Fusing Ideas

            Over the years, I have dabbled in many different art forms. At one time, I made candles and wove baskets and macramé plant hangers. I learned how to quilt and to make pottery on a wheel. I tried my hand at watercolor and quilling, both of which were quickly set aside for lack of ability…and patience. For more years than I can count, I’ve had the pleasure of working with artist Kymm Hughes to learn the art of fused glass. The process of layering glass and combining colors and designs gives me a sense of accomplishment, much like when I finish writing a book.

Fused glass is different from stained glass. The temperament of the glass is different, and whereas stained glass is seamed together with foil and solder, fused glass is basically melted together in a kiln. In a nutshell, I start with a flat piece of base glass, then cut and lay out my design, gluing the pieces in place and then it is fired in a kiln. At this point it is still flat. Once cooled, it is set on a mold for slumping, which is the process of again heating it in a kiln until the glass “slumps” into the design of the mold, sometimes making a deep bowl and sometimes a dish with simple curved up corners.

                                                                                                                                    What is so much fun is creating the design for a piece. Sometimes the

glass needs to be cut very specifically to fit a space or a pattern. Other times, like the fish, I used only scraps I found in the bins to design the picture I wanted. Even the smallest pieces a glass are kept in different color tubs to be used at some later point.

            Since this is a writing blog, you know where this is going, right? It’s easy to see how similar creating a fused glass piece is to creating a story. Both start with a blank slate – paper, computer screen or piece of glass. Many times I start writing with no more than a basic idea for my story. Will it be straight romance like the bowl of flowers? Should I make it with overlapping colors and layers for a mystery? Are the characters intensely detailed and multifaceted like a mosaic? If you look at the multicolored abstract photo and the blue/sunflower picture, notice they both are made with rectangles but the overall finished pieces are so very different. I see that in my writing as well. I might write two contemporaries but the colorful characters, the difference in settings and the arrangement of scenes makes each story unique.

  

               

            Once in a while it’s fun to try something new and totally different. I wondered if I could put a small sand dollar in-between pieces of glass – basically adding something foreign to the mix. We didn’t know what the sand dollar would do – would it hold its shape while being fired or would it explode? In writing, that something different for me is writing time travel; a combination of present and past with a twist. Will the change in some basic element in the story create a new and different pattern, or will the whole thing explode on my computer screen and leave me with a gaping hole in my plot? There’s really no way to know until I try. That’s what I love about my time travels--all are totally unique in design and format.

            If you enjoy trying new things, I encourage you to search for a fused glass studio in your area. Sometimes classes are taught through colleges; sometimes by individual artists.  If you like reading something different, I invite you to try a time travel from my Books We Love library:

            Prospecting for Love

            Spinning Through Time

            Loving Charlie Forever

            Hold on to the Past

 

Here’s to trying something new.

 

Barb Baldwin

http://www.authorsden.com/barbarajbaldwin

https://bookswelove.net/baldwin-barbara/

 

 

What makes it art? - by Vijaya Schartz

ANGEL MINE is Vijaya's latest novel.
Find it HERE with her other novels from BWL

You take a picture of a building, and it’s just a building. Then you see a photograph of that same building in an art gallery, and it’s art. What makes it art? It’s the same building. But the artist waited for the perfect time at sunset, when the light hit the pillars just so, and the sun glanced off the metal roof, and the color of the sky echoed that of the turning leaves on the surrounding trees. Then the artist chooses a different angle, and the entire tableau takes another dimension. When you look at art, you are moved. You feel something.

 

You take a selfie, and it’s a portrait. But someone talented will play with light and shadow, maybe choose a black and white medium. And will speak to you and make you feel something, so that the portrait will look happy, or haunted, or sad, or intriguing. It’s still your face, but in the hands of an artist, it became art.

  

Similarly, a painting can be flat and inexpressive, while another painting of the same subject will make you feel something. People loved or hated the great painters of their times because they made them feel. And sometimes these feelings were uncomfortable. Hatred and guilt are strong feelings. Picasso had many enemies before being recognized as a genius. True art brings emotion to the person experiencing it.

Degas

Picasso

Gauguin

A movie documentary can be informative without emotion. But an artist will make that documentary poignant and get the audience to stand up and cheer and clap at the end. A fictional movie will use music to set the mood, and sounds and special effects to make the audience feel anticipation, fear, love, victory, etc.

And so it is with a novel. It can be a series of actions from characters in a setting, or it can be a true experience for the reader. We are painting with words, expressing emotions to make the reader feel, and our novels become a work of art.

So the secret for a writer is to feel deeply. Only then can we use words to make the reader feel and care about our characters and our stories. But like with any art, there is also a technique, like there is for painters, photographers and film makers. And it takes practice to master the technique. The secret to get the feelings on the page is in the details. A description will fall flat if it doesn’t include visual as well as other important sensory details. Smells, sounds, touch, taste, and visual effects, as well as the physical sensations experienced by the character in the story will evoke the same reactions and awaken the same feelings in the reader.

After reading ASHES FOR THE ELEPHANT GOD, readers told me they could feel the heat, smell the flowers and the spices, and hear the music, and taste the foods of India. They felt transported to another place, another time, another culture. It’s because I brought my own love of India to the pages of the book, and because I felt it, I was able to bring it to life in the writing and make the reader feel it as well.

Vijaya Schartz, author
Romance with a Kick
http://www.vijayaschartz.com
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February Author Art Challenge

For this month, I challenged the authors of BWL to take the art process and reverse it.  Rather than me trying to put a picture to their words, I wanted them to draw inspiration from pictures.  To keep things fair and not have a massive time drain, I chose artwork rather than creating a cover mock-ups.

THE RULES:

Authors were instructed to ...

Select one of the suggested images, and tell us what is happening.  

Create a brief backstory, include needed dialog, etc.  

DO NOT FOCUS ON THE TITLE OF THE PICTURE!  

If you need to change the time period - do so, you don't have to keep it as a historical.  The focus should be on your interpretation of the characters, their emotions, etc.  

Now - the challenge?  Keep it to 1000 words or less!

THE INSPIRATION: 

 I am really excited to see what the creative minds at BWL come up with.  Who knows, I might try my hand at one of them as well.