GRIPPING SUSPENSE BY RITA KARNOPP

Today’s reader is savvy and knowledgeable.  I believe this is the reason for the rise in the suspense genre.  Complex characters and shocking plots grab the reader tight, unwilling to let go until the very end.  Conflict advances and drives the plot into an unpredictable story that leaves us exhausted – yet satisfied.

Suspense is the aphrodisiac that keeps readers turning those pages.  So how do you create a gripping suspenseful story that leaves everyone talking?  By creating characters the reader cares about while giving conflict, tension, pacing and clever foreshadowing.  

Create situations where your reader is curious about what’s coming next.  This curiosity builds suspense and a good writer will make it flow naturally.  There are many ways to create suspense:

·         By withholding information from the reader

·         By withholding information from the main characters

·         By telling the story from the villain’s POV – withholding from main characters

·         By the main character knowing who the killer is – but he/she has to prove it

·         Maybe there’s more than one killer

·         The options are endless as are plots.

Most writers know who the killer is . . . oh, we may be surprised now and then, but most likely we have a good idea who we believe did the dead.  You could let the reader know right away – but if you’re like me – I love guessing.

Keeping the killer a mystery to the main characters works so well, it’s the most common plot.  Like I just said, we love guessing.  I want to dissect all the evidence, evaluate the characters, apply common sense, and finally draw my own conclusion and hope I guessed who dun it!

Writing the suspense can be tricky . . . you need to foreshadow along the way just enough so the reader realizes they could have figured it out – but failed to take that vital bit of information seriously. 

So what should you avoid when writing suspense?  I think a prolog is a killer.  I hate them to be honest.  Whatever you need your reader to learn about a character should be fed in small doses.  Make sure it’s important and ameliorates the plot so the reader will understand the character’s motive and why he reacts/behaves in certain conditions or anxious situations.

Intensity is the key to gripping your reader and not letting go.  It speeds up the momentum and the writer must increase the awareness with each new chapter until it climaxes at the end.  Never let this suspenseful action slow . . . or your reader will lose interest.

Suspenseful stories also revolve around relationships, usually love interests, but that can’t realistically interrupt the flow of the intensity.  Don’t have your hero and heroine chasing down a possible killer in an old mine shaft, then have them suddenly rolling on the ground in a passionate interlude, then get back to the chase.  I know – we’ve read it before and doesn’t it just annoy the crap out of you?  It does me.

 

Keep in mind if your characters are in danger and dealing with a killer – then we have to be realistic.  Think it through and ask yourself, “Would a couple really stop in the middle of a chase, have a quickie, then resume the chase?”  This might be their only chance to catch the killer.  Your reader would probably scream, “What are you doing?  You’ve almost caught him!  Put your pants back on and be real.”  You must create believable scenes so your readers don’t question what’s happening. 

In writing suspense, emotion is what gets your reader invested in the story.  In knowing the characters, the reader will either pull for them or become anxious for them to get their due castigations.  

Keep the emotion high so the reader understands the importance of the situation.   It’s the emotion that motivates us, what dictates how we react, and controls our decisions.  And, I’ll say it again, “Suspense is the aphrodisiac that keeps readers turning those pages.”  

Also find Rita at:

Website: http://ritakarnopp.com
Facebook: rita.karnopp@facebook.comBlog: http://mizging.blogspot.com/
Contact her at  ritakarnopp@bresnan.net

MY THREE-LEGGED STOOL OF WRITING

MY THREE-LEGGED STOOL OF WRITING by Karla Stover

Puget Sound has a lot of mystery writers—writing is a good thing to do when it rains—and, for years, I went to meetings of the Mystery Writers of America. They were well-attended and exciting. Then, one of the writers decided people who hadn’t been published by MWA-approved-publishers should be banned. Now, if 20 people attend, it’s a good turnout. However, during the heyday of smooshing with Ann Rule and Earl Emerson, I learned about the three-legged stool:  characters, setting, and action, and giving equal space to each. 

I am currently editing Tahuya Daze (ta-who-ya) the second of my Puget Sound Mysteries, which takes place on Hood Canal. At the book’s beginning, the heroine, Mercedes, comments on madrona trees. They’re unique to the Pacific Northwest. Supposedly, Captain George Vancouver thought their color was like that of strawberries, but then, he’d been at sea for a long time.

Goeducks are also indigenous here. Halfway through the book, Mercedes goes over to the Skokomish Indian Reservation and sees one of these. For those interested, they’re very hard to dig and the skin peels off the neck. (Not to be crude, but it is similar to removing a condom). Ground up goeduck necks and breasts make great chowder. On the TV show, dirty Jobs, Mike Rowe visited a goeduck farm and dug one up. Sadly, he broke its shell, a big no-no.

Since my book takes place in July, my husband and I have been photographing. When Mercedes is captured by the bad guy and forced to walk through some clear-cut land on the hills above the canal.

I remember reading Phyllis Whitney’s books, each of  which took place in a different country. As someone on Goodreads wrote, “Her novels are set in interesting locales that often become a character themselves.”

Not everyone in my critique group likes the three-legged stool: too many people and too much physical “stuff”. I, however, want a sense of place and an opportunity to know the characters. Aren’t well all lucky there’s no right answer?

I tried very hard to make this blog pretty and to have the photographs next to the appropriate paragraph. Unfortunately, it didn't work.  Thanks for any comments you care to make. Karla

Get the Fire Extinguisher! - by Cheryl Wright

Oh my. I do love a fun card. And these Girlfriends cards by Art Impressions literally take the cake!

I've seen a few versions of other people's interpretation of this stamp set, appropriately called Giant Cake, and I might have to, ahem, borrow, some of their ideas.

Here's my version:

These cards are absolutely perfect for my age group, and are just so much fun, albeit a little fiddly to color!

I've lashed out, and have ordered two more sets from the Girlfriends range, which should arrive in the next couple of weeks. (They are extremely difficult to buy in Australia, so I have no choice but to buy them from the US.)  I absolutely adore these stamps, and I'm having an absolute ball with them.

It's wonderful to see what other cardmakers have done with these cards, and I spend quite a bit of time - way more than I'd like - on Pinterest seeking them out.

 Since my last post, I've made another card with the Party Girls set. I added some blue hair this time, as it reminded me of the older ladies I knew in my youth. Blue hair was very popular back them, for ladies 'of distinction'.

Thanks for stopping by. Til next time,

Links:

My website:  www.cheryl-wright.com 
Blog:  www.cheryl-wright.com/blog
Facebook:  https://www.facebook.com/cherylwrightauthor

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