The brain of an author by J.S. Marlo

 

Wounded Hearts

"Love & Sacrifice #2"

is now available  

click here 

 

 

  

J. S. Marlo's BWL Books

    Writers are a special breed of people. Writers live in two different worlds at the same time: the real world and the world in their head created for their characters. Writers grow attached to their characters. Writers talk to them, and the characters answer back. Writers get annoyed when their characters go silent or refuse to do what the writers want them to do.

    Most writers are introverts. Not only do they enjoy spending time alone with their characters, they need that time alone to think up a story.

    A brain is split into symmetrical left and right hemispheres. No one is solely left-brained or right-brained. We all use both sides, but it is believed that neural connections are often stronger on one side than the other, giving us a dominant hemisphere.

    Generally speaking, the left hemisphere controls the motor function on the right side of the body, and is home to logic, facts, reasoning skills, math, and language. The right hemisphere, aside from controlling its opposite side of the body, is home to intuition, creativity, art, music, and imagination.

    I'm a math and science person. Numbers speak to me more eloquently than words do. Yes, I have imagination and creativity, and I'm an introvert, but I always believed that I had a very dominant left side, minus the language part. Learning a second language didn't come easy. If anyone had to told me thirty years ago that I would become an author, I would have rolled on the floor laughing.

    Well, according to a study, writers may have fairly equaled left and right hemispheres. One side is not dominant over the other. Both hemispheres are just nicely working together. It kind of makes sense because there's a very logical process to follow when creating a story. I guess my left hemisphere isn't as strong as I thought, or my right one is stronger than I thought LOL 

    There's also another study that compared the brain activity of creative writers while they wrote to the brain activity of professional athletes while they competed. Believe it or not, they both shared similar brain activity. Interestingly enough, amateur writers rely on their vision center to imagine their stories while professional writers use their speech-processing center of the brain to develop their stories.

    The brain is complexed, and nothing is black and white, so why not try something new. It may tap into a neglected area of the brain that would love to be challenged, and who knows where that could lead. 

 

    Happy Reading & Stay Safe

    J.S.

 

J. S. Marlo's Website

Artificial Intelligence – Can You Program Creativity? By BC Deeks, Paranormal Mystery Fiction Author

Visit B.C. Deeks' BWL Author Page for Book and Purchase Information

http://bookswelove.net/deeks-bc/

Artificial Intelligence, or AI, is a trending topic these days, with applications like ChatGPT and Jasper being touted as replacements for human writers. These applications are models trained on a large codex of text data that can generate responses to questions, summarize long texts, write stories and much more. It is often used in conversational AI applications to simulate a human-like conversation with users—You’ve probably already been chatting with AI if you’ve contacted online Customer Service.

The jury is still out on whether the latest AI language model, ChatGPT, is actually intelligent, as defined by a machine's ability to behave like a human. They are still basically just a computer program designed to respond to text inputs and generate outputs based on patterns in the data they’ve been trained on.

So far, many uses for AI are controversial if not outright negative, including creating malware, Phishing and scamming, and cheating in school by letting students submit papers written by their computers.  A consultancy firm reportedly found that applications written by ChatGPT beat out 80 percent of humans.

In theory, AI can even be used to write a book. But would that book be a good story or just be a distillation of characters and plot from previously published works? If AI does not have intelligence, could it take the data and CREATE a unique and imaginative piece of work the way a human author does.

From my research, I gather AI software can generate a list of book plot ideas, suggest opening paragraphs, and output a batch of character sketches. If an author provided the program with a detailed outline of a story, it might produce a workable first draft of a novel. AI language models seem best suited to generating non-fiction web content or product copy and even then should be proofed and fact checked by the writer. I read an article generated by the Jasper AI application and it contained 7 typos and grammatical errors. The author had clearly not bothered to check the work before publishing.

Getting back to fiction, I don’t think authors will be out of work any time soon. If an AI language model was asked to generate a bestselling novel with a dragon and a wizard in a magical dimension, I believe the key components of a saleable novel would be missing — imagination and creativity. AI models can only pull from what has already been done; not imagine the things that are new and exciting. AI language models are, IMHO, another tool in a writers’ toolbox that might speed up the process of generating the words on the page. I'll admit to using a copy editing software program to help with my revision process for practical reasons. It helps me spot awkward sentence structures, grammatical errors and typos in my manuscript. But at the end of the day, human intervention is required to bring the magic to the story.

For the time being, I’ll be writing REBEL SPELL, book 3 in my Beyond the Magic trilogy, with minimal aid from artificial intelligence. Besides I love writing, so why would I want to give it up?

Where Did That Idea Come From? by Diane Bator

 

I've been doing a lot of promotional things for The Conned Lady which came out in March and was asked the same question a few times. "Where did the idea come from for your book?"

To be honest, I'd never really thought about it. The human mind works in mysterious ways and ideas just seem to pop in from nowhere. We could talk about synapses firing which conncect thoughts and images, or how we're influenced by outside sources. I prefer to think of creative ideas as a blend of the two.

In the case of my Wild Blue Mystery series, the entire series began when I moved to a new town in Ontario across the country from where I grew up in Alberta. The entire series was formed from daily walks around town where I imagined scenes in local coffee shops, the indie bookstore, and a yard I walked past all the time. It started with the thought, "What if I was on the run and hiding from someone?"

It was a great way to learn more about the town I'd moved to as well as to keep my mind busy and meet other people. Once I joined a local writing group, I learned to write from prompts and added bits and pieces to my work in progress. They would inspire new scenes or even complete scenes I was working on. 

Writing prompts are great ways to coax ideas onto paper or computer. Here are a few samples of ones we used:

• This time her boss had gone too far.
• Red eyes.
• Stars blazed in the night sky.
• He woke to birdsong.
• ‘Shh! Hear that?’ ‘I didn’t hear anything.’
• He’d always hated speaking in public.
• She woke, shivering, in the dark of the night.
• The garden was overgrown now.
• He’d never noticed a door there before.

Great ideas and inspiration can also be nudged by lines in movies or television shows, overheard conversations, indidents in real life, sights while on a walk, the mundane routine of daily life, photographs, family videos, and so on.

In short, inspiration can come from anywhere. As a writer, you just need to be open to the possibilities!

Diane Bator

http://bookswelove.net/bator-diane/

https://dianebator.ca/

Fusing Ideas

            Over the years, I have dabbled in many different art forms. At one time, I made candles and wove baskets and macramé plant hangers. I learned how to quilt and to make pottery on a wheel. I tried my hand at watercolor and quilling, both of which were quickly set aside for lack of ability…and patience. For more years than I can count, I’ve had the pleasure of working with artist Kymm Hughes to learn the art of fused glass. The process of layering glass and combining colors and designs gives me a sense of accomplishment, much like when I finish writing a book.

Fused glass is different from stained glass. The temperament of the glass is different, and whereas stained glass is seamed together with foil and solder, fused glass is basically melted together in a kiln. In a nutshell, I start with a flat piece of base glass, then cut and lay out my design, gluing the pieces in place and then it is fired in a kiln. At this point it is still flat. Once cooled, it is set on a mold for slumping, which is the process of again heating it in a kiln until the glass “slumps” into the design of the mold, sometimes making a deep bowl and sometimes a dish with simple curved up corners.

                                                                                                                                    What is so much fun is creating the design for a piece. Sometimes the

glass needs to be cut very specifically to fit a space or a pattern. Other times, like the fish, I used only scraps I found in the bins to design the picture I wanted. Even the smallest pieces a glass are kept in different color tubs to be used at some later point.

            Since this is a writing blog, you know where this is going, right? It’s easy to see how similar creating a fused glass piece is to creating a story. Both start with a blank slate – paper, computer screen or piece of glass. Many times I start writing with no more than a basic idea for my story. Will it be straight romance like the bowl of flowers? Should I make it with overlapping colors and layers for a mystery? Are the characters intensely detailed and multifaceted like a mosaic? If you look at the multicolored abstract photo and the blue/sunflower picture, notice they both are made with rectangles but the overall finished pieces are so very different. I see that in my writing as well. I might write two contemporaries but the colorful characters, the difference in settings and the arrangement of scenes makes each story unique.

  

               

            Once in a while it’s fun to try something new and totally different. I wondered if I could put a small sand dollar in-between pieces of glass – basically adding something foreign to the mix. We didn’t know what the sand dollar would do – would it hold its shape while being fired or would it explode? In writing, that something different for me is writing time travel; a combination of present and past with a twist. Will the change in some basic element in the story create a new and different pattern, or will the whole thing explode on my computer screen and leave me with a gaping hole in my plot? There’s really no way to know until I try. That’s what I love about my time travels--all are totally unique in design and format.

            If you enjoy trying new things, I encourage you to search for a fused glass studio in your area. Sometimes classes are taught through colleges; sometimes by individual artists.  If you like reading something different, I invite you to try a time travel from my Books We Love library:

            Prospecting for Love

            Spinning Through Time

            Loving Charlie Forever

            Hold on to the Past

 

Here’s to trying something new.

 

Barb Baldwin

http://www.authorsden.com/barbarajbaldwin

https://bookswelove.net/baldwin-barbara/

 

 

Collectibles & Inspiration by Diane Bator

I just had to share my new logo before I launch into my blog post today.
Like many other authors, my road to being published has not been an easy one, but I've always stayed true to what I love to write and to myself. I'm so grateful for everyone at BWL Publishing, especially Judith Pittman who has received so many of my crazy emails, and Michelle Lee who creates amazing covers!
I printed off two copies of this logo to hang on my wall. I figure it will take several days to actually sink in and a few pinches to my arms to make it real!
Now on with the blog....

I recently realized I collect news stories the way some people collect coins, dolls, or books. They help motivate me and get my creative juices flowing. How can you not be inspired as a mystery writer to read, "Man in ICU after pharmacy mistakenly gives him opioid"?

Or "She said her husband drowned during vacation. Police say she killed him."

Or "Twin acquitted of murder in Hawaii crash that killed sister."

Or "Woman thought her house was haunted until she found her ex-husband living in the attic."

In fact, a news story about a woman's disappearance helped fuel The Bookstore Lady where the main character is on the run from the mobsters she was working for. While Katie wasn't so good at hiding, she managed to eek out a whole new life.

Sometimes, I get caught up in the idea of an outline or a story line that I get stuck and not sure how to move on with a novel. So I surf the web and stumble across one of these headlines. There are usually some great nuggets to help me move forward. For example the one about the woman and her ex-husband is already entwined in a story line for an upcoming Glitter Bay mystery.

Aside from collecting news stories, I also collect lines. One of my favorite was one I used in my novella Murder on Manitou. "I was a drinker with a writing problem." I make it a habit to write down lines I hear whether on television, in a coffee shop, or at work. In fact, I have dozens of napkins, slips of paper, and post-it notes filled with one-liners. Eventually, most of them find their way into my novels and I forget where I heard them or even as prompts for writing meetings.

Here are a few examples of lines I've heard, or read, that caught my attention:

"I like to keep my mind active by plotting revenge." (Who? Me?)

"It's kind of like dating your ex-husband." (Sort of goes with the first one...)

"I can't go to Hell. Satan has a restraining order against me." (Again. No comment.)

"Creativity is one drug I can't live without." (Okay, this is just me on a daily basis.)

"When I found out I had cancer, I turned vegan." (Yup, this one is making it into a book!)

Even images on the Internet or television don't go unnoticed. Things like a dog pulling a little girl away from a lake or cats hiding items beneath the couch. In any good mystery, evidence is not always in plain sight. What if the cat or dog hid it? What if the cat knocked a fishbowl into a crime scene? Any number of scenarios can arise from a single sentence, a news story or even a silly cat video?

Writers, what sort of things trigger ideas for you? Are you flattered when people "borrow" your best lines or a bit put out?

Have a wonderful week!

Diane Bator

Settings - Attention to details by J. S. Marlo

J. S. Marlo BWL Author Page

A new year begins and a new story unravels in my head. The first thing I ask myself when an idea takes flight is Where am I going to set that story? To be honest, I'm partial to Canada. First, because I'm Canadian, and second, because of the its changing landscape, cultural diversity, and extreme weather.

There are oceans, beaches, lakes, forests, prairies, mountains, snowy mountains, tundra...but no volcanoes. I like to create fictive small towns within two, or five, or eight hours from an existing real city. That way I can pretend there is an hospital (or no hospital) in my little town, or I can set a charming café next to a library. I can imagine whatever fits the needs of my story instead of relying on an existing town where many of the facilities are set in stone. The Calgary airport is located in the northeast of the city. I can't just pretend it's in the southwest because it's more convenient for my characters. I would get email from my Calgary readers saying "Hey, I live in Calgary. You got the airport wrong". But I can write that my character is driving three hours to catch a flight from the Calgary airport.

For me, a good story blends fiction and reality in such a way that readers can't easily tell where one stops and the other begins.

Once I chose out the Where?, I need to figure out the When? I can play with four seasons, from scorching heat to biting cold. Now depending where or when I set the story, I can add either thunderstorms, snowstorms, northern lights, gentle rain, blizzard, fog, tornadoes, earthquake, mud slides, sinkholes, glaciers, icebergs... Again, I can brew any storms I want, but it should also be realistic. In my little corner of the world, I can't possibly see northern lights at 11pm at the end of June because the sun hasn't set yet, but I could see them around suppertime in December assuming the sky is clear. I'll grant you it's a detail, but it's the kind of details a reader from a northern community will catch.

If you set a story in a real town or a country you've never visited, make sure you get the details (language, customs, time zones, weather, money, distance, etc...) right. Canadian dollars, Australian dollars, and American dollars aren't the same. Canada and Australia have one-dollar and two-dollar coins, but unlike Australians, we called them loonies and toonies. If in a story, a homeless person stops the hero on the sidewalk and asks if he has a toonie to spare for a coffee, the story doesn't take place Down Under. It takes place in Canada!

Over the summer, I was editing my romantic suspense taking place in a nursing home in Northern Ontario. At one point, my editor (who's not Canadian) commented that I needed to be consistent in my units of measurement, that I couldn't switch back and forth between inches, feet, and kilometres. A long conversation followed during which I explained that even though we converted to the metric system in the mid-1970s, we still use both systems in different circumstances. We measure long distances in kilometers but short distances in inches and feet. My son lives 800 kms away but my guestroom is 10'2" x 12'8". We weigh our food in kilograms but people and pets in lbs. My Chrismas turkey was 5.6kg but my granddaughter is 33lbs and my granddoggie is 14lbs 5oz. The indoor and outdoor temperatures are in Celsius but I set my oven in Fahrenheit. It was -33C on Christmas morning (that was cold!) but I cooked my turkey at 325F. Milk comes 1-litre, 2-litre, and 4-litre cartons but when I make a recipe I measure in cups, tablespoons, or teaspoons. It may not make sense, it may not be consistent (actually it is not consistent), but this is an authentic Canadian setting...and this is so much fun to write, so in the end, the inches, the feet, and the kilometres...they all stayed in the final version of my story.

Be creative and have fun writing, but don't forget to pay attention to details.

Happy 2019!
JS

Correction: A dear reader pointed out that we do have volcanoes in Canada, and the last eruption took place about 150 years ago at Lava Fork in northwestern British Columbia. I should have written we do not have any "active" volcanoes. So I stand corrected. My apology!

 J. S. Marlo's Website

Early bird or night owl? by J. S. Marlo

J. S. Marlo BWL Author Page

My husband often says the early bird catches the worm to which I like to respond the owl sees at night and catches the mouse. He likes to get up early and I like to stay up late, but how many more differences are there between early birds and night owls?

After spending an evening browsing and reading about early birds and night owls, I drew a short list of the differences that kept resurfacing.

— Early birds don’t need alarm clock and wake up with a smile on their face while night owls like hitting the snooze button and are irritable in the morning.

— Night owls are more intelligent and creative as where early birds are more perfectionists and successful.

— Early birds are more productive during the morning hours while night owls are more productive in the evening.

— Night owls are more impulsive as where early birds like to plan ahead.

— Night owls consume more coffee and alcohol than early birds.

That got me thinking. Am I really a night owl?

I don’t get up in the morning unless I must go somewhere or do something, and that never prevents me from going to bed late. I will be grumpy if someone wakes me for no reason, but one little girl can make me smile at 5:30am. She’s three years old, she has blonde hair, blue eyes, and she calls me grand-maman.

Interestingly enough, I am a perfectionist—too perfectionist sometimes—and I can be productive at any time of day. It depends what I do. I’m best at edits and research in the morning and afternoon but I’m more creative in the evening or at night. I like to plan ahead when it comes to family, travel, or finance, but I mostly write by the seat of my pants. 

I like a dark cup of coffee mixed with hot chocolate in the morning—two cups if I was forced to get up—and tea in the afternoon. I don’t drink alcohol and I prefer to spend the evening home than go out. 

So I’ve come to the conclusion, I was neither an early bird nor a night owl, I’m just some form of permanently exhausted pigeon.

Enjoy your day...or night!

JS

https://sites.google.com/site/jsmarloauthor/home