Sunday, June 2, 2019

I'm Back!!




It's been a while since I've posted. I needed a break. It's difficult writing every day (or trying to) and doing a blog once a month. Plus we moved - that was a good thing. I love our new house - well it's hardly new 50 years old, but new to us.
It needed a lot of work before we could even move in and we only had a little over a week to do it. Thank God for kids. The house was filthy. I don't think there was a room that didn't have food on the walls. Seriously. I don't know if they had food fights or what, but we had to wash them before we could paint them Did I say wash? Scrub is more like it.
And the bathroom needed gutted. Believe it or not there was a big hole in the tub right by the drain. We had the house inspected before we bought it. We noticed the black spot in the tub. Just figured the enamel was chipped. The tub was disgustingly dirty. Talk about scum.  Anyway, the inspector obviously didn't notice the hole either.  He ran the water for almost 15 minutes to make sure it drained. Oh it drained alright. Right under the tub,  We didn't notice it until I was done scrubbing the tub with bleach. My poor hands were red from scrubbing.
So, my son ordered us a new tub, and tried to save the tile, but that didn't work, so we got new tile around the tub and drywall in the rest of the bathroom.  Apparently a pipe broke at some point and the bottom of the vanity was warped. So that had to go also. The only thing we kept was the toilet.  Not that I mind, I love it.
I teased my son about putting in just a shower. Now I wish we had. I haven't taken a bath in several years, so a walk in shower would have been so much nicer. Oh well, live and learn. - Oh, that's the title of the 4th book in the Family Affair series, I've been working on, or trying to at least. Aunt Beatrice Lulu isn't cooperating too well. I guess she's upset because Ethel is writing it and not her.
Everything's not about Beatrice Lulu after all. Of course you'd never convince her of that. Her sweet husband, Ed, doesn't help matters. He worships the ground she walks on. At least most of the time.
If you've read the three previous books, you'll know how much trouble Beatrice Lulu gets into, and usually drags Ethel and Lottie with her. Ethel especially, because Lottie is busy babysitting grandchildren. I guess Ethel will never learn either, because she goes along with Beatrice Lulu's crazy adventures.
All in the Family, Book 1 in the series, introduces Aunt Beatrice Lulu, even though the book isn't about her. Here's an  excerpt:



Usually Callie enjoyed dinner with her grandmother. The judge never ceased to amaze her. She kept a busy schedule, yet still managed to keep house and entertain regularly. Where or how she found the time to clean, cook, and bake was beyond Callie. Lately, though, Gram had been getting on Callie’s case almost as bad as her mother and sister about getting married.
She pulled into Gram’s drive and groaned. Not only would she have to deal with her grandmother, mother, and sister, Aunt Beatrice Lulu was here. Not her favorite person. She eased out of the car. May as well face the music.
Callie’s grandmother greeted her at the door. “How’s the new Police Chief?” Gram’s smile beamed with pride. One thing she’d give Gram credit for, she was proud of her children and grandchildren.
“I’m doing well.” Callie hugged and kissed her. “How are you?”
“Ah, you know how it is. Busy. Jim Landry thinks I should retire.”
“Maybe you should. Take life easy. You’ve certainly earned it.” Callie suppressed a grin. Truth be known, Jim Landry was sweet on Gram.
“And just what would I do with my time?” Gram put her hands on her hips and frowned at Callie. “You young people think everything is solved by retiring.”
“Well, you could travel. Or you could spend more time with Jim.”
Gram waved her hand, but Callie caught the blush on her cheeks before she turned away. “Posh. What makes you think I need to spend more time with Jim?”
 “Well you’re always telling me I should get married. Maybe you should consider it.”
“I was married, remember? And to a very good man. No way could I replace him. Get married, the very idea.”
“Gramps has been gone a long time, Gram. And Jim’s every bit as good. He’s sweet on you, you know.”
Commotion from the other room saved Gram from answering. Callie followed her grandmother into the living room.
Aunt Beatrice Lulu sat in the middle of the floor. Everyone stared open mouthed, looking scared to speak.
“What in the hell are you doing on the floor?” Gram covered her mouth to keep from laughing. “Are you okay? Do I need to call 911?”
“No. You don’t need to call 911. Help me up, for God’s sake.”
“What the hell are you doing on the floor to begin with?”
“I fell. What does it look like?” Aunt Beatrice Lulu took the hand Gram offered.
“I can see that. But what happened?”
At that moment, Aunt Beatrice Lulu spotted Callie. Oh boy, here it came. Her nasally voice grated on Callie’s nerves. Okay, it wasn’t her fault, adenoids or something caused it, but it was still annoying. Sometimes Callie thought her aunt exaggerated it. Maybe she didn’t, but right now it sounded worse than usual, and Callie wasn’t in the mood to listen to her, even if she sounded normal.
Why couldn’t everyone just let her live her life? What made them think they could tell her what to do? Aunt Beatrice Lulu wasn’t the only one. Oh no, Callie’s mother, her sister, heck even Jim Landry weighed in on what she should do with her life or what man she should meet. Everyone was always setting her up with blind dates.
Beatrice Lulu. What kind of name was that anyway? And don’t anyone dare shorten it to Aunt Bea or Aunt Beatrice. Oh, no. It had to be the whole name, or everyone would catch what for.
Callie remembered when she was little-she called her Aunt Bea once. Wasn’t that what Opie Taylor on Andy Griffith reruns called his aunt? Callie thought it was cute. Lord above, you’d of thought she’d put a curse on her aunt or something. She thought she’d never hear the end of it.
That woman ranted and raved for almost an hour about how her name was Beatrice Lulu, not Bea, not Beatrice. It was the name she was born with, the name she was christened, and the name she’d die with. It’s the name she expected people to use. Obviously she was proud of her name, but did she have to go on so? Callie never made that mistake again. No, ma’am. From then on she used her whole name and so did everyone else. All except Uncle Ed, that is.
Callie would never forget when her aunt met Uncle Ed. She about fell out of her chair laughing. Aunt Beatrice Lulu stood there staring at him like she wanted to bash him over the head or something.
Uncle Ed is a big man.  Big--like six feet six or more. Most people are overwhelmed by his height. A giant of a man, he towered over everyone and his shoulders, lord above, they were almost as wide as the doorway. And he had this loud, bellowing voice that vibrated off the walls and back at you. His black curly hair fell in a curl on his forehead, and bushy dark eyebrows sat above the roundest, darkest blue eyes Callie’d ever seen. His straight nose, mustache, square jaw, and creases at the corner of his eyes, as well as his tan, gave him a rugged appearance. Sexy. Ruggedly handsome. Magnum PI or the Marlboro Man. 
Aunt Beatrice Lulu didn’t look impressed. Not that Uncle Ed noticed. He just walked right up to her. “Well, aren’t you a pretty little thing?” he said. “Bet you got a pretty name to match.”

Callie’d never heard anyone refer to her aunt as pretty before. Or little. Nothing about her aunt was little. Okay, she wasn’t huge, but suffice to say she had some added bulk. Nothing Callie’d call pretty about her. Aunt Beatrice Lulu’s nose was too big for her face, her lips too small, and her squinty dark brown, almost black eyes looked beady at best. She pulled her mousy brown hair so tight into a bun on top of her head-Callie swore it pulled every wrinkle out of her face. She usually sat with her arms crossed over her ample bosom and resting on her paunchy stomach. Nope, nothing pretty about her. Portly, but not pretty. Obviously, Uncle Ed thought differently. 
You can read more about the books at: BWL Publishing

Saturday, June 1, 2019

New Releases for June 2019 - BWL Monthly Features Mystery


BWL Publishing Inc's free read for June is
A.M. Westerling's Medieval Romance

A Knight for Love


Visit http://bookswelove.net

to download a free pdf copy 




    
    
    
    
    
    

Friday, May 31, 2019

Priscilla Brown  considers carrots and cliffs






Men are off Cristina's essentials list during her working holiday at a luxury Caribbean resort. 
But can the resort's zany charmer of a pilot break through her defences?



Carrots have received many mentions in literature. Grimm wrote a fairytale The Carrot King; Shakespeare mentioned them in several plays; Edward Lear in a limerick rhymed about a purchase of two parrots fed on carrots (the parrots who frequent my garden turned up their beaks at shredded carrot).


Real carrots for me are just another vegetable, arranged on a dinner plate or shredded onto salad, their colour cheering up the conglomeration of all that green stuff. Perhaps, like me, as a child you were told to "eat your vegies". If you did, something nice may come your way; if you threw a tantrum, you were sent to bed early. The old carrot and stick idiom.

Fiction writers use carrots as turn-the-page bait. A character wants something that's out of reach, but if s/he accepts the dangled  "carrot", for example, adjusting behaviour, overcoming a challenge, telling the truth, the desired outcome may be attainable. We want the reader to worry about the character; will s/he get this elusive something, and if not, what will happen? Tension, conflict, suspense.

In One Thousand and One Nights, each night Scheherazade tells the king a story. Leaving it incomplete, she promises to finish it the following night, so that he, keen to hear the endings, abandons his plan to kill her. Carrots save her life.


 Cliffhangers are similar to carrots in that they encourage readers to continue with the story, eager to know what happens next. Writers use a chapter or scene with a dramatic climactic ending to raise the stakes for the characters: a question or situation unresolved, a physical threat or sense of foreboding or urgency, distressing information...scenarios which leave the reader in suspense.


In Where the Heart Is,  the cliffhanger is almost literal. After an evening of sexy dancing, the protagonists are perched on a dangerous cliff top. She badly wants to sleep with him, but won't until he reveals a secret she believes he's holding. He wants to sleep with her but won't because he's afraid of falling in love and she must return to her home country. The chapter ends with just three words from him, words which devastate her.

Enjoy the carrots and cliffs in your reading!  Priscilla






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