A Bit of Writing Advice - First Comes The Idea #MFRWauthor #Advice #Writing

 

 

For the next who knows how many months, I’ll be sharing writing tips I’ve garnered in my 50 years of being a published author.  The Aries Libra Connection is the first book I published electronically. It’s been retitled, revised, updated and now is published by Books We Love LTD. So now onto one of the things I’ve learned about writing.

 

 

Looking at writing your story from the Idea forward. What happens once that idea forms a seed in your thoughts? The idea can be anything that triggers you to want to write a story. You could read something and decide to from your own take on what you've read. How many stories are the fairy tales we've grown up with? Take Cinderella, Snow White, and a lot of other stories you've read or had read to you. How many tales share the themes of these stories?

 

The idea could be something you see. A couple embracing. A man and a woman quarreling. A child making mischief or being sad. What you see could be something like a milling mob, a merry-go-round, a speeding car. What you see can trigger the idea.

 

What you smell. Think of how you react to cookies baking or the aroma of spicy food.  You could find the scent of a place can trigger an idea. For me this can happen when I enter a hospital. The scents bring memories of my past as a nurse and often triggers an idea for a new story.

 

The idea could spring from something you've touched. A soft fur coat, the rough fabric of jeans. A rock, a bench, a brick. Any of these things could bring an idea to the fore.

 

Taste can also trigger ideas. We've all tasted something we think of as ambrosia or something that makes you ill. So let the ideas form.

 

Sometimes something you hear can trigger a story. The wail of a train at night. The sound of footsteps on the street behind you at night. The cries, screams of someone or even their laughter can form a seed for a story. I’ve had stories that hve come from reading something. Past Betrayals, Past Loves came from two readings. The first is Anna Karenina and the story with the unhappy ending. The other grain came from something I read in a book about Ancient Egypt. In a section on the time of chaos when there was no pharaoh came these words. A battle commander wished to be pharaoh. Mermeshu was his name.

 

But we all have these events in out life and ideas may form but once the idea is there, what comes next.  In the next few weeks, I'll be looking at the elements needed to make the idea into a story. Who, What, When, Where, Why and How. Some people think only of the five Ws but for me, there's the How. After all, it does have a w in the word.

 

The idea takes root. For me, I take the idea and think about it while falling asleep. Sort of like a bedtime story, Usually after days of this story telling the book begins to take form.

 

I'll be sharing what I've learned and am still learning in the fifty years I've been a published writer.

 

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Senses, Showing and Smelling by Ginger Simpson

I just finished Juliet's post on Word Building and was impressed.  I can identify with her assessment of bad sells, since I worked with International Students coming from third world countries where water is not as plentiful and bathing ranks on the bottom of their "to do" list.  I was reminded that the things we take for granted are not as readily available in other places.  Of course, I was quick to help them acclimate to a new environment where water and soap are at their disposal.  :)

I wanted to acknowledge the importance of touching the reader's senses by letting them visualize, smell, feel, taste, touch the story and your characters.  Diane Scott Lewis has been a mentor and critique partner of mine, and thanks to her continual critique notes, "what does it smell like?" I've learned to include that sense in my stories.  I'd forgotten how important smell is to identifying with the setting, more so to some than others, but a good author writes to the needs of the masses.  Readers want to smell that apple pie baking in the oven...they want to sniff the aroma of wild flowers drifting on the breeze as they bounce across the prairie in a buckboard.  If the author does a good job, the reader slips into the character's shoes and feels every jarring bump and catches a whiff of the horses' sweat. How often do you read a description of how the hero smells...like wood smoke and sweat or a spicy aftershave?  Other smells are equally as important and I've noted it's usually a sense that is most overlooked in writing.

My very first editor summed it up for me when she said..."you've told a beautiful story, now lets work on 'showing' it to the reader."  That's the secret to writing a novel.  A story doesn't really connect the reader to action in the story....tells them, rather than puts them in the moment.  If you want people to truly enjoy your work, involve their senses and give them a role.  It works every time.