Showing posts with label Time-Travel. Show all posts
Showing posts with label Time-Travel. Show all posts

Friday, April 26, 2024

An Excerpt from The Laird (Wild Heather Book 1) by Tricia McGill

 

Find all my books here

I’ve always found the idea of travelling back in time fascinating. And the thought of meeting up with a rugged highlander like Travis, the Laird in this book is one of my wildest dreams. To think what it must have been like back then in the days before transport, electricity and all the other commodities that make our lives so easy nowadays. The Laird is Book One in my Wild Heather series and if you fall in love with the Laird as I did in this book then you will enjoy Book Two in the series which continues on with the handsome rogue’s story.

For something different I have two time-travelers going back to Scotland of 1050. Andrew is a modern wealthy Australian architect who very reluctantly answers a plea to visit his sick uncle. Andrew takes life very seriously, whereas his PA Elizabeth, Liz, is the exact opposite. Outgoing and a lover of fun, she is also a lover of all things Celtic and has studied Celtic lore and language. She inveigles Andrew into letting her accompany him to Scotland, the birth land of his father, who left there under a cloud years ago.

Shocks and disappointments await Andrew when they arrive for his uncle’s castle is dingy, draughty, and in urgent need of repair. Of course, it proves a delight to Liz who can’t wait to explore. While in one of the attics they set off a chain of events that propel them back in time where they meet the Laird, who just happens to be Andrew’s double.

“This is a remarkable book, and Ms. McGill is an outstanding writer. There is rich historical detail of everyday medieval life, and characters who stepped right out of the annuls of history. I love time travel books, and this one is exceptional.” Deborah Brent for Romantic Times.

The Laird is available here at your favourite store: https://books2read.com/The-Laird

The Laird Excerpt:

Chapter One 

Near Stirling, Scotland. Present day.

Andrew McAlistair stared at the muddle of buildings. He’d never seen such a mess.

His personal assistant obviously didn’t share his opinion. The moment she spied the heap of junk, she said, “I’ve never seen anything like it.”

“Neither have I.” Sarcasm threaded through his remark.

“It’s fascinating.”

“Elizabeth Parker, you’re odd.” Andrew shook his head. “Surely this can’t be the right place. It has to be a mistake.” He’d stopped the hire car by a pair of iron gates, once grand, but now hanging drunkenly on rusty hinges. One of the lions perched askew atop the posts flanking the gates had its concrete nose sliced off. “My uncle and aunts can’t live here—we’ve obviously taken a wrong turn somewhere.”

“No, that lady at the post office said this is the place. Drive on to the door.”

Andrew’s insides cringed as he drove past a garden gone to weed, where motley shrubs battled to survive against a choking tangle of thistles.

“The house looks promising,” Liz said, her eyes still sparkling with excitement.

Andrew groaned. Back in Melbourne, those green eyes lit up the moment he mentioned his uncle’s castle. Liz read Scottish history as if it was the most interesting literature in the world, and possessed an understanding of Celtic lore and languages. She was the only person he knew who spoke fluent Gaelic.

“My God, it looks like the house that Jack built,” he complained. “The bloke who designed it must have been crazy. Or drunk.”

A two-storied house stood stoutly in front of a larger four-storied structure with turrets at the top of the two front corners. Curved steps went up to immense double doors. Small grimy glass panes were set high in each door.

The moment Andrew stopped the car these doors flew open and two elderly ladies pranced out. One wore a bright tartan skirt and red blouse with frilled neck and cuffs. The other’s black dress covered her from neck to ankle.

His aunts, Kitty and Tilda. Andrew could only stand and stare.

“Andy, is it really you? Ye’re here, all the way from Australia!” The plump one had a mass of hair like corkscrews. She drew Andrew against her ample bosom, her tartan skirt swirling as she rocked him back and forth. Her cardigan had seen better days, as had her scuffed brown leather boots. Vermilion lipstick ran through cracks at the side of her mouth. The scent of lavender and mothballs made Andrew cough. As he tried to free himself from the old lady’s clasp, he saw Liz’s grin.

As she pumped Liz’s hand the thinner of the two old ladies twittered, “An’ you must be Andy’s trusty companion.”

Andrew managed to free himself from the plump one, only to be dragged into a pair of stick-thin arms that pressed him against a breast as flat as a board.

“I’m yer Aunt Kitty.” The bigger one stood back and beamed. “I cannae believe you’re really here, Andy.”

Kitty was in her early seventies. Her boots looked sturdy enough to take her over the hills and dales and she looked fit enough to hike for miles.

“This is Tilda.” With an indifferent sniff Kitty pointed to her lean sister. Tilda’s tight bun dragged the skin of her face back from her prominent cheekbones, pulling her narrow mouth into a straight line. Probably sixty, Tilda looked ancient. Like a hyperactive sparrow she jerked from foot to foot.

“I’ll call the old bugger.” She rushed inside. Andrew blinked.

“Tilda’s a bit slow,” Kitty put a finger to her forehead and rotated it while she rolled her eyes. “Come away inside. The old fellow will fetch yer luggage in.” She waved a hand in the general direction of the vehicle. “Yer car can stay there. The garage has a hole in the roof, so it will do just as well where ‘tis.”

Andrew’s disappointment grew in leaps and bounds as they went into the hall. Instead of the marble fireplaces, oak panels and Persian carpets of his fancies, the large lofty hall was starkly unfurnished, except for a few rusted weapons hanging on walls whose plaster was peeling. The paintwork bore water stains, the stair carpet was threadbare and the whole house seemed dilapidated, draughty and in need of repair.

“Now, can I get you a cup of something hot? You must be feeling the cold something awful after coming from the tropics.” Kitty yanked on the waistband of her skirt.

“Australia isn’t exactly tropical, er...um...Aunt Kitty.” Andrew ran a hand over his hair, then down his nape. Good God, the woman didn’t feel a bit like a relative. And he wasn’t keen on the amusement Liz was failing, to conceal. “At least not in Victoria where we come from.”

“Ah well, once ye get settled in ye can tell me all about yer home and work...and everything.” She rubbed her palms together.

“I’d like a hot drink, Kitty.” Liz asked, then added, “May I call you that?”

“Good gracious me, yes. Now then, follow me.” She started off along the wide hallway, her skirt swaying.

“What century was the castle built in?” Liz asked, obviously intrigued by this monstrosity of a place. Andrew shook his head.

“The original part at the back was built in the seventeenth century, dear, but bits have been added on over the years. Not much has been done in the past few years, though.” Kitty tut-tutted sadly as she opened a door beneath the staircase then gestured with red-tipped fingers for them to enter. “We eat in the kitchen these days, ‘tis warmer.”

She waved for them to sit at a long wooden table with ten chairs around it, and then went over to the huge black stove throwing out enough heat to warm the cavernous room. “The kettle will take but a moment to boil.” She tugged on her cardigan, rubbed her hands together a few times, and sat opposite them.

“Yer uncle will no doubt wait until later to welcome ye himself. I’m sorry to say he’s a wee bit obstinate, is that brother of mine. Fancy letting his own flesh and blood go for so long without one word over the years!” Sighing, she dramatically pulled her bottom lip into her mouth. Then she sent Andrew a coy smile, declaring, “No doubt yer heart is softer than his, laddie. ‘Twas a dreadful shame that yer father left after that awful row with Lawrence. But no doubt he made a fortune for himself in Australia.” Her eyes gleamed with curiosity.

“He did all right,” Andrew admitted quietly. “My father always took some misplaced pride in being the black sheep of his family, but never told me exactly what the argument was over.” He paused, then added, “My father never spent much time discussing anything with me, really.”

“That’s an awful shame.” Kitty reached to pat his hand.

 “The row had something to do with money,” Kitty went on. “I think yer father had a hand in a wee bit of smuggling or the suchlike.”

“That would be about right.” Andrew noticed Liz’s quizzical gaze. He seldom spoke about his father and apart from telling her he’d died four years ago, and went to Australia in 1956 at the age of twenty-five she knew little else.

Kitty busied herself making a pot of tea, then poured them all one. “An’ it was also a crying shame that ye never got to meet yer grandparents, Andy,” she said as she sat again.

It never bothered Andrew before. But now he came to think about it, it was depressing, to be the last in a long family line.

“Still, an’ all, ye’ll be having bairns of yer own afore long, laddie. Then the family will grow again like it was in the old days, when there were many proud McAlistairs.”

Andrew stared into his cup, saying nothing.

Kitty asked brightly, “So, did ye have a good drive over from the airport at Edinburgh?”

 “Yes,” Liz said. “The scenery is superb, Kitty. All that I expected. And the town looks lovely sprawled over the hills. I can’t wait to go to Stirling Castle.”

“Aye, an’ we have the Campsie Fells south of here, an’ then the Ochil Hills on the other side of the Firth of Forth. An’ you’ll have to visit the Antonine Wall. ‘Tis just a wee ride away.”

Andrew looked over to Liz. Her wide eyes shone with expectation. “Oh, don’t worry, she’ll visit every place within a hundred mile radius,” he said with conviction. Her zest for life and interest in all things ancient was astonishing. She had the fair complexion that usually accompanied auburn hair and a few of the freckles attractively spotting her up-tilted nose showed through her make-up. A smile twitched at the corners of her generous mouth as she looked from him to Kitty. A smile was always lurking in her eyes, and he knew she always went out of her way to get him to snap out of his seriousness. It had become a game they played, where she laughed openly and he held back. Even in the well-cut suits and prim blouses she always wore to the office, with her hair coiled at the back of her head, her vivacious spark shone through.

“D’ye wish to go to yer rooms now, laddie, and freshen up?” Kitty was watching him expectantly.

“Oh, yes, sure.” He stood, pushing the rung-backed chair beneath the table.

“Come away with me, then. I’ll show ye up.” With another tug on the raggedy cardigan, she beckoned to them as she made for the door.

After the warmth of the kitchen the hallway struck as cold as a tomb. Andrew shuddered. With a bit of luck they could see his uncle, make peace with him, then scoot back home as soon as possible.

The upper hallway was no better than downstairs, with frayed and faded carpet on the floor and streaks of water damage on the walls.

“Right, this one is yers, Andy.” Kitty stopped and opened a door with a flourish. She stood back, beaming. “And right next door is the lassies’. The bathroom is over there. There’s hot water, but sometimes the heater plays up, so ye’d best work it out between yourselves so one has a bath at night and one in the morning.”

Andrew groaned. It seemed as if that was all he’d done since he first saw this dreadful pile of bricks. Behind Kitty’s back he put a hand to his head, and pressed his fingers to his temple. Liz’s grin widened.

“We’re hoping ye’ll stay awhile, the pair of you.” Kitty patted his arm, and gave him a benevolent smile. “The days are short and the winds heavy about now, but in spring the heather covers our hills with purple. Some foreigners think this a savage land, but we’ve hidden glens where torrents of water rush through them. An’ there’s gently rolling hills and mighty mountains. All that a soul with Scottish blood in his veins can desire.”

Andrew scowled at Liz’s broad grin. How the hell had he let this incorrigible history fanatic talk him into this?

Chapter Two           

“I told you everything would be all right, didn’t I?” Liz said, as Andrew put the phone down and jotted a few notes on the pad in front of him.

Andrew sat on the corner of the desk, drawing her eyes to the powerful leg muscles beneath the fabric of his trousers as he began to swing a foot. With an effort she dragged her gaze away.

In the three years they’d worked together Liz had grown to admire and respect him, but at times could be maddened by his arrogance. Her boss took life far too seriously. If he would only take life more lightly he would be perfect.

What the hell, he was nigh on perfect, with dark softly waving hair, gold hawk’s eyes and a powerful physique he kept in well-honed athletic condition. 

“Yes, as you forecast, Ray is managing with the Dickinson project admirably. With Paula’s help.” He raked a hand through his hair. It was cut short, so he didn’t disrupt its neatness. He sat on the chair opposite hers at the side of the fireplace dominating the library, the only other habitable room on the ground floor. The castle was definitely the drabbest and coldest place either of them had ever lived in. In the two days they’d been here both hovered close to the fire whenever they could.

“I still don’t know how you inveigled me into coming here, Parker,” he grumbled. “I told you it would be bloody freezing here in March.”

“I wanted to skulk around a castle in Scotland.”

“As I said—mad.” He shook his head.

“Well, if I wasn’t a bit soft in the head I wouldn’t have slaved for you with only one holiday in two years, now would I?”

“I was going to suggest you take some time off after we’d cleared up the Dickinson job,” he allowed magnanimously.

“Ah well, this is more exciting than a couple of weeks in Bali, boss.”

“Crazy,” he muttered. “Uncle Lawrence seems quite taken with you. I’m beginning to think he doesn’t give a carrot about me, for all he says I’m his heir.” Stuffing his hands deep in his pockets he scowled at his feet. “I wonder what I’m doing here.” He made a sound of disgust. “The old boy doesn’t seem to be at death’s door at all, contrary to their letter. Aunt Kitty couldn’t give a hoot about him or how sick he is, and from what I gather, she never goes up to his room. Personally, I don’t think she can stand the sight of him. Tilda seems to have more time for him. At least she spends an hour or so in his room each day.”

“Poor dear. She’s definitely a bit slow. And she’s not impatient like Kitty. Did you see how Kitty’s eyes lit up when you were talking about your business, and how well your father had done in Australia? I think she’s of the opinion you’re her pot of gold at the end of a rainbow. She likes the latest clothes, so she told me.” Liz rocked back on the other moth-eaten armchair as she laughed. “She reckons her brother is so tight he squeaks as he walks. Not that she should say that. The poor old soul can’t walk.”

“Poor old soul—what rubbish. He’s cantankerous and rude, and that male nurse of his has the patience of a saint. During the short time I visited with him yesterday he complained about the cost of running this place, the price of food, the wages he pays to the staff.” Andrew ticked the complaints off on his fingers. “Staff—what a joke? My God, he’s only got two old retainers. No wonder the place is falling apart.”

“Yes, but it’s fascinating, admit it. Your uncle told me to go up and rummage through the trunks in the attic any time I feel like it.” Liz leaned forward in her eagerness. “Imagine what we may find up there.”

“Imagine.” Andrew grimaced. “He’s definitely found a soul mate in you. He thinks you’re the bees’ knees. What were you talking about for two hours yesterday afternoon?”

“He shares my interest in the history of this place.” Liz looked about at the dusty drab room, seeing images of shadows of its past inhabitants in every corner. “Can’t you feel it? The castle is steeped in it. I swear I saw a ghost last night as I got into bed.”

“You would. It was probably the first McAlistair who lived here. What did you say his name was?” Andrew sat forward, his elbows resting on his knees.

“I don’t really know. I haven’t been able to trace your tree so far back yet. But if he’s anything like the paintings of your other ancestors in the gallery, he can haunt my bedroom anytime he likes. What dishes. One of them was called Travis. I don’t really think the castle’s history goes back to the first one. God, but there’s something romantic and dashing about a man in a kilt. And those bagpipes really stir the soul.” She winked mischievously.

“Ha,” he grunted. “I think you must have more Scottish blood in your veins than I have.”

“That’s a fact. This place draws me. I think I love it, ghost and all.” She looked about. “I found out what the family tartan is. You’d look great in a kilt, boss.” She leant back and appraised him through narrowed eyes.

“That is definitely one garment you’ll never get me in. Forget it. And what the hell am I going to do with this dump?” Once his uncle passed on, this castle would be his and Liz knew the mere thought made him morose.

“You could always use it as a holiday home,” Liz suggested. “Imagine what fun you can have telling your friends that you’re off to the Highlands for a break.”

“Fun?” Andrew shivered visibly. “It’s miserably cold and damp. The furniture should have been burned years ago. Look at it.” He slapped at one of the cracks on the arm of his chair. “I don’t know why I let you talk me into coming.”

“It was worth coming if only for that porridge we had for breakfast. Only the Scots know how to make real porridge.” She closed her eyes and purred in blissful reminiscence. “And what about that dish Kitty called Scots Collops we had for dinner last evening. Wasn’t it tasty?”

“Just tasted like mince to me.”

“We’ve been promised Finnan Haddie for dinner tonight.” She concentrated on keeping the amusement out of her voice.

“Finnan Haddie?” He scowled. “What the hell’s that?”

“It’s haddock from Findon, so Tilda said. Apparently, that’s a fishing village near Aberdeen.”

Pressing a finger and thumb to his eyes, Andrew sighed. Liz hid a smile. “Can we visit Stirling Castle later, please? It’s only down the road a bit. Look, I’ve got a pamphlet.”

“Just another one of the hundreds you’ve accumulated since our plane landed.”

Ignoring his sarcasm, she read, “The castle was a strategically important place. It played a major part in the Scottish struggle against the English.” She glanced up. “Just imagine it. Great names like William Wallace and Robert the Bruce were involved in the sieges there. And Andrew the Second tossed the Earl of Douglas’ body from a window of the castle. He’s supposed to have invited the earl to dine, and then stabbed him over the dinner table because he’d gone out of his way to provoke him.”

“Nice people in those days.” Andrew’s mouth twisted wryly.

“Mm, and parliament decided Douglas deserved it because he resisted the king’s persuasion. So he got away with that one nicely.” She waved the leaflet. “Mary, Queen of Scots, spent her childhood there, too.”

“Okay we’ll go this afternoon. Just as long as we don’t have to take the two old biddies along with us. I know I’m not being very gracious, but honestly, I’ve had just about all I can take of them today. Where are they now, by the way?” He glanced about as if expecting them to jump out at him.

“I think Tilda’s reading the daily newspaper to your uncle. And Kitty’s preparing our lunch, I believe. She loves food. I must say her shortbread is the food of the gods. I think she’s trying to charm you with her creative cooking. She’s heard that the way to a man’s heart is through his stomach.” He grunted and Liz closed her eyes, humming blissfully. “I think I’ll need to go for a run round the grounds later or I’ll end up with a spare roll of fat around my middle.

“Tilda told me Kitty lost her one true love over fifty-five years ago when he went off to war and never came back. She was talking about this Robert as if he was visiting this afternoon and Tilda put me straight. Poor Kitty hasn’t seen him since she was a teenager. Isn’t that sad?”

“Yes, it is rather,” Andrew agreed.

“Come on then, let’s go up to the attic and see what we can find. What do you say?” She got up and tugged on his sleeve.

He looked up at her, obviously amused by her eagerness. “God, Parker, you should have been born in another century. You’re too weird for this one.” With a sigh he pushed himself upright and followed her out.

The house seemed to be all passages, corridors and twisting turns. Climbing the main staircase up to the first floor, they went to the end of the wide upper hallway, and then opened a door that brought them out to a narrow staircase. It wound so tightly the steps were narrower on one side than the other.

“Guess this must lead to the part of the house that looks like the original bit. This house is a maze. I wonder where those little turrets with the curved windows are. They must be up this way somewhere.” Liz shivered in expectation.

“Cold?” Andrew touched her on the shoulder.

“No, just excited at the prospect of what we might find up here.” She strove to ignore the thrill that trembled through her at his touch. “This reminds me of a time when I was a kid. We went to visit an old aunt of my mother’s and she swore her house was haunted.”

“You’re the only woman I know who gets excited about the prospect of meeting a ghost.”

At the top of the staircase a narrow door blocked their way. Liz tried the rusted handle. “I can’t turn this.”

“Here, let me try,” Andrew offered.

She glanced over her shoulder. There was barely room for the two of them to turn in the small space. “Come on, back down a bit.” He placed his hands on her waist and lifted her. For a moment he kept his hold on her as he lowered her slowly to the lower stair. Her face was on a level with his chest, as he said, with a strange gruffness in his voice, “You’re as light as a bag of feathers.”

Liz bent her head as he turned his attention to the door. A stupid blush rushed to her face, and his very masculine smell surrounded her, mingling with her own perfume; a heady mixture.

He seemed oblivious to her moment of confusion and awareness. “There, that’s done it.”

The door creaked on its hinges as it swung inwards. Stepping up the last stair Andrew turned to offer a hand, letting go once she’d joined him. The door opened into a large room, and at the far side was another small staircase. At its top yet another door swung open with a squeak and a groan, and Andrew led the way into a dim room where a small amount of light filtered in from one small filthy window high up on the wall.

“This isn’t a turret.” Disappointed, Liz brushed a cobweb from her cheek.

“It’s as filthy as hell in here.” Andrew sneezed as they stood side by side, peering into the gloom. “I suppose there’s a light switch somewhere.” His arm brushed her breasts as he ran his fingers up and down the wall and Liz jumped.

“You’re very touchy today.” His tone, as smooth as melted honey, sent feathery shivers right up to her nape. “Aha, here it is.” He flicked a switch and the attic was illuminated by a single light bulb hanging from one of the beams. “At least there’s a light, such as it is. This place is like something out of the Dark Ages.”

As her eyes grew accustomed to the dimness, Liz looked around. Cobwebs festooned the room and inches of dust covered every surface. Great oak beams sloped down to one side of the room. Dust motes floated in the dim light. They sneezed simultaneously and laughed as both said, “Bless you.”

“Hey, there’s four trunks here.” Liz knocked cobwebs out of the way as she went over to the huge metal-bound containers. She tried the rusted lock of the nearest one. “Damn—it’s locked. We’ll have to ask your uncle or aunts if they know where the key is. What do you suppose could be in it? I wonder if there are any old diaries, books or ledgers.” Trying the next one to find the lid lifted a fraction, she cried eagerly, “Look, this one’s open.”

“Here, let me.” Andrew gently pushed her aside. After a small struggle he managed to force the lid up. “It’s full of old rags.” He brushed his palms together as Liz blew at the dust and cobwebs around the inside of the lid.

“Rags,” she snorted, picking up the top article. It was a plaid scarf. Rummaging about beneath a layer of yellowed tissue paper, she cried, “This, sir, is a set of highland dress. Look, here’s a kilt. It’s magnificent.” Holding it aloft, she shook it, sending dust flying, which set them both sneezing again. “It’s in your clan colors, too. Don’t you just love this green and red plaid? Try it on.” She held it in front of him.

“Like hell I will.” He turned away.

“You haven’t an ounce of romance in your whole body.” With a click of the tongue, she bent to sort through the clothing again, producing a black jacket with gilt buttons, then a sporran. “Look at this.”

“I can be as romantic as the next man,” he assured her, “but my idea of romance isn’t tied up with wearing a dirty old kilt that reeks of mothballs and dust.”

“You can put it on over your trousers. You don’t have to strip off. Come on, just slip it around your waist.” Before he could stop her, she wrapped it about him.

“Go and look in that mirror.” She gave him a gentle push then wiped a piece of rag over the mottled cheval mirror standing in a corner. “See how proud and Scottish you look. Why, if your hair was longer you’d be the image of old Travis in the portrait downstairs.”

Liz bit her lip. She’d revealed too much, after her declarations about how handsome she thought Travis. Quickly, she bent over the trunk again.

“Here’s a funny sort of cape. It looks like it’s made of animal hide.” Liz forgot her dismay as she lifted her find, struggling to give it a shake. Its rolled collar ended in a tag caught together by a clasp. “It sure is heavy. I don’t recall ever reading about anything quite like this. And I’ve never seen a picture of one of these cloaks. Have you, Andrew?” So engrossed was she in her find that only when it was out of her mouth did she realize she’d used his name. That was something she never did around the office.

He peered at it. Any other man wearing a kilt over a pair of trousers would look ridiculous, but not Andrew. Because they’d been feeling the cold, they’d gone into Stirling yesterday to buy warmer clothing. He now wore his new fleecy work shirt under a warm Shetland sweater, and a pair of heavy leather walking boots with thick woolen socks folded over their tops. Liz loved her new ankle-length tartan wool skirt. Black tights, calf-high suede leather boots, chunky red sweater, and plaid shawl matching her skirt sure kept out the chill that was really foreign to them.

“Try it on, it’s got a funny looking sort of brooch clipped at the front,” she said, touching the two inch by four-inch sheet of flattened metal.

There was an inscription on it. “What does it say?” Andrew asked, leaning over as she took it nearer the light bulb and rubbed at it with the scrap of cloth.

“Translated it says: ‘Commit thy work to God’. Hey, that’s your family motto. I saw it on one of the portraits downstairs. And this squiggle about the edges must be wild heather, the same plant as on your family crest. Put it on, boss.” Liz struggled to lift the cloak. She was average height but it was still a long way up to his broad shoulders. “This thing’s sure heavy.”

“Steady on.” As she fell against him, Andrew took a step back. He managed to pull the cloak in place with one hand and hold her steady with the other. “You’re not kidding. It’s heavy all right.”

Liz clung to his upper arms, and the strange clasp pressed against her breasts. She was hit with the oddest sensation—as if it was branding her.

The floor shuddered violently beneath them, sending vibrations up her legs. A draught of ice-cold air whirled about them.

“Did you feel the earth move?” His tone was gently mocking, and Liz buried her face against his sweater, shivering.

Wrinkling her nose at the smell coming from the pelt she whispered, scared, “Actually I did. I thought it was my imagination. Do they have earthquakes in Scotland?”

“I’m not sure.” Liz barely heard him, for a strange buzzing filled the air, and she felt as if her eardrums were going to explode as everything about them seemed to vibrate and shudder. Wrapping her arms about his middle, she screamed, the noise burbling from her throat.

Then the light went out.

Buy this book here: https://books2read.com/The-Laird

 

 

Wednesday, May 26, 2021

There are ways to travel back in time—Tricia McGill

 

To be released June 1st

Last year when the fear of an epidemic began to take hold of the world—and in general, my part of the world, Australia, I began to compare the coming disaster with the many others that have befallen our planet. Being an author, of course I began to work out ways of how to create a world where people were fighting to survive. Then the idea struck of what would a character do if she/he was whisked back in time from one crazy period in history to another. To make things easier, I already knew the world where she was going very well, so had no need to invent one. Little did I know when I began my latest book that Covid would turn our world upside down. That is the way with disasters; they strike suddenly and leave a trail of mayhem in their wake.

My family lived through WW11 and as the youngest, I heard stories as I grew about the war years, and how life was back then. Thus When Destiny Calls was born. Why not send my heroine back in time to 1940 Britain, when the Blitz was at its worst? My family lived in North London and that is where I spent my early years. 

Highbury Fields is a large park that features a lot in this latest book of mine. I have many memories of that area so had no trouble recreating it. I was married in the beautiful old church alongside the park, as were two of my sisters. My mother would send me up to the shops along Highbury Barn with a list. No supermarkets back then, you waited your turn to be served just like everyone else. All the shopkeepers knew my mother and her family well. 

One extremely foggy day when, as they say, you could not see a hand in front of your face, and the buses stopped running, I therefore had to walk home from school and the direct route was alongside the park. How I made it home that day I will never know, but I guess a lot of it was just a matter of animal instinct. Later, I joined a netball group and we played on the park courts in the summer evenings.


My one and only remaining sister will be 99 this year, so was therefore about 18 in 1940, just like Minnie in my story. Chloe, my main character cares for the old Minnie in an Australian nursing home. Minnie’s one remaining treasure is a photo album, which contains all her memories of her years as a young woman during and after the war, so it was inevitable that Chloe, who listened to Minnie’s many stories of how they all coped back then, would land back there. Chloe meets up with all the characters from Minnie’s album, and specifically a man named Bill who owns a dog called Tiger (hence the wonderful book cover). Was Chloe, by some strange quirk of Fate, called back in time to meet her destiny?



Saturday, August 26, 2017

A Call Through Time by Tricia McGill



Award winning author Tricia McGill began life in London, England, but moved to Australia many moons ago. Her published books are all romances but cross sub-genres into fantasy, time-travel, contemporary and historical. Her short stories have been published in magazines (Romances of course). A late starter, she took up writing full time after early retirement. A devout animal lover, Tricia devotes as much time and money as she can spare to supporting worldwide conservation groups, and dogs cats and at times horses have appeared in her books, and she would love to feature an elephant one day.

The blurb for A Call Through Time, her latest Time-Travel:

The Lord of Castlegrove Manor, heir to a vast fortune, is a studious History buff who loves reading about the years following the Roman occupation of Britain. Dissatisfied with running his extensive estate, a distraction from Bart’s boredom is his erotic dreams. No woman but his dream lover will ever offer him the satisfaction he craves.
During one of these dreams Bart wakes up miles from his comfortable existence and in the year 450AD. When he comes face to face with Haesal, he knows instantly this is the woman who has shared so many of his heated fantasies.
Most Celts have fled west to escape invaders from over the seas. Haesal and her brother have been captured by an evil barbarian and Bart comes to realise that his mission is to rescue them and return them safely to their home in Cornwall. Haesal’s belief in shapeshifters and the fairy folk helps her better understand the sudden appearance of this handsome stranger in her life who claims to have a deep knowledge of her. But can the love they find with each other survive through time and treachery?

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Saturday, November 14, 2015

How to time-travel without a star ship... by Sheila Claydon





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What do you see? Is this just a derelict building gradually falling apart in a piece of forgotten woodland, or is it history?





Visiting Anglesey in north Wales recently, I came upon this tiny stone building while I was walking my dog.  It was at the bottom of a steep hillside, its roof long gone and its doors and windows shored up by wooden struts. My companion walked on without really noticing it but the dog and I stayed behind and did some exploring. Eventually we found a small notice hidden by an overhanging branch. It said The Old Mill 1325.

1325! That really is history.

I immediately went into a typical writer's research mode and discovered that the mill is situated in what, in the fourteenth century, was the village of Llanmaes. Located on the shore of the eastern entrance to the Menai Strait, it was an important medieval port that was briefly the capital of the kingdom of Gwynedd. 

By the end of the 13th century the village had become such an important trading center that it was renowned for its ale, wine, wool and hides. It also held two annual fairs and maintained a busy herring fishery. I could go on and tell you how it was eventually conquered by the English King Edward I, who moved the villagers to the opposite coast of the island, built a castle and a new town, and took over the port, but this post is not about the history written in books, it's about imagining what life was like in the days when the mill was busy grinding the corn into flour for the local population.

Nowadays the derelict mill is the only relic of the original village and the river is long gone, although I suspect the shallow, leaf-clogged ditch beside it will still have a trickle of water in a long, wet winter. There is absolutely nothing else left to show how it might have looked, however. The surrounding land has been turned into a golf course and the local buildings are mainly holiday apartments. Even the carefully managed woodland is more recent.


It has atmosphere though, and because of this the writer in me can see a young girl of about thirteen years old carefully carrying her father's lunch to the mill. She's barefoot and her long, brown hair is blowing around her face. The miller is hot and sweaty and covered in white dust and she can hear him shouting to her brother to hurry up and finish loading the flour. He grins at his sister as he hoists a heavy sack onto the cart while a stout welsh pony waits patiently between the shafts?

That's the beauty of being a writer. I can travel back nearly seven hundred years and populate the village of Llanmaes with villagers, reshape the countryside to fit my imaginings, and create a history that might have a vestige of truth...and if it doesn't, well who will know. 

One day I will write that story. Until then, those long ago villagers will live as characters in my imagination, long forgotten and yet somehow still alive.

A writer can time-travel whenever they want to; backwards or forwards. I did this in my book Reluctant Date. It is set in a place where I once had such a magical holiday that I never forgot it, and when I eventually wrote about it I populated it with my own cast of characters, reliving a wonderful memory.  To do this I had to time-travel forwards a few years in order to imagine what it might be like now and yet also time-travel backwards so I could remember. That's the magic of writing.


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Monday, October 26, 2015

Which comes first? Tricia McGill



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The age old question. Is it the chicken or the egg, or the other way round?


    But my query is, what comes first, the characters or the story? This is a question as a writer I am often asked. I always thought it was my characters as I believe my stories are character driven, but looking back I realize this isn’t wholly true.


    Taking my books one by one. Let’s start with Remnants of Dreams.


    This one was easy as the original idea was to tell my mother’s story. I was last to arrive into our large clan so my early years were filled with stories, related mostly by my eldest sister, of life through the difficult years before and during WW11. Alicia, the main character of course is based loosely on our mum. The last time I can recall her actually cuddling me was when I was really young, perhaps 4 of 5, so this tells you a lot about her character. Cherished by all her 5 boys and 5 girls, she was nonetheless not a woman to shower us with affection. But, she was always there for us and I cannot remember a time when there was not a meal waiting for me when I came home, when the fire was not already blazing in the fireplace when I rose on winter mornings when there was ice on the outside of the windows. Never was a woman so liked by her neighbors and those who knew her. My one regret is that she never talked about her early life or days before she met and fell in love with our father. There was a period when my sister and I even surmised that perhaps they never even got married as we had no tangible proof of a wedding. But we have this picture, which we presumed could have been taken on their wedding day in 1914.

    But I have gone totally off the subject. It was easy to create Alicia. Mathew, her husband, was a figment of my imagination. Based loosely on my father, in that he worked for the gas company and was gentle, kind, and a loving husband, he differed in lots of other ways. There were so many other characters in this book, some bearing similar characters to members of my large family, but mostly created to suit the story line. That proves therefore that the story came first and then the characters—or does it? I’ll leave that one for you to sort out.

    Now Mystic Mountains was definitely story first characters second. I attended a creative writing class years ago when I had barely written one or two full length novels that had probably reached draft number two stage and the tutor at this class gave us a task to create an opening scene that featured a character arriving in Australia in the 1800s after being transported from Merrie England. That one scene turned into one of my most popular books. Bella was the girl transported for a misdemeanor against a man of the aristocracy, so it followed that Tiger would be the arrogant Englishman she detested at first sight who would become her allocated Master.


    Distant Mountains was a follow on. It was supposed to be the story of Bella and Tiger’s eldest son, but somehow Bella’s newly transported brother took over and so it became his story. It follows that his love interest just had to be a woman of quality whose father was a bigot who would never agree to his only daughter marrying, or even socializing with a convict.


    I’ve always loved Time-Travels so thought it about time I attempted to write one. Mine was destined to have a twist as I sent a couple, Andrew and Liz, who had totally opposing personalities back in time to meet The Laird. This Laird bore a striking resemblance to Andrew and so Liz half fell in love with him. Now in this book the story most definitely came first and the characters formed in my mind once the story line was set in motion.


    Travis, the Laird’s story, followed. It just had to as I was also half in love with the Laird, and could not just leave him there in the past without finding out how things panned out for him. But when Liz’s friend Beth ended up back in his time Travis was a changed man from the rogue Andrew and Liz left behind. So, story came first as I had to get Beth back there somehow.


    Now, Leah in Love (and trouble) still has me puzzled. I can’t for the life of me remember where this idea sprung from and can only attribute it to my Muse, who does tend at times to go her own way. Leah’s story is the only one I’ve told in first person, but once Leah had established herself in my psyche, what else was there to do but let her have her own way and tell us about herself and the trouble she gets in. Her real name is Violet and as that is a flower what was her occupation to be but a gardener, hence her eccentric aunt, who taught her all there was to know about flora, was born. Sean, her love interest just had to be a PI or how else would she have been involved in so much mayhem simply by working on his garden.


     A Dream for Lani was characters first. This was another one my Muse took control of. I knew I wanted a shy, introverted woman who has lots of money but not much love in her life. Ryan and his children provide her with all the love she requires—after a shaky start of course.


    Lonely Pride is set in Tasmania. I often holidayed in this magnificent state in my early days in Australia with my Tasmanian friend whose mother was one of those characters that once met you never forget. But, I digress. A few incidents that happened on one of my trips there formed the nucleus of this story. I guess I can say that story came before characters in this one.


    Maddie and the Norseman is another of my Time-Travels. I was going through a Viking phase and absolutely knew I had to set my story back in Viking times, and specifically in the period after they had finished invading, ravaging and ransacking in Britain and were in the process of becoming honest tradesmen and traders. York was the obvious setting as it was one of the first towns settled by them. So, Maddie and her Viking Erik came after the plot line had been established. I do have another Viking story on its way some time soon.


    So, there we are, I really haven’t proved anything. Sometimes it is simply an idea that appears in the first light of dawn and the characters have to then decide how they wish to fit into this plot we’ve decided on, and other times the characters rule and insist on going their own way. Whatever, you can bet we authors love letting our characters show us the way.
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