Settings - Attention to details by J. S. Marlo

J. S. Marlo BWL Author Page

A new year begins and a new story unravels in my head. The first thing I ask myself when an idea takes flight is Where am I going to set that story? To be honest, I'm partial to Canada. First, because I'm Canadian, and second, because of the its changing landscape, cultural diversity, and extreme weather.

There are oceans, beaches, lakes, forests, prairies, mountains, snowy mountains, tundra...but no volcanoes. I like to create fictive small towns within two, or five, or eight hours from an existing real city. That way I can pretend there is an hospital (or no hospital) in my little town, or I can set a charming café next to a library. I can imagine whatever fits the needs of my story instead of relying on an existing town where many of the facilities are set in stone. The Calgary airport is located in the northeast of the city. I can't just pretend it's in the southwest because it's more convenient for my characters. I would get email from my Calgary readers saying "Hey, I live in Calgary. You got the airport wrong". But I can write that my character is driving three hours to catch a flight from the Calgary airport.

For me, a good story blends fiction and reality in such a way that readers can't easily tell where one stops and the other begins.

Once I chose out the Where?, I need to figure out the When? I can play with four seasons, from scorching heat to biting cold. Now depending where or when I set the story, I can add either thunderstorms, snowstorms, northern lights, gentle rain, blizzard, fog, tornadoes, earthquake, mud slides, sinkholes, glaciers, icebergs... Again, I can brew any storms I want, but it should also be realistic. In my little corner of the world, I can't possibly see northern lights at 11pm at the end of June because the sun hasn't set yet, but I could see them around suppertime in December assuming the sky is clear. I'll grant you it's a detail, but it's the kind of details a reader from a northern community will catch.

If you set a story in a real town or a country you've never visited, make sure you get the details (language, customs, time zones, weather, money, distance, etc...) right. Canadian dollars, Australian dollars, and American dollars aren't the same. Canada and Australia have one-dollar and two-dollar coins, but unlike Australians, we called them loonies and toonies. If in a story, a homeless person stops the hero on the sidewalk and asks if he has a toonie to spare for a coffee, the story doesn't take place Down Under. It takes place in Canada!

Over the summer, I was editing my romantic suspense taking place in a nursing home in Northern Ontario. At one point, my editor (who's not Canadian) commented that I needed to be consistent in my units of measurement, that I couldn't switch back and forth between inches, feet, and kilometres. A long conversation followed during which I explained that even though we converted to the metric system in the mid-1970s, we still use both systems in different circumstances. We measure long distances in kilometers but short distances in inches and feet. My son lives 800 kms away but my guestroom is 10'2" x 12'8". We weigh our food in kilograms but people and pets in lbs. My Chrismas turkey was 5.6kg but my granddaughter is 33lbs and my granddoggie is 14lbs 5oz. The indoor and outdoor temperatures are in Celsius but I set my oven in Fahrenheit. It was -33C on Christmas morning (that was cold!) but I cooked my turkey at 325F. Milk comes 1-litre, 2-litre, and 4-litre cartons but when I make a recipe I measure in cups, tablespoons, or teaspoons. It may not make sense, it may not be consistent (actually it is not consistent), but this is an authentic Canadian setting...and this is so much fun to write, so in the end, the inches, the feet, and the kilometres...they all stayed in the final version of my story.

Be creative and have fun writing, but don't forget to pay attention to details.

Happy 2019!
JS

Correction: A dear reader pointed out that we do have volcanoes in Canada, and the last eruption took place about 150 years ago at Lava Fork in northwestern British Columbia. I should have written we do not have any "active" volcanoes. So I stand corrected. My apology!

 J. S. Marlo's Website

How to Design a Fictional Town or City by Connie Vines

Why would a writer design a fictional town or city?

Many writers use actual towns and cities in their fiction, but there are some writers who opt to create their own towns and cities. Stephen King is known for the fictional Maine towns he creates in his fiction. There are various reasons a writer might choose to create a fictional town or city rather than use a real location. The primary reason may be because the content of the story might not be flattering, and the writer, out of respect for the real communities, may create a fictional location to set the story. Fictional settings also require less research. If you're writing about a real place, readers familiar with that town or city will be critical of details that aren't exactly right. Creating a fictional town or city allows you a wider range of flexibility.

So, how does a writer create a fictional town or city that will convince readers they are visiting a real place?

The first step is obvious.  Find a name for your town or city. Come up with a name that sounds like the name of a town or city. Check maps to ensure the town doesn't exist in the state where you will set the story. If it does, your readers will assume you're writing about the actual town. You can use the name of a real town, just locate the town in a state other than where it exists. Consider names for your fictional setting that are similar in sound or spelling to real places.

I created Running Springs, Montana in my first Rodeo Romance in this manner.  Running Springs is a city in the mountains of southern California.  I placed my town in the Bitter Route Valley of Montana.  The larger towns were towns I visited so those details were familiar to anyone living Missoula.

Draw a map of your town or city. It doesn't have to be detailed, but a map will help you write about your town or city as if it's real. You will know what happens if you head east on Main Street or west on Third Avenue. You will know where your residential sections are, where the dangerous part of town is and what businesses are in town. These are details that will help you bring your fictional setting to life for your readers. 

Populate your fictional town with people that give the town character. Create the types of businesses you'd expect to find in a town of the same size and in the same part of the country as your fictional town. If your town is in a state like Wyoming or Montana, chances are good there will be a farm supply store, if not in your town, then at least a nearby town.

Base your fictional town or city on real places to help you gain your bearings and structure, but avoid using specific landmarks that will give away your model town or city. If a landmark is important to the plot of the story, create a similar fictional landmark.

Locate your fictional town or city near a recognizable real-life city to help give your readers an anchor that will make your fictional town or city seem more real to them. In my Fun & Sassy Fantasy Series my anchor cities are in southern California.  Each city is easily recognizable to my readers.
Sensory details are a must.  What flowers grow on the hillsides of the Montana mountains in the spring?  What does a tack and saddle shop smell like?  The sound of cowboy boots clicking on a weather-beaten stair case?  What does a belting hail storm feel like?

Don’t forget the regional foods and everyday expressions. 

Does you heroine reach for a can of soda, coke, or pop?  Sweetened or unsweetened ice tea?

Details count. 

After all your fictional town is a living element in your story.  Your fictional town has played a part in defining your hero or you heroine.

If the author is very skillful the reader will feel as if she/he has visited this fictional town, or believes this town is a real town. . .somewhere.

What is your take on fictional cities?

Happy Reading,

Connie


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