On Writing a Sequel by Vanessa C. Hawkins

 

 Vanessa Hawkins Author Page

You ever look at your Disney movie library and say to yourself, "The Hunchback of Notre Dame 2? Oh hot dog! I think I'll watch that. It's totally better than the first movie!" If so then you should probably get your head checked because even if you've HEARD of that terrible sequel--let alone own it--you ought to know that it was Complete, Utter Garbage with a capital C, U, G!

Complete. Utter. Garbage! The sequel was C.U.G!

But despite the plethora of terrible sequels floating around the known universe, I am not actually here to talk about them. In fact, I am happy to say that I am WRITING a sequel, and I am really, REALLY hoping it's not going to be bad... Because as infamous as some bad sequels are, I'm no where near famous enough to profit off a terrible remake or continuation. 

We'll get George outta the way early this time... 

 So what makes a good sequel? Well, looking at all the terrible content out there, I'd say it's important to stay true to the characters and themes at least. The original Indiana Jones' movies were pretty cool. They were also mostly stand alone adventures. Rocky I to V was good: a continuation but each with an individual plot point. As well as Terminator 2... which was just awesome. 

Wait, Terminator 2? Rocky? Indiana Jones?
Oh God her age is showing...

But these are all movies! Okay, well... Lord of the Rings, Harry Potter and The Witcher books come to mind... though they're all continuations of one big story outline and the sequel I'm writing already kinda... well, concluded...

And it's a romance! 

So what do I do? I suppose I could just NOT write a sequel. It's not like I'm Michael Bay producing sequels for that socks made of silk money...  

*Bad word warning in link*

But there's lots more to say about these characters! And while writing romances isn't bad, writing a sequel to a romance where the love story had already wrapped itself up in the first installment, can produce its own series of obstacles. I hate when its obvious that the author broke up their original couple only to find ways to get them back together in book two. It always seems contrived, or pieced together to keep with the theme. Misunderstandings or arguments are alright, of course--and realistic!--but there must be a better way to tell a story with a romantic subplot other than breaking them up and seeing how they get together THIS TIME. 

#I'vebeenmarriedfor18yearsromancenovels

So I've concluded to just develop the characters more. For example, Scarlet Fortune is a 1920's cop vampire, and Shad is a 400 something year old dragon bootlegger... so there are bound to be some funny anecdotes and hijinks even AFTER they've tied the knot. I also believe in a good antagonist. Going back to The Hunchback of Notre Dame 2--because I had to watch it the other day with my two year old and am still crusty about it-- how do you compare a circus ringmaster narcissist with Monseigneur Claude Frollo: a judge--because Disney couldnt really make him an Archdeacon, the movie was already risky enough--who sings about his lust for Esmeralda: a member of an oppressed minority group?

You can't. 

So I'll make a good villain that will extend on the themes of the first book. Because themes are important and so too are villains.

Eh... not really. But the theme of the meme fit the context.

I'm also trying to tie in some things from the first book. Reuse some old characters that may have been floating around the plot of book one. Facts and places barely used before, could be backdrops for more important things later on. The sequel is pretty much stand alone, I don't think you NEED to read book one to enjoy book two, but I mean, it's more fun if you do. 

Of course, I'm only speaking from a matter of my own opinion, and I am writing this sequel with my co-author who contributes HEAVILY to ensuring there are no continuity errors... but...

SEQUELS ARE HARD! 

And I promise all--or any *cries*--fans out there... That I will honor the original work to the best of my ability and not create C.U.G.

I said I promise I won't write C.U.G!

 

Joined up writing...by Sheila Claydon

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In my last post I wrote about finding a story, and about the trigger that prompts my imagination sufficiently to write a book. It can be a picture in a magazine, or a holiday, or an article in a local newspaper for example. I also talked about my next book, due out in June 2022 which, while it still doesn't have a title, is the final story in my Mapleby Memories trilogy, and how this is proving more problematic because, whatever the trigger, it has to tie in with the first two books Remembering Rose and Loving Ellen. 

And that is the reason I have a collection of triggers on the back burner. Ideas and pictures that I save until the right story comes along, which in this case is a 600 year old water mill that I chanced upon hidden in woodland. If you have read either of the Mapleby books you will know that they are a mixture of romance, fantasy and history, so a very old mill seemed just the ticket. And when I started this was very definitely the case. The first couple of chapters came easily, as did the main characters, and I was very quickly able to introduce them to some of the characters from the earlier books. Then suddenly, out of nowhere, I was stuck.

I had the back story, the characters and the geography, and I knew how I wanted the story to develop, but I couldn't make it work. Because it was summer and because there was plenty of time before publication I stepped back for several weeks, hoping all would become clear when I started writing again. It didn't! So what to do?

Slowly a possible solution dawned. Instead of writing as I usually do, from the beginning of the book to the end, I was going to have to separate the plot into character led sections, write each one separately, and wait for the right time to join them up.

So right now I have Sophie, the main protagonist, in 3 separate places in 3 different time zones, interacting with 3 different groups of people, and somehow I have to make sense of all of it. Confusing? Maybe, but it has unblocked the writing process. The 'Sophie in the immediate past' section I'm working on at the moment is flowing easily, and because I am typing it up in red I won't confuse it with the 'Sophie in the here and now' section which is in black, or the 'Sophie in the distant past' section which is in blue.

Also I think the joining up process will be interesting and as I always like a challenge, satisfying, when it eventually works. I do think the book will require a bit more editing than usual though and I still have to find a way to link Sophie to the long ago people who worked in the mill. I can 'see' them and 'hear' them but to go back 600 years requires an enormous leap in culture, geography and social mores. Fortunately I have found some really interesting history about old water mills. For example, in medieval times in the UK many water mills belonged to the Lord of the Manor who hired a miller to operate it for him, and he also insisted that all his tenants used his mill and no other! I just know I'm going to enjoy finding out more, so watch this space.

New Release – ANGEL BRAVE – Azura Chronicles Book 3 – by Vijaya Schartz

Order ANGEL BRAVE now, to be delivered September 1, 2021 HERE 
Visit my page at BWL Publishing HERE

 
Keoke Mahoe, Zephyrian spy for the Resistance, slips through Azura’s impenetrable defenses to deliver a perilous message to their leader. But Lady Valoria fiercely protects her planet. Any intruder, especially one who kills animals for food, is promptly terminated.

Besides, what Keoke suggests is unthinkable... and punishable by death. Yet, Valoria enjoys his audacity, his noble heart, his ability to cheat death, and his smile… to the chagrin of Eris the Amazon, her best friend, bodyguard, and would-be lover.

But in the farthest confines of the galaxy, an old enemy is rising again. And this time, even Azura's Avenging Angels may not be able to stop the onslaught of darkness upon all civilized life.

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Angel Brave is the last book in the Azura Chronicles series, but don’t worry, my winged Avenging Angels will continue their fight against evil. As for Azura, it will probably make cameo appearances in my future novels. Yes, the Azura universe will go on…

In the meantime, you can read the Byzantium Space Station series set in the same universe, with a few angel characters from Azura.

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Next year, get ready for a spinoff sci-fi romance series named “Blue Phantom.” But this will be the topic of next month’s post…

Until then, keep reading.

Vijaya Schartz, author

Strong Heroines, Brave Heroes, cats

http://www.vijayaschartz.com

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Walpurgis Nacht

 

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Walpurgisnacht is said to be named after an early Christian woman (Saint Walpurga, 710-779) who was missionary to the Black Forest German pagans. Like most saint's stories, I take it with a grain of salt. 

More likely, Walpurga was a wise women or, perhaps even a female divinity of place. If you can't at first get rid of those old gods and their generosity with a good time, the early Christians soon found that these local holidays were easily co-opted. Taking over a night of bonfire and dancing is not too hard, but you have to discourage (first with threats and then by fire) the far older fertility rites of liberated sex in the woods. (Imagine! Women running wild!) Among the English, you'll family names of Robinson or Green or Grove are common, and are often said to have had their origins in babies born after a spring fling in the forest. 

This is one of the stories within Roan Rose, whose heroine is born into the just such a peasant community.

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For humble farm folk, the older traditions often quietly continued. After all, the New Religion allows you to repent whatever indiscretions you've committed during the night at the next morning's Saint's Day Mass! Alcohol, a good party and warm weather are stimulants to the young who, in all ages, are universally singing "Born to Wild" after any big celebration with the opposite sex present.

This Walpurgisnacht, or Hexennacht, ("witches night,") falls midway between the summer solstice and the equinox and were therefore once commonly named "Cross Quarter" Days. Like Samhain (Halloween/Hallow's Eve) May Eve is considered another "time between" when the "veil between the worlds" is thin. So, besides a party--if you were inclined to celebrate--you might have a picnic or leave food for the spirits of place, or "bring in the May" by decorating your home with flowers and greens just as my mother showed me long ago. These quieter alternatives to that blow-out bonfire are more in order where I live and to the state of my elder body. However, from sundown on April 30th until sunrise on May 1st, the old rule, bar the caveat "'an you harm none" was: Do what you will!  

While researching the habits of 18th Century Vienna, I learned that there, Saint Brigitte was the proper Lady to celebrate on May 1st. The similar name indicates that she may be a form of Brigid, the ancient Celtic triple goddess of artistic creation, rebirth and renewal. In my reading I learned that so many tried to leave the city for picnics and flower picking in the surrounding fields and woods on that day, that there were, by the late 1770's, traffic jams. Once, I read, the Emperor Joseph himself could not get out of town on one particularly carriage-clogged May Day because he did not drive out sufficiently early in the day.  

In My Mozart, the teen heroine has a name day on April 29th. She attends a fateful party in the Vienna Woods with the louche fellow players from her new workplace, a Volksoper, where she dreams of the blazing kiss of Orpheus.

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In Zauberkraft Black, the hero, a little drunk and sorry for himself, stumbles upon just such a party among his tenants the first night of his homecoming from the Napoleonic Wars. He finds a great deal more is going on there than simply drinking and getting lost in the new green woods with a willing farm girl.  How little, this gentleman will find, he has known his own peasants!

 

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It's probably pretty clear by now that I love this holiday and still keep it with flowers, new loaves of bread, and a of wine. On Saturday too I will pick up a few more native plants from a local Conservancy group--all very formal this year because of Covid--and bring them home to my yard. (Please grow, My New Darlings!)

  Welcoming spring and giving thanks for the seasons while whispering a few prayers for a bountiful harvest can't, at any time or place, be a bad thing. These days, Mother Earth is in need of all the good vibes we can send to her.

~~Juliet Waldron

Julietwaldron.com

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Who were the Paladins of Charlemagne? - by Vijaya Schartz

The Curse of the Lost Isle series starts in the time of Charlemagne and the Viking Invasions and ends during the Crusades.Find these books on my page at BWL Publishing HERE

When Charlemagne ascended to the Frankish throne in 968AD, he designated twelve Paladins to help him rule the Frankish Kingdom. They were highly trained noblemen, expert swordsmen and fierce warriors. They, took a solemn oath of fealty and swore to abide by Christian rules. Some say they were the first chivalric Christian Knights. Others argue they were Charlemagne’s henchmen, extortioners and executioners… which, in these violent and troubled times might be closer to the truth.

Ending the Dark Ages, Charlemagne united Europe in the name of Christianity, against invaders from the north (Vikings) and the Saracens in Spain. He beat medieval Europe into submission and imposed strict Christian rule. He established schools, promoted education, the copy of illuminated religious manuscripts, art, architecture, and he also maintained a formidable army.

On the battlefield, after a victory, Charlemagne gathered the surviving enemy soldiers, made them kneel, and gave them a choice. Convert to Christianity and join his army, or be beheaded on the spot. Of course, many converted, giving the new faith lip service only. Better be a live Christian than a dead Pagan, right?

Still, a number of vanquished soldiers chose death over conversion. Pagan roots ran much deeper than Christianity in many places.

The Celts, in particular, gave Charlemagne a difficult time. Especially the small kingdom of Brittany (French Bretagne) a bed of Celtic culture and legends, the birth place of Merlin, the place where legends of Vivian the Fae, Morgan the Fae, Pressine the Fae, Palatina the Fae, Meliora the Fae, and Melusine the Fae, still flourish, among other myths.

To deal with these pesky Celts, Charlemagne nominated his trusted nephew, the Paladin Roland, to administrate the Marshes of Brittany on the western frontier.

Roland is still famous in France and throughout Europe. This is his statue in Metz, France, not on a church or historical building, but at the train station.

The story of Roland:

Roland sworn in by Charlemagne as a Paladin knight

Roland, and Olivier, his childhood friend, swore fealty together as Paladins of Charlemagne. Roland is poetically associated with his sword Durandal, his horse Veillantif, and his oliphant horn.

The Song of Roland written much later, lists the twelve paladins as Roland, Olivier, Gérin, and Gérier (killed by the Saracen, Grandonie), Bérengier, Otton, Samson, Engelier, Ivon, Ivoire, Anséis, and Archbishop Turpin ...

There is also mention of Fierabras (meaning proud with strong arms), a converted Saracen knight who seems to have served as the basis for the legend of Percival, of King Arthur’s legends. Yes, medieval romantic tales often tend to ignore chronology as well as historical facts and dates… unless you consider reincarnation or immortality.

While returning from fighting the Saracens in Spain, Roland, closing the long column through the pass of Roncevaux in the Pyrenees, was ambushed by the Basques. He sounded his oliphant horn, calling for help. But his conniving uncle at the head of the march pretended not to hear the oliphant and refused to turn back to help. Grossly outnumbered, Roland and his company fought bravely. Roland, at the end, broke his faithful sword, Durandal, on a boulder, so it wouldn’t fall into heathen hands. Roland and his company were killed to the last, in Roncevaux in 778AD.

Roland breaking his sword on a stone

On Christmas day in 800AD, in Rome, Charlemagne was crowned Roman Emperor of Occident by Pope Leo III. The great emperor died in 814AD. 

But his Paladin knights still fascinate modern youth and keep gathering fame in children’s books and videogames.

If you enjoy reading the heroic myths and legends of the time, I recommend The Curse of the Lost Isle series, based on the Celtic legends of Brittany. The first two books are set in Scotland during the Viking invasions. Then the story of this family of immortal ladies spreads to Luxembourg, France, Germany, Spain, Italy, and the middle East during the Crusades.

Princess of Bretagne, Curse of the Lost Isle, book 1

Currently $1.49 in kindle. Also available in paperback

Find it at your favorite online store HERE 

"Well-written and researched, Vijaya Schartz's "Princess of Bretagne' is a joy to read. Although it is a fantasy, Ms. Schartz deftly weaves in historical aspects and customs of those times. One overriding theme is the clash between paganism and early Christianity during the Dark Ages.... a worthwhile and entertaining read." 5 stars review.

Happy Reading.

Vijaya Schartz, author
Strong Heroines, Brave Heroes, cats
http://www.vijayaschartz.com
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Seat of the Pants + Writing Fiction

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That's what it is these days, pretty much, seat of the pants. Fortunately, I'm no longer an office worker, where this tendency is job-ender! Retired, however, I've become increasingly this way--culminating in tonight, wherein I crown myself Princess of Procrastination. 

My husband seems to believe that I have a record with put-off-till-tomorrow syndrome. He says he remembers college, and me sitting up half the night, bent over a textbook, performing a last minute stuffing on facts. But---shhhhh--I remember him breaking open his Statistics book the night before the final...

What happens when you yourself, a writer of books and proud, self-declared "Seat of Your Pants Plotter" find that inspiration has failed you? The seat of those pants has worn through, or something. 

I'm accustomed to being led (grabbed by the throat) by my characters, who are usually chatty and full of stories about themselves and their friends and relations, but what if they wander off and fall down a rabbit hole?

Far too many have been doing this to me lately. They start off with a conversation which really seems to be going somewhere, but suddenly, as if someone filled their 18th Century teacups with many, many drops of Laudanum, they fall back senseless upon the appliqued cushions of the settee, or, more likely, just vanish down a dark hallway of the rambling manor which belongs to their uncle, the sixteenth Earl of Whatever, and never return.

Afterward, no matter how often I attempt to recontact them--offering them dinner parties, glorious, thundering steeplechases, or handsome sweethearts, late night trysts in the Earl's topiary gardens or witty dialogue in Regency Ballrooms, they refuse to come out and share their stories with me.

This has been happening for the last year or so. It's annoying, really, when all the chatter just stops, because up till now I've been able to rely on my characters supplying entire story lines. Or to put it another way, the thread I've been following in the labyrinth breaks and there I am, left alone in the dark. 

I can't lay this at the paws of the two cats who vie for which one can jump the most frequently on my forearms while I am attempting to create. 

(Lizzie, who really knew how to cuddle on my forearms in such a way that I could still type.) 

Tony & Willeford show no interest in mastering Lizzie's talent. Willeford assumes the meatloaf position directly in front of the keyboard. Tony faces the monitor and refuses to be turned, so his legs keep straying onto the keyboard resulting in stuff like ,,,,hkkkjhkhgkkkkkkkkgkhhh;;;;;;;;;;

Schuyler in full meatloaf

But this cat-blaming is a deflection, a writer's cop-out. 

Facts are: I've gotta get this heroine I've been imagining back to work.  Perhaps a long absent relative from the East India Company--or maybe from the equally exotic, violent world of plantation Jamaica--needs to show up, in order stir the pot, and pique my young character's interest. I'll even go back to the drawing board of a re-write if that's what it takes to get the seat sewn on my plotting pants again.

Fellow fiction writers: Please be so good as to let me know if you have any tricks up your sleeves. (Pretty please?)

~Juliet Waldron


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An AWOL Character Returns

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My first novel, one where the main character moved into my head and literally would not be let me alone, not to sleep, not for work, or even to quietly clean my house. Nanina talked and talked and talked for six months straight and I had to stay up half of every night typing like crazy just to get it all down. Miss Gottlieb's story of love, of magic, of music and of madness set me on the full time writer's path some forty (!!) years ago.  

Sometimes, after starting out with a rush and talking away like crazy, a character can decide to take a holiday--sometimes permanently. Actually, this is more like "going AWOL" for the hapless author, who may have a book contract to complete. This is one of the hazard's of being the kind of writer who is working their way through a planned series of linked stories. I once was far more "prolific" --the favorite description of all all agents who are shopping a writer to an editor--but my own little well of inspiration dried up about a year ago.

I believed I was done--written out. Instead of mourning or getting bent out of shape, I've been trying to Zen my way through the absence. After all so many years of story telling, there was certainly a sense of loss, but I was determined not to brood or feel sorry for myself, but simply to take a "wait and see" attitude. 

Recently, however, I've received cage rattling, from not one, but from two characters, the leads in two quite different unfinished novels. One is pure, unadulterated romance (Aphrodite help me!). The other is Zauberkraft Green, which was supposed to be the third story in my "Magic" series. As the name suggests, these are historical novels with a fantasy flare, stories which cross a lot of genres, from Gothic to Adventure to Horror and Romance. 

                           

Zauberkraft Green's main character is Charlize, who is the grandchild of Caterina, who is the heroine of the strongly romance-inflected Zauberkraft Red. Charlize is also the niece of Goran, Caterina's first born son and the shape-shifting hero of Zauberkraft Black. 

Typically--at least, what I'd come to expect from Charlize after we became acquainted--was a lot of ADHD precocious chatter, even a certain bitchiness. Then, just as suddenly as she had begun, her voice vanished from my head. 

I'm beginning to think she didn't want  to talk too much about the things that frightened and threatened her, because, hell, what I do know about those elements of the story frighten me too. However, all of a sudden, right about the dark of the moon a few days ago, Charlize began to speak  again. This blog is a kind of celebration that she's taken it upon herself to reappear and (maybe) finish the darn story.

Or at least, I hope so! I don't want to go on too long about her reappearance or gloat. As everyone who writes, or aspires to, knows, these gifts from the Spring of the Muses must not be taken for granted.  A lot of work and even more concentration will be necessary to turn whatever odds and ends she shares into the spooky journey I hope that Zauberkraft Green will eventually be. 

BTW, all three of these novels are Regencies, even if the first two have a European setting instead of the traditional Lyme Regis or Bath. Young teen Charlize, however, has been adopted by an Englishman, a kindly gentleman who has made an honest woman of her beautiful mother and moved them all to London, so here they are at least, proper Regency people, living where they are supposed to: in the UK. 

Wish me luck! I'm sure I'll need it.


~~Juliet Waldron
(Happily hearing voices in her head again!)

See all my historical novels @

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Contemporary or Fantasy Janet Lane Walters #MFRWAuthor #BWLAuthor #Fantasy #Contmporary

Fantasy vs Contemporary

 

I recently finished a contemporary romance and am now working on a fantasy. Bothof these books are either part of a series or part of a trilogy. Been thinking about what happens in my head when I enter these worlds. What changes?

When writing contemporary stories, I’m familiar with the world. Much depends on finding a location for the stories but… I generally use a fictitious town I’ve created. One for each group of stories. I seldom use places that exist. Once I did and that was Santa Fe but I only used enough to give a sense of being there.

When writing fantasies, the worlds are completely made up. Here is where creativity and research comes into play. There are features in ancient civilizations that can be turned into fantasy worlds.

So the difference between the two is working with the familiar and with the imagined world.

The characters’ names and language are things that can be different when going between contemporary and fantasy. I try to make the names sound not of this world but I don’t do what some fantasy writers do and mane the names of the characters unable to pronounce. With the language, I try to make things common to the contemporary world easy to identify. Like choca for cholate and kafa for coffee. My entomology and my foreign dictionary often come into play here. In some of my fantasies, things exist that don’t occur here such as bihorns rather like huge horses or dragons.

So slipping from the modern world to the fantasy world means creating things that are unusual and also familiar to people.

A Little Romance or a Lot

  

These are the areas where I write and I discovered something while looking at the books. There is romance in all my books. In some, there is a lot and in others, there is little.

Of course the ones titled romances have a lot but there is more to them. Most of my full length novels have something a bit more than just being romances. The romance underlies the other problems and I enjoy writing them.

My cozy mystery series has a romance that begins with just a mention of the romantic interest’s name. Each book the romance grows stronger until they are married. Both being in their sixties and a second marriage for both. The funny thing is I didn’t realize this was a romance until I reached the third book.

Even the YA fantasy series has a bit of romance. While the main characters become great friends, some of the minor characters have a bit of romance.

Why romance to flavor the stories. Probably because I’m a sucker for happy endings.