Wednesday, April 26, 2023

An Australian Historical Journey by Tricia McGill

 


Mystic Mountains

In the early 1800s the penal colony of Botany Bay was an unforgiving and harsh place. Isabella O'Shea is transported to New South Wales for wounding a member of the British aristocracy who raped her, so it is understandable that she loathes members of the upper class and the system that punished her; sentenced her to seven years transportation.

Tiger Carstairs is rich, ambitious and English-so is it any wonder she is determined to hate her new master. Tiger dreams of making a new life beyond the aptly named Blue Mountains, so called because of the perpetual haze of blue surrounding them.

Mystic Mountains is a story of courage and persistence-traits that were essential for the settlers who carved out a new life in a raw land where suffering and heartbreak were commonplace.

Isabella and Tiger face tragedy and many hardships in their quest for a new life in this untamed land.

Reviews:

“Tricia McGill has written a sweeping love story of two people fighting for their places in an unfair world among the wild, untamed vistas of Australia. The strong plot reveals much about the early settlement days of the continent of Australia and is a history lesson in itself besides a sizzling romance. A job well done by Ms. McGill.” Lani Roberts 5 stars ***** Affaire de Coeur

“Sometimes we in America forget that Australia is an equally young country, complete with tales of adventure about the settlement of the land. In this story of love adventure and hardship, we see a man and a woman work together to survive and overcome the harsh land that is Australia. A thoroughly enjoyable book, well-written and exciting.”  Deborah Brent for Romantic Times book club

 

Chapter One

March 1818 Sydney Cove.

 

A wind as hot as the devil’s breath sent the longboat rocking. Isabella tried not to think about her roiling stomach as she raised a hand to shield her eyes from the sun that blazed down on them. Fear, like some deadly snake, coiled itself around her innards, sliding viciously into every muscle and bone, every part of her body, leaving a bitter taste in her mouth.

The woman Isabella now counted as a true friend groaned. “S’pose we’ll ‘ave to get used to this heat,” she muttered as she ran a hand around her nape and blew a strand of greasy hair out of her eyes. “‘Tis hotter ‘ere than it was on the stinking ship when we was anchored off Rio de Janeiro!”

Isabella grimaced. “That’s a fact, Gracie.” They had been forced to get used to a lot of things, a deep and abiding despair more than anything else.

“These blooming six days we’ve been stuck out on the water ‘ave seemed longer than the whole bloody voyage,” Gracie grumbled. “Gawd but it’ll be good to get me old feet on solid ground again.”

Isabella wrapped her arms about her middle and shuddered, swallowing the bile that threatened to choke her. “I don’t ever want to see the ocean again as long as I live, Gracie.” Much as she might wish she were back in Stepney, she would never want to repeat that dreadful voyage. A violent storm lasting for nearly two days coming round the Cape had caused such wretchedness they’d feared they would all perish. No, she wouldn’t care if she never saw the ocean again.

Gracie nudged Isabella as the wharf loomed before them. “Well, girl, ‘ere we go, ‘ow d’ya feel, eh?”

“As if a mess of worms are wriggling about inside me, that’s how.”

Even when evading the constables in the alleyways and back lanes of Stepney Isabella had always felt that one day things would improve. That certainty died on the day of her arrest. Gracie had tried to give her some hope for better days ahead, but Isabella knew that a woman in her position had little hope for anything in life, least of all a bright future.

Gracie winked broadly at one of the sailors, now getting ready to stow the oars. He blew a raspberry and she chortled. Isabella had no idea how she would get by without Gracie. The older woman had been like a rock on the awful voyage. Dougal too. She saw the Scot now on one of the other longboats, which was carrying cargo. She waved and his plain face reddened as he shot her a cautious grin.

The first mate made a rude gesture. “Right, you lot,” he shouted. “Get a move on. The time has arrived for you to leave this illustrious vessel. Steady now, we don’t want you falling in the drink and spoiling your nice clothes, do we?” He sketched a bow. “This here’s Government Wharf.”

Isabella felt like pushing him into the sea, but the small moment’s triumph wouldn’t be worth the punishment she knew him capable of dishing out. How she hated him. Sweat trickled between her breasts and ran down her legs and she trembled as much with fear as with anticipation.

The man leered and suddenly grabbed her arm. “Now we’ll see ‘ow you’ll manage without that Scottish dolt watching over you every step of the way. You got away with it on the ship, slut, but let’s see how you like having one of those toffs putting his hands under your shift, eh?” He grinned evilly as he nodded to the men milling about on the wharf. “And not only his hands. He’ll be poking on you with more than his hands, mark my words.”

Isabella squirmed. “Let me go!” But he tightened his grip until she thought her arm might break.

“I will, after you gives me a little thank you kiss for being so nice to you.” Before she could back off he pressed his wet sloppy mouth over hers.

He was pushed aside, and forced to let her go or head into the water, as the women jostled to be first off the boat.

“All right, all right, don’t shove,” one shouted, elbowing Gracie.

Gracie threw herself bodily at the first mate. “Whoops, must ‘ave tripped,” she said with a grin.

Isabella wiped her mouth on the hem of her skirt, and jumped swiftly onto the dock. The first mate shook a fist at Gracie and she waved audaciously. He cursed loudly.

Gracie muttered, “Just look at that Marjorie, carrying on like the doxie she is.”

A buxom woman on one of the other boats lifted her skirts and shook a leg, making the boat wobble dangerously. The sailors guffawed. Some of the women made lewd gestures and shouted obscenely to the sailors as they climbed out, adding to the crew’s amusement.

Isabella was silent. She would never feel anything but heartsick at being brought to this hostile land. Some women had stolen with one purpose in mind: to join lovers and husbands already transported, and these few were cheerful at the prospect of being reunited with their menfolk.

Her thoughts were interrupted by a shout. “That there’s The Rocks.” The first mate jerked his head towards the cottages and shacks sprawled on the hillside. “If any of you ladies is interested in working in the public houses and rum taverns, that’s where you should head,” he said, amid coarse laughter from his mates.

“Gawd, let’s ‘ope we’ve seen the last of pubs, eh?” Gracie said as Isabella huddled closer to her side. Gracie had made no secret of being a whore in London. To most of the women, whoring was the only means of supporting themselves and families apart from thieving. Isabella shuddered and Gracie patted her hand. “You’ll have no need to end up over there, you wait and see.”

“I hope to God I don’t, Gracie.” For a period back there in Stepney she had expected to spend the rest of her days as a whore. Most of the young girls in that slum had resorted to selling their bodies to save themselves from starvation.

But for good or evil, that scum of a gentleman had put paid to that expectation.

She grimaced as Gracie went on blithely, “I saw it in me tea leaves, you’re gonna make yer fortune ‘ere in the colony.” She chuckled at Isabella’s skeptical look.

“Oh Gracie, what am I going to do without you?” Isabella shook her head. The thought of their impending separation made her feel sick.

“You’ll do a treat, ducks, yes you will.”

“I only wish I was as certain,” Isabella muttered. She’d been lucky to end up with Gracie when the prisoners were split into mess groups at the start of the voyage. Gracie had been her protector and her mentor. Not even a childhood spent foraging for sustenance in Stepney, or the violence during her stay in prison, prepared her for the hardness and cruelty of some of the thieving harlots on the prison ship. Gracie held Isabella’s hand when they’d peered through the scuttle holes to get their last despairing glimpse of London, knowing they’d never see it again.

Gracie now tapped Isabella beneath the chin and grinned again, showing the many gaps in her teeth. “You’ll get a good master, don’t fret, then all your troubles will be over.”

Isabella had a feeling her troubles would never be over.

Dazedly she watched as the boat dropped off the last woman and turned to head back to the ship for the next load of human cargo. The haze caused by the swirling dust gave the scene a sense of unreality. Sweat seemed to seep from every pore in Isabella’s skin, soaking her ragged clothing, but she’d grown used to almost every form of human discomfort. What was a bit of sweat? The wind raced across the wharf, the flying dust stinging her cheeks, bare arms, and ankles.

The harbor was a cauldron of activity. Longboats ferried cargo to and from the dozen or so ships bobbing at anchor in the cove, most bound for exotic and oriental ports. At first sight of it the startling scenery had lifted the convicts’ flagged spirits after weeks of endless ocean, but that first sense of exhilaration had soon dispelled.

 Gracie nudged her. “Buck up dearie, ‘ere’s the nobs.”

Isabella tried to stop her fingers shaking as she wiped at her dry, cracked lips. Soldiers, lined up and armed, stared at the unkempt women as if they were no better than the rats that had swarmed below decks.

“Stand to one side,” one of the soldiers ordered and another waved his truncheon.

“What do they think we are, a load of stupid sheep?” Isabella moaned.

“Ah well, we should be used to it by now.” Gracie sighed as they all moved to where they’d been directed.

“They’re looking at us as if we’re creatures on display at the fair. You’d think they’ve never seen a female con before.”

There were men everywhere, not just the soldiers. They lurked around corners and on rooftops, treating the arrival of a shipload of women as a spectacle. 

“‘Tis a fact that we’ve been brought here because they have a shortage of women in the colony, Bella. I s’pose that lot’s waiting to find out which of us they’re gonna own, eh?” Gracie jerked her head towards a motley group of men standing openly surveying them, eyes gleaming.

It took some time to bring all the prisoners to shore. Isabella was close to fainting with the heat before the final boatload was set down.

 At a signal from one of the officials a gentleman came out of a building. Moving with stiff precision to the center of the dockyard, he stopped, then wiped his face on a white kerchief as he cast his eyes along the row of women. Unsmiling, he announced, “On behalf of Governor Macquarie I welcome you to New South Wales.”

“God bless me, if he don’t sound like ‘e’s really glad to see us who’ve come from the other side of the world at the King’s pleasure.” Gracie chuckled. “Nice of Governor Macquarie to send one of ‘is codgers to make sure we’re all ‘appy to be ‘ere.”

“Yes, happy as larks,” Isabella retorted in a sharp whisper.

“As you know,” the man went on, “you have been allocated quarters or assigned masters. These good men,” he gave the officials a stiff smile, “have spent many hours taking your particulars to ensure that everyone goes to an appropriate place of employment. You will show your allegiance to these masters. If you work hard to prove you are of some worth to the new colony you will earn your freedom as many others have before you.” Obviously bored, he ran his eyes along the row of sweltering women. “Many of you will be in far better positions than you would ever have hoped to attain in England.” He turned and strode back into the building.

Isabella blew upwards in an effort to cool herself. She’d only taken in half of what he’d said. She was a prisoner, for all his fancy words. Still, in the long run, better to work here, hopefully in some nob’s kitchen, than to rot in a prison back home. Or face the hangman’s noose.

Home? It was so far away and so far removed from where she stood now, that it seemed as if the years before she’d been arrested had been lived by another person. But for all their poverty she’d always known what it was to be a part of a close, loving family. Oh how she missed her ma, and her brothers and sisters.

 Isabella ignored the leering looks they received from men scurrying to off-load cargo. Her legs felt as if they would give out on her at any moment. Her bad foot with its crooked toes was beginning to ache fiercely and she swayed.

At last they were herded to where a stern government clerk sat at a table, a ledger in front of him and a pen in his hand.

Gracie poked Isabella in the back. “I ‘ope I get a strong ‘ansome master,” she said with a chuckle. “Like that one with the gold ‘air over there. Look at ‘im. Lord, ‘e’d do me fine. E’s been staring ‘ard at us since we came ashore. Stands out from the other lot like a boil on yer nose, don’t ‘e? Rather a dandy, I don’t mind saying so. I’ll warm ‘is bed any time ‘e likes.”

“Can’t say I noticed him,” Isabella lied.

“Oh no, suddenly you’re blind, eh?”

“One member of the gentry’s the same as the other. They can all rot in hell.” Isabella shuddered. She detested them all, with their fine clothes, finicky manners, and hearts as cold as stone.

“You may sit on the ground, ladies.” The officer in charge gave the order then smirked as he marched away.

“Cripes, why didn’t they tell us that before?” Gracie sank with a huge sigh onto her well-padded bottom. The others followed her.

 

* * *

 

Tiger Carstairs removed his hat, then ran his fingers through his sweat-dampened hair. Smiling grimly he pushed the hat back on as he turned his back on the bedraggled lines of women.

What a bunch. They didn’t get any better. Still, one female had caught his eye. She was a bit short on flesh to cover her bones, but there was a light of defiance in her eyes that the dreadful journey with all its degradation hadn’t snuffed. She’d stared right at him from eyes as green as the sea as she’d limped past, her spine straight as a broomstick. He liked that.

Yes, she’d do perfectly.

She was young, if not very hearty, but Thelma had told him to keep his eye out for one who didn’t look as if she’d be off in a flash with any man who showed up at the back door. This one hated men, if that glower she’d given him was anything to go by. So blatant was her scorn he’d fully expected her to spit in someone’s eye. The sunshine had picked up glints in hair that would probably be reddish-brown after a good washing. But the wench had really taken his fancy, stirred some deep emotion. It was an unnerving sensation, peculiar in its uniqueness.

“Ho, Tiger Carstairs, after a new woman to warm your bed?” called one of the other men who’d come to inspect the new arrivals.

Tiger eyed the man coldly. Half of these poor dregs of humanity would end up as bed-warmers for this lot. Still and all, most of the females who’d landed today had whored in London and on the journey over, so the new life in the colony would hold no surprises for them.

“No, Mackenzie. Believe it or not, some of us are merely looking for women capable of keeping our homes clean and our stomachs full.” Tiger looked away, watching the hustle and bustle of unloading.

Mackenzie’s laughter was coarse as he walked away. Probably rum soaked as usual. Tiger sauntered over to the table where Gregson sat with his list of assignments.

“The wench there with the cropped red hair, who’s to take her?” he asked indolently. “I’d like her.”

“Have to wait your turn, Carstairs. She’s been assigned. I have your woman already noted. Let me see...” Gregson ran a finger down his list. “Ah, yes, you have been allocated one Moira Paine.”

“I don’t want one Moira Paine unless it’s that wench.” Tiger pointed to the red-haired girl. She was staring at her feet, looking for all the world as if she was unaware of what was going on around her. Or had cut herself off from it all.

Gregson peered along the line to the woman in question. “What would you want with a scrawny wench like that, eh?” He shrugged. “Mind you, she has the makings of a beauty, I suppose.”

“I care not for looks, old chap.” Tiger knew he lied. “My kitchen woman needs a girl to help. This one looks capable.”

“Oh aye.” Gregson chuckled. “She does look capable enough.” He leered, and Tiger hid a grimace of disgust. These men all had one thought in mind where women were concerned, and that was having them on their backs with their legs spread. “Hold on, old man, we’re about to start allocating now.”

Tiger eyed Gregson with annoyance. With a look along the line he saw that the wench in question still stared at her feet. His heart gave a strange lurch, unsettling him.

 

* * *

 

“Ah, thank the Lord, I’m gasping for a drink,” Gracie said when some women came along the line with water jugs. “You cons?” she asked the one who offered her a mug.

“Yea, all of us.” The woman grinned.

“‘Ow d’ya find it ‘ere?”

“It’s a blooming laugh a minute ain’t it?” She showed her toothless gums as she threw her head back in a laugh. “Mind yer Ps and Qs and yer’ll find it ain’t half bad,” she advised, before going on down the line.

“Not bad!” Gracie blew a raspberry, then wiped her mouth with the back of a hand. “Gawd, but it’s like a blooming oven out ‘ere, ain’t it?” She wiped the hem of her filthy skirt across her face, making streaks through the grime. 

Isabella sighed wearily. Her bad foot ached, her stomach was twisted in knots, her hair was lousy and she stank like a pile of animal droppings. The seasickness that had racked her during the long months at sea was still with her, and the ground seemed to be going up and down.

Now the fear that had plagued her since she’d been herded onto the ship so many months ago rose up to stifle her. Just what sort of master would she get? She knew she was as strong as any woman here, but they would take one look at her crippled foot and discard her as a domestic help. She’d get picked as some man’s whore for certain, that was all these high falutin’ nobs sought. That was how she’d got herself into this mess in the first place. By taking a knife to one of them who’d thought it was his God-given right to lay his white pampered hands on her.

With a small sob, her right palm went to her stomach. The babe had lain there such a short while. Although she’d loathed the thought of the nob’s spawn resting in her womb, when the growing babe had been torn from her she had mourned its loss. It hadn’t been the babe’s fault; and perhaps it had been better off not coming into this cruel world.

One of the babies born on board began to whine and Isabella stared at its screwed-up face. Poor mite. Its mother, a doxie who’d worked the streets of Islington, put the child to her sagging breast.

Heartsick and afraid of what the future held, Isabella put her face on her bent knees and closed her eyes.

 To purchase Mystic Mountains click here

Monday, April 24, 2023

Writing Historical Novels by Joan Donaldson-Yarmey

 




https://www.bookswelove.com/donaldson-yarmey-joan/

https://books2read.com/Romancing-the-Klondike

https://books2read.com/Rushing-the-Klondike

https://www.bookswelove.com/authors/canadian-historical-mysteries/ 

As a historical writer it is important to make sure that you use the words of the period you have set your book in. For example if your story is set in the 1500s you could use the word hugger-mugger when talking about a sneaky person who is acting in a secretive way and elflocks to describe messy hair. Jargoyles meant that a person was puzzled about something in the 1600s while in the 1700s a person who was out of sorts was grumpish. In the 1800s people would have felt curglaff when they jumped into cold water and a man going for a post dinner walk while smoking his pipe was lunting. In the early 1900s a person who was drunk was referred to as being fuzzled.

Of course, it is important when using those words that the writer somehow explains what they mean such as, if a man said he was going for an after lunch lunt, the person he was talking to could reply. “I don’t have my pipe and tobacco with me today.” I feel that writers who use terminology from a different era or words or phrases from a different language without clarification are trying to impress the reader with their vocabulary and intellect. Speaking as a reader, for me what they are really doing is making me angry and interrupting the flow of the story. I am jolted out of the lives of the characters and into my life as I try to process the meaning of what was written.

As a writer you want the reader to be so caught up in the story that they don’t want to put the book down, you don’t want them to throw the book across the room because they don’t understand what has been said or done.

Another important aspect of writing historical novels or even novels set in past decades is to make sure that you do have the characters using devices that hadn’t been invented yet.

The ball point pen came into use in the 1940’s so you can’t have someone signing papers with it in the 1920s. The Charleston dance was introduced in a movie in 1923 and caught on after that, so a story set before that time could not have party-goers dancing it. While the computer was invented during World War II, it didn’t come into commercial use until the 1950/60s and personal use until the 1970/80s. Don’t have a person make a phone call before March 7, 1876, which is when Alexander Graham Bell patented his telephone and don’t have someone send a text on a mobile phone in the 1970s.

It is important to do your research when writing a novel set in the past, no matter what the year.

More historical words:

In the 1590s beef-witted described something as being brainless or stupid.

In the 1640s callipygian described a beautifully shaped butt.

In the 1650s sluberdegullion meant an unkempt, drooling person.

In the 1950s two people making out in the back seat of a car were doing the back seat bingo.

 

Sunday, April 23, 2023

From Hisses to Kisses by Victoria Chatham

 


AVAILABLE HERE

 

Retirement from day-to-day formal employment in 2013 was a dream come true, but as many retirees have found, the dream can fade. My dream was to concentrate on my writing, which I did for a while, and then I started getting restless.

But then a writer colleague asked if I knew anyone who might house-sit for them and look after their animals so they could have a family vacation. Who better than moi? With years of property management experience, I thought I was well qualified to look after a house. I’ve had a couple of cats and dogs for most of my life. I've been around horses since age five. In addition, I have several more qualifications, including being a mature, non-smoking individual. So now it’s have laptop, will travel. I have clients in different places, from almost on the doorstep to within a few hour’s drive from home. I enjoy very different scenery, from watching glorious sunrises on an acreage to spotting hummingbirds in an urban garden, all while I  get my pet fix.



My house and pet-sitting career started with two horses, a dog, four cats, and a bearded dragon lizard. Since then, I’ve cared for chickens, turkeys, rabbits, pigs, fish, sheep, calves, birds and goats in the ten years since then. Now I’m more mature (IE: older, but I dislike that word), I’m pickier about caring for the larger animals, goats especially. They may be adorable as kids, but in my book, they are evil beasts as adults and their horns hurt.

My mandate is to maintain as much of the pets’ routine as possible. Are pets allowed on the furniture or beds? What is their feeding routine? Are they afraid of anything? And then there are the practicalities such as where is the electrical box and main water shut-off? I always ask for emergency contacts, especially a vet. Before accepting a new client, I like to meet them and their pets. It’s a two-way street, giving the pet owner a chance to know me and see how their pets interact with me. I’m not offended if they are uncomfortable and prefer to make other arrangements, as for me, it is all about the pet(s) and their comfort.

The hardest part of my client interviews, especially where senior pets are concerned, is the ‘what if’ discussion. However much we love our pets, the sad part of being a pet parent is that they are likely to pass on before we do. Of all the seven dogs I’ve had over the years, I’ve had to make end-of-life decisions for every one of them. My first was the hardest as I had not had him long, and he wasn’t much more than a pup. The others were between twelve and nineteen, all living happy, healthy lives until they were no longer happy or healthy.

Animals give us so much joy, and I often think humans are undeserving of their love and loyalty. I’ve spent hours in the paddock with the horses, watching and talking to them. There is nothing as willing as a horse's ear. Chickens can be charmers, and many enjoy being cuddled. I've had them go to sleep in my arms. I ran a lukewarm bath for the lizard to help her slough her skin and made a mud wallow for the pigs, laughing at their antics as they splashed in and out like children playing. I had a panic attack at the house with six cats when I could only find five. It turned out that the sixth cat was very shy, and I didn’t see her until the fourth day.

My current charge hissed at me every time he saw me for the first couple of days, but now we’re joined at the hip, and I get kisses. I go to the kitchen, and he comes too. I go upstairs, and he follows. I go to the bathroom—you get the picture. I flatter myself that he really likes me, but being a cat, it could just be his way of ensuring the person who feeds him and cleans his litter tray doesn’t stray. He snuggles up to me in bed, although I draw the line at having my ear washed, and sits beside me on the sofa when I’m done writing for the day.


I consider myself fortunate to have such a variety of furry friends. Once I know their routines, I can settle into writing when they curl up in their beds and sleep. Do I have favourites? That would be telling. Life being what it is, I’ve lost some four-legged clients and gained new ones. Retirement? One day I might find out what it’s like, but until then, I’ll continue writing and house and pet sitting. 


VICTORIA CHATHAM

AT BOOKS WE LOVE


NB: images from the author's collection.

Saturday, April 22, 2023

Book club input that shaped my writing



A few years ago, I met with a book club and was "buttonholed" by one of the attendees at the end of the discussion. "You've got this old sergeant as your protagonist. He's a widower, and you've hinted at a romance between him and a female character." She went on, intensely and at length, explaining how that spark was going to blossom into a mature and slow-paced romance in the following book. I loved that she'd become engaged with the characters enough to want an evolving relationship between them.

After that exerience, I started listening more intently to the words of the people at book events, libraries, bookstores, and book clubs. I started catching sometimes passing comments about something the readers liked or disliked in my books. The feedback has been 99% positive with the negative often asking how I could put such a distasteful event or character into a book. To be honest, those "negative" comments are also vital input, telling me that I'm effectively creating bad guys and gripping scenes. Those attributes are as important as loveable characters and touching scenes, when used in an appropriate ratio.

A recent book club met a few miles from the setting of "Fatal Business". The group was academically eclectic, from an English teacher to a bookstore owner, and a county judge. The discussion was upbeat and fun. One question surprised me. "Who writes the dialogue between your two female protagonists?" I replied that I wrote all the dialogue, with minor "tweaks" from my beta readers, editors, and proofreaders, who are predominately female. The questioner went on, "I find that hard to believe because the dialogue between C.J. (Charlene) and Pam is the way two women actually speak to each other when there aren't any men around." I was shocked, but the entirely female book club were all nodding. "It's like you were a mouse in the corner listening in on their/our conversations."

One of the members who had recently moved from a large city and retired in rural central Minnesota questioned the accuracy of my character rushing into a dangerous situation without backup. Before I could reply, the judge explained that in this rural area there are sometimes only two cops on duty covering 1.400 square miles. "Rural cops aren't like city cops," she said. "They have to be self-reliant, and they don't have the luxury of waiting for backup in a tense situation. They act." (Thank you Judge Martin)

To be honest, an author never knows quite what a book club will be or how it will unfold. On several occasions, I was invited for a dinner and discussion. Other times, like this most recent meeting, I spent time sitting around a table talking about the book and answering questions. One all-male book club asked a few questions, then dismissed me so they could start their serious drinking. "We're not sure if we're a book club with a drinking problem, or a drinking club with a book problem."

In every case, book club meetings are fun for me and the readers. They get insight into my thoughts, writing process, the characters, and the future for the series. I get a wonderfully supportive, interesting, and engaging discussion with smart, attentive people who enjoy books. What's not to like about that?

Speaking of listening to my readers, I heard repeatedly that people were disappointed that Floyd Swenson retired from the Pine County series. I hope my handling of Floyd's character in "Taxed to Death" resolves your concerns.

Check out "Taxed to Death" and my other books at:

Hovey, Dean - BWL Publishing Inc. (bookswelove.net)


Friday, April 21, 2023

A Desperate Plea, my upcoming release, Outcast Artist in Bretagne, by Diane Scott Lewis

 


To purchase my novels, click HERE

My book's release has been moved to May!


Click HERE to pre-order the e-book.

Enjoy an excerpt. Norah's young cousin runs down the beach to show how fast he is, but a German sentry grabs him and hauls him away. Norah must confront the Commandant for the boy's release.


At the Town Hall, a guard stepped before her, eyes flinty, his rifle tight against his chest. “What is your business here?”

Norah tensed, her arms rigid at her sides. The ugly swastika flag flapped above her, adding to her distress. “I need to speak to Major von Gottlieb.”

“For what purpose?” The young man’s chin lifted higher, his French adequate.

“It’s urgent.” She swallowed hard. Each moment counted for her to rescue Jean. “Tell him it is Miss Cooper, the woman who draws birds. He knows who I am. I must speak to him, please.”

The guard hesitated. She took a step closer, breath heaving. He finally turned, stepped into the alcove, knocked, and entered the office.

He returned after a minute and motioned with a slice of his hand for her to follow.

Norah walked stiffly in, her courage waning, but her resolve anchored. She’d never been in this office before. And now with the Germans in charge, changing everything—and a child’s fate in her hands.

Major von Gottlieb stood behind his desk, tall and imposing, his expression curious. “What can I do for you, Fräulein Cooper?”

“My young cousin did something foolish, but he’s only a child.” She rubbed her knuckle along her collarbone and explained what happened in barely controlled words. “Please, don’t let anyone hurt him. He’s ten years old, and impulsive.” Tears dampened her eyes, despite her effort to appear tenacious. “Release him to his mother. It’s all a mistake.”

She saw the Major’s gaze change from surprised to concerned.

“Extraordinary. I will investigate at once. Wait here, Fräulein.” The Major thrust on his hat and indicated the chair in front of the desk. He marched from the room and shut the door. She heard strong words exchanged in German, the shuffle of feet.

Norah sank into the leather seat, unsure what to do. Her heart beat so fast, her chest ached. She glanced about the office. A picture of Hitler on the wall made her cringe. On a glass-fronted bookcase full of books was a smaller picture of a woman. Broad-faced but attractive. The Major’s wife?

Mahogany furniture filled the cramped room. The desk was neat, with a tan leather inlay. The room smelled pleasant, of lemon oil. She tried to balance herself as her mind spun.


A small table held a partially finished jigsaw puzzle. She stood to see what it was, to distract her upset.

The door opened behind her. She nearly jumped.


Diane lives in Western Pennsylvania with her husband and one naughty dachshund.


Thursday, April 20, 2023

The Key of the Door....by Sheila Claydon

 



I'm 21 today, 21 today
I've got the key of the door
Never been 21 before
And Pa says I can do as I like
So shout, Hip Hip Hooray
He's a jolly good fellow 
21 today

We took flowers and presents and we all sang the first 3 lines before my eldest granddaughter blew out the candles and we did shout Hip Hip Hooray before she cut the cake but that was as far as we went. This traditional coming of age song  (in the UK) is long and meandering and meant to be sung by a young man because when it was written (1911), young ladies didn't enjoy a similar independence.

So why do we celebrate 21 so enthusiastically and does it happen world wide? Interested, I did some research and discovered that in the UK it stems from medieval times when a young boy was training to become a knight. At 7 years of age he would leave home to become page to a knight and for the next 7 years would be his servant. Not until he reached the grand age of 14 would he be made a squire and his duties elevated to looking after his master's armour and weapons and to saddling his horse. His duties stretched further. He was also expected to follow his knight into battle acting as his flag bearer, and in the unfortunate event of his master being killed, would have to bury him. A very different life from the 14 year olds in Western countries today! 

If the boy managed to survive all of that and grow to manhood he would be dubbed a knight in his own right when he reached the age of 21, and be celebrated. 

From this, and very gradually, 21 became the established age of majority. While the tradition was to give the  young person the key of the door, symbolising that they were old enough to make their own decisions and come and go as they pleased, legally it was significant.  It was the age when people could marry without parental consent, the age when an apprenticeship ended in many trades, the age at which a person could vote, the age in which guardianship came to an end for orphaned children. There were exceptions of course, because until the Equal Franchise Act was passed in 1928 women could not vote until they were 30 and then only if they owned property. 

There were other anomalies too. Young couples who managed to travel to Scotland could marry at 16 and, despite the many changes in the law that have taken place in the past century, Gretna Green, where most of these marriages took place, is still considered a place of romance, with couples from all around the world choosing to get married there in a ceremony performed over a blacksmith's anvil in a centuries old tradition. So popular was the idea that it was sometimes part of a plot in fiction in earlier times, the best example being Pride and Prejudice by Jane Austin.

Nowadays, with the legal majority reduced to 18, celebrating a 21st birthday carries far less significance and is mainly only celebrated because it's fun, and everyone likes a party! There are, however, still one or two things that cannot be undertaken until a person of either sex reaches their 21 majority. For example  they cannot drive large vehicles, gain a pilot's licence, supervise a learner driver, or adopt a child. Fortunately I don't think my granddaughter is contemplating any of those things. She just enjoyed her party!

Postscript:

In the UK in Anglo-Saxon times a young person was considered adult at the age of 11. This was later increased to 12, which continued until Norman times when the age of majority was extended to 16 except for those training to become knights. How times have changed. We no longer send children as young as 5 into the black hellhole of underground mines, or up chimneys to sweep out the soot, or into battle at 14. Nor do apprentices any longer sleep where they work, relying solely on their masters for the food they eat. Sadly, in many of the war torn and poverty stricken countries around the world, however, similar things still happen. Children have no option but to take on responsibilities that would deter most adults. Children as young as 5 work 14 hour days picking cacao beans while 11 year olds work from dawn to dusk in the heat and dirt of a blacksmith's forge because they are their family's main or only breadwinner. There are children who have to scavenge on scrap heaps, others who work in unregulated factories and, even more dreadfully, there are still 14 year olds who have to go into battle, not with a flag following their knight, but with rifles and machetes as they fight for their lives and the lives of their families.  While these are not things that need to be contemplated by more fortunate youngsters enjoying a 21st birthday party, hopefully they will at least think of them later when they realise that, at last, the really are adults.



 

Wednesday, April 19, 2023

Helping Others by Helen Henderson

 

Windmaster Legend by Helen Henderson
Click the title for purchase information

April, the fourth month of the year in the Gregorian and Julian calendars and the first of four months to have a length of 30 days. Last month I used the name of the month as a verb and pictured prancing horses. To come up with some inspiration for this post, I went to the National Day Calendar. The days for April range from the tasty (National Pineapple Upside Down Cake Day) to the historic, National Ellis Island Family History Day, The one item I love to eat. The other? At least one set of my ancestors immigrated from the old country and I have researched whether or not they came through Ellis Island.

Normally I don't disclose too personal information, but I'm breaking that tradition to acknowledge Volunteer Recognition Day with some thoughts on answering the call for help.

The aftermath of Superstorm Sandy

Disasters can bring out the best and the worst of people. After the recent tornadoes in Tipton County, Tennessee, the area pulled together. While age and other reasons meant I held down the homefront, a family member spent a day helping pick up debris. It reminded me of another disaster. The largest Atlantic hurricane on record as measured by diameter, an event referred to as Superstorm Sandy. Taking in a family member who was without power doesn't qualify as volunteering. However, helping people move out of a storm damaged house, doing the demolition work necessary to remove flood-damaged sheetrock does. Then for several years afterwards, the volunteer help continued as the rebuilding efforts continued.

The ultimate critic of whether a job was done right.

Over the years of remodeling a house built in 1915, I have observed more than one person assume the position upon entering a room where work was being done. No, I don't mean the spread-legged lean against a wall for a pat-down search. The men stood with hands on their hips and surveyed my efforts. As part of Superstorm Sandy recovery,  I was helping a contractor tape and spackle a newly-sheetrocked room. He was less obvious and to my pleasure, and surprise considering it was my first time taping joints, the work was acceptable.
 

Being in period garb helped me get close enough
to take for this picture.

An interest in history has yielded other volunteer opportunities, and I still use the experience gained at them today. I don't build physical houses, but fantasy worlds. I may not travel to the past except in reenactments, but it helps me understand my characters travel through times past. Hours of unpaid work have been spent as director of a local history museum, caring for their artifacts, or digging out fragments of history with trowel and screen. I won't say where or when it was, but at one major history event, I did more than collect money at the admissions gate and keep the cars moving. I parked hundreds of cars. What was even more fun was helping get the cars out of the park when the event ended. I even had the change to use my whistle, a handy tool to get a driver's attention to make them stop and wait their turn, or to get them moving forward.

Whether you have volunteered your time and talents or been the recipients of other's efforts, I hope you enjoyed these memories.

To purchase the Windmaster Novels: BWL

~Until next month, stay safe and read.   Helen


Helen Henderson lives in western Tennessee with her husband. While she doesn’t have any pets in residence at the moment, she often visits a husky who have adopted her as one the pack. Find out more about her and her novels on her BWL author page.




Tuesday, April 18, 2023

April is Poetry Month! by Nancy M Bell


To learn more about Nancy's work please click on the image above.


Spring is here. I think... It's April and April is poetry month, so it must be spring. My mare is shedding her winter coat, the gophers are out and stealing her grain while she's eating it. But there is still 5 feet of snow drift on my back garden....so Spring...what the heck!

But I digress. As I mentioned, April is poetry month. So my goal this year is to write a poem a day in April. I've done this before many years ago and then just sort of lost the time to do this when life kind of took over. When you read this, it will be April 18th, so hopefully I will have 18 poems under my belt by then. I'll let you know how I fare in next month's blog.  

For those of you who write poetry, come join me in my April quest. For those of you who dabble or don't write poetry at all...why don't you go for it. Not necessarily a poem a day, but maybe just one or two for the month. Poetry is amazing, so many forms, so many emotions and moods it can invoke. I find poetry cathartic myself, somehow giving the emotions or thoughts the freedom of lighting on the blank page gives me freedom to let them go. 

Poetry is joy, sorrow, grief, love and whatever name you wish to attach to it. So come on, let's go for it! April Poem a Day here we come.

Just to whet your whistle, here are a couple of my older poems.

From 2011

Spring Snow

Nancy M Bell

The storm demons are howling rabidly across the sky

Dragging their icy talons against the window glass

Screeching their defiance through the hydro wires

Buffeting the house with their fists of wind


Shrieking they the fall upon the exposed prairie

Vomiting great gouts of snow to cover the earth

They hurl handfuls of icy pellets in my face

As I struggle to let the stock into the barn

 

Mean spiritedly they snatch the door from my frozen fingers

Slamming it open and popping one of the hinges

I bare my teeth at them and wrestle the door from their grasp

Hold it steady as the horses troop in out of the angry storm

 

The bale of hay spills its summer scent in the frigid air

A sunlit meadow song to battle the storm raging outside

The storm demons grab me in their teeth and shake me

As I blindly make my way back to the house

 

Power and fury personified; they scream their defiance

Their voices howling through the wind in my ears

Reluctant to exchange the winds of winter

For the thunderheads of summer 

   

Bitter Ashes

The taste of bitter ashes on my tongue

All the more potent for their age

The things I should have said

Coiled about the things I did say


Time slides by in endless flood

Bearing my choices out of reach

Things I can’t change

Things I wouldn’t change

 

That line from an old Kristofferson song:

“I’d rather be sorry for something I’ve done,

Then for something that I didn’t do.”

Oh, the things I didn’t do!

 

Choices that affected other’s lives

More compassion here, more forgiveness there

The phone calls I didn’t make

The words I didn’t say

 

The taste of bitter ashes on my tongue

More potent for their age


All I Want

All I want is to walk in Grace

To live my life under the wide sky

With a good horse under me

And endless country in front of me

 

All I want is to make each day count

For something; no matter how small

I fed a stray dog the rest of my sandwich

I put seed out for the birds and food for the feral cats

 

All I want is to be happy in my skin

To know I’ve done the best I can

With what I had to work with today

And know that I will try to do the same tomorrow

 

All I want is the wide sky sweet with dawn

And the morning breeze on my face

Followed by the burning blue noon

With the sun at its zenith

 

All I want is the golden sky of sunset

And the dry prairie wind hot on my neck

The softness of evening gilding the range

As the gold melts into the royal blue of night

 

All I want is the silver of moonlight

To throw shadows across my bed

While the song of the coyote rides through the night

To know that all is right with my world

  

Till next month, be well, be happy.



 

Monday, April 17, 2023

A Plot Is Just A Plan by Janet Lane Walters #BWLAuthor #MFRWAuthor #Writing #Plot #Plan

 

Many years ago, more than fifty, I went to hear a NYTimes Best Selling Author speak at an all day event in Pittsburgh. The first thing he said was "A plot is just a plan." The plan is where your characters play their roles. I took this to heart and read books on writing and focused on Plot.

Just what does this mean. Think of the plot of your story being like planning a trip using a road map. There is a starting place. Why are the characters in this particular place? What do they plan? How does the plot and setting effect their decisions and directions.

Once the characters have set off on their way toward the goal they have selected, you come to the middle. This may be where the characters remain on the road or perhaps take a side trip of two. The middle of the plot shows the decisions they make and what changes those decisions may cause.

The end of the journey shows they have either succeeded, failed or changed their initial goal. This includes the crisis, the moment of decision and then the characters leave the plot, happily My Places

   https://twitter.com/JanetL717

 https://www.facebook.com/janet.l.walters.3?v=wall&story_f

bid=113639528680724

 http://bookswelove.net/

 http://wwweclecticwriter.blogspot.com

https://www.pinterest.com/shadyl717/

 

Buy Mark

https://bookswelove.net/walters-janet-lane/

 or sadly but always the road ends in a satisfactory way.

Sunday, April 16, 2023

Capturing the reader's emotions, by J.C. Kavanagh

 

Book 3 of the award-winning Twisted Climb series:
A Bright Darkness
https://www.bookswelove.net/kavanagh-j-c/

When I began to write creatively, I wanted to write a story that would have some kind of impact on my readers - whether they be teenagers, young adults, or a young-at-heart adult. I didn't want to preach a narrative; rather, I wanted the characters to react to real life drama and adventure in a way that would resonate with the reader. The character evoked the response in the reader, either by what they said or what they did. If the character becomes 'real' in the mind of the reader, then the character's emotion becomes the reader's emotion. That, my friend, is a fine, visceral line for the author to convey.  

Can our books make a difference? Yes. A resounding yes. 



One of my friends told me that her daughter felt a connection to Jayden, one of the main characters in The Twisted Climb series. Jayden is a brash, assertive teenager who is torn between being 'nice' and being 'bully.' My friend's daughter does not have those personality traits, so why did she feel a connection to Jayden? Apparently she felt uncertain of her place in the world/school/friends and that uncertainty evoked an internal, angry response. When my friend's daughter read the following in The Twisted Climb: "There was only one way to make herself feel better. (Jayden) had to make someone else feel worse" well, my friend's daughter started to cry and then shared with her mom that she felt the same emotional turmoil, but was at a loss on how to deal with it. That honesty opened up a new dimension in their relationship, one that they've maintained to this day.

Recently, another friend said she had to share something very important with me. We met and she told me the following.

"When my son read 'A Bright Darkness,' where the plot revolves around the Ojibwe myths and the Seven Fires Prophecies, he was shaken to his core. You see, we are native Indian, from the Anishinaabe First Nation, and all his life he was reluctant to embrace the spirituality of our peoples. He's almost 60, by the way. So he phoned me, almost in tears, to tell me he was sorry he didn't espouse the native way as I did. And that he wanted to re-discover his heritage, because it's never too late."

If we can share a story or create a character that makes a difference in the life of a reader, well, I call that wonderful. I call that satisfying. It's one of the greatest compliments a writer can receive.

Thank you to all the readers who accept a created character and make them as real as can be in the playground of their mind. 



J.C. Kavanagh, author of
The Twisted Climb - A Bright Darkness (Book 3)
and
The Twisted Climb - Darkness Descends (Book 2) voted BEST Young Adult Book 2018, Critters Readers Poll and Best YA Book FINALIST at The Word Guild, Canada
AND
The Twisted Climb,
voted BEST Young Adult Book 2016, P&E Readers Poll
Voted Best Local Author, Simcoe County, Ontario, 2021
Novels for teens, young adults and adults young at heart
Email: author.j.c.kavanagh@gmail.com
www.facebook.com/J.C.Kavanagh
www.amazon.com/author/jckavanagh
Twitter @JCKavanagh1 (Author J.C. Kavanagh)
Instagram @authorjckavanagh


Popular Posts

Books We Love Insider Blog

Blog Archive