When I was a kid, I
didn’t write stories. I wrote letters. A lot of letters. At first, I only sent
them to relatives and Mom would dictate what I was supposed to write – We
are all fine. How are you? Is everyone doing well? The weather here is cold …
hot … wet (depending on the season) - you know, the riveting news people
couldn’t wait to read.
After a few test
drives, Mom stopped checking my letters. Fabulous. I added tales of family
misadventures, after the mandatory weather report, and embellished details to
ensure I came out as the heroine in all escapades. My newly added details which
were not exactly accurate, in my head, were pretty darn funny.
When my grade five
teacher asked the class if anyone was interested in having a pen pal, my arm
flew up. Imagine the stories I could tell them? I ended up with writing pals in
London (England), Lethbridge (Alberta) and Ottawa (Ontario) and for decades, we exchanged letters.
In the 90s with the
evolution of email, connecting with people became easier. I spread life events
further and faster. Sometimes even instantaneously after said event
occurred.
It wasn’t until
2009 that I wrote an actual story. A friend sent me the link to the CBC
Ultimate Canadian Commuter story contest. At the time, I commuted four hours a day to get to work and home again. In Alberta. Where winter weather can
happen in every month.
I whipped up a story
about a bad weather driving day, sent my entry off in an email and carried on
with life. What a surprise to get a call from CBC’s Shelagh Rogers a few weeks
later asking for an interview because I was one of the three finalists. I
didn’t win but wow, who knew writing was so easy?
After the
interview I wrote dozens of short stories and submitted them to contests across
North America totally anticipating a warm reception. Rejection after rejection
rolled in. WTH? Was my CBC entry just beginner’s luck? I pouted for a bit and then decided I needed to figure out how to be a real writer.
Off I flew to a writer’s
workshop to learn about story telling techniques and how to become a legit
author. After I arrived and took in the sights at the facility, I thought if I
failed at the writerly part of the retreat, at least my camera would excel
at snapping images of the sunsets.
The first night,
workshop participants gathered for introductions and supper. I sat at a table
and listened to snippets of conversations from total strangers:
- who's your editor?
- congratulations on making the slush pile
- did you go hybrid or traditional? - it all sounded like a foreign language.
A friendly gal
sitting next to me, turned and asked me, “What are you working on?”
As I forked
through the colourful salad on my plate, I said, “Do you think there’s
raspberry vinaigrette dressing on this?”
The table erupted
into an animated discussion about the salad dressing and its possible
ingredients. Yes, call me the Queen of Deflection. And thank goodness it
worked.
The following days
were filled with writerly information:
- show don’t tell when
writing – there’s a difference?
- use
an active voice – what would a non-active voice sound like?
- use
powerful verbs, avoid ‘ly’ endings - why?
- less
is better – really?
- read
your writing out loud - what if someone hears me?
- discover
your own unique voice – how is that different from my normal voice?
- pantser
versus plotter - pardon?
- how to beat
writer’s block – do I use a chopping block?
- decide on your genre
– how?
So much to learn since
my letter-writing days of embellished heroine antics … and the learning
continues as I debate working on my next novel about Jillian.
Baker, Barbara - BWL Publishing Inc. (bookswelove.net)