depicted a stag with multipronged antlers. In short, the country estate of a silk stocking family. He didn’t have much of a chance to examine the workmanship before the door swung open on well oiled hinges.

“Good evening.” The butler bowed. “You must be Lord Langdon. Welcome. I am Montgomery.” He held out one arm. “May I take your coat and hat?”

“Thank you.” Bryce handed over his gloves and beaver hat. He caught a glimpse of himself in the mirror on the opposite wall. Polished black boots, black pantaloons, white shirt, striped grey, black and red waistcoat with a grey jacket. Simple yet well tailored and in the latest fashion. He hoped to make a good impression on his guests for not only did he want acceptance by the local ton, he wanted their confidence.

He adjusted his white silk necktie then glanced around at the comfortable yet elegant front hall. Harrington House showed pride of ownership. The planked oak floors gleamed, the oriental carpets lay perfectly, the candles in their wall sconces cast an inviting glow as did the massive brass candelabra on the marble topped table. A row of portraits, Harringtons past presumably, looked down their noses at him. The most recent portrait showed a young couple with two small dark-haired girls and a toddler. Yes, that must be Sophie and her family. Even at the age of the girls as shown in the portrait – five, perhaps six? – he recognized her dazzling green eyes and shade of hair. The pretty little girl had grown into a beautiful young woman.

Montgomery returned. “This way if you please.”

The butler showed him into a sitting room dominated by a pianoforte in the corner. “Lord Langdon,” he announced before bowing and backing out.

“Welcome to Harrington House. I am Lady Evelyn Harrington.” An attractive blonde woman in her forties rose and made her way to him. She carried herself with the grace and assurance of one who knew her place and knew it very well.

He bowed. “Lord Bryce Langdon.” He glanced about the room – a settee, several groups of arm chairs – but no sign of glossy chestnut curls. Had Sophie been mistaken, that they were to meet this evening? He stifled the disappointment and kept his expression bland.

“My husband, Oliver Harrington.” A middle aged man with brown streaked grey at the temples lifted his hand.

She gestured to a well dressed, elderly couple seated on a bench by the windows. “Lord and Lady Blackmore.”

“Please, not so formal,” said the man. “Call me Simon.”

“And I am Priscilla,” twittered his wife. The woman, resplendent in pearls and an outmoded dress of royal blue satin, lifted her pearl studded lorgnette and regarded him intently.

Bryce had the uncomfortable sensation she studied him for nefarious purposes. As if she searched for something from him and found him lacking. Thankfully, another couple entered the room just then and he turned away.

“Ah, Vicar, Mrs. Sinclair, welcome.” Lady Evelyn waved them over. “This is our new neighbour, Lord Bryce Langdon.”

“Well met, my boy.”

My boy? Bryce stifled a grin. The vicar, a tall balding man with a bearing as upright as his convictions, didn’t appear to be much older than Bryce.

Mrs. Sinclair curtsied. “Pleased to make your acquaintance.” She stood almost as tall as the vicar and with her severe black frock, sharp features and prominent nose, reminded Bryce of a crow.

“Of course you know the Earl of Blackmore and his wife?”

Both the vicar and his wife nodded. “Indeed we do.” The vicar cleared his throat.

“Indeed,” squeaked his wife, dropping another curtsy in the vague direction of the Blackmores.

The two were obviously uncomfortable with the company they kept this evening. Bryce stepped over to strike up a conversation to put them more at ease. “How long have you served the local parish?”

The vicar cleared his throat again. “Just over a year.”

“A year.” Mrs. Sinclair fluttered a hand toward her neck then dropped it to clutch her reticule so tightly her knuckles whitened.

“Seeing as how you are relative newcomers, perhaps you could help me?”

She turned wide eyes to him. “Help you?”

“I am finding it difficult to set up my house and would welcome advice.”

“Advice?”

Bryce almost snorted with laughter at the horrified expression that crept over the woman’s face. Surely as a vicar’s wife, she would be accustomed to helping parish members in whatever capacity was required? He took pity on her. “Please, forgive my impertinence. I’m certain you have much more pressing matters in the parish to attend to than helping a newcomer settle in.”

A sigh of relief whooshed out of the woman’s thin lips. “I thank you for your understanding.”

The vicar spoke then. “If you wish, I could raise the matter this Sunday with my congregation. I’m sure someone would be pleased to oblige.”

Lady Harrington barged over. “My goodness, Vicar, there is no need. I should be delighted to visit Lord Langdon in his new home to give him my thoughts.”

“Lady Harrington considers herself something of an artiste,” remarked Lady Blackmore. “I myself have relied on her judgement. No one has a better eye for colour than she does. You must come and see my drawing room and draw your own conclusions.”

“How kind of you to say so, Priscilla.” Evelyn flushed with pleasure at the compliment.

“Oh, I couldn’t impose on you like that,” protested Bryce.

“Nonsense, it’s no imposition. Are you in tomorrow afternoon?”

Despite her diminutive stature, Bryce realized no one dared argue with Evelyn Harrington. “I am and I would be delighted to receive you, say four o’clock?”

She nodded. “That’s settled then. I shall look forward to it.”

The door opened and Bryce looked towards it hopefully. A footman entered carrying two decanters of wine and crystal glasses. Damnation. Still no sign of the lovely Lady Sophie. After serving the room’s occupants, the footman left the remainder of the wine and three glasses on a side table and left.

The clatter of slippers on wooden stairs and girlish giggles drifted through the air and the door burst open to reveal Sophie and two other young ladies who could only be her sisters. His chest tightened at the sight of her in a charming lilac frock and he could scarce tear his eyes away during introductions.

“Finally, our daughters have arrived. Better late than never, I always say,” Lord Harrington said fondly. Eyes bright with pride, he pointed as he chimed off their names. “Sophie, Leah and Catherine.”

Bryce noted Sophie and Leah obviously favoured their father, both of average height and with chestnut coloured hair, while Catherine, short and blonde, took after their mother.

“Please accept our apologies for our tardiness,” murmured Sophie, dropping a graceful curtsy. Leah and Catherine followed suit. “However that is the hazard of sharing a maid,” she continued. For an instant she looked directly at Bryce; a faint flush coloured her cheeks and Bryce thought he had never seen anyone so alluring. His heart stilled briefly then began pounding.

“It wouldn’t have been a problem if Leah hadn’t insisted on trying every evening frock she owned before deciding on the very first one she put on,” interrupted Catherine, her voice grievous.

“I wasn’t the one who demanded three ribbons threaded through her hair,” Leah grumped. She stared at Bryce until Sophie thumped her in the ribs with a well placed elbow.

“Girls,” admonished their mother. “Our guests have no interest in hearing your difficulties.” She clapped her hands. “Now, we have planned a small program to entertain you while we wait for our dinner. Lord Langdon, if you please.” She pointed to the chair closest to the pianoforte.

“Bryce if you please. Lord Langdon makes me sound like my father.” With an incline of his head, he sat down.

“Very well, Bryce it is.”

Before her mother could say anything more, Leah scuttled over and dropped into the chair beside him, which elicited raised eyebrows from both her parents. Lady Harrington frowned but said nothing. Apparently her daughter’s forward action was not worthy of a rebuke. At least not in public.

The vicar and his wife settled in behind them while the earl and countess stayed where they were. The Harringtons chose the settee.

“La, sir, I am certain you will enjoy this.” Leah leaned over and tapped her fan on Bryce’s knee. Her altogether too familiar deed drew a puzzled look from Sophie. Then comprehension dawned on her face and she compressed her lips while glaring at Leah.

Bryce had the distinct feeling he was going to be the centre of a battle between the two young women. He well knew from his own sisters how nasty things could get between them if all wanted the same prize. Deuced uncomfortable situation particularly as Sophie piqued his interest, not Leah.

He ran his finger beneath his starched collar and swallowed hard. How should he comport himself in order not to insult Leah, his hosts and especially Sophie?

Sunday, November 24, 2019

Canadian Authors Past and Present by Joan Donaldson-Yarmey--Prince Edward Island




 http://www.bookswelove.com/donaldson-yarmey-joan/

 Prince Edward Island
Lucy Maud Montgomery was born in Clifton, now New London, Prince Edward Island on November 30, 1874. Her mother died of tuberculosis two months before Lucy’s second birthday. Lucy was put in the custody of her maternal grandparents in Cavendish by her father who later moved to Prince Albert in what is now Saskatchewan.
     This was a very lonely time for Lucy. She spent much of her childhood alone so she created imaginary friends and worlds. Lucy kept a diary and when she was thirteen years-of-age, she wrote that she had early dreams of future fame. After completing her education Lucy moved to Prince Albert and spent a year with her father and step-mother. While there she had two poems published in The Daily Patriot, the Charlottetown newspaper.
     Lucy returned to Cavendish and obtained her teacher’s license, completing the two year course in one year. She went on to study literature at Dalhousie University in Halifax, Nova Scotia. She worked as a teacher which gave her time to write. From 1897 to 1907 she had over one hundred stories published in magazines and newspapers.
     Lucy had a number of suitors over the years and turned down two marriage proposals, one because he was narrow-minded, the other because he was just a good friend. She finally accepted a proposal from Edwin Simpson in 1897 but came to dislike him. She found herself in love with another man, Herman Leard. She refused to have sex with him but they did become quite passionate in their kissing and petting. She finally stopped seeing Herman in 1898 and was upset when he died of influenza in 1899. She also broke off her engagement to Edwin Simpson.
     Ms. Montgomery moved back to Cavendish to look after her ailing grandmother and began writing novels. Her first novel, Anne of Green Gables, was published in June of 1908 under the name L.M. Montgomery and was an instant success, going through nine printings by November of 1909. Lucy stayed in Cavendish until her grandmother’s death in March 1911 and shortly after she married Ewen (Ewan) Macdonald. Ewen was a Presbyterian minister and they moved to Leaskdale in present-day Uxbridge Township in Ontario where he took the position of minister at St. Paul’s Presbyterian Church. The lived in the Leaskdale manse and she wrote her next eleven books while there.
     Lucy and Ewen had three children, the second one being stillborn. Lucy’s second book, Anne of Avonlea was published in 1909 and The Story Girl, came out in 1911. She went through several periods of depression and suffered from migraine headaches while her husband had attacks of a major depressive order and his health suffered. She almost died from the Spanish flu in 1918, spending ten days in bed. She began an Emily trilogy with Emily of New Moon in 1923.
When Ewen retired in 1935, they bought a house in Swansea, Ontario, a suburb of Toronto which she named Journey's End.
     On April 24, 1942, Lucy Maud Montgomery was found dead in her bed in her Toronto home. The primary cause of death recorded on her death certificate was coronary thrombosis. Montgomery was buried at the Cavendish Community Cemetery in Cavendish. In 2008, Lucy’s granddaughter, Kate Macdonald Butler, said that because of her depression she may have taken her own life through a drug overdose.  
     Writing was Lucy’s comfort and besides the nine books of the Anne series she wrote twelve other novels and had four short story collections published. Nineteen of her books were set in Prince Edward Island and she immortalized the small province with her descriptions of the people and community. Each year, hundreds of thousands of people from around the world, come to Prince Edward Island to see the place that Lucy loved so much, and to visit Green Gables, the house and farm where ‘Anne grew up.
     Lucy Maud Montgomery was made an officer of the Order of the British Empire (OBE) by King George V in 1935. She was given a special medal, which she could only wear out in public in the presence of the King or one of his representatives such as the Governor-General. Montgomery was named a National Historic Person in 1943 by the Canadian Federal government. On May 15, 1975, the Canadian Post issued a stamp to Lucy Maud Montgomery, Anne of Green Gables. The Leaskdale Manse was designated a National Historic Site in 1997. Green Gables, was formally recognized as "L. M. Montgomery's Cavendish National Historic Site" in 2004.
     In terms of sales, both in her lifetime and since, Montgomery is the most successful Canadian author of all time.

Milton James Rhode Acorn was born in Charlottetown, Prince Edward Island, on March 30, 1923. At the age of eighteen, he joined the armed forces and was stationed mainly in England. On an ocean crossing, he was injured as a result of depth charges. He returned home and received a disability pension. He moved to Montreal in 1956 where he self-published a chapbook of his poems titled, In Love and Anger. His poetry was also published in New Frontiers, a political magazine, and in Canadian Forum magazine.
     Milton moved to Vancouver in the mid-1960s and helped found the ‘underground’ newspaper, Georgia Straight, in 1967. The newspaper is still in publication. His collection of poetry I’ve Tasted My Blood, was published in 1969 and he received the Canadian Poets Award in 1970. He wrote three more books of poetry and in 1976 received the Governor General’s Award for The Island Means Minago.
     Acorn liked to be a man of mystery. He disguised and altered his background so that biographers and anyone wanting to find out more about him did not learn anything that he did not want uncovered. Because of the many different versions he told of his life it is difficult to know where reality ended and fiction began. He was also considered to be a hostile and quarrelsome man. However, Milton Acorn was deemed to be one of Canada most well-known poets by the early 1970s. Thirteen collections of poetry were published before his death and five more were published posthumously.
     Three documentaries were made about Milton Acorn: Milton Acorn: The People’s Poet (1971; In Love and Anger: Milton Acorn-Poet (1984); and A Wake for Milton (1988).
Milton suffered diabetes and moved back to Prince Edward Island in 1981. He had a heart attack in July 1986 and died on August 20, due to complications from the diabetes and his heart attack.
     Milton Acorn was known as the ‘People’s Poet’. The Milton Acorn People’s Poetry Award was established in his memory in 1987. It consists of $500 and a medallion and is given to an exceptional ‘People’s Poet.’

Book 11 of the Canadian Historical Brides Series:  Envy the Wind (Prince Edward Island) - Anita Davison and Victoria Chatham - May 2018
Victoria (Vicki) Chatham was born in Bristol, England and now lives near Calgary, Alberta. She grew up in an area rife with the elegance of Regency architecture. This, along with the novels of Georgette Heyer, engendered in her an abiding interest in the period with its style and manners and is one where she feels most at home.
     Vicki mostly writes historical novels but now and again will tinker with contemporary romance. Her stories are laced with a little mystery to keep her characters on their toes and, of course, in the end love has to conquer all. Cold Gold (2012), On Borrowed Time (2014) and Shell Shocked (2014) are the three books in her Buxton Chronicles series set in the early 1900s. She switched time eras for her next book Loving That Cowboy (2015) which is a contemporary novel that takes place in Calgary during the Calgary Stampede.
     Apart from her writing, Victoria is an avid reader of anything that catches her interest, but especially Regency romance. She also teaches introductory creative writing. Her love of horses gets her away from her computer to volunteer at Spruce Meadows, a world class equestrian centre near Calgary. She goes to movies often and visits her family in England when she can.
     She is a long time member of Romance Writers of America and her local RWA chapter, CaRWA, the Calgary Association of Romance Writers of America.


Anita Davison was born in London, England and she connected with the history of that city at a young age. While the rest of the students on a school trip were throwing the contents of their lunch boxes at each other, Anita imagined men in high white wigs, flared long coats, and heeled shoes coming out of coffee houses, climbing into sedan chairs on the cobbles in Paternoster Row, where Christopher Wren was lowered down the outside of St Paul's Cathedral in a basket.
     Her first historical fiction novel was about a 17th Century West Country family during the Monmouth Rebellion. By the time she submitted the manuscript to publishers, historical family sagas were no longer in fashion. Historical fiction, however, still had a following and she wrote the Rebels Daughter (2014) and The Goldsmith’s Wife (2017) the two books of The Woulfes of Loxsbeare.
     Anita has also written an Edwardian Cozy Mysteries series set in early 20th Century London and Cheltenham.

Saturday, November 23, 2019

Books We Love Insider Blog: Regency Travel Part 2 – the Vehicles by Victoria C...

Books We Love Insider Blog: Regency Travel Part 2 – the Vehicles by Victoria C...: In my last post I wrote about the horses used for pulling vehicles in the Regency era. In this post, I will address ...

Regency Travel Part 2 – the Vehicles by Victoria Chatham




In my last post I wrote about the horses used for pulling vehicles in the Regency era. In this post, I will address the vehicles themselves. There is, I think, the romantic idea of what a coach and four should look like, largely engendered by illustrations for British Christmas cards. From those, it would be easy to think of the coach as being of British origin which is far from the fact. The English word ‘coach’ derives from the Hungarian post town of Kocs (pronounced koch) which  was introduced into England from France during the reign of Elizabeth 1, reputedly by Henry FitzAlan, 19th Earl of Arundel.

The coach, as we think of it today, is a closed-cab heavy, four-wheeled vehicle drawn by four or six horses. This, together with harness, coachmen, and grooms is termed a turnout. The Four-In-Hand Club of many a Regency tale grew out of a driving club formed in 1807. Four-in-hand means to hold the reins controlling all four horses in one hand, the left, while the whip is held in the right. A ‘veritable whip’ would be someone having mastered the art of driving a coach and four.

The Four-In-Hand Club dictated that their members wear ankle-length drab coats (drab is an undyed light brown wool) fastened with large mother-of-pearl buttons beneath which they sported blue waistcoats with inch-wide yellow stripes. The Barouche Club rules stated that the horses should all be bay and wear silver-mounted harnesses with rosettes at their head.  

Gigs, curricles, chaises, and phaetons are the usual vehicles of choice by Regency characters. A gig was a light, two-wheeled cart with fixed shafts drawn by one horse or pony. The curricle was also a light, two-wheeled vehicle but big enough for a driver and passenger. This was the most favoured vehicle for the young man about town, particularly if he could afford a carefully matched pair of horses to pull it. The chaise or post-chaise was a versatile closed-body four-wheeled carriage. It could seat two or four persons and could be drawn by two or four horses which, because the chaise was designed as a fast means of travel, would be changed every ten- to fifteen miles.
Postillion boots
Note the right boot is larger

This type of carriage could also be driven by postillions rather than a coachman. The postillions, often in the livery of their employer, rode the horse on the left side of the pair, their right leg being protected from the central wooden shaft and the right hand, or ‘offside’ horse, by a heavy, rigid boot. Horses are typically mounted on the left, or ‘nearside’, this method left over from medieval times. Right-handed knights wore their swords on their left side to make the sword easier to draw. Mounting their horses from the left side was simply the means to not have the sword in the way when they swung their right leg over the saddle.  




Ladies who enjoyed the sport of driving might be seen out and about in a phaeton, an open well-sprung four-wheeled carriage with the pair of back wheels larger than the front pair. It could be drawn by one or two horses and the very skilled or daring whipster, either male or female, might opt for the high-perch phaeton. The unfortunate downside of this particular vehicle was the fact that it was notoriously unstable, particularly when cornering and especially in the hands of an unskilled driver.
High Perch Phaeton

There were also barouches, landaus, and hackneys, the latter developing into the familiar black, two-wheeled conveyance drawn by one horse so familiar in Victorian times and continuing today with the familiar black London taxicab. Travelling anywhere during the Regency era could be fraught with danger, from the notoriously bad roads made worse by inclement weather, attacks by highwaymen, poor maintenance which could cause the harness to break or wheels to detach from the axles or inexperienced or careless coachmen.

Inspiration for my heroine's driving scenes in His Dark Enchantress came from the notorious Lady Letitia Lade and from more recent history, Mrs. Cynthia Haydon. Here is a short excerpt.

Lucius’ prized Hungarian horses, polished so they gleamed like copper and harnessed once more, were hitched to the barouche without further incident. Jem and Sid held the leader’s heads while Emmaline draped herself in the driving coat and settled herself on the box. Juliana handed her a three-cornered driving hat and settled herself against the buttoned velvet squabs as Noble swung up onto the seat beside Emmaline.

“Have no fear, Mr. Noble, I had an excellent teacher.” Emmaline carefully threaded the reins through the fingers of her left hand. “I drove a pony and trap when I turned six years old, a pair when I turned nine, a tandem when I turned eleven and my first four-in-hand on my fourteenth birthday. His Lordship shall not be disappointed.”
He might not be disappointed, Emmaline thought as she pointed the leaders out of the yard, but he would undoubtedly be furious.







Victoria Chatham










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