Thursday, October 1, 2020

BWL Publishing Inc. New Releases October 2020


Windmaster Golem

Kiansel, sister to the current Oracle of Givneh, is expected to one day assume the mantle and lead the temple’s followers. Her emerging powers force an impossible decision. Turn her back on her family and heritage to study the way of magic or follow the teachings of the oracle.

Banishment to a remote village as healer, a position he despised, fueled Relliq’s desire for revenge. The discovery of a mythical city and an army of clay soldiers provided the means to control all mages--including the one he wanted most—Kiansel.

Brodie, weaponsmith for the School of Mages couldn’t refuse the archmage’s request to act as escort for a healing team fighting a curse upon the land. But how can a man without any magic of his own fight a curse or protect a friend from an invisible stalker.

 

 

 click link to purchase

https://bookswelove.net/henderson-helen/



Sylvia's Secret

Life as a WAAF in wartime England is not as glamorous as Sylvia Bishop had anticipated, although in letters home she tries to keep up the pretence for her sister Daisy. Then she is posted to a new RAF station and her work becomes more interesting. She is put in the Photo Intelligence unit and becomes very good at her job. Frustratingly, she cannot tell Daisy or anyone else what that entails as she has had to sign the Official Secrets Act.

 

Her secret job is not the only thing that inhibits Sylvia from confiding in her sister. She has fallen in love with handsome Wing Commander Hugh Smythe, a forbidden love as he is married. If their relationship is discovered it will mean scandal and ruined careers for both of them. 

 

Sylvia desperately tries to forget Hugh and concentrate on her very important work. But how can she when she works so closely with him?

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https://bookswelove.net/grieve-roberta/

 

 Begotten

On the verge of destruction, Kessav is shocked when his wife refuses to accompany him to a new land. As the ground splinters under her feet, Luna, a kitchen slave, is terrified. She finds Kessav in the market, fires exploding all around them. He takes her with him where they leap into an energy field to land in ancient Sumer, 4500 BCE. Their new world is clean with no fire belching from rents in the earth, but Elam, Kessav’s old friend, is furious over the wife's desertion and shows bitterness and hatred.

Kessav builds a new life but holds secrets from Luna, and Luna fears telling her secrets would destroy Kessav. After the loss of their firstborn to the great goddess, will their love bind them together? Will Elam exact a cruel revenge?

 

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 https://bookswelove.net/pym-katherine/

  

Mother Shipton and the Sister Witches

The Shipton history is complicated. Some families have a guardian angel. The Shiptons have a guardian ancestor who whizzes through the centuries and jumps right in whenever one of her girls is in trouble. 

All the girls have power and they’re watched over by elder sister Lillian, who takes her job as family trouble shooter seriously.  There’s no shortage of trouble to be sorted out either and even with their own powers each of the girls needs help. First Katherine's oilman fiancé disappears in the Gulf of Mexico, and then Irene's world champion saddle bronc rider fiancé is sabotaged and in danger of being trampled by a bucking bronco. 

The spider-web of trouble stretching between these three modern sister witches might be too much for even a time-traveling guardian angel to handle on her own.

 

 click link to purchase

https://bookswelove.net/pittman-jude/

 

 Whistling Up A Ghost

Peter and Jenny Rogers return from their honeymoon to a pile of wedding presents including the deed to an old house. They open presents from the residents of Whistling Pines Senior Care Center ranging from thoughtful, to thrift shop purchases, and “what is that?”

Taking a break from the gift opening party, they tune in to a live news broadcast and watch the historical society president open a time capsule found during demolition of the band shell. The opening ceremony turns grim when a rusty pistol and a newspaper clipping about an old murder are revealed.

The Whistling Pines rumor mill runs amok as the retired residents offer up murder motives, stories about the victim’s checkered past, and a multitude of potential murderers. Despite his full-time job as Whistling Pines recreation director, Peter gets dragged into the time capsule murder investigation.

Jenny’s son, Jeremy, is convinced their new house is haunted when boxes jump from shelves, a radio turns itself on, Christmas stockings appear under the fireplace mantle, wedding gifts rise eerily out of boxes, and ghostly events interrupt their sleep. They start to ask themselves if the house is a gift or a curse…until the ghost is revealed.

 click link to purchase

https://bookswelove.net/hovey-dean/






























 

Wednesday, September 30, 2020

Featured Author Renee Duke

 


 My name is Renee Duke, the Renee being an offshoot of Irene (pronounced, preferably, if people simply must use it, in the British way, I-Reen-ee), but I never much liked the name ‘Irene’, and at some point in my teen years managed to train almost all but my parents to address me as ‘Renee’.

Born just ahead of a snowstorm to an English mother and Scottish father, I was the youngest child in my family and the only girl. Since brothers came with the house and the bulk of my same-age cousins and neighbourhood playmates were boys, I was somewhat of a tomboy growing up. I did play with dolls and hold tea parties, but my parents’ ability to deck me out in smocked frocks ended as soon as I could dress myself, after which attempts to get me into any kind of frock, or even a skirt, did not go well. (Unless the garment in question was a kilt. Kilts were okay.)  And after the age of eleven, I did, grudgingly, have to accept wearing a skirt or summer frock to school, as they were part of the uniform.  I wasn’t terribly keen on the felt hat, either, but at least it wasn’t a straw boater, like at some halls of learning.

Before that, of course, I attended primary schools, in which uniforms were not compulsory. Back in the late 1950s, some teachers of five- and six-year olds might have been pleased to have some of their charges come to them already able to read and write, but mine was not among them. We were supposed to learn the school’s way. No one had actually taught me to read, but my mother read to me and my brothers a lot and, as with Scout in To Kill A Mockingbird, it was something I just picked up. There wasn’t much the teacher could do about it, since the know-how was already there, but she could, and did, put the cursive writing on hold (that being the form my brothers used and I copied). I found printing much more laborious and time-consuming, but was forced to print until I reached what the school considered the ‘proper’ age to start cursive two years later.

That, however, was just the physical aspect of writing. The creative aspect – that of constructing a story in the mind and transferring it onto paper – came when I was about seven or eight and my teacher (a vast improvement over the earlier one) put several topic sentences on the board and told us to write a story about one of them. Until then I hadn’t really thought about how the books, magazine stories, and comic book scenarios I devoured came into being. They were just there for my enjoyment, like the crayons I coloured with and the toys I played with. That someone had thought them up, and that I could, too, was a revelation. I had, admittedly, told stories to people verbally, but those had only been retellings of stories I’d been told. Including one a four-year-old me treated fellow train passengers to whilst travelling up to Scotland with my mother and second brother. Instead of regaling my captive audience with one of my mother’s perfectly proper tales, I went with one of my father’s less than proper tales, which a man and a young woman sharing our carriage found amusing, but two old ladies did not. A mother-embarrassing point in the trip that I’m sure my father heard about when we got home.

But to get back to my first school composition, I went all out, coming up with not just a story about the life of a banana peel (my chosen subject), but chapters, chapter headings, page numbers, and illustrations (me being, at that time, under the delusion I could draw).

From then on, I wrote stories in school and out.  In school, some teachers were more encouraging than others, most notably Mr. Smith of Garston Lane Primary, who had me do a series of early readers for the Infants class and showed me and three friends how to ink up the school printing press and roll out copies. His only mistake was to go off to the staff room and leave us to it, which resulted in him returning to four ink-covered eleven-year-olds.

I kept writing in my teens and early adult years, and began doing so professionally in the late seventies, with my first article appearing in The Living Message in 1978 and my first short story in The People’s Friend in 1981. Story and article sales to other magazines followed, but I did not turn my attention to books until I retired from teaching in 2012. My Side Trip sci-fi duology is aimed at young adults, the Time Rose time travel series, for which my latest release, Generations Five, is the prequel, at a slightly younger demographic, but adults enjoy my books too.

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