Tuesday, November 18, 2025
Transitions by Nancy M Bell
Sunday, November 16, 2025
A Piggly Wiggly Angel, by J.C. Kavanagh
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| To purchase your copy (or all three!) of this award-winning series, click here: https://www.bookswelove.com/shop/series/the-twisted-climb |
- Piggly Wiggly was the first "self-serve" grocery store, opening in 1916 in Tennessee. Before this time, customers would bring a grocery list to their preferred store and a clerk would collect the items. The concept of a "self-serve" grocery store changed the industry world-wide.
- Piggly Wiggly was also the first to introduce check-out counters (cashiers).
- when asked why the store was named Piggly Wiggly, the founder explained, "So people will ask that very question."
- Brand recognition surged with the hands-on approach, while competitive marketing strategies increased customer demand. Self-serve introduced and encouraged 'impulse buying.'
- By 1932, Piggly Wiggly's annual sales totalled $180 million from 2,660 stores.
- In 1935, the franchise was split and sold to a number of regional grocery chains.
- Also in 1935, 179 Piggly Wiggly stores across Canada were sold to Safeway, which, decades later, merged with Sobey's.
- There are 503 independently owned stores in 18 states, as of 2024.
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| The original Piggly Wiggly grocery store, circa 1918. Customers entered through a turnstile and browsed through four aisles. Customers had a choice of 605 items! |
J.C. Kavanagh, author of
The Twisted Climb - A Bright Darkness (Book 3) Best YA Book FINALIST at Critters Readers Poll 2022
AND
The Twisted Climb - Darkness Descends (Book 2) voted BEST Young Adult Book 2018, Critters Readers Poll and Best YA Book FINALIST at The Word Guild, Canada
AND
The Twisted Climb,
voted BEST Young Adult Book 2016, P&E Readers Poll
Voted Best Local Author, Simcoe County, Ontario, 2021
Novels for teens, young adults and adults young-at-heart
Email: author.j.c.kavanagh@gmail.com
www.facebook.com/J.C.Kavanagh
Saturday, November 15, 2025
Back in the Saddle Again by Lance Chalmers
I’m back. Back in the saddle again.
Did I sign up for the right position? I’m good at it. I’ve been in this position before. Do I want to put up with airports, long drives, backline rented equipment failure?
When I was just starting my journey as a budding musician, I had hopes of carrying my education into the business of music. My aspirations were so very unfettered, naive and exciting at the same time. Nearly 50 years later, is the flame still burning bright? I have recently been included in a revamped lineup change for a classic Canadian rock act. I performed with them ten years back. These days, my perspective is only limited by my memories of better days pre COVID in the realm of music. Options have narrowed. And my patience and diversity are key to success as I get older. I am blessed and cursed by my childhood love of music.
I think I’ll go do some festival shows next summer. Maybe see some of my old road warriors still out there hooking that horse back up to the tour wagon. What time do I need to be at the airport?
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Thursday, November 13, 2025
All of Me (Navajo Code Talker Chronicles #3) is Released!
Dear Readers--
I'm delighted to announce that All of Me, Navaho Code Talker Chronicles Book #3 is a November 2025 release from BWL Publishers. Have you been waiting for the reunion of Kitty and Luke after their harrowing adventure in New York? Well, the wait is over! Here's Chapter 1:
Chapter 1
Summer, 1943
Riordan Railroad Station, Arizona Reunion
Luke Kayenta checked the delicate gardenia nestled between two rapidly warming bottles of Pepsi Cola. Was it foolish to bring the corsage, given the train’s tendency to be late in wartime? But it had called out to him. I am for her, the one you left in those other canyons, it had said.
He sensed Kitty Charante every day and deep in the night. He sensed her while waiting for mail deliveries. He caught the scent of her fingers, past all those fingers that had handled her letters between the city of New York and the small Dinètah trading post where they finally reached him. That scent she wore—Eau de Gardenia always intensified when they kissed.
His mother and sisters teased him about the corner of his sister Taswan’s window where he nurtured the small plant that had flowered in time to welcome her. It was where he kept the small stack of books, photographs, and drawings from Kitty and her family. Even his grandmother, who did not tease him as much, called it his shrine. Did their laughter signal approval of the correspondence across their cultures?
His nephews accepted the gifts of baseball cards and marbles from Matty and Dom, their counterparts in Kitty’s world. Maybe the children should have come here to the station to wait for her arrival with him. She was used to family all around her. Where was the train?
He stood, leaving the gardenia on the bench, and paced, a bad habit he’d picked up from White people. A Hopi woman, who had been scowling at him since he’d shared the shade beside her, stirred. “She is coming,” the woman said, in English, their common language.
Under his own shoes, Luke now caught the vibration she’d already felt. “You are right, Grandmother,” he said in the best Hopi he could manage.
She grinned, her eyes disappearing in the squint. “Come, lovesick newcomer. Help these old bones to rise.”
He obeyed, giving her his arm, grateful she had used one of the less pejorative terms her people had for his: newcomer. The Hopi had preceded the Diné into the American Southwest by many centuries. As for the “lovesick,” that was merely a statement of fact.
***
Kitty saw him from the window as the train slowed. Through the shimmering heat he stood in his full-dress uniform, with every button fastened, gleaming. His hat shaded his eyes. And a gardenia was somehow blooming in his hands.
“The war must be going badly if the Marines are letting them in,” the conductor said, behind her.
She turned. He shrugged. “Waiting for that gaggle, likely.” He gestured to the laughing woman, who lifted a baby as her two small girls waved from the train car window.
It was the family Kitty had invited to use her private compartment’s washroom an hour earlier, to place a Band-Aid for the older girl’s scrape. “Elbow’s the strongest part of you if anybody gets fresh,” she’d advised as she worked.
“I know,” the girl replied with a small smile.
“I don’t see anyone waiting for you, Mrs. Charente,” the conductor said now. “You’d best stay on. Flagstaff is a proper stop. You can telephone your party from there. Put it back, George,” he instructed the stooped porter, whose name was not George.
The train lurched.
The edge of her trunk bumped the smaller girl off her feet. The mother quickly transferred the baby to Kitty, then lifted the crying girl.
The conductor sighed hard. “Now, Ma’am, you don’t have to help these clumsy—”
“Stand aside,” Kitty ordered.
Even the crying girl went silent. The porter, a small barrel-chested man, turned, grinned wide enough for her to see his gold tooth. “No lasting harm done? Well, this way then, ladies and children,” he proclaimed brightly, hoisting the mother’s carpetbag on top of Kitty’s trunk.
The older sister blocked her way. Her pretty embroidered blouse was like her mother’s. Unlike her mother’s braid, the girl’s black hair was whorled around each ear. “You can’t keep our tiposi, White lady,” she warned.
Her mother’s breath caught.
Kitty laughed. “Don’t worry, kiddo.” She looked down at the still-sleeping infant. How long had it been since she’d allowed herself to hold a baby? Breathe, she told herself. You can do this.
The scowling girl came closer, tilted her head. “You don’t smell like iodine now. You smell good.”
“Thanks. How’s the elbow?”
“Better.” She pointed her chin out the train’s last window. “Is he your man?”
“Sure is. Isn’t he handsome?”
The girl frowned. “He is Diné. But my grandmother pets his arm. Look, Ingu! Grandmother pets a Diné!”
“Hush,” her mother admonished, her middle child now settled at her hip.
“My daughter is very young, Miss.”
“I have five years,” the girl protested. “My sister has three, but she can jump rope almost as good as I can.” She nodded toward the bundle in Kitty’s arms. “He cannot even sit up yet. But he likes to laugh.”
“Well. You’re all swell kids. Even him.”
A smile broke through the woman’s wary expression. “You honor my family.”
As the train door opened, the heat hit Kitty with a force that rocked her stance. She was still getting used to the altitude change from New York’s sea level. This was a new challenge. But the baby nestled in her arms balanced her. Careful. Baby’s wiseacre sister was onto Kitty’s deep longing. The piney smell of his head only intensified it.
Luke Kayenta reached out for her.
She remembered his hands and their gentle strength. He eased her down the train’s steps, traded the baby for his gardenia with a shy smile.
He carried the baby back to his mother. The Pullman porter left her trunk on the platform and carried the young mother’s bag to the waiting flatbed wagon.
Luke followed, assisting the family’s grandmother. Happy squeals rose from the women. And did she even hear the baby’s merry chortle? So much for stoic, cigar-store wooden Indians she’d been told to expect.
Luke and the porter returned. “That was so kind of you, William,” Kitty said, loud enough for the conductor to hear that she knew the man’s actual name. “Thank you.”
The porter touched the brim of his cap. “Not at all, Miss Kitty. It’s my job, Ma’am.”
“Wait.” She looked up into Luke’s eyes. “Hey, partner. Got some change?”
Luke plunged his hand into his Marine dress pants pocket, then opened his palm. In the middle of the copper pennies gleamed a silver dollar.
William Marshall, Pullman porter, whose son graduated college first in his class, took a step back. “Oh, no. You already gave me an envelope for services rendered,” he objected.
“This is to thank you for helping with the bags of my friends,” Kitty insisted, nodding towards the women. She took up the coin from Luke’s palm. Why had she let her sister talk her into painting her nails? She flipped his silver dollar behind her while she still had sense of where William Marshall stood.
She heard it land in his palm. “Why, thank you, Missus. And Corporal, sir. You have yourselves a good visit, now!”
Even in her spectator pumps, Kitty had to look up to finally make solid contact with Luke Kayenta’s fathomless eyes. The sight almost robbed her breath. “So,” she managed, “How about a kiss?”
Luke smiled. She remembered how rare his smiles were. “I have many kisses for you, Kitty.”
“You think you could plant the first?”
The small drama had drawn the attention of every remaining passenger on the train. She would have been mortified if he’d hesitated. But he did not. He swooped on her mouth as if it were his ultimate destination over the months they’d been apart. Kitty didn’t remember anything but the taste of Luke Kayenta after that, except for the vague sense of her skirts flying in the train’s wake. As Luke gasped for air, he buried his nose in her hair and her neck. He spoke a little. Not in English, but in that deep, nasal, drawling language of the people he was born into. As she felt her breasts rise, react against that buttoned-up uniform, the evidence of his own desire tantalized her thighs.
When they finally finished the kiss, both the train and the wagon were gone. Only a beat-up green truck remained at the station.
Luke’s smile slid lopsided and his brow furrowed. “The silver dollar. It was for gas.”
“Oh. Well, we can walk.”
“But Kitty. I wrote to you, explained, remember? That we have many miles to go yet?”
She grinned. “Relax, Captain.”
“I am not a captain in the Marines, Kitty.”
“But you are still a member of the Office of Strategic Services? And that’s your rank there?”
“Well, yes. That seems a hard unit of government to be released from.”
“Then, in private, you’re still my captain, who well earned his rank. There have to be some rewards for your service! So, my captain, if you’ve got ration coupons, I can pay for gas.”
“You did not forget what I wrote in the letter, then, about distances here. You are teasing me. The women do that all the time. They say I am too serious.”
She touched the slight stubble at his chin. “Luke. I’m so glad to see you. And this gardenia. Thank you. It’s beautiful.”
“Saiah naaghai bikieh hozho, Yanaha,” he said quietly, formally. Kitty recognized the phrase from his letters. “Walk in beauty,” was the poor English translation of the complex philosophy of life balance he explained in his letters. And he used the name he’d given her, Yanaha: She Meets the Enemy. His voice, even deeper than she remembered, made the name soar. Those exotic Valentino eyes were exactly as she remembered. Where had he found a gardenia? Its scent drifted past the strand of pearls against her throat. She pressed her finger to his bottom lip. He drew it into his mouth. The sudden sensuousness of it robbed her breath. His arms closed around her again. She reveled in his familiar scent of corn and sage mixing with the oiled metal of his hidden firearm. There, encircled, she felt safe from the world and all its cruelties—from the petty aggressions of the railroad conductor toward the kind porter and the young Indian mother to the war itself.
“We need to go,” Luke murmured into her hair. “The sun will not wait for us to finish.”
“Finish what?” she teased him, now that she knew his other women did. But he had no snappy comeback. He did not even grin or call her a brazen hussy.
“Drinking each other in,” he answered her question.
Wednesday, November 12, 2025
Historical Fiction: how accurate do you need to be?
At this year's When Words Collide Festival for Writers and Readers, I participated in a panel titled Historical Fact and Fiction: what can and can't be changed. Moderator Lori Hahnel began by asking how and where to find accurate historical facts. My fellow panelists, John Corry and Donna D. Conrad, talked of the challenges of historical research for novels set centuries ago. John's novel about British author Geoffrey Chaucer takes place in the 1300s; Donna's retelling of the story of Mary Magdalene in the first century.
Donna said she used sources from different countries and religious perspectives to get the most accurate spin on Mary Magdalene. John noted that he had to be careful about dates in his research, since most countries changed from the Julian to the Gregorian calendar after his novel's time period.
My historical novel, A Killer Whisky, set in 1918 during World War One, felt modern in comparison, and I had more research tools available. While I found that reading historical fiction and non-fiction was useful, I learned the most from material published at the time of my novel. I signed up for a one-week free subscription to Newspapers.com and devoured the headlines of the day as well as ads for groceries, houses, jobs, and more. Online, I combed through the 1,000+ page 1918 Sears catalogue for images and descriptions of fashion and other consumer goods. Novels and memoirs published in the early twentieth century provided details of daily life, attitudes of the times, and words and expressions used. To avoid language anachronism, I suggested that the panel audience check out Google Books Ngram Viewer. You plug in a word or phrase and a graph tracks its usage in books from 1800 to 2022. For instance, the word "groovy" barely registered before 1960, when it peaked. Then it dropped and hit a higher peak this century, perhaps from people writing about the swinging sixties. My WWI characters would never say "groovy."
Unless I try my hand at writing alternate history.
Lori asked what we thought of television shows like Bridgerton, a Netflix series based on Julia Quinn's novels set in early 19th century London. Main characters include wealthy and aristocratic people of colour who are totally accepted in high society.
I said I liked Bridgerton. Everyone watching knows the world wasn't like that then or even now, but Bridgerton makes you think, what if this alternate world were true? Donna said she enjoys these kinds of shows but cringes at the historical inaccuracy.
Lori brought up her second concern about historical fiction: the abundance of WWII novels. Is the market saturated? Will people ever get tired of reading about that war?
John and Donna thought the trend would continue because writers are constantly finding new angles about the war. I suggested that WWII endures because it is arguably the last heroic war and it is still close to many of us whose parents or grandparents fought in or lived through the war. Perhaps, interest will wane for the next generations, until writers rediscover and reinterpret that momentous time.
As to the panel topic question: what can and can't be changed? We all agreed you can't change major known facts. I wouldn't change key dates about WWI, even though it would probably work better for my novel-in-progress if the war had started a month earlier. John and Donna said they wouldn't change dates that Chaucer or Mary Magdalene were known to be in particular locations.
I pointed out that Chaucer and Mary were their novels' main characters, but it might be okay for me to write a novel set in 14th century York and have Chaucer make a cameo appearance despite no evidence that he'd ever gone there. Small changes like that wouldn't significantly impact history or my main characters and themes, although I think it's more interesting to readers if the historical figure really was present. We all like to pick up factual trivia from our reading and history is ripe with interesting tidbits.
My historical novel-in-progress begins in Karlovy Vary (aka Karlsbad), a spa town in Czechia (aka Czech Republic). Somewhere I read that Sigmund Freud, founder of psychoanalysis was in Karlovy Vary at the outbreak of World War One, when my novel takes place. Unfortunately, I've lost the reference. (Advice to historical fiction writers: keep your references). The Psychiatric Times confirms that Freud visited Karlsbad more than once for health reasons and I'll do my best to find my missing reference. But if I can't, would it be wrong to make him a character in my novel? Freud's interactions with my fictional characters would be interesting and relevant to the story.
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| WWC 2025 Historical Facts and Fiction panel |
I am the author of six novels published by BWL Publishing Inc. Four are part of my Paula Savard Mystery Series set in Calgary, AB, Canada. The fifth, a standalone suspense novel, shifts between Calgary and California. My latest release, A Killer Whisky, is a historical mystery novel set in 1918 Calgary. My short stories and poems have won contests and appeared in magazines and anthologies. I have also published non-fiction articles and am a member of the Alexandra Writers Centre Society, Crime Writers of Canada, Sisters in Crime, and the Writers Guild of Alberta. A native of Montreal, I now live in Calgary, where I love biking and hiking in our nearby Rocky Mountains.
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