Ready? Set? How to Start a Book! by Vanessa C. Hawkins

 

 Vanessa Hawkins Author Page

I have so much going on this month I think my brain is going to spontaneously combust! Which, now that I think about it, may be for the better because it's been so cold here that a little inner fire may finally warm me up. Has anyone else been enduring the chill winter frost to the point that're holding out on the chance that they may randomly explode in a fiery inferno? Just me? Darn these Canadian winters!

But back to the point, which is that this month has been a flurry of things whirling about my head demanding my attention and seldomly seeing any of it. Why? Well, because I got a new gaming system from my husband and I've been furiously hacking and slashing at baddies all month, but also because I have been trying to get a submission done for a writing contest. 

Now usually, I don't put a lot of effort into writing competitively, but I really just got the gumption to try it out this year. I am pretty cynical about my chances of winning, mostly because I am submitting an erotica and I think the judges may be too stiff to consider it thoughtfully. 

HUR HUR... stiff...

But during my foray into competitive writing, I was asked by a lovely individual-- who reached out to me curious about starting her first book--how to begin writing a story! 

Well... as you can imagine, at first I was flattered. I mean, someone was asking ME how to write a book, which would infer that SOMEONE also THOUGHT I knew how to write one! A human being, who IS real, I'll have you know! Was asking me how to start writing a book because she believed I was learned enough to give advice!

I'm so touched...

But then I wondered... well... how DO you start writing a book, Vanessa? And I had to pause, because honestly I just flew from the seat of my pants when it came to writing. I had an idea--thought up in the shower, or while pretending to poop while my husband looked after our toddler--and then I sat down and let my fingers dredge it up from the pit of my stomach onto some word document that I'd either trash later or let simmer until it condensed into something tangible. 

But... that wasn't very good advice! Oh no, I thought. I'm a fraud! A con! I don't deserve this nice woman's faith! I can't possibly tell her to go have a poop and see what pops in her head... what do I do? 

What Would Picard Do?

So I asked her first what she was writing. It helps to know what genre you're getting yourself into. Conjuring up stories on the John is all well and good, but if you're writing historical non-fiction, you may have to go number two at the library. Regardless, the best thing to do is to have some kind of outline at some point. I've talked about pantsers before, and how some people just write by the seat of their pants--

Ahem... Me.

--but it IS good practice to at least write something down in terms of getting all your ducks in a row. I mean, compiling notes and character profiles and plot points is good, when you want to make sure everything is cohesive in the end. If Scarlet Fortune, the hard-boiled detective, is off to fight crime at the beginning of the book, it may be best to ensure she's not running off in Wonderland to find the white rabbit at the end. 

Does that make sense? ...No? 

Well your story should. So having a basic outline is usually good at some point. Like I said, I tend to start off spontaneously, wait till the plot begins to form into something I can work with, then go back and scribble an outline to build upon. I mean, there are always outliers to this method. Virgina Woolf's stream of consciousness as displayed in her lighthouse book doesn't seem to follow this rule, but I personally hated that novel and wouldn't recommend it to anybody. 

But at least 'Gina finished her book, right George?

I will spontaneous combust before I ever get to read 
Winds of Winter...

 So I suppose the best advice I can give about how to start a novel is to just start it. Write some stuff down, see how you feel about it. Write some more. Erase. Plan some--or not, if that's how you roll. Write more. Succub to your own self-doubt. Cry. Write a lot more. Be proud of what you've accomplished. Finish. Then gulp down a glass a wine of four to celebrate! 

Because ultimately the easiest part of writing a book is writing it. So, sorry if this is bad news bears... but when it comes to editing, publishing, MARKETING--which is the devil, by the way--that's where things get pretty messy, and complicated. 

But writing is art! And art is nebulous. Some people like to draw things and their drawings look like the things they look like, and other people throw up on a canvass and sell that to the highest bidder. 

Shhh... I'm making art...

 So my advice is to just write. Whether you plot it first, have to do eons of research or compile photographs, the most important part of starting a book is making sure all 26 letters of the alphabet are levelled out on the page in some kind of pattern that is at least pleasing to you, the author. Worry about all the other stuff later. 

Because you can do it. 

You can do the thing!  

 

Something to take your mind off our crazy world by Nancy M Bell

TO learn more about Nancy's work please click on the cover.

It seems the world has gone a bit crazy. So I thought I would take your mind off it for a bit by sharing some writing advice. I hope it works. I also everyone stays safe and healthy.

Building the backdrop of your story is a little different that wholesale world building. I liken world building to crating something piece by piece like Lego, where as I view building the backdrop as a less intense (but not less important)endeavour, more like creating a water colour with wide bold sweeps of creativity.



Building the Backdrop
Nancy M Bell

Where do our stories take place, can our characters exist in a vacuum? Of course not. Our stories need to play out against a rich and engaging background. The environment our stories take place in can become as important as the actual characters and an integral part of the reader’s experience. Examples of this are Tolkien’s Middle Earth, McCaffrey’s Pern, Graham’s portrayal of Cornwall in his Poldark books, Rowling’s Hogwarts and alternate London to name just a very few.
Whether we are creating a whole new world complete with maps and exotic flora and fauna or are just setting our tale against something that exists in reality (or close to it), the behind the scenes part of our creation needs to be the layered, deep and rich foundation upon which we tell our story.
As the creator/author you need a strong concept and vision of what your world consists of. Where is it located, what types of characters live in the background to give flavour to our main characters. Consider the weather; are there seasons, is it always hot or cold, is the environment harsh or lush, are you building a backdrop in a city or a town or a more rural area. Take the time to think about these things before you begin. Draw maps if you need to in order to give you a sense of scope and ground yourself in the environment. Those maps may never get into the actual book, but it will help the author navigate through the fabric of his story and weave his characters into that fabric in bright colours.
You need to develop a 360-degree view of your characters. What dialogue will they speak? Is it cultured? Rough? Upper, middle or lower class? Consider how and what they say and what they don’t say but can be implied by their actions/reactions or movements which may be enhanced or initiated by elements of your backdrop. Sometimes what isn’t said comes across more powerfully than what is said.
Mine the stories behind the main story without distracting or overpowering your main characters. This helps create a vibrant and rich tapestry for your story. An interesting experiment is to write the same scene from different character’s point of view. This often gives a deeper view into the circumstances surrounding your main story thread and enrich your world.
Another important thing to consider is how your characters react to these four things:
Money, sex, food and sleep. This is a good way to get into your characters’ heads and will aid in your development of the characters and the backdrop against which they play their parts.
You want to evoke in your readers a strong emotional connection to your characters and to the world through which they move.
The backdrop is important to your character as it will dictate how they behave; their personal motivation should be reflected in the world you create for them.
What is the economy of your world? Supply and demand is a concept that knows no barriers as to genre or length of story. Consider how the economy you create shape and affect your characters both primary and secondary and the world dynamics. An example of this would be the Avengers and the Blue Cube (Tesseract) all you need to know to grasp the essential concept is that people want the Blue Cube and that dictates the rules of the world. The basis of this world is the Tesseract is the containment Bessel for the Space Stone, one of the 6 Infinity Stones that predate the Universe they’ve created and possesses unlimited energy. This one concept is the basis for the foundation of the that world and the fabric of the backdrop for their adventure.

Be careful not to over explain things, show don’t tell is still a rule to live by.
Consider what the character wants- this algorithm will drive your story forward.
You can draw from history for the foundation of your religious and political systems, given you’re not writing non-fiction you can mix and match from different sources, taking what works best for your story.
Your economy isn’t just based on wealth or class- supernatural powers or lack thereof can enter into it, as well as exchange of power or energy.
Don’t forget the sensory issues when creating your backdrop, what are the sounds, smells, what kind of food, what tastes do your characters enjoy, how tactile is your backdrop, can your reader appreciate the feel of your world, smooth concrete, rough cobbles, deep sand, rolling surf etc. You reader need to feel “immediate” in your world. That is to say engaged in the whole experience of your story. Give your readers physical sensations they know intimately- we all know what a paper cut feels like, or burning your hand on a hot pot etc.
Be sure your created fabric isn’t too perfect or sterile- there must be costs attached to actions, consequences for things that do or don’t happen. The reader needs to feel and enter into the tension and care about the stakes.
There are three hills to die on. Three points of high conflict which helps define your world. Know what they are before you start and work from there.
Alternatively, there is Dan Harmon’s Story Circle consisting of 8 major points to hit. Not unlike the various versions of the Hero Cycle.
Remember to write the book. Don’t get stopped or hung up by the little things. Write the climax first if that is what comes to you.
Write with a ragged edge, release control and allow yourself to be nimble.
Don’t be afraid to kill or rehome your darlings.
Always think “what is the point of this scene.”
Does it serve to drive the plot forward
Be sure your backdrop doesn’t over power your characters or story line- they need to mesh and be compatible.

Until next month, stay well, stay healthy. Please don't hoard food or paper products. Reach out to those vulnerable members of our communities. You can drop groceries or other needed items at their door without any contact if that is what is needed. Seniors are in the high risk group - as well as other vulnerable demographics. Let's all do our part to be sure everyone is safe and taken care of.

A Bit of Writing Advice - First Comes The Idea #MFRWauthor #Advice #Writing

 

 

For the next who knows how many months, I’ll be sharing writing tips I’ve garnered in my 50 years of being a published author.  The Aries Libra Connection is the first book I published electronically. It’s been retitled, revised, updated and now is published by Books We Love LTD. So now onto one of the things I’ve learned about writing.

 

 

Looking at writing your story from the Idea forward. What happens once that idea forms a seed in your thoughts? The idea can be anything that triggers you to want to write a story. You could read something and decide to from your own take on what you've read. How many stories are the fairy tales we've grown up with? Take Cinderella, Snow White, and a lot of other stories you've read or had read to you. How many tales share the themes of these stories?

 

The idea could be something you see. A couple embracing. A man and a woman quarreling. A child making mischief or being sad. What you see could be something like a milling mob, a merry-go-round, a speeding car. What you see can trigger the idea.

 

What you smell. Think of how you react to cookies baking or the aroma of spicy food.  You could find the scent of a place can trigger an idea. For me this can happen when I enter a hospital. The scents bring memories of my past as a nurse and often triggers an idea for a new story.

 

The idea could spring from something you've touched. A soft fur coat, the rough fabric of jeans. A rock, a bench, a brick. Any of these things could bring an idea to the fore.

 

Taste can also trigger ideas. We've all tasted something we think of as ambrosia or something that makes you ill. So let the ideas form.

 

Sometimes something you hear can trigger a story. The wail of a train at night. The sound of footsteps on the street behind you at night. The cries, screams of someone or even their laughter can form a seed for a story. I’ve had stories that hve come from reading something. Past Betrayals, Past Loves came from two readings. The first is Anna Karenina and the story with the unhappy ending. The other grain came from something I read in a book about Ancient Egypt. In a section on the time of chaos when there was no pharaoh came these words. A battle commander wished to be pharaoh. Mermeshu was his name.

 

But we all have these events in out life and ideas may form but once the idea is there, what comes next.  In the next few weeks, I'll be looking at the elements needed to make the idea into a story. Who, What, When, Where, Why and How. Some people think only of the five Ws but for me, there's the How. After all, it does have a w in the word.

 

The idea takes root. For me, I take the idea and think about it while falling asleep. Sort of like a bedtime story, Usually after days of this story telling the book begins to take form.

 

I'll be sharing what I've learned and am still learning in the fifty years I've been a published writer.

 

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