Showing posts with label Kelegeen. Show all posts
Showing posts with label Kelegeen. Show all posts

Saturday, September 7, 2019

Many Thanks to Worcester Resident, Randy Bloom

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As mentioned in last month’s newsletter, I’ve been researching Worcester history and the neighborhood in which some of the characters in the sequel would have worked and lived as domestic servants. Randy Bloom, a long time resident of the Crown Hill historic district of Worcester generously opened his 1856 home to me for a private two-hour tour.

Like the residents before him, Randy has kept the interior of his home true to its original. What a treat it was to meander through all those rooms – three floors in the main house plus a two-story carriage house – taking the original gas lighting fixtures and coal burning fireplaces, reproduction wallpaper perfectly replicating the original, the floor-to-ceiling windows and the French doors leading from the parlor to a glassed-in porch, which in the 1850s was use as a greenhouse to lengthen the growing season and as a solar collector to add warmth to the porch and parlor in the colder months.

As I walked through the house and grounds, I was struck with inspiration for exactly how this house will fit into the sequel. I’m not telling, though – no spoilers here!

Again, my gratitude to Randy for his generous hospitality!


Original gas lighting fixture in the dining room. The extra gas jet (visible at front center) allowed for an attached rubber tube to hang down and connect with a gas lamp in the center of the table.

Kindling and coal were burned in the basket at the front of this fireplace. Though the mantel and surround appear to be marble they are really soapstone painted to look like marble right down to the gold veining.

Wednesday, August 7, 2019

A Walking Tour of My Next Novel


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Ever since I decided to set the sequel to my debut novel, Kelegeen, in Worcester, Massachusetts, I’ve been seeing the city in a new way. I grew up and still live in a town that abuts Worcester and work a full-time job located in downtown Worcester. I’ve spent countless hours in the city of Worcester. I even rented a house there many years ago. Naturally, I thought I knew Worcester. I know how to get to a lot of places in the city and even when lost, I’ve been able to use landmarks I can see in the distance to figure out in which direction I should head. Of course, now that I have GPS, I don’t need to do that, but sometimes I do just to know I still can.

Recently, I discovered Crown Hill, a hidden jewel in a section of Worcester I never knew existed. My friend and fellow writing group member, Cindy Shenette, is a docent for Preservation Worcester. While discussing where my Irish domestic servant characters would have lived and worked, Cindy mentioned Crown Hill.  This, she said, is where Worcester’s middle class resided. They were the folks who could have afforded to hire one, possibly two, domestic servants. Perfect! Luckily for me, Cindy conducts walking tours of the Crown Hill area and offered to take me on a private tour. Naturally, I jumped at the chance.

On a lovely morning in late June, Cindy picked me up and off we went. The tour began outside a house a on the corner of Pleasant and Oxford streets. It was built in 1844 by Asa Walker, a merchant tailor who owned a store on Marion Street. Asa lived there with his wife, Lucy.  Made of brick, the house is unusual for the area since most were made of wood.

Greek Revival home of Asa and Lucy Walker built in 1844
Across from the side of this house stands a brick building that is now Rob Roy Academy Hair and Beauty School, but in the time of my story was the Pleasant Street Primary School. Could this be where the children of Meg's and Kathleen's employers were educated?

Originally the Pleasant Street Primary School - Now the Rob Roy Academy Hair and Beauty School

As the tour continued along Oxford Street, Crown Street, Congress Street and the sections of Pleasant Street and Chatham Street that pass through the Crown Hill area, we saw a plethora of homes that would have stood at the time of the setting of my novel. Most were Greek Revival along with a few Italianate and Second Empire houses.


Greek Revival House


Elijah and Mercy Brooks House - Served as a parsonage for a nearby Quaker Meeting House



Two views of an Italianate house
As we strolled along, the morning grew warmer and we were grateful for the tree lined sidewalks. We stopped to note the few remaining gas streetlamps (still in use!) and hitching posts for horses (not still in use).

Gas streetl lamp - still in use

Since Crown Hill is a designated historic district there are strict rules governing what residents are and are not allowed to do with the outside of their houses. Though now, many of the Greek Revival houses are painted in various colors, in the mid-1800s they would all have been an off-white, making the street resemble a row of ancient Greek temples. As Cindy noted, if all the vehicles were removed, the paved roads replaced with dirt, and the houses all painted the same color, it would look pretty much the same as it did back then.  It didn’t take much imagination to picture myself as one of my characters walking down these very streets. What an amazing feeling to enter into the world of my characters!

Tour guide and fellow writer, Cindy Shenette


Author, Eileen O'Finlan taking notes while happily walking the same streets as her characters


Thursday, March 7, 2019

Solo Writing Retreat by Eileen O'Finlan



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It's time to seriously focus on the sequel to Kelegeen, so I spent the last week of February secluded in a hotel suite in Worcester, Massachusetts, where the sequel will be set, to work undisturbed and undistracted.  I arrived at the Residence Inn in Worcester late on Monday afternoon.  Once I was settled in, I got right to work.  The suite has a great little work area with the most comfortable chair ever – I wish I could have taken it home!



The first hurdle was getting on the Internet.  I was given my WiFi password when I checked in, but getting to a screen that actually asked for it seemed an impossible task.  I finally stumbled upon it, put in the password and I was off and running.  The table is right in front of the windows, so during the day the sunlight helped a lot, which is a good thing since the lighting in the suite left a lot to be desired as did the lack of dish liquid and a frying pan, but I digress. 

I wanted to get as much as I could out of this week, so I made it an early night.  I had not realized just how exhausted I’d been until I tried to wake up the next morning.  Even after my brain woke up, my eyelids refused to open.  I think it was around 11:00 a.m. before I dragged myself out of bed.  Yikes!  Most of the morning already gone before I could even eat breakfast, shower, and dress. 

Assuming, I’d have no problem getting online, I fired up the laptop only to find that I had no Internet connection.  After trying in vain to retrace the steps that finally connected me the night before, I gave up and asked the guy at the Front Desk for help.  He obligingly came to my room and had my laptop online in about two seconds.  For those who don’t know (until then, that included me) when you can’t reconnect to a public WiFi connection, try going to a site called purple.com.  It reroutes your computer to get you back online.  Who knew?  I sure didn’t.  Good thing Front Desk Guy knew.  Thank you Front Desk Guy!

I spent the rest of the day with my eyes glued (not literally – I mean, ouch and yuck!) to Erin’s Daughters in America:  Irish Immigrant Women in the Nineteenth Century by Hansia R. Diner.  Between reading, note-taking, and checking information online, the afternoon flew by.  I did make a point of ungluing my eyes long enough to walk all the hallways on all four floors of the building just to keep my circulation going.  There was little chance of falling asleep at the desk despite feeling like I could nod off at any minute (still in the extreme exhaustion phase) since the air around the desk felt as icy as if I’d opened the windows.  I hate being cold, but, hey, it kept me awake and working.

I went to bed extra early that night, hoping to make up for my late rising.  It didn’t work.  Well, I did get up a little earlier than the previous morning, like around 10:30.  It dawned on me that I needed this week as much to rest as I did to research and write so I decided to stop mentally berating myself for sleeping late and make the most of the time I was awake. 

When I finally finished Erin’s Daughters, it was time for my tour of the four floors.  I remembered seeing photos of various places in Worcester in the hallways of each floor so this time I took my camera.  Meg, my main character, would have arrived from Ireland on a ship and docked in Boston Harbor, then taken a train to Worcester.  I know the current train station wasn’t built until 1911 so I’ve been trying to figure out where the station would have been in my story.  One picture might have given me a clue.  It’s the outside of a building with the words Boston and Albany  New York – New Haven and Hartford – Boston and Maine engraved in the façade.  Hmmm…could this have been the original station?





Research brings both answers and questions.  The more I find out the more I need to know.  So along with my notes I have a growing list of questions, most of which have to do with the who and where in Worcester in the 1850s. 

After checking the website for the Worcester Historical Museum I found that they have a plethora of information on Worcester in the 19th century.  I gave them a call, only to find I was speaking with a woman who took the online course in Church History that I just finished teaching.  What were the odds of that?  She informed me that the museum’s archivist is an expert on Irish immigrants in Worcester.  Pay dirt!  I made an appointment to meet with her so the last night of my solo retreat was spent writing out those all-important questions I want to ask her.

Oh, and one more thing – Chapter 1 is well underway.  The sequel has officially begun.

Thursday, February 7, 2019

Going Away to Write


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March 1, 2019 will mark the first anniversary of the release of my debut novel, Kelegeen.  Much of this year has been spent on a very steep learning curve, one that included educating myself on the publishing industry and, even more so, on marketing. It was obvious I didn’t know what I was doing, so I hired a marketing firm to guide me.  They’ve been extremely helpful, but I still had to do the work of putting my book and myself out there.  It’s been a great experience, one that is ongoing, as I’ve only skimmed the surface.  The problem is it hasn’t left me with much time to write.  My 9:00 – 5:00 day job, teaching online courses for the University of Dayton, and caring for my 92 year old mom who lives with me along  with various other responsibilities and obligations on top of my new marketing tasks has eaten up what little free time I had before this adventure ever began.

When it comes to my writing, the most common question I’m asked these days is, “when will the sequel be out?”  My answer is usually a non-committal “working on it.”  It seems I’ve been in the historical research phase forever.  That’s not just because there’s a large amount of research to be done, but because I’m not finding the time to do it.  I knew something had to give.  An overwhelming desire to get away from every distraction and ensconce myself somewhere that would allow me to laser focus on the sequel drove me to find a solution.

Enter my cousin, Patty.  Patty is retired, her children grown, and her mate fully capable of taking care of their dogs on his own for a week.  Patty is also very fond of my mom and lately has been repeatedly expressing a desire to visit her.  So, in one of my hair-pulling moments of frustration at not having time to research or write, Patty’s genial, smiling face flashed into my mind. 

I texted Patty, laying out my plan before her.  If she could come down for a week (she lives in Vermont) and stay with my mom, I could use some of my vacation time from work and go away to write.  She loved the idea.  Mom loved the idea.  I’m head-over-heels in love with the idea.  It didn’t take long to find a time that worked for all of us, so I quickly booked a weeklong stay at a studio suite in a local hotel. 

Before this month is over, I will have spent a week doing nothing but research and writing.  That entire week will be all sequel, sequel, sequel.  No distractions, no other responsibilities.  No, I won’t be able to write an entire novel in a week, but I do expect to make serious inroads on both the research and the writing.  Once I get that fully underway, I hope to be able to run with it from there on out.

Though I’m all too well versed in Murphy’s Law and the best laid plans of mice and writers, I am hopeful.  As long as all goes according to plan, or at least close to it, my post next month should be all about what an awesome, productive week I had.

Friday, December 7, 2018

Decorating with Dad by Eileen O'Finlan






This Christmas will mark the twenty-second time we’ve celebrated the holiday since my dad passed away at the age of sixty-six.  My family is big into holidays.  When I was a kid the house was decorated for every one of them, even the minor ones.  Christmas, though, was the ultimate.  No one got more into the decorating than my dad.  He turned our home into Christmas Land, inside and out.

Christmas decorating got underway once we’d returned from Thanksgiving weekend at my grandparents’ home in Bennington, Vermont.  Dad was in a festive mood after several days of feasting and visiting with a houseful of relatives.

First the living room had to be rearranged.  Over the years Dad, an engineer by trade, developed a strategy for furniture placement.  One layout was for Christmas, the other for the rest of the year.  It wasn’t just the furniture, either.  Knick-knacks and whatnots all over the house exchanged living quarters with the Christmas decorations boxed and stored in the basement.

Once the room was rearranged, the tree set securely in its stand and watered (until we switched to artificial trees), the most difficult and least fun part began - stringing the lights and garland.  Extra bulbs were kept on hand since if one went out they all went out. That meant testing every bulb on the string until the culprit was found, replacing it, and hoping that one worked.  Heaven help us if more than one bulb went out at the same time.  Dad wasn’t much for swearing, but those bulbs were almost guaranteed to elicit a few words more colorful than the lights. 

My sister, Cindy, and I endured the interminable wait in order to pounce the moment Dad finished.  It was our job to help hang the tinsel and ornaments.  We delighted at seeing these old friends that had been out-of-sight, out-of-mind for a year, especially the ones that hung on the trees of my mom’s childhood.  My favorite was a set of three delicate, sparkly silver shoes each with a tiny child inside representing Wynken, Blynken, and Nod.  Mom and Dad joined in the tree trimming while we all sang along with the Christmas albums on the record player.



Once the tree was completed, we moved to the rest of the room.  The top of the huge black and white TV was large enough to hold the snow village.  Each house and the church were painted cardboard fitted with a light bulb making their colored cellophane windowpanes glow.  There were decorated pine trees and elves made of pinecones, pipe cleaners and felt.  Flimsy it may have been, but it was cherished.  A tinkerer at heart, Dad kept adding to the village.  A mirror became a skating pond, tiny lamp posts graced the “street”.  The village eventually outgrew the TV top and had to move to a new location.

A gold bell that played Silent Night hung from one doorway, mistletoe from another.  A lighted church sat on the end table on top of sparkly white cotton batting emulating snow and surrounded by Nativity vignettes.  Mr. and Mrs. Claus stood on either side of the fireplace.  The last thing to be displayed was the crèche.  I loved the smell of the papier mache figures and the soft glow from the blue light illuminating Mary’s robe.  In the weeks to come I would spend hours playing with the crèche as if it were a doll house.

Not a room escaped decoration.  Every window had a candle either on the sill or hanging inside a red wreath.  Even the bathroom had a bubble lamp and a candle in the window.

Then came the outside.  A large plastic lantern, later to be replaced by a Santa, brightened the front porch.  Dad strung colored lights along the porch railing and throughout the hedge in front of the house.  After a heavy snowfall red, blue, yellow, green, and purple lights shone through giving the hedge an otherworldly glow.

There was no such thing as too many Christmas decorations as far as Dad was concerned.  Over the years, he made tree ornaments including drums and sleds with each of our names on them.  He outdid himself the year he made a perpetual calendar.  The scene at the top was attached with Velcro and could be changed with the seasons.  Naturally, the Christmas scene was the best.  It was a miniature replica of our living room right down to the same wallpaper and the clock and candlesticks on our fireplace mantel.

 

 
















With the decorating complete, our home was transformed.  Every day of the Christmas season I played in the wonderland of my own personal Christmas Village.  Every night glowed with colorful splendor.  The saddest for me was the weekend after New Year’s when everything came down, packed away in the basement, the magic gone, the house returned to normal.  It was like waking up from the best ever dream.

Since Dad’s been gone, I decorate the house.  Though my taste is a bit different from my dad’s, I seem to have inherited his love for holiday decorating. I still move furniture, to give the tree pride of place.  I miss the smell of papier mache from the long lost crèche, my current one being made of sturdier material.  I love to sit in the living room in the evening, gazing at the lights on the tree, the one remaining Wynken, Blynken and Nod ornament always prominent.  I can feel Dad’s presence in the quiet of the evening.  Our styles are very different, but unlike me, he was decorating for kids.  His joy came as much from the glee his efforts brought to us as from his own enjoyment of the holiday.  I think he is smiling with me as I create my grownup version of Christmas Land.  And I’m certain he would appreciate the invention of pre-strung lights on the Christmas tree.

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