SO
YOU WANNA BE A WRITER? DO THE NOVEL THING?
(with
apologies to ‘So you wanna be a boxer’ from the movie ‘Bugsy Malone’)
Once
upon a time—well, you could see them most anywhere you went. Now? Now, not so
much. Oh, they’re still there, if you know where to look. But now they’re in
the back alleys and the darker streets. Not the really dark ones—the ones you
don’t go down less’n you’ve got the types of friends nice folks don’t admit to,
or maybe you just got no friends left at all. But not the bright ones, the big
streets either. The other dark streets—the ones most folks don't remember is
still there at all, the ones you only find when you got nowhere's else to go.
Still, if you know where to look you can find a boxing gym here and there. Full
of sweaty guys (yes, and girls. Women. Er, not-guys) punching bags of words
that weigh more than they do and dreaming of being a Contender. And in the
corner, there’s Joe. Joe don’t look much, but he owns the place. He's seen it
all—the good times, the not-so-good. He could have been a Contender once,
maybe, but now? Now he just takes money from guys (yes, Jones Minor. Or
not-guys) he knows will never punch more than a bag, and tells old stories of
The Guy. The Guy (yes, Jones Minor. Or The Girl) who walked in one day, and Joe
knew. Knew she (or he) could have it all—but who maybe turned out to have a
glass jaw. Or didn’t work hard enough. Or one day? Or one day, they just quit.
Because they all think they have it, when they walk through the door. And ain’t
none of them really know how hard it is.
But
Joe knows.
So
maybe it went like this…
The
door creaked. Joe didn’t bother to look up. Some days, creakin’ was all it did.
They looked in, saw what they saw. Heard what they heard. The bent heads. The
pounding keyboards. The one in the corner on his last legs, cryin’ over the
beatin’ Ten Finger Simpson just gave him over too many ‘that’s’ in his draft.
And those days, they didn’t even walk through. They just walked. Walked away,
and maybe that was the smartest thing they ever did. Because Joe knew anyone
who did anythin’ else had to be crazy. A very special kind of
crazy. And maybe this one was just that. That special kind of crazy.
Because this one—she didn’t look at the ones pounding keyboards. She didn’t
look at the tattered and faded Form Rejections lining the walls. She just
walked in. Walked in, and came right over.
“You
Joe?”
The
words might have been a question. But Joe knew she wasn’t askin’. Wasn’t even
Tellin’ she knew who he was. She was Showin’. Showin’ she was somewhere she was
supposed to be, and to hell with anyone what thought different. And all that
was a good start. So he did what he always did with the ones who might Have It.
He ignored her. The dumb ones never got it, and the smart ones were used to it
already.
“I…
I got a book.” She held out a sheaf of loose bound sheets.
Joe
shrugged, even if he did it inside and his shoulders never moved an inch. So
this one was a bit of both. Part dumb, part smart—and maybe just crazy enough
to make it, ‘cos you had to be crazy to even try. And at least she’d written a
book. There was them as wanted to and never did, and them as started and never
finished, and—his eyes never moved but his mind wandered over the hunched
figures pounding keyboards—them as kept startin’ and never finished nothin’.
Never would—and still didn’t quit. But this one? He ignored the sheets of
offered paper as much as he was ignorin’ the person holdin’ 'em—this one had
finished.
Or
thought she had.
Like
every other time, Joe wondered what she’d say if she really knew. Knew the damn
thing in her hand was just the start. The easy bit. Or not even that. Joe
wondered if she knew about Queries, and Synopses. Knew about bein’ surrounded
by a hundred thousand others, just as smart, just as talented, just as clever.
A hundred thousand others maybe one ounce more persistent than she might want
to be, in the long nights when she wondered why she was botherin’ and figured
the smart thing to do was just quit. And if she Had It, knew none of that
mattered a damn, ‘cos she was goin’ to carry on anyway. Joe wondered if she
knew about Agents, and how little they cared she’d written something great,
something amazing—and how it was right they didn’t care because all that
mattered wasn’t what was great, but was what the Public wanted to buy. He
wondered if she knew about No-Reply-Means-No, and Form Rejections, and Partials
and Fulls and—and how none of even that maybe meant a damn, because after every
one of ‘em ‘sorry’ wasn’t the hardest word at all. He wondered if she knew it
was the easiest in the world most times, and one she was going to see and hear
a lot, if she heard any damn thing at all, and not what Simon and Garfunkel
sang about - or that Disturbed guy. Because you pretty much had to be—disturbed
that is—to Have It, or even anythin' near. He wondered what she’d be like after
her first time with Ten Fingers, maybe in Query Critique. Would she be a
shouter, when Ten laughed at her Opening Rhetorical Question and told her he’d
seen better Hooks in a crochet kit? Joe’s eyes moved for the first time as he
looked over to Jack, still pounding away in the far corner. Jack, who Ten
Fingers had reduced to tears when he’d torn his Query apart for the hundredth
time, and told Jack he didn’t know motivation from meatloaf, and how Ten
couldn’t see from the Query why Jack’s Main bothered even getting up in the
morning. Mostly Joe wondered if this one knew what she was, what she was going
to have to become, going to have to be. And how even if she Made It, became one
of the Greats, how one day none of it would matter, all over again.
“I
got a book!” She waved the sheets again, under his nose.
“Yeah.”
At last, Joe looked up. “So did I once.

Interesting way of describing the production of a book.
ReplyDeleteI guess you have it☺️
ReplyDelete