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photo © by Janice Lang
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Over the years I’ve read
about how different authors construct their novels, and I’ve tried some of
their methods. I’ve used index cards and index cards in multiple colors (each
character was assigned his or her color). I even downloaded computer programs
that claim to be “everything you need in one application to plan, plot, write,
edit, keep track of characters (complete with bios and photos), convert into
any number of formats, write your synopsis, and on and on. (I don’t recall if
they went so far as submitting for you, but I imagine that’s not a far-fetched
concept.) But for some reason, they just weren't for me.
Every author who’s ever
written a book has his or her own method of constructing their stories. In many
ways, all share as many similarities as they do variances. In the end, all that
matters is getting from point A to where you want to be by the time you type “The
End.”
But what about writing
historical novels, which present a unique and often frustrating set of
conditions? You have characters who have made themselves known—often by keeping
you awake night after night while they babble on and on about their lives,
loves, and aspirations; distracted by their prattle while you drive to the
supermarket; offering brilliant scenes and dialogue while your dog endlessly
sniffs around posts and mailboxes for messages before taking that last whiz of
the night; or those genius bits of dialogue while you’re in the shower. And,
even if you retain half of that of that inspired magnificence, none of it ever
translates onto the page.
So, there you have your
characters…dressed and accoutered in authentic garb with tidbits of their
surroundings and everyday details to flesh out their lives…while actual history
is happening around them. You want them to cross paths with the army sweeping
down from the north, or be in a particular locale where history happened, or
interact at a dinner with some luminary from the past.
How do you do it?
When writing my very first
ever historical novel, I stumbled upon a
method that has worked for me ever since: I
use a calendar. Back in the days before computers, I discovered through a
particular diary I
’d been reading for research that a certain day of
the week in 1777 fell on a Tuesday. I was then able to create a blank calendar
by hand for that month and drop in the dates. Later on, I figured out how to
use the macro feature in an early DOS version of WordPerfect to quickly design
and print out calendars for the year in which my book took place. Today, there
are plenty of sites (here’s one that I like: http://www.calendarhome.com)
that give you the option of generating calendars for any year you want. In the
eons since, I have found lunar and solar calendars (here’s one of my favorites:
http://www.rodurago.net/en/index.php?site=details&link=calendar)
that contribute to creating scenes where the moon was full (and what time it
rose and set). Through diaries and other references from the period, I found
when the weather was fine or rainy or anything in between, and I popped that
information into the calendar for a particular date, along with the historical
events (each with different colored ink). So, if I wanted a character to make a
trek to visit an actual historical personage at a particular place on a rainy
day evening during a new moon, I had that information right there on the
calendar.
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covers © by Michelle Lee
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Of course, sometimes, you
need to “fudge” the facts to coincide with the events of the book, as well as
for dramatic effect. For example, in The
Partisan’s Wife (book 3, "Serpent's Tooth" trilogy), I had envisioned a scene with Anne (the heroine) and her
husband Peter riding in a carriage north along Bowery Lane in New York as a
full moon rose over the East River. The scene was amazing to write, since, due
to the number of modern high rise apartments and other buildings on the East
Side of New York, I doubt many on the ground on the Bowery today have seen a
sun or moon rise over the East River in over a hundred years. And anyway, the
moon rise on that particular date was at around 4:00 in the afternoon, when the
daylight was still in full swing.
~*~
Kathy
Fischer Brown is a BWL author of historical novels, Winter Fire, Lord
Esterleigh’s Daughter, Courting the Devil, The
Partisan’s Wife, and The Return of
Tachlanad, her latest release, an epic fantasy adventure for young adult
and adult readers. Check out her Books We Love Author page or visit her website. All of Kathy’s books are
available in e-book and in paperback from Amazon, Kobo, and other online
retailers.
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