Two Sides to the Cover

By Michelle Lee

BWL Art Director

On the one hand ...

As a fiction writer, you probably already know that research is vitally important.  For example, if you are focusing on a specific time period, you want to use historically accurate words.  Your characters need to feel, to the reader, like they are coming alive - and are authentic.

You polish your work, pouring all of your love and attention and determination into it, and almost grudgingly hand it over to a publisher.  And then the fun begins.

You get a cover concept back - and *gasp* the clothing isn't exactly right.  The waist of the dress is too high, the sleeves not poofy enough, or even worse, the dress isn't flaring enough at the bottom to be a ball gown.

All that research - and for what?

* * *

The other side of the story ...

A cover art form comes in, and after looking it over, the task seems almost impossible.  Finding a couple, wearing the exact clothing in the exact colors, with the perfect hair and eye color, and without modern looking manicures on the woman.

How on earth are you going to come up with a cover that perfectly encompasses all of those details, with stock art.   Especially considering you are not a historical scholar.

The answer is - you aren't.  Which means you are going to disappoint the author in some way (even if it is only a small detail).  And that is a very hard thing to accept on a day to day basis - but it is the reality of the job.

* * *

As an author, I know how important cover art is in not only branding your books, but also giving hints (at a quick glance) of what the story is all about.  I know how frustrating it can be trying to get your vision for the cover across in a two-page form.  I know the agony of waiting for the cover art to come in.  And I know the frustration when details are slightly off.

As a cover artist, I am very familiar with the hours that can be spent (and quite often just wasted) trying to find the perfect image for a cover.  Sometimes the angle is off and it won't merge well with the background, or the model has a very obvious french manicure, yet is posing in Renaissance clothing.  You want to create something both you, and the author, can be proud of ... and yet ... the images just won't cooperate.

* * *

I guess what I am trying to explain with all of this is ... the cover artist-author relationship is a lot like any other relationship.  There has to be some compromise to it.  A lot of understanding.  And the product of the relationship - the cover art - might be slightly flawed by not being perfectly accurate but it is a reflection of both the artists efforts to provide a reflection of the author's hard work and the author's work itself.  So before you get frustrated at the details, take a step back and look at the overall picture.

And ask yourself these simple questions:

* does it overall reflect the tone or feel of the story?
* is is quality and something you would be proud to have showcasing your hard work?
* is is obvious that the artist tried to meet your needs?
* will this cover help your book sell? (and will reader feel it is an accurate - within reason - reflection of the story)

If your answer is no to any of these questions, then you should feel the right to request some serious revisions to the cover, or a complete start over.

But if you answered yes to them all ... ask yourself this ... does that one little inconsistency, that one historically inaccurate detail detract from the overall cover, and is it realistically likely that a better image will be found?

* * *

If you are interested in other rambling about cover art by Michelle Lee, check out the following Inside BWL Blog Posts:
Alas Poor Images, I Cannot Find You
Fonts, Fonts, and More Fonts

and other Behind The Cover Art posts ...

* * *

Michelle Lee is a self-taught cover artist who has an opinion on pretty much everything, and a love of the natural world that often means tidbits and trivia are shared on a whim.  You can check out her portfolio at: Stardust Creations

The Rewards of Random Reading by Sheila Claydon

When I go on holiday I rarely read the books I take with me. Instead I read the books previous holiday makers have left behind. Crammed onto shelves in the hotel reception area, scattered on tables in the guest lounge, stacked beside the TV in the villa or apartment...wherever we happen to be staying there are always abandoned books. And what treasures they are. On holiday I've discovered authors I've never heard of, learned new things, been reminded of  long forgotten stories, looked at situations in a different way and, in the reading, remembered why a new book is always such a joy.

Of course reading on holiday has an added bonus because it's one of the few times it's possible to read a book  from cover to cover in an afternoon.  On my last holiday I read The Color Purple by Alice Walker, and in the process learned a whole lot more about the American Deep South in the early part of the twentieth century. By the time I finished it I was so entranced that I followed it up by listening to a podcast of the actress Whoopi Goldberg being interviewed on the UK Radio programme Desert Island Discs. Whoopi Goldberg won so many acclaims for acting in the Steven Speilberg film of The Color Purple that I wanted to find out more about her, and thanks to the wonders of modern technology, I did just that. Apparently she was so deeply affected when she read the story that she wrote to the author asking for a part if a film was ever made of the book. Alice Walker wrote back about two months later to tell her she had sent  the necessary paperwork to the studios. The film script for The Color Purple was then written specifically for Whoopi Goldberg. It was her first big motion picture. The rest is history.

After I'd allowed myself enough time to think about what I'd just read, I turned to something that I thought would be very different but which turned out to be linked in the strangest way. This was Why Be Happy When You Could Be Normal? by Jeannette Winterson who is a well known British author. It is a semi-fictional autobiography. I know this sounds like an enigma but I assure you it's true. To understand what I mean, however, you'll have to read it.

Like Celie in The Color Purple, Jeanette Winterson is someone who lives on the edge and who also spends much of her life searching for love as well as for a lost love. I didn't see the similarities while I was reading because  one was about a black community in the American Deep South in the 1920s while the other was set in the 1960s in a poor northern town in the UK. In both books, however, the main character was lonesome and abandoned, and immensely brave.  It was only afterwards that the similarities became clear, and that is another benefit of this random holiday reading...there is far more time to think.

There were other books too, more random choices, and while I read them an amazing thing happened. In each one of those holiday books I discovered a fact that was crucial to the novel I had just started writing.  I had an outline clear in my head and the first two chapters written but what I didn't have was the detail. I needed to research a lot of things if I was to get my facts right but it was hot and sunny and I was on holiday, so I decided to concentrate on enjoying myself and worry about the detail when I returned home. Ignoring that little voice in my head that said I should at least think about my story,  I just chose those random books and settled down to read.

I had no plan...I knew very little about them. I wasn't even sure I was going to enjoy them, but although I didn't realize it, they had a plan for me. In each book I read I discovered a nugget of information that I needed to flesh out my own story. I was also confronted by a new way of looking at a situation, something that made me reconsider how one of my characters was going to react. After two weeks of reading these random stories my research was complete without any effort on my part...so to every writer whose book I read in that villa in the sun, thank you. And to every holiday maker who has ever left a book behind, thank you. Random reading has much to commend it.

This link will take you to Sheila Claydon's titles, including her latest release, Book 3 of her Pathways Trilogy,  Saving Katy Gray 
 http://bookswelove.net/claydon.phpsheilaclaydon.com

Writing About What You Know by Joan Donaldson-Yarmey

       

       I took many writing courses and bought just about every book I could find on writing when I was an aspiring writer. In the classes and in most books I was told to write about what I knew. I had to experience life before I could write about it. I also found out that to compensate for lack of knowledge many writers do months of research to get an understanding of the subject they want to write about. They learn what a lawyer would say in court or what a pilot would do in a certain situation.

       But it is the hard emotion that goes with any experience that is hard to duplicate. We have all been scared, but how many of us have felt a deep-seated fear that is immobilizing? We have all felt sadness, but how many of us have had our sadness lead to depression and suicidal thoughts? Experiencing the emotions make it almost effortless to write about them in an authoritative voice.
       Plus, living a certain lifestyle makes it easier to describe that way of life. Many writers do dredge up life’s trauma to make their writing more believable. And many authors have turned their unusual upbringing into bestselling fiction and non-fiction. Take for example, the non-fiction bestseller Angela’s Ashes by Frank McCourt. To make up a childhood like Frank’s would be tough for someone who has not lived it.
       When I was doing my assignments for class I tried to write about what I knew but it was hard to make something exciting out of something so boringly normal. So I wrote the following poem.

 

What I Know

 

My parents never divorced, they
seldom even fought. I was not
abused, not emotionally,
physically, mentally.
I was never raped.
I was not kicked
out of the
house.
I
did not
live on the
streets. I do not
smoke. I don’t do drugs.
I’ve never had a merciless,
pounding hangover. I have not
been in an accident. I have not had a
serious, debilitating, life-threatening illness.
                    I am no minority.
                    I am not disabled.
                    I have no physical
                    deformity. I have
                    not been a victim
                    of a crime, nor am
                    I a shady criminal.
     I have not been discriminated against.
              I am not a lesbian. I am not gay.
                      I am not too skinny nor am
                           I overweight. I have not
                               loved and lost; I have
                                  not lost a loved one
                                        I am not too tall
                                               or too short.
                                                                 I
                                                    certainly
                                               do not stand
                                           out in a crowd.
                                         I have not, at all
                                  been very noticeable
                  With such an ordinary, tedious
           mundane, uneventful life, how will
I ever be able to write about what I know?


       My first published article was about an injured hawk my son and I had found alongside the highway and how we looked after it for a few days until it was able to fly away. Then I tried historical and travel articles. I progressed into travel books, writing seven about what there is to see and do along the roads of British Columbia, Alberta, the Yukon, and Alaska.
       I have loved reading mysteries since I was a child so I decided to try my hand at a mystery novel. Since I knew about travel writing, I made my main character a travel writer. She gets drawn into solving murders while researching places for her travel articles.
       So my experiences have made it possible for me to write about what I know.

 

http://thetravellingdetectiveseries.blogspot.com/
http://www.facebook.com/writingsbyjoan

 

Books of The Travelling Detective Series boxed set:
Illegally Dead
The Only Shadow In The House
Whistler's Murder

http://amzn.com/B00KF07FQM


Gold Fever

http://www.amazon.com/dp/B00PEOSJR8