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I always have trouble creating evil characters. I
would say that most have mine have been flawed in some way rather than truly
evil. Except for, maybe, Sir Peregrine Styles in my first Regency romance, His
Dark Enchantress. Sir Peregrine was very much a depraved character,
particularly in the satisfaction he derived from causing pain or trouble to
others. He was a narcissist, manipulator, and opportunist all rolled into one
character but none of that was greatly surprising given the era and strata of society
he grew up in.
People being people, and our characters are people if only in our minds and books, good and bad can
come from anywhere. The best of families could have one bad apple. A family in the poorest area of town may have a dad with a heart of gold and a mum who will do anything for her children first and her neighbours after that.People can and do change and here Rose of Sharon in
Steinbeck’s Grapes of Wrath springs to mind. Circumstances can mould a person.
Disappointment after disappointment may eventually turn a happy, positive
person bitter and cause them to seek revenge against those he or she believes responsible.
Being brought up in an abusive household may produce another abuser or someone
who would never lift a finger against another person.
As authors, building the backstory for a flawed or
evil character is as intriguing and circuitous as those of our main characters
and, dare I say, might take a bit more of a psychological twist. Writing
historical fiction means dipping into the social history of the era whether,
in my case, it is the Regency or Edwardian eras. The class structure was pretty
much adhered to. People ‘knew their place.’ But within that structure, the mores
of the Regency became stricter through the Victorian era and began to ease
again in the Edwardian era, especially the La Belle Epoch era in Europe which dated
from the early 1870s up until the outbreak of World War 1.
Regency characters who held ambitions to rise above
their place in society might be referred to as ‘mushrooms.’ The term ‘nabob,’
originally denoting an official under the Mughal Empire, came to be used
somewhat derisively for a pretentious person, especially one growing his own
wealth rather than inheriting it.
My current ‘baddie’ is one Ruby Baker in Phoebe Fisher, the third book in my series Those Regency Belles. Ruby is a barmaid with took my hero’s promises to heart. In a drunken moment as an eighteen-year-old and about to embark on his first voyage, Andrew promised to bring her jewels from India. Ten years later, Ruby arrives on his doorstep to collect them. However, now Andrew has inherited a title and gained a wife. What will Ruby do? I’m still working on that.
Victoria Chatham
I enjoy writing villains, but it wasn't always that way. I remember hesitating getting into an evil character's mind, but once I did, I thoroughly enjoyed the ride. I wrote some of the "worst villains in science fiction" and I'm proud of it. The most evil villains are a greater challenge to the protagonists and force them to rise above to become true heroes.
ReplyDeleteI have heard similar experiences to yours from other authors. Not sure if I will ever get to feeling that way about my villains.
DeleteVillains seem to come easy for me. I willnever forget Fred in Code Blue. He emerged the moment i decided to write the book. Hope you solve the problem/
ReplyDeleteI envy you that skill.
DeleteMost of my baddies are not evil either, but circumstances turned them to the dark side. Still, there are some good in them...just not enough.
ReplyDeleteI agree with you - I think most of me baddies have a little bit of good in there somewhere.
DeleteI'm intrigued by Ruby. I can't wait to read Phoebe's story!
ReplyDeleteHell hath no fury?
ReplyDelete