“They seek him here, they seek him there,
Those French men seek him everywhere.
Is he in
Heaven? – Is he in hell?
That
damned annoying Pimpernel.”
The Scarlet Pimpernel,
Baroness Orczy’s most famous character, is Percy, the gallant daredevil, Sir
Percival Blakeney Bart, the hero of her novels and short stories set during The
French Revolution, aptly nick-named The Reign of Terror.
Orczy was a royalist
with no sympathy for the merciless Jacobins who spared no efforts to achieve
their political ambitions. Historical
accounts prove everyone in France was at risk of being arrested and sent to the
guillotine. Orczy’s works of fiction about the Scarlet Pimpernel display her
detailed knowledge about Revolutionary France and capture the miserable
atmosphere which prevailed in that era.
Waiting for a train the
author saw Sir Percy dressed in the exquisite clothes of a late 18th century
gentleman, noted the monocle he held up in his slender hand, heard his lazy
drawl and quaint laugh.
In August1792, Percy
founded his gallant League of Gentlemen. Eventually, there was “one to command
and nineteen to obey.” Percy and his league cheated French Revolutionary
Government’s tool, Madame Guillotine of their prey. London’s high society
speculated about the Scarlet Pimpernel’s identity.
Percy, an influential,
wealthy nobleman man married Marguerite St. Just, a French actress. When he discovered
she was responsible for an aristocratic family’s death, for fear she would
betray him, he kept his alias secret. Loving Marguerite, despite her crime he
feigned indifference, treated her coldly, shunned her company, and acted a fool’s
part so successfully that he bored her. However, Marguerite discovered the
truth about Percy and saved his life. After the couple’s reconciliation,
Marguerite is mentioned as a member of the league in Mam’zelle Guillotine.
At the beginning of
each of the series the current events are summarised. Orczy weaves fact and fiction
by featuring English and French historical figures such as Robespierre,
d’Herbois, the Prince of Wales, and Sir William Pitt, the younger, and historical
events. For example, in Eldorado
Orczy describes the Dauphin in the care of brutal shoemaker, Simon, who teaches
the prince to curse God and his parents.
In the horror,
depicted in her novels, Orczy uses romance and heroism to defeat evil, as she
did as a child when playing the part of a fearless prince while her sister
acted the part of a damsel in distress.
Orczy spent 1900 in
Paris that, in her ears, echoed with the horrors of the French Revolution. Surely, she had found the setting for her
magnificent hero The Scarlet Pimpernel,
who would champion the victims of The Terror, but why did she choose an
insignificant flower for Percy’s alias? It is not unreasonable to suppose a
Parisian royalist organisation’s triangular cards, hand painted with roses that
resemble scarlet pimpernels, fuelled Orczy’s imagination. Further fuel might have been added by a young
man called Louis Bayard with similarities to the Sir Percy Blakeney Bart’s life.
And the author’s imagination might have
been ignited by nineteen-year old Louis Bayard engaged by William
Wickham, the first British spymaster. Louis as elusive as Percy, also had many
aliases, and fell in love with an actress. Both appeared and disappeared
without causing comment. Real life Louis’
and fictional Percy’s lives depended on being masters of disguise.
In disguise, Percy
fools his archenemy, Citizen Chauvelin, who Orczy gives the role of official
French Ambassador to England in an interesting example of her distortion of
historical personalities and incidents. It is doubtful whether
Bernard-Francois, Marquis de Chauvelin, ever assumed a false identity as he did
in Orczy’s novel, The Scarlet Pimpernel. Another example is
Louis-Antoine St Just, a revolutionary, who Orczy gives the role of Marguerite’s cousin. Louis-Antoine St Just, a
young lawyer, was Maximillian Robespierre’s follower. He supported the
punishment of traitors and of anyone who was a ‘lukewarm’ revolutionary. In The
Triumph of the Scarlet Pimpernel her
character, Armand St Just, Marguerite’s brother, meets with Robespierre and
other Jacobins. Orczy portrays him as young, fervent, and articulate as the
Louis-Antoine St Just.
* *
*
Of Further Interest, The Scarlet Pimpernel
series, Links in the Chain of Life,
Baroness Orczy’s biography. A Gay Adventurer. A biography of Sir Percy Blakeney, Bart written by ‘John
Blakeney’ pseudonym of Baroness Orczy’s son John Montagu Baron Orczy Barstow.
The links to online bookstores
to buy Rosemary Morris’s novels are at:
https://bookswelove.net/morris-rosemary/
The
first three chapters of each of my novels may be read on my web site.
These are interesting books
ReplyDeleteI remember reading instalments of the Scarlet Pimpernel in the Mickey Mouse magazine as a kid. My father, who was from Vendee, a strong royalist bastion during the French Revolution, also enjoyed reading it. As for me, since the French revolution did abolish royalty, I was a little confused, but interested. While in school I learned that the revolutionaries were the heroes and the royalists the villains of French History, here was a story that depicted the royalists as heroes and the revolutionaries as villains. It taught me early on that there was more than one side in every story, and that history was written by the victors. Since then, when I research, I always search for the truth, no matter where it leads me. Thanks for sharing.
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