Monday, October 7, 2019

Tombstones Tell A Story by Eileen O'Finlan





My mom will be 93 in October. Feeling her abilities diminishing, she decided she wanted one last trip to her hometown of Bennington, Vermont. So in August we made the three hour drive north for a long weekend. There were several places Mom especially wanted to visit – places that had meaning to her from her youth – the town library, her old high school, the clock in the town center, the former Hotel Putnam that, among other things, once housed her uncle’s pharmacy, and the Old First Church. She also wanted to visit the graves of her parents, brothers, and other relatives.

I’ve always had a fascination for cemeteries so the burying grounds are of particular interest to me. Depending on their age and condition, they may be creepy, haunting, peaceful, or beautiful. In any case, they draw me in. The tombstones themselves are a special source of beguilement. I love studying about the correlation between the change in tombstone engravings and the layout of cemeteries and the changes in societal views of death and the afterlife between the 17th and 19th centuries. These are most fully on display when a cemetery spans centuries as does the one at the Old First Church.

There is much more to read in a tombstone than just the inscription. The shape, size, and substance of the stone and the images engraved on them give powerful hints as to their age and the outlook of those buried beneath them.

In our Bennington travels we visited two final resting places. One was the burying ground owned by and adjacent to the Old First Church. The Church’s congregation was first organized in 1762 and the current church was built in 1805. Its extensive burial grounds are the interment site of soldiers from the American Revolutionary War, both American and British, as well as Bennington’s earliest mayors, Vermont’s early governors, and other prominent citizens.

In one section, the four sides of a stone pillar tell the stories of the burying ground’s Revolutionary era inhabitants.

One side of pillar honoring Revolutionary soldiers buried here

American Soldiers believed buried in Old First Church burying grounds

Hessian (Brunswick) Soldiers believed buried in Old First Church Burying Ground

David Redding - Executed Loyalist

Details regarding Redding's Execution















































































































It is also the final resting place of the great poet, Robert Frost and many of his family members. Fittingly, an elegant birch tree stands watch by his grave. Visitors are invited to reflect on our attitudes about death through the medium his poem, “In A Disused Graveyard”.

Grave site of Robert Frost and Family Members


Mom and my cousin, Patty, reflect near the birch tree at Robert Frost's Grave

Frost's Poem "In A Disused Graveyard"

Closer to our own time period, was our stop at Park Lawn Cemetery where my grandparents, uncles, and other relatives are buried. Compared with older tombstones, I find the more modern ones a bit boring – no disrespect to the dead intended. It’s just that most contain a name, dates of birth and death, and not much else. Unless one expends an enormous amount of money, it’s likely the only viable option, so I quite understand. It’s just that it feels cold and uninteresting to me. However, I did see one grave marker in this cemetery that told a compelling story. It is pictured below.

Grave Marker of William Halford Maguire

The inscription reads:
William Halford Maguire
1911 – 1945
Lt. Col. U.S. Army
West Point ‘32

Chief of Staff, Davao, Mindanao, P.I. when Japan attacked, 1941
Japanese prisoner of War 2 ½ years.
Survivor of three shipwrecks
Subjected to extreme brutality of Japanese captors.
Died Feb. 9, 1945 in Tokyo, Japan, weighing less than 59 pounds
Among awards: Silver Star and Legion of Merit
1933 – Married Ruth Felder, San Antonio, TX.
Children: Mollie Maguire Qvale
William Halford Maguire, Jr.


Imagine all the inspiration for a story to be gleaned from this one grave marker!

As it happens, I am able to add a bit to this story as the above marks the grave of my mother’s cousin. Hal, as she knew him, was captured and forced to walk the torturous Bataan Death March. The fact that he had dwindled to 59 pounds is astonishing in any case, but even more so when one learns that he was well over six feet tall.

Mom remembers Hal as a good-natured fellow whose company she enjoyed. Beyond the grave marker and the little my mom has been able to add, I know nothing about Hal or his life and death. Though it would have to be highly fictionalized, his story is certainly one worth telling.

As writers, we never know when inspiration will strike. Often it comes from the most unexpected places. But if you let the tombstones talk to you, you may come away with the bones of great story. All the better, perhaps, if the story is that of a person who resides in your heart and memory or that of a loved one.



Sunday, October 6, 2019

What to do if there is a hole in your story.



So, you have a hole in your story.

 

Use genre expectation and questions to find the hole.

 State the problem (or what you think is the problem.)

I was writing Book 4 in my mystery series. Doing well until I reached 18,000 words. I did have solid characters and action. BUT (how I hate that word) there was no danger, no suspense, no tension. I knew it could be anything from events (or lack of them) to word choice.

Ruminate (think deeply about something.) One of the most useful writers’ tools. (Lie on the sofa and tell people you are working.)

For two nights, I watched British Mystery TV and crocheted hats, my go-to for keeping front-mind busy so underneath can brainstorm. No real progress on the story. (I did make 2 hats.)

Time to step back and look at the big picture of the story.

Go back to the key ingredients in your genre. The mystery scenes I use, by the way, are the ingredients that Agatha Christie used in her notebooks. They are also noted in Author, Robert Ray’s book, The Weekend Novelist Writes a Mystery.

A murder
A victim
A killer
The discovery of the murder
The reporting of it
A sleuth,
Clues
Revelation & solution

Sure enough, I did have the ingredients. However, there was no zip, no tension. I asked, ‘what increases tension? Was it plot short-falls? Language choice? Character deficits?’

Maybe I needed a ‘ticking clock’ where time is running out and the sleuth is failing or in danger. Ah danger, lots of danger. That’s usually a good one. But what will give me more danger for my characters?

List the key events your characters need.
For me it is a sleuth who:
1) arrives to view the murder scene
2) investigates & interviews witnesses & suspects
3) learn secrets,
4) figures out the critical secret that points at the killer
5) finds herself in mortal danger because the killer knows she knows
6) escapes or is rescued or a bit of both
7) reveals the clues and catches the killer
8) gets reward

Steps 4 and 5 were the two missing pieces in my story—this time.
Dissecting the various elements required in a mystery, I easily saw what was missing. I needed to make things worse for my sleuth to increase tension, and to put her in mortal danger to ramp up suspense. Easy, eh? Actually, in retrospect following a process did make it easy. I finished the book and published it in October 2017.

Stories have building blocks. Genres have expectations.
In looking at the expectations for a mystery, I found my missing blocks. You can do the same in your genre.

 


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Saturday, October 5, 2019

Brighton A Royal Bathroom and Bath House by Rosemary Morris


To find out more about Rosemary's work please click on the cover above.




History inspires, fascinates and triggers my imagination, so it is a pleasure to share a fraction of my research for my new novel Saturday’s Child, Heroines Born on Different Days of the Week, Book Seven.

During the summer months, when London was usually hot and malodourous many people considered it detrimental to their health. After Parliament rose in June, they retired either to their estates in the country or a seaside resort. A popular choice was Brighton, only fifty miles from London. There the Prince of Wales, subsequently the Prince Regent, entertained on a grand scale at his Pavilion, which resembled an oriental palace. Members of the bon ton followed the pleasure-loving prince to Brighton where he enjoyed gambling, riding on the downs, shooting, the theatre and other pastimes. Another attraction was the belief that bathing in sea water and drinking brine could cure anything from – for example – corns to serious diseases.

I assume the Prince Regent, who succeeded as George 1V in 1820, believed sea water was beneficial. His bathroom at the Royal Pavilion was supplied with fresh and sea water, contained a vapour bath, a warm bath, a shower bath, a douche bath and a large plunge pool. Sea water was pumped into a tank in the garden and heated by a boiler for the king to have therapeutic baths.

Few could afford a bathroom as luxurious as the king’s, but bath houses existed either for people too elderly, infirm or shy to bathe in the sea or when there were storms. The first bath house commissioned in Brighton by Dr John Awister was built at the south end of the Steyne. In 1803 the rectangular building with a Neo-Classical façade contained two cold baths, four hot baths and a shower bath which were supplied with sea water.

In 1823 Gilburd’s Baths attached to The New Steyne Hotel is listed by William Scott. At every high tide sea water was pumped by a steam engine through a chalk tunnel. Clients could have hot or cold plunging baths, vapour baths etc. Scott also listed the luxurious oriental Mohamed’s Baths.

Undoubtedly, the patrons at many seaside resorts enjoyed the facilities but, unfortunately, the water was not purified so they were at risk of infection; and it is not known how effective bathing in the sea, in baths and drinking salt-water was.

Classical Historical Fiction by Rosemary Morris

Early 18th Century novels: Tangled Love, Far Beyond Rubies, The Captain and The Countess

Regency Novels False Pretences.

Heroines Born on Different Days of the Week Books One to Six, Sunday’s Child, Monday’s Child, Tuesday’s Child, Wednesday’s Child, Thursday’s Child and Friday’s Child.

(The novels in the series are not dependent on each other, although events in previous novels are referred to and characters reappear.)

Mediaeval Novel Yvonne Lady of Cassio. The Lovages of Cassio Book One

www.rosemarymorris.co.uk

http://bookswelove.net/authors/morris-rosemary

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