WHEN WOULD YOU LIKE TO LIVE? By Vijaya Schartz

Find Vijaya's BWL books with links HERE

WHITE TIGER on amazon
Free in Kindle Unlimited

A book can take you wherever and whenever you like. We are bound to the present, and the reality of our existence, but when we read, we can escape and learn about a different time and place. Some of us like to revel in the past, others prefer their entertainment in the future. As a historical and science fiction author and fan, I love both… and to me, they are very similar.

Some readers dream about living in slower times, simpler times… when people worked with their hands, and took the time to plant trees, grow their own food, smell the flowers and bake their own bread. Sounds idyllic, right? As writers, however, we have the responsibility to research the period, discover the truth, and write the reality of those times. The people in those days died much younger. Swords didn’t kill as many as automatic guns, but there was also tyranny, social inequalities, enslavement, exploitation, revolutions, famines, pestilences, the din of battle, the smell of horse sweat and burning homes... vultures swooping over gory battlefields. You get the picture.

CURSE OF THE LOST ISLE MEDIEVAL CELTIC LEGENDS SERIES ON AMAZON

Other readers dream of future times, when we have resolved our petty differences, to explore the confines of space in shiny starships and establish colonies on faraway planets. It also sounds good... until we realize that space is a dangerous, inhospitable place, and we are not alone out there. Our prejudices now apply to other species we call aliens. Our world may have expanded, but the main conflicts remain the same. Competing for essential resources, survival vs. greed… sounds familiar? Except that the stakes are higher, since our weapons can destroy entire planets.

ANGEL FIERCE
AZURA CHRONICLES
ON AMAZON

BLACK DRAGON SET
ON A SPACE STATION
ON AMAZON

 

Whenever and wherever we are, there is good and evil, courage and cowardice, selflessness and greed… and whether it’s a human or an alien world, conflicts will arise. Which is good for us writers, because without conflict there is no story. I’m often told that my imagination knows no bounds, but to me, writing a story is only a matter of logic. I start from what I know from extensive research, then I put myself in my characters’ shoes, sandals, or combat boots. Who are these people? How do they live? What do they want? What do they fear? Who do they love? Then I live their lives in my head, like a 3D movie, and I write their struggles, hopes, defeats, victories, and rewards. 

I have been known to write action, adventure and romance, featuring fierce women, brave heroes, and cats. These are only a few of my latest releases. Find the full list on my website or on my author page at each retailer below:

amazon  -  B&N  -  Smashwords  -  Kobo  

Vijaya Schartz, author
 Strong heroines, brave heroes, romance with a kick
 www.vijayaschartz.com
  

The birthday soliloquy - by Vijaya Schartz

Find the Archangel books and other books from Vijaya Schartz  at BWL Publishing HERE

Today is my birthday. Nothing special? Maybe not. But to me each day is special. Don't expect me to reveal my age. A French woman will keep you guessing. But a birthday is always a landmark, a reminder that our life is what we make of it, that it's never too late to implement positive change, that good or bad luck are dictated by our outlook on life.

Am I old? Am I young? I am who I am, changed by my insatiable curiosity, my thirst for travels, and enriched by relationships along the way. I am loved by some and disliked by others, like anyone with clear beliefs born of experience.  I was taught early on, never to take anything at face value, to research diligently, think for myself, and draw my own conclusions.

I write about aliens.The Ancient Enemy series is about alien invasion and the heroines who struggle to prevent it.
Do I believe in aliens? If you read my books, you know the answer.

Some call my stories original and my characters believable despite all odds, but whether I write about angels, aliens, heroes, villains, or mythical creatures, they reflect my idea of the universe. I write from a place where justice always prevails in the end, where deserving heroes win, villains get their just punishment, and sincere lovers get their happily ever after.

My stories do not happen in an idyllic world. Far from it. But in popular fiction, unlike in life, the writer has a choice, and I choose to spread hope rather than despair or fear. My worlds are safe for the readers to travel... as long as my characters watch over them.

Even in Celtic myths, like in the Curse of the Lost Isle medieval fantasy series, set in a dark historical period, my characters bring light and hope.

So to me, birthdays may add up but age doesn't matter. I will keep writing the uplifting stories my readers love, where, no matter how grim it looks, heroes will find a way to make the world a better place.

Happy Reading!

 

Vijaya Schartz
  Action, Romance, Mayhem
  http://www.vijayaschartz.com
  Amazon - Barnes & Noble -  Smashwords - Facebook

Evolution and morphing of a manuscript - by Vijaya Schartz

Getting to the end of writing DAMSEL OF THE HAWK (scheduled for release April 20, 2016), I cannot help but look back upon my first brainstorming sessions for the plot of this book. How it evolved since then amazes me. Then again, it happens with all the books we write. The semi-finished product as I near "the end" goes far beyond my expectations. It's a good thing.

I know many writers write from a rough draft. I never could. When I tried, I had to throw it away and start the novel again from the beginning without looking at the draft. Although I'm a plotter, my plot is never set and constantly evolves with the characters' reactions as the story unfolds. New villains appear out of the shadows, creating different conflicts and changing the backdrop and the course of the story. As I research minor details, better ideas come along and change everything again. Characters are forced to deal with unforeseen situations. The black moment is not what I predicted at all. Until the denouement, I do not know what the theme of the story is. That's what keeps me writing, what keeps me intrigued, what keeps me excited about my characters, what keeps the story alive in my mind, brimming with possibilities.

As I discover the heart of my story, that's usually when the final title comes to me. This book had several working titles in the six months it took to write it, none of them worthy of mention. Damsel of the Hawk appealed to me because of its medieval feel, and the tight connection to the heroine and her circumstances. This is also when I start looking for images to inspire the cover designer for the cover. I've been blessed for this Curse of the Lost Isle series:

  

 

The inability to write from a complete draft is what prevents me to participate in events like NANOWRIMO. That draft written in a month would be of no use to me. So I write my novels from a rough outline, ten pages or less, one paragraph per expected chapter, with the beginning, the main scenes, the major plot twists, and the expected ending. I leave plenty of room for change, to implement new ideas as they come, adding more chapters to the outline. Often, it means I have to go back to the beginning and add or rewrite several scenes to accommodate a new plot line, introduce a new character, give the reader clues, or foreshadow a future plot twist. It works for me. I don't mind rewriting as I write.

Then, when I have a complete story with all its intricacies and its nuances, comes the real work, the polishing, the fleshing out, the recasting of every scene to make it part of the whole. Emphasizing the theme, adding emotion, polishing the action scenes, the love scenes, making the reader part of the story by adding more setting and sensory details... That's usually the last month in my novel writing process.

Can you tell I love writing? Well, I do.

DAMSEL OF THE HAWK

Curse of the Lost Isle Book 7 (standalone)

Available for pre-order in early March:

1204 AD - Meliora, immortal Fae and legendary damsel of Hawk Castle, grants gold and wishes on Mount Ararat, but must forever remain chaste. When Spartak, a Kipchak warrior gravely wounded in Constantinople, requests sanctuary, she breaks the rule to save his life. The fierce, warrior prince stirs in her forbidden passions. Captivated, Spartak will not bow to superstition. Despite tribal opposition, he wants her as his queen. Should Meliora renounce true love, or  embrace it and trigger a sinister curse... and the wrath of the Goddess? Meanwhile, a thwarted knight and his greedy band of Crusaders have vowed to steal her Pagan gold and burn her at the stake...

In the meantime, catch up with the Curse of the Lost Isle series at:

 Amazon - Barnes & Noble - All Romance eBooks - Smashwords - iBooks - Kobo

 Vijaya Schartz
 Blasters, Swords, Romance with a Kick
 http://www.vijayaschartz.com

Where No One Has Gone Before: World Building

“It is necessary to create constraints, in order to invent freely… In fiction, the surrounding world provides the constraint. This has nothing to do with realism… A completely unreal world can be constructed, in which asses fly and princesses are restored to life by a kiss; but that world, purely possible and unrealistic, must exist according to structures defined at the outset (we have to know whether it is a world where a princess can be restored to life only by the kiss of a prince, or also by that of a witch, and whether the princess’s kiss transforms only frogs into princes or also, for example, armadillos).”— Umberto Eco, postscript to The Name of the Rose.

 One of my greatest pleasures as a writer of historical fiction is researching the period in which I’ve chosen to set my stories. At the same time it is my hope to re-create the worlds in which they take place as believably and accurately as possible. It’s fun and enlightening, and also sparks ideas for the plot as a whole or a concept for a particular scene I would not have otherwise imagined. For example, while doing some research for The Partisan’s Wife, the study of old maps and descriptions of New York City during the American Revolution prompted me to write a scene in which my main characters do a bit of shopping at a popular place of the time called the Oswego Market. Making this long gone place and time come alive was a  challenge. I wanted the reader to travel back there in time with Peter and Anne, experiencing the surroundings with them. I was also working within the constraints of  a few certain particulars, such as the fact that in 1777 Broadway in Manhattan ran south and north, the same as it does today.

Now that I’m working on an epic fantasy, I am faced with a different sort of “world building.” There are no resources online or in any library or history book where I can find details of a world that exists solely in my imagination. And yet, in order to bring this world to life and make it convincing, I must approach my “research” in the same way I do with a book based in an actual time and place. Because this constructed world is populated with recognizable beings—mostly human—their lives, desires, feelings, likes, dislikes, goals and obstacles must ring true to the reader in the context I’ve set down. And it must be consistent. There must be rules and constraints, which cannot be broken or overstepped. The planet rotates on its axis and revolves around a sun very much in the way our planet does. It has a moon, like ours (or if I choose, it can have two or three or more moons). Night follows day; seasons change. The people have a history, mythology and legends, whether recorded or handed down in an oral tradition. They have wants and desires, fears and comforts. Society has its customs and taboos. There are social strata in which the people live and work according their class. But all of this happens in a universe that is not quite ours, where aberrant (to us) behaviors are acceptable…even the norm.

Since I’ve chosen as this world one that is similar to ours, with a few differences, it is imperative that the dissimilarities be established right from the beginning (as Umberto Eco states in the quote at the top of the page). One difference in this universe is that something akin to magic exists. To make it real and acceptable, the source and execution of this magic must flow seamlessly within the physical and metaphysical laws I’ve created. Other differences involve the melding of cultures. For the “Lothrians,” a peaceful, learned, culturally advanced bunch, I’ve endowed them with characteristics drawn from Celtic and Native American cultures. For the “Notlunders,” a greedy, ruthless, warlike people, I’ve combined aspects of Roman and Viking culture and history. Although not Tolkien-esque “elves,” the “Milithos” or forest people are Lothrians who have evolved in an environment, which over time has changed their physical appearance and solidified their behaviors. And then there are the little “Skaddock,” who resemble primitive humans in a hunter-gatherer society. All invove research into the beliefs and nature of  these cultures.

In the quote above, Umberto Eco says that this process of world building has nothing to do with realism. Novelists by their very nature create new realities in every book they write. And readers are too smart to accept a world whose laws of nature and physics change at the author’s whim in order to make a plot device work. How the magic is called upon and brought into action depends on how believably these devices are set up in the creation of the fictional universe. How the “Milith” people changed in appearance over the centuries since their banishment to the forest calls upon the laws of evolution as we know them and is in itself an explanation for some of their extraordinary abilities. (Through use of a substance they’ve refined over centuries, they can make themselves invisible in certain conditions).

Working within the constraints of this created world and the people who inhabit it, I've established rules that define what is real and what can conceivably happen...hopefully, in a way that is not jarring or false, causing the reader to hurl the book across the room.

~*~

Following is a short excerpt from my work in progress, Sword of Names. I hope it is not only enjoyable, but presents an explanation for how a particular old wizard calls upon his magic:

On the other side of the fire pit, seated on a fallen tree trunk, his back to her, Gamba remained engrossed in his work. Moonbeams outlined his form against the smoldering embers, his closely cropped hair sparkling like a snowy crown, his bald pate shining in the silver light. Hunched over the gnarled root of the bracklenut shaft, her grandfather continued to whittle away. Save for his scraping and paring, he had hardly moved and made no sound for hours.

When the moon reached its apex, he pulled a dark cloth from his haversack. He unwrapped an object in his lap, regarded it for a moment, then held it up to the light. A multifaceted crystal the size of a toddling child’s fist flickered with a milky glow. He mumbled something in an ancient tongue and slipped the jewel into the roots of his bracklenut rod, which closed one-by-one, like fingers, around it.

She sat, hugging her knees to her chest. “Gamba,” she said quietly.

After a moment, her grandfather turned, his features masked by the night. He set down the knife and raised his staff to peer through the swath of murky light it cut through the darkness. “I thought you were asleep.”

She shielded her eyes with a hand against the unexpected brightness. “Is that a corrath?”

“I have not had a suitable staff for it since before you were born.” She sensed his smile in the soft tone of his voice.

Elthwen scrambled to her feet, and barely suppressing her eagerness, entered the pool of soft light spilling around him.

“Bracklenut…not too green, not too dry.” He let out a short, muffled laugh. “This was an auspicious find.”

She dropped beside him on the log. Enveloped by the crystal’s light, she basked in its warmth spreading through her aching bones. Like a weight, her head defied all attempts to keep it upright. She rested it on his shoulder and fixed her gaze on the stone’s radiance growing in intensity. “How does it do that?”

As he slowly rotated the staff between his palms, the crystal changed from opaque white to pink and back to white again. “I am a ghalthrach,” he said simply. “The staff is but a conduit. It connects us—the corrath and me—and the two of us to the earth. By the grace of Nirmanath, we are now one with the current of life.” The light sputtered, nearly going out. “Ach! Perhaps I should have said, ‘We soon shall be one….’ We are both old and woefully out of practice. It will take us a bit of time to…. ” Focusing full attention on his task, he rolled the staff between his hands until the stone flickered back into luminescence.

Kathy Fischer-Brown has published four historical novels with Books We Love, Ltd. To find out more about Kathy and her books, please visit her at her Books We Love author page. For updates on Sword of Names and for further information, check out her website.

Would you recognize an immortal on the street?

Find it on Amazon HERE

I love to suspend the reader's beliefs. What if? What if there were angels walking among us? What if the immortals described in legends actually existed? What if angels did mate with human females, as the Bible says, and produced long-lived hybrid beings who look like us and walk this earth, some fighting for good, others for evil? What then?

I like to think I could recognize one in the street. Could you? What would make them different from us? A glowing aura of goodness? A disturbing sense of evil? Probably none of the above.

Still, there should be a way to recognize an immortal, an angel, or a fae walking among us. Here are a few pointers:

Real angels do not have wings. Only in the tenth century did Western Christianity start representing angels with wings. But in the ancient biblical texts, they never had any, except for a specific category of angels described with three pairs of wings and four heads. According to ancient texts, the divine messengers we call angels looked human. How else would they have passed for humans when they visited Loth in the story of Sodom and Gomorrah? They are described in the scriptures as beautiful young men. So beautiful that the debauched inhabitants of the ancient city wanted to purchase them for sexual favors.

Immortals are very beautiful, that's a given. Angels are always gorgeous according to the scriptures. Besides, if you don't age and have supernatural genes, then you should be flawless and irresistible. This is especially convenient in romantic novels. We love our gorgeous immortals. Even the evil ones, like Lucifer, or the bloodiest of vampires, are said to have an irresistible charm.

There is a special light in their eyes. If eyes are the windows of the soul, then much of their good or evil nature should filter through the eyes of immortals, angels, Fae and other supernatural beings. Movies have gone so far as to represent evil beings with blazing red eyes. That would be a hoot and a half... and very scary, late at night on a street corner.

Immortals can be killed. That's why witches and sorcerers were burned at the stake. In Highlander, they can only be killed when you sever their head. In the Curse of the Lost Isle, my immortal ladies fear holy water and death by fire. Many methods are used to kill vampires. I've never heard of a way to kill an angel, but I'm sure there is somewhere a secret book of spells that teaches exactly that. Shame on the angel killers.

In the Curse of the Lost Isle medieval series, my ladies are Fae and considered immortal, or very long-lived. They are related to Morgane the Fay and their ancestors were angels fallen to earth and left behind, some good, some bad. They mated with mortals and their children had extraordinary powers. But as you will realize reading the series, such gifts in a Christian society can be a curse...

From history shrouded in myths, emerges a family of immortal Celtic Ladies, who roam the medieval world in search of salvation from a curse. For centuries, imbued with hereditary gifts, they hide their deadly secret, stirring passions in their wake as they fight the Viking hordes, send the first knights to the Holy Land, give birth to kings and emperors... but if the Church ever suspects what they really are, they will be hunted, tortured, and burned at the stake.

5 stars on Amazon "Edgy Medieval!"

Find out more about Vijaya and her books at: http://www.vijayaschartz.com 
Find all her books on Amazon HERE 

HAPPY READING 

DIVE INTO MEDIEVAL TIMES - by Vijaya Schartz

What better opportunity to be introduced to a series than getting three novels in one set, for a very friendly price? Welcome to THE CURSE OF THE LOST ISLE. Now available as a special holiday package in kindle. Each novel is also available separately. Book Four is coming out later this year.

CURSE OF THE LOST ISLE SERIES

http://amzn.com/B0091HX7EE

From history shrouded in myths, emerges a family of immortal Celtic Ladies, who roam the medieval world in search of salvation from a curse. For centuries, imbued with hereditary gifts, they hide their deadly secret... but if the Church ever suspects what they really are, they will be hunted, tortured, and burned at the stake.

PRINCESS OF BRETAGNE:

http://amzn.com/B007K1EGAM

806 AD - Alba (Ancient Scotland) -

As the Vikings raid the coast of Alba, Pressine of Bretagne sets out to seduce King Elinas of Dumfries, chosen by the Goddess to unite the tribes against the foreign invader. Elinas, still mourning his departed queen, has no intention to remarry. Head-strong and independent, Pressine does not expect to fall for the very attractive, wise and noble ruler... Furthermore, her Pagan nature clashes with the religious fanaticism of the king’s Christian heir, who suspects her unholy ancestry and will stop at nothing to get rid of her.

Reviews:

"I really enjoyed Princess of Bretagne. Kind of reminded me of The Mists of Avalon, by Marion Zimmer Bradley, with its subtle references to Arthurian legend (I'm a sucker for anything Arthurian). Like Mists, you captured the historical period while weaving in the mystical elements. Since I now have my new kindle, I've added Pagan Queen to my TBR list. After the one I'm reading now, I might just bump it up a notch or two." Kathy Fisher-Brown, author

PAGAN QUEEN:

http://amzn.com/B007Z8F7IA

810 AD - Alba (Ancient Scotland) - Queen at last, Pressine brings victory to her beloved Elinas and prosperity to their growing kingdom. But she has to contend with the intrigues of Charlemagne's bishops, spurred by her Christian stepson. While Elinas, on the battlefield, remains unaware of his son’s machinations, Pressine fends off repeated assaults against her life. She also fears the curse that could bring her downfall. For the love of Elinas, she will tempt fate and become with child. But when her indomitable passion challenges the wrath of the Goddess Herself... can she win that battle?

Reviews:

"Schartz is an accomplished writer, whose pacing, conflicts, and goals are always complex and whose good characters are always likeable, and whose villains are evil incarnate. You have to like her villains as much as the good guys! Mattacks is a magnificent example of this!" - 5 stars - Manic Readers

"...details of the period making that long ago era of history feel alive and vibrant. She’s able to weave in the mystical in a manner that appears natural... Mattacks and his diabolical plans play an important role... he’s a creepy guy... unexpected happenings totally caught me off guard... great plot ploy that I can only assume will pull the series forward... I want to know more..." - Romance Junkies - 4 ribbons

SEDUCING SIGEFROI:

http://amzn.com/B008LW18EG

Luxembourg - 963 AD - To offset the curse that makes her a serpent from the waist down one day each month, Melusine, exiled Princess of Strathclyde, must seduce and wed a mortal knight, the shrewd and ambitious Sigefroi of Ardennes.

Sigefroi, son of the Duke of Lorraine, suspects Melusine is not what she appears, but her beauty, her rich dowry, and her sharp political skills serve his ambitions. He never expected her to soften his stone-cold warrior heart.

So close to the Imperial court, dangers and intrigue threaten Melusine. War looms on the horizon, a Mermaid was sighted around Luxembourg, and Sigefroi’s bishop brother questions her ancestry. If anyone ever suspects Melusine’s true nature, she will burn at the stake...

Reviews:

"As always, Schartz spins a great story. It’s a bit bloody and bloodthirsty in places... But that's part of the drama, and Schartz certainly knows drama." Manic Readers 4.5 stars

SEDUCING SIGEFROI - EXCERPT:

"Is everything to your liking so far?"

Jarred by the deep male voice, Melusine snapped awake. Sigefroi stood in front of her, one soft boot nonchalantly propped on the edge of the wooden tub. The white of his tunic matched his teeth as he stared at her with a wolfish grin.

Melusine glanced around in panic for something to cover her nudity but her clothes lay too far away. She pulled up her legs in the bath water and laced her arms around her knees. "How dare you intrude? Can’t you see I’m taking a bath?"

Sigefroi’s bold gaze swept over her exposed body. "It’s not as if it were the first time. You seem to like bathing in hot tubs as well as in cold rivers."

Shocked at his effrontery, Melusine released one arm to point toward the door. "Get out of my chamber immediately!"

"Your chamber?" His grin widened. "This is the only private chamber in the villa, and it happens to be mine."

"Yours?" Melusine flushed in confusion. She knew the villa was small but hadn’t really thought about all the details.

"I’ll share it with you, unless you want to sleep on the hall floor with the servants." The scowl on his brow returned. "And as the lord of this place, I don’t take orders from my guests... or my wenches."

Wench? Her solitary life hadn’t prepared Melusine for such vulgarity. According to what she understood of men, however, she must not give herself too fast but rather let Sigefroi grow hungry for her body as long as possible. "I am no wench and demand to be treated with respect!"

He chuckled and effected a mock bow. "You certainly have mine, my lady."

Melusine managed a forced smile. "If you give me your word to behave honorably, I could sleep on a pallet behind a screen at the far side of your bedchamber."

He rolled his eyes. "Truly?"

Melusine hoped her inaccessible proximity would work in her favor. "There is enough space for the two of us."

"Nay." The candles flickered in his amber eyes. "You don’t understand, my lady." A slow smile spread on his sensual lips. "I intend to take you to my bed tonight. After all, we are to be wed."

"So soon?" Panic choked her voice. Impaired by Sigefroi’s close proximity, Melusine couldn’t think. He wanted to consummate their union tonight? She quickly regained her composure. "My lord, it’s not proper. We hardly know each other and are not yet betrothed."

He pulled up the sleeves of his tunic. "A detail easily remedied, my lady. Do you mind if I wash my hands before dinner?"

Before she could react, he dipped his hands in her bath, caressed her knee, brushed the skin of her thigh. Delicious heat coursed through her entire body. He seemed to enjoy her confusion as he swept the length of her folded arms with the back of one finger.

Lifting her chin with the crook of one finger, he bent and softly kissed her lips.

Melusine melted into the bath water, waves of heat swelled and washed over her. His smooth, soft lips teased hers. Her mouth relaxed and opened under his. She let him gently probe her mouth then claim it as his own. Dear Goddess, she was lost.

How could she manipulate this man when she yielded under his touch? She had seen shameless wenches offer themselves to strangers when it served their purpose, or even withhold their favors at will, but Melusine could never do that. She could not refuse this man. She was exposed, vulnerable, and in great danger.

Happy Reading!

Vijaya Schartz

Swords, Blasters, Romance with a Kick

http://www.vijayaschartz.com

The Siren of Luxembourg

I'm actively working on Book 4 in the CURSE OF THE LOST ISLE series, LADY OF LUXEMBOURG. I am sharing my ups and downs. Ups, mainly, and a few downs. As I write, I realize how challenging is the task I set for myself. Making the reader believe in an immortal afflicted by a curse that makes her an ondine (siren, mermaid) from the waist down one day each month, is no small feat.

Of course, this is a medieval novel, and in the context of the time, it makes more sense. Also, this story was inspired by authentic legends from my native country, France. Legends resonate in our hearts, and even the staunchest scientists now admit that at the origin of these legends resides a kernel of truth. That's the kernel I've been chasing.

Then I discovered that if I believe in my immortal heroine, she breathes life on the page. Melusine is a woman, an immortal, a Fae, descended from angels predating Christianity. After a disastrous mistake, she now follows the righteous path. But for abusing her powers in childhood she is cursed. She seeks redemption, but if the Church ever discovers her true nature, she will burn at the stake....

CURSE OF THE LOST ISLE SERIES:

From history shrouded in myths, emerges a family of immortal Celtic Ladies, who roam the medieval world in search of salvation from a curse. For centuries, imbued with hereditary gifts, they hide their deadly secret... but if the Church ever suspects what they really are, they will be hunted, tortured, and burned at the stake.

If you missed this series, you can find the first three novels in one volume: PRINCESS OF BRETAGNE, PAGAN QUEEN, SEDUCING SIGEFROI, in kindle for a friendly price HERE

Here are athe blurbs for each novel:

PRINCESS OF BRETAGNE:

http://amzn.com/B007K1EGAM

806 AD - Alba (Ancient Scotland) -

As the Vikings raid the coast of Alba, Pressine of Bretagne sets out to seduce King Elinas of Dumfries, chosen by the Goddess to unite the tribes against the foreign invader. Elinas, still mourning his departed queen, has no intention to remarry. Head-strong and independent, Pressine does not expect to fall for the very attractive, wise and noble ruler... Furthermore, her Pagan nature clashes with the religious fanaticism of the king’s Christian heir, who suspects her unholy ancestry and will stop at nothing to get rid of her.

Reviews:

"I really enjoyed Princess of Bretagne. Kind of reminded me of The Mists of Avalon, by Marion Zimmer Bradley, with its subtle references to Arthurian legend (I'm a sucker for anything Arthurian). Like Mists, you captured the historical period while weaving in the mystical elements. Since I now have my new kindle, I've added Pagan Queen to my TBR list. After the one I'm reading now, I might just bump it up a notch or two." Kathy Fisher-Brown, author

PAGAN QUEEN:

http://amzn.com/B007Z8F7IA

810 AD - Alba (Ancient Scotland) - Queen at last, Pressine brings victory to her beloved Elinas and prosperity to their growing kingdom. But she has to contend with the intrigues of Charlemagne's bishops, spurred by her Christian stepson. While Elinas, on the battlefield, remains unaware of his son’s machinations, Pressine fends off repeated assaults against her life. She also fears the curse that could bring her downfall. For the love of Elinas, she will tempt fate and become with child. But when her indomitable passion challenges the wrath of the Goddess Herself... can she win that battle?

Reviews:

"Schartz is an accomplished writer, whose pacing, conflicts, and goals are always complex and whose good characters are always likeable, and whose villains are evil incarnate. You have to like her villains as much as the good guys! Mattacks is a magnificent example of this!" - 5 stars - Manic Readers

"...details of the period making that long ago era of history feel alive and vibrant. She’s able to weave in the mystical in a manner that appears natural... Mattacks and his diabolical plans play an important role... he’s a creepy guy... unexpected happenings totally caught me off guard... great plot ploy that I can only assume will pull the series forward... I want to know more..." - Romance Junkies - 4 ribbons

SEDUCING SIGEFROI:

http://amzn.com/B008LW18EG

Luxembourg - 963 AD - To offset the curse that makes her a serpent from the waist down one day each month, Melusine, exiled Princess of Strathclyde, must seduce and wed a mortal knight, the shrewd and ambitious Sigefroi of Ardennes.

Sigefroi, son of the Duke of Lorraine, suspects Melusine is not what she appears, but her beauty, her rich dowry, and her sharp political skills serve his ambitions. He never expected her to soften his stone-cold warrior heart.

So close to the Imperial court, dangers and intrigue threaten Melusine. War looms on the horizon, a Mermaid was sighted around Luxembourg, and Sigefroi’s bishop brother questions her ancestry. If anyone ever suspects Melusine’s true nature, she will burn at the stake...

Reviews:

"As always, Schartz spins a great story. It’s a bit bloody and bloodthirsty in places... But that's part of the drama, and Schartz certainly knows drama." Manic Readers 4.5 stars

Happy Reading!

Find out more about me and all my books on my website at:

http://www.vijayaschartz.com

Find all my books on Amazon

Going crazy with history - by Vijaya Schartz

What is an author to do when historians of the period do not agree? What could be more frustrating than the main expert on this particular place and time saying: "and here history gets rather confusing" Really? My hero is in a dungeon, suffering from malnutrition, and I can’t even know in which or whose castle along the Marne River he is detained?

That’s what I’m up against with my work in progress: LADY OF LUXEMBOURG, to be published late this year. And that’s what I get for dealing with historical figures. Of course it wouldn’t be a problem if I didn’t care so much about historical accuracy. But as an author, I want to be as believable as I can be. I want the good people of Luxembourg, if they happen to pick up this novel, to feel that I did a good job of portraying Sigefroi, their national hero and founding father.

Don’t worry, though, I won’t spoil the story for you. It’s just that sometimes, when dealing with early medieval history, research becomes very difficult. And don’t get me started about Wikipedia or other online sources... Of course, the legends are easier to handle and provide much fodder for all kinds of neat details that make the story intriguing.

But enough venting. Back to writing. Hope you are enjoying the series. The rewards of writing it outweigh the frustrations.

In the meantime, you can read the first three books in the CURSE OF THE LOST ISLE series:

PRINCESS OF BRETAGNE:

http://amzn.com/B007K1EGAM
PAGAN QUEEN:
http://amzn.com/B007Z8F7IA
SEDUCING SIGEFROI:
http://amzn.com/B008LW18EG

Have a wonderful summer.

Vijaya Schartz, Romance with a Kick

http://www.vijayaschartz.com

Twitter: @vijayaschartz

FaceBook:https://www.facebook.com/pages/Vijaya-Schartz-Author/109777709045040